On Creative Writing

Writer, publisher, and digital media artist Kyle Flemmer takes the mike to interview acclaimed poet and essayist Alice Major about her new book, Triangularity: Essays on Poetry, Science and Spirit, recently published by the University of Alberta Press.

Alice, known for her thoughtful explorations at the intersection of art and science, delves into the central metaphor of her new collection: the triangle, her model for exploring for the dynamic relationship between science, poetry, and religion—three realms that have shaped human understanding for centuries.

Throughout the episode, Alice shares how her personal journey has informed her writing. She reflects on her upbringing and early experiences with faith, her enduring sense of wonder about the universe, and how these influences have woven themselves into her creative practice. The discussion touches on the ways in which scientific accuracy and religious language can both enrich and complicate poetic expression.

Alice describes how she navigates the tension between empirical truth and metaphorical resonance, striving to honor both the rigor of scientific thought and the imaginative possibilities of poetry.

Kyle and Alice also explore the cognitive processes behind creativity. Alice discusses how the mind’s search for patterns and meaning is central to both scientific inquiry and poetic invention. She offers insights into her writing process, revealing how curiosity, observation, and a willingness to embrace uncertainty drive her work.

The conversation highlights the importance of interdisciplinary thinking, suggesting that poetry and science are not opposing forces but complementary ways of engaging with the mysteries of existence.

Listeners will gain a deeper understanding of how Alice approaches the craft of writing, drawing connections between seemingly disparate fields. She shares anecdotes from her career, including moments of inspiration and challenge, and offers advice for writers seeking to bridge gaps between disciplines in their own work.

In addition to discussing Triangularity, Alice gives listeners an exclusive preview of her forthcoming poetry collection, Principle of Locality, set to be released by Turnstone Press in spring, 2027. She hints at the themes and ideas that will shape this new book, continuing her exploration of the intersections between science, language, and the human spirit.

Whether you’re a writer, a lover of poetry, or simply curious about the interplay between science and the arts, this episode offers a thought-provoking look at the ways in which creative and analytical thinking can inform and inspire.

Alice Major is a Canadian poet, writer, and essayist, who has published 15 books, including 13 collections of poetry and a collection of essays on poetry and science. Her work has appeared in anthologies, journals, and magazines around the world, and she has presented papers at a number of conferences.

On Creative Writing is extremely grateful to writer, publisher, and digital media artist Kyle Flemmer for interviewing Alice. Kyle is from Calgary in Treaty 7 territory. In 2014, he founded The Blasted Tree Publishing Company, a small press focused on experimental poetics and visual art. Flemmer’s books include Barcode Poetry, Supergiants, TzAR: Pixel Art Anthology, and The Wiki of Babel.

To celebrate Women in Translation Month, On Creative Writing speaks with Montreal-based author Marie-Josée Poisson to discuss the translation of her historical mystery novel, Blood Bound: Unleashing Secret Ties, by translator Flora-Lee Bendit, and published Guernica Editions.

Originally published in French in 2014, the novel centers on a determined woman who embarks on a journey to trace her genealogical roots, drawing inspiration from the enigmatic Madame de Pompadour. Marie-Josée shares the fascinating story behind her book’s creation, including her extensive research trips to France, immersing herself in the settings and historical context that bring the narrative to life.

We look at the challenges and rewards of translating literature, as Marie-Josée describes her close collaboration with translator Flora-Lee. Together, they navigated the nuances of language and culture to ensure the English version, released in March 2026, is true to the voice of the original French text. Marie-Josée offers valuable insights into the process of finding the right translator, emphasizing the importance of trust, open communication, and a shared vision for the work.

Marie-Josée also offers practical advice for aspiring writers. She encourages authors to focus on completing their first drafts before diving into revisions, stressing that finishing a manuscript is a crucial milestone.

This episode is a must-listen for lovers of historical fiction, books in translation, or anyone curious about the creative process involved in bringing a novel from one language and culture to another. Discover the inspiration, dedication, and collaboration that created Blood Bound: Unleashing Secret Ties, and celebrate the power of women’s voices in literature across borders.

Find Marie-Josée Poisson at www.mariejoseepoisson.ca/LieesParLeSang, on Instagram, and on Facebook.

She is anticipating being at Winnipeg's Thin Air Festivalin early October, 2026. And earlier this year Marie-Josée read in Calgary with poet Nathalie Simpson at Pages on Kensington as part of Flywheel Reading Series. In May, Marie-Josée read with Trident Booksellers & Café in Halifax with Robert de la Chevotière, whose latest novel The Twelth House is released in August, 2026.

Thank you to Hollay Ghadery of River Street Writing for co-ordinating this interview!

