Podcasts by Category

In Our Time

In Our Time

BBC Radio 4

Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.

1687 - Julian the Apostate
0:00 / 0:00
1x
  • 1687 - Julian the Apostate

    Melvyn Bragg and guests discuss the last pagan ruler of the Roman Empire. Fifty years after Constantine the Great converted to Christianity and introduced a policy of tolerating the faith across the empire, Julian (c.331 - 363 AD) aimed to promote paganism instead, branding Constantine the worst of all his predecessors. Julian was a philosopher-emperor in the mould of Marcus Aurelius and was noted in his lifetime for his letters and his satires, and it was his surprising success as a general in his youth in Gaul that had propelled him to power barely twenty years after a rival had slaughtered his family. Julian's pagan mission and his life were brought to a sudden end while on campaign against the Sasanian Empire in the east, but he left so much written evidence of his ideas that he remains one of the most intriguing of all the Roman emperors and a hero to the humanists of the Enlightenment.

    With

    James Corke-Webster Reader in Classics, History and Liberal Arts at King’s College, London

    Lea Niccolai Assistant Professor in Classics at the University of Cambridge and Fellow and Director of Studies in Classics, Trinity College

    And

    Shaun Tougher Professor of Late Roman and Byzantine History at Cardiff University

    Producer: Simon Tillotson

    Reading list:

    Polymnia Athanassiadi, Julian: An Intellectual Biography (first published 1981; Routledge, 2014)

    Nicholas Baker-Brian and Shaun Tougher (eds.), Emperor and Author: The Writings of Julian the Apostate (Classical Press of Wales, 2012)

    Nicholas Baker-Brian and Shaun Tougher (eds.), The Sons of Constantine, AD 337-361: In the Shadows of Constantine and Julian, (Palgrave Macmillan, 2020)

    G.W. Bowersock, Julian the Apostate (first published 1978; Harvard University Press, 1997)

    Susanna Elm, Sons of Hellenism, Fathers of the Church: Emperor Julian, Gregory of Nazianzus, and the Vision of Rome (University of California Press, 2012)

    Ari Finkelstein, The Specter of the Jews: Emperor Julian and the Rhetoric of Ethnicity in Syrian Antioch (University of California Press, 2018)

    David Neal Greenwood, Julian and Christianity: Revisiting the Constantinian Revolution (Cornell University Press, 2021)

    Lea Niccolai, Christianity, Philosophy, and Roman Power: Constantine, Julian, and the Bishops on Exegesis and Empire (Cambridge University Press, 2023)

    Stefan Rebenich and Hans-Ulrich Wiemer (eds), A Companion to Julian the Apostate (Brill, 2020)

    Rowland Smith, Julian’s Gods: Religion and Philosophy in the Thought and Action of Julian the Apostate (Routledge, 1995)

    H.C. Teitler, The Last Pagan Emperor: Julian the Apostate and the War against Christianity (Oxford University Press, 2017)

    Shaun Tougher, Julian the Apostate (Edinburgh University Press, 2007)

    W. C. Wright, The Works of Emperor Julian of Rome (Loeb, 1913-23)

    Thu, 18 Apr 2024
  • 1686 - The Waltz

    Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight.

    With

    Susan Jones Emeritus Professor of English Literature at the University of Oxford

    Derek B. Scott Professor Emeritus of Music at the University of Leeds

    And

    Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton

    Producer: Simon Tillotson

    Reading list:

    Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020)

    Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack’ (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained’ (Dance Research, 36/2, 2018)

    Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011)

    Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022)

    Paul Cooper, ‘The Waltz in England, c. 1790-1820’ (Paper presented at Early Dance Circle conference, 2018)

    Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England’ by Theresa Jill Buckland

    Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001)

    Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022)

    Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013)

    Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009)

    Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006)

    Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012)

    Eduard Reeser, The History of the Walz (Continental Book Co., 1949)

    Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz’ by Andrew Lamb

    Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz’

    Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973)

    Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009)

    Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013)

    Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016)

    David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023)

    Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002)

    Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

    Thu, 11 Apr 2024
  • 1685 - The Gettysburg Address

    Melvyn Bragg and guests discuss Abraham Lincoln's Gettysburg Address, ten sentences long, delivered at the dedication of the Soldiers' National Cemetery at Gettysburg after the Union forces had won an important battle with the Confederates. Opening with " Four score and seven years ago," it became one of the most influential statements of national purpose, asserting that America was "conceived in liberty, and dedicated to the proposition that all men are created equal" and "that this nation, under God, shall have a new birth of freedom-and that government of the people, by the people, for the people, shall not perish from the earth." Among those inspired were Martin Luther King Jr whose "I have a dream" speech, delivered at the Lincoln Memorial 100 years later, echoed Lincoln's opening words.

    With

    Catherine Clinton Denman Chair of American History at the University of Texas and International Professor at Queen's University, Belfast

    Susan-Mary Grant Professor of American History at Newcastle University

    And

    Tim Lockley Professor of American History at the University of Warwick

    Producer: Simon Tillotson.

    Thu, 26 May 2016
  • 1684 - The Muses

    Melvyn Bragg and guests discuss the Muses and their role in Greek mythology, when they were goddesses of poetry, song, music and dance: what the Greeks called mousike, 'the art of the Muses' from which we derive our word 'music.' While the number of Muses, their origin and their roles varied in different accounts and at different times, they were consistently linked with the nature of artistic inspiration. This raised a question for philosophers then and since: was a creative person an empty vessel into which the Muses poured their gifts, at their will, or could that person do something to make inspiration flow?

    With

    Paul Cartledge Emeritus Professor of Greek Culture and AG Leventis Senior Research Fellow at Clare College, University of Cambridge

    Angie Hobbs Professor of the Public Understanding of Philosophy, University of Sheffield

    And

    Penelope Murray Founder member and retired Senior Lecturer, Department of Classics, University of Warwick

    Producer: Simon Tillotson

    Image: 'Apollo and the Muses (Parnassus)', 1631-1632. Oil on canvas. Nicolas Poussin (1594-1665).

    Thu, 19 May 2016
  • 1683 - Titus Oates and his 'Popish Plot'

    Melvyn Bragg and guests discuss Titus Oates (1649-1705) who, with Israel Tonge, spread rumours of a Catholic plot to assassinate Charles II. From 1678, they went to great lengths to support their scheme, forging evidence and identifying the supposed conspirators. Fearing a second Gunpowder Plot, Oates' supposed revelations caused uproar in London and across the British Isles, with many Catholics, particularly Jesuit priests, wrongly implicated by Oates and then executed. Anyone who doubted him had to keep quiet, to avoid being suspected a sympathiser and thrown in prison. Oates was eventually exposed, put on trial under James II and sentenced by Judge Jeffreys to public whipping through the streets of London, but the question remained: why was this rogue, who had faced perjury charges before, ever believed?

    With

    Clare Jackson Senior Tutor and Director of Studies in History at Trinity Hall, University of Cambridge

    Mark Knights Professor of History at the University of Warwick

    And

    Peter Hinds Associate Professor of English at Plymouth University

    Producer: Simon Tillotson.

    Thu, 12 May 2016
Show More Episodes