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In Our Time

In Our Time

BBC Radio 4

Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.

1686 - The Waltz
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  • 1686 - The Waltz

    Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight.

    With

    Susan Jones Emeritus Professor of English Literature at the University of Oxford

    Derek B. Scott Professor Emeritus of Music at the University of Leeds

    And

    Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton

    Producer: Simon Tillotson

    Reading list:

    Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020)

    Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack’ (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained’ (Dance Research, 36/2, 2018)

    Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011)

    Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022)

    Paul Cooper, ‘The Waltz in England, c. 1790-1820’ (Paper presented at Early Dance Circle conference, 2018)

    Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England’ by Theresa Jill Buckland

    Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001)

    Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022)

    Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013)

    Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009)

    Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006)

    Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012)

    Eduard Reeser, The History of the Walz (Continental Book Co., 1949)

    Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz’ by Andrew Lamb

    Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz’

    Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973)

    Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009)

    Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013)

    Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016)

    David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023)

    Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002)

    Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

    Thu, 11 Apr 2024
  • 1685 - The Gettysburg Address

    Melvyn Bragg and guests discuss Abraham Lincoln's Gettysburg Address, ten sentences long, delivered at the dedication of the Soldiers' National Cemetery at Gettysburg after the Union forces had won an important battle with the Confederates. Opening with " Four score and seven years ago," it became one of the most influential statements of national purpose, asserting that America was "conceived in liberty, and dedicated to the proposition that all men are created equal" and "that this nation, under God, shall have a new birth of freedom-and that government of the people, by the people, for the people, shall not perish from the earth." Among those inspired were Martin Luther King Jr whose "I have a dream" speech, delivered at the Lincoln Memorial 100 years later, echoed Lincoln's opening words.

    With

    Catherine Clinton Denman Chair of American History at the University of Texas and International Professor at Queen's University, Belfast

    Susan-Mary Grant Professor of American History at Newcastle University

    And

    Tim Lockley Professor of American History at the University of Warwick

    Producer: Simon Tillotson.

    Thu, 26 May 2016
  • 1684 - The Muses

    Melvyn Bragg and guests discuss the Muses and their role in Greek mythology, when they were goddesses of poetry, song, music and dance: what the Greeks called mousike, 'the art of the Muses' from which we derive our word 'music.' While the number of Muses, their origin and their roles varied in different accounts and at different times, they were consistently linked with the nature of artistic inspiration. This raised a question for philosophers then and since: was a creative person an empty vessel into which the Muses poured their gifts, at their will, or could that person do something to make inspiration flow?

    With

    Paul Cartledge Emeritus Professor of Greek Culture and AG Leventis Senior Research Fellow at Clare College, University of Cambridge

    Angie Hobbs Professor of the Public Understanding of Philosophy, University of Sheffield

    And

    Penelope Murray Founder member and retired Senior Lecturer, Department of Classics, University of Warwick

    Producer: Simon Tillotson

    Image: 'Apollo and the Muses (Parnassus)', 1631-1632. Oil on canvas. Nicolas Poussin (1594-1665).

    Thu, 19 May 2016
  • 1683 - Titus Oates and his 'Popish Plot'

    Melvyn Bragg and guests discuss Titus Oates (1649-1705) who, with Israel Tonge, spread rumours of a Catholic plot to assassinate Charles II. From 1678, they went to great lengths to support their scheme, forging evidence and identifying the supposed conspirators. Fearing a second Gunpowder Plot, Oates' supposed revelations caused uproar in London and across the British Isles, with many Catholics, particularly Jesuit priests, wrongly implicated by Oates and then executed. Anyone who doubted him had to keep quiet, to avoid being suspected a sympathiser and thrown in prison. Oates was eventually exposed, put on trial under James II and sentenced by Judge Jeffreys to public whipping through the streets of London, but the question remained: why was this rogue, who had faced perjury charges before, ever believed?

    With

    Clare Jackson Senior Tutor and Director of Studies in History at Trinity Hall, University of Cambridge

    Mark Knights Professor of History at the University of Warwick

    And

    Peter Hinds Associate Professor of English at Plymouth University

    Producer: Simon Tillotson.

    Thu, 12 May 2016
  • 1682 - Tess of the d'Urbervilles

    Melvyn Bragg and guests discuss Tess of the d'Urbervilles by Thomas Hardy, originally serialised in The Graphic in 1891 and, with some significant changes, published as a complete novel in 1892. The book was controversial even before serialisation, rejected by one publisher as too overtly sexual, to which a second added it did not publish 'stories where the plot involves frequent and detailed reference to immoral situations.' Hardy's description of Tess as 'A Pure Woman' in 1892 incensed some Victorian readers. He resented having to censor some of his scenes in the early versions, including references to Tess's baby following her rape by Alec d'Urberville, and even to a scene where Angel Clare lifted four milkmaids over a flooded lane (substituting transportation by wheelbarrow).

    The image above, from the 1891 edition, is captioned 'It Was Not Till About Three O'clock That Tess Raised Her Eyes And Gave A Momentary Glance Round. She Felt But Little Surprise At Seeing That Alec D'urberville Had Come Back, And Was Standing Under The Hedge By The Gate'.

    With

    Dinah Birch Professor of English Literature and Pro-Vice-Chancellor for Research and Impact at the University of Liverpool

    Francis O'Gorman Professor of Victorian Literature at the University of Leeds

    And

    Jane Thomas Reader in Victorian and early Twentieth Century literature at the University of Hull

    Producer: Simon Tillotson.

    Thu, 05 May 2016
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