In this episode of On Creative Writing, host Sheelagh Caygill sits down with Chinese Canadian author Su Chang to discuss her acclaimed debut novel, The Immortal Woman.

Su takes listeners on a compelling journey from her childhood in Shanghai to her life in North America, revealing how her experiences as an immigrant have profoundly shaped her voice as a writer. Sheelagh and Su look at the challenges and rewards of writing in English, Su’s second language. Su explains how English, with its distance from her mother tongue, provided her with emotional freedom—allowing her to express thoughts and feelings that might be constrained by the cultural reserve and censorship often present in Chinese society.

Su opens up about her family’s tumultuous experiences during the Cultural Revolution, and how these personal and historical traumas have influenced the themes of The Immortal Woman. The episode explores the novel’s focus on collective amnesia, intergenerational conflict, and the lingering effects of political upheaval on family relationships.

Su shares how writing became a therapeutic process, helping her to process her own struggles with immigrant identity, belonging, and the tension between remembering and forgetting the past.

Sheelagh and Su also discuss the broader context of Asian Canadian literature, the importance of diverse voices in storytelling, and the ways in which fiction can serve as both a mirror and a bridge between cultures. Su offers insights into her creative process, from initial inspiration to the challenges of revision and publication. She gives listeners a glimpse into her next project—a hybrid work that blends memoir, fiction, and cultural commentary, which is currently under submission.

If you’re interested in the craft of writing, the immigrant experience, or the power of stories to heal and connect, this episode offers a rich and thoughtful exploration of creativity, resilience, and the search for identity. Tune in to hear this engaging conversation, and discover the transformative potential of writing across languages and cultures.

The Immortal Womanis published by The House of Anansi Press.

Awards and acclaim for Su Chang's The Immortal Woman

Shortlists and FinalistsCommendations and Lists.

In this episode of On Creative Writing, host Sheelagh Caygill sits down with Canadian poet Kim Mannix to discuss Kim's debut poetry collection, Confirm Humanity, published in October 2025 by Wild Skies Press. Kim shares insights into her journey as a writer, beginning with her background in journalism and how it has influenced her approach to poetry.

Kim talks about the ways in which her experience as a journalist—her attention to detail, curiosity, and ability to distill complex stories—translates into her poetic voice, allowing her to capture both the personal and the universal in her work.

They explore the themes that run through Confirm Humanity, including grief, motherhood, and the impact of global violence. Kim describes how poetry has become a vital tool for processing difficult emotions and making sense of the world’s chaos. She discusses the therapeutic aspects of writing, and how putting feelings into words can offer both solace and clarity.

Kim reads four poems fromConfirm Humanity, including "Disturbing the Peace" and "Watercolour." Kim introduces each poem, offering context about their origins and the emotions behind them. She explains how prompts—whether from writing groups, workshops, or her own curiosity—often spark her creative process, pushing her to explore new ideas and perspectives. Kim shares anecdotes about how certain poems emerged from unexpected moments or observations, highlighting the serendipitous nature of inspiration.

The episode also touches on Kim’s fascination with true crime and unsolved cases, a theme she hints will be central to a future chapbook project. She discuss the ethical considerations of writing about real-life tragedies, and how poetry can offer a space to honor victims’ stories while grappling with the complexities of justice and memory. Kim reflects on the responsibility writers have when engaging with sensitive material, and how she strives to approach these subjects with empathy and respect.

Kim also talks about her role as board president of the the Edmonton Poetry Festival, reflecting on the importance of community and collaboration in the literary world. She emphasizes how being part of a vibrant poetry scene has shaped her own writing and provided opportunities to connect with other poets and readers.

Kim has lived in many places in Canada and now lives in Sherwood Park, Alberta. She offers advice for aspiring poets, encouraging them to embrace vulnerability, seek out supportive communities, and remain open to experimentation. She underscores the value of reading widely and engaging with diverse voices, noting how exposure to different styles and perspectives has enriched her own work. The episode concludes with Kim sharing her hopes for the impact of Confirm Humanity, expressing a desire for readers to find connection, comfort, and a sense of shared humanity in her poems.

Find Kim's book in all independent bookstores and online, and find Kim at Makesmesodigress.com.

In this episode of On Creative Writing, guest host and poet Marco Melfi sits down with talented poet Stephanie Bolster to discuss her latest collection,Long Exposure(Palimpsest Press, 2025). The conversation examines the book’s remarkable 15-year creation process, revealing how time, patience, and evolving perspectives shaped the final work.

Stephanie, who is a creative writing professor at Concordia University, Montreal, shares insights into Long Exposure's fragmented long-poem structure, explaining how this form allowed her to capture the complexity and multiplicity of disasters—both natural and man-made.

Marco, author of the poetry collection Routine Maintenance(Gaspereau Press, 2025), asks Stephanie about the central events that inspired Long Exposure, including Hurricane Katrina, the Chernobyl disaster, and the COVID-19 pandemic. She talks about her approach to writing about these catastrophes, emphasizing the importance of bearing witness without appropriating others’ suffering, and the ethical challenges of representing trauma and disaster. Stepanie says she strives to balance the chaos inherent in such events with moments of humanity and empathy in her poetry.

Some poets are inspired by, or focus on, the sounds of their poems, while others are inspired by images. The images may be a fleeting image created by a few words and vivid in the mind's eye for a few moments. Or they may be seen in a book, galleries, museums, etcetera, or what a poet observes as they move through their day. For Stephanie, the photographs of Canadian photographer Robert Polidori have impacted and inspired her. She explains how the act of taking and viewing photographs parallels the experience of writing about disaster: both involve framing, selection, and sometimes, a necessary distance. She describes how photographs can both reveal and obscure truth, and how this duality influenced her poetic choices.

Stephanie reads several evocative excerpts from Long Exposure, each illuminating the systemic failures that often underlie large-scale disasters and the profound human cost that follows. Her readings highlight the tension between the personal and the collective, the seen and the unseen, and the immediate and the historical. Marco and Stephanie discuss how poetry can serve as a form of testimony, offering space for reflection, mourning, and, ultimately, understanding, and Marco also draws attention to Stephanie’s use of sparse punctuation and unconventional visual formatting, noting how these stylistic decisions mirror the book’s themes of displacement, fragmentation, and loss.

Throughout the episode, Marco skillfully guides the conversation, drawing connections between Stephanie’s poetic techniques and the broader questions her work raises about memory, responsibility, and the role of the artist in times of crisis. Stephanie answers with insightful and revealing reflections on her writing, including the challenges of sustaining a long-term project and the ways in which her own thinking about disaster and representation evolved over the years.

Poets and readers of poetry curious about the intersections of art and social responsibility will find that this podcast episode offers thoughtful conversation and many insights.

On Creative Writing is grateful to Marco for taking the host's seat, and to Stephanie for her wonderful responses to Marco's questions.

Links:

Stephanie Bolster.

Long Exposureby Stephanie Bolster.

Marco Melfi.

Routine Maintenance,by Marco Melfi.

Photographer Robert Polidori.

On Creative Writing host Sheelagh Caygill welcomes essayist and poet Sadiqa de Meijer, based in Kingston, Ontario, Canada.

Sadiqa provides a thoughtful meditation on what it means to belong, to create, and to live attentively in a fast-paced world, and also reads the poem 'Living Rooms of Qaf' from her new collection, Qaf's People.

To prepare for this interview, Sheelagh read Sadiqa's writing and listened to quite a few podcasts interviews with Sadiqa, and thinks of this episode as, unofficially, part three of conversations Sadiqa had with Liisa Kovlova, host of Women Writing - listen here, and with Hollay Ghadery, host of New Books Network - listen here.

Sadiqa was born in The Netherlands and moved to Canada with her parents when she began high school. In this interview, she reflects on her mixed Dutch-Kenyan heritage and how this duality profoundly shapes her perspective as a writer. Sheelagh and Sadiqa discuss the complexities of cultural identity and the nuances of the immigrant experience, exploring how these themes surface in Sadiqa’s essays and poetry.

Sadiqa shares how her upbringing and family background have influenced her sense of belonging and the way she navigates questions of home and language. She describes the challenges and rewards of writing from a place of hybridity, where multiple cultural influences intersect and inform her voice. The discussion touches on the importance of honouring one’s roots while also embracing the fluidity of identity, especially in a multicultural society like Canada.

A significant part of the episode is devoted to Sadiqa’s creative process. She emphasizes the vital role of feeling and intuition in her writing, explaining how she tunes into her emotional landscape to access deeper truths. Sadiqa offers practical advice for writers at various stages of their writing careers. She advocates for the practice of attentiveness—being fully present and observant in everyday life—as a wellspring for creative inspiration. She also highlights the value for writers of keeping a notebook and journaling, not just as a records of events, but as a tools for exploring thoughts, emotions, and sensory experiences in greater depth.

In addition to writing, Sadiqa says that drawing and other visual arts can enhance a writer’s powers of observation. She encourages writers to experiment with sketching as a way to slow down, notice details, and engage with the world in a more mindful way. This holistic approach to creativity, she suggests, can lead to richer, more authentic work.

Sadiqa explores the intersection of art, identity, and mindful living. She discusses how writing can be a form of self-discovery and a means of forging connections across cultural boundaries. Her insights will give listeners a deeper appreciation for what's involved in essay writing, and particularly essays infused with poetry, as well as strategies for cultivating creativity and self-awareness.

Discover Sadiqa de Meijer’s unique perspective on writing, identity, and the power of mindful observation.

Links:

Sadiqa's Q&A with Oncreativewriting.com.

The long poem Sadiqa references: The Conference of the Brids.

One of the essays Sadiqa reads from is, 'After Etty', is about Etty Hillesum, the Jewish-Dutch diarist who was imprissoned in Kamp Westerbork and then murdered at Auschwiz concentration camp on November 30, 1943.

The essays titled 'Dwaallichtjes': Dwaallichtjes is the Dutch term for the eerie-looking lights hovering over bogs and swamps that are usually the result of swamp gas (e.g. methane) oxidizing in the dark. In Dutch folklore tales, dwaaslichtjes are described as the souls of unbaptized children, mischievous elves, or spirits of the dead attempting to lead unwary travelers into danger. Read more, or listen here. (English term: Will-o'the-wisp).

The film Sadiqa mentions which influenced the poem 'Living Rooms of Qaf' from her new collection Qaf's People is Universal Language.

On Hollay Ghadery's The Unravelling of Ou,“Wildly original and captivating. A phenomenal examination of female shame, sexuality, queerness, motherhood, and intimacy, Hollay Ghadery writes with sensitivity and resonating beauty through an unconventional narrator: a sock puppet, Ecology Paul, who delivers the emotional coming-of-age tale of young Minoo with whimsy and emotional depth" - Lindsay Wong, author of Villain Hitting for Vicious Little Nobodies.

"I've not read a book like this or or similar to it. It is so different. It's deep, it's moving, and it explores so many important themes"  - Host Sheelagh Caygill in this episode.

In this episode of the On Creative Writing podcast, host Sheelagh Caygill speaks with acclaimed Canadian author Hollay Ghadery about her debut novel, The Unraveling of Ou (Palimpsest Press, 2026).

Hollay tells listeners about the inspiration and creative work behind the book, which tells the story of Minoo, an Iranian woman forced into exile in Canada. Separated from her infant child and parents, Minoo finds herself navigating a new country, loneliness, grief, her sexuality, and the lingering trauma of her past. As she struggles to adapt, Minoo develops an unusual relationship with a sock puppet named Ecology Paul, who becomes a confidant and a lifeline as she attempts to piece together her fractured sense of self.

Hollay discusses the novel’s central themes, which include shame, identity, queerness, exile, motherhood, attachments, and the pervasive influence of patriarchy. She touches on how her own experiences as a woman of Iranian descent living in Canada informed parts of the emotional landscape of the novel, and how she aimed to portray the psychological toll of displacement and cultural dislocation. The discussion also touches on the ways in which shame can shape and distort our sense of self, particularly for women and mothers who are often judged by impossible societal standards.

Hollay offers listeners a look at her writing style, which is strongly influenced by her poetic style and blends lyrical prose with raw emotional honesty. She discusses her approach to character development, the importance of voice, and the challenges of writing about difficult subjects such as mental health, isolation, and the search for belonging.

Hollay and Sheelagh explore the significance of Ecology Paul, the sock puppet, as both a symbol of Minoo’s resilience and a manifestation of her inner turmoil. Hollay explains how the puppet serves as a coping mechanism for Minoo, allowing her to externalize her fears and anxieties in a way that is both creative and heartbreaking.

In addition to discussing The Unraveling of Ou, Hollay gives listeners previews of her upcoming projects: A forthcoming children’s book, Being With the Birds,which is slated for release with Guernica Editions in 2027, and a collection of travel essays set in Ontario, in which she explores the landscapes, communities, and hidden stories of the province through a personal lens.

This episode offers listeners insights into Hollay's creative experiences and inspirations that shape her work, and the universal themes that resonate throughout her writing.

Hollay is based in Ontario, Canada and is an author and book publicist with the company she founded, River Street Writing.

Links:

Mentioned in the episode: Old Women at Play, by Adele Wiseman.

Read Hollay Ghadery's Q&A interview at On Creative Writing.

Listen to Hollay Ghadery discuss her memoir, Fuse.

Episode with guidance for writers on book publicity from Hollay Ghadery.

Hollay's published works are:

Fuse(2021, Guernica Editions)

Rebellion Box (2023, Radiant Press)

The Blades of Grass are Dreaming (2025, Anstruther Press)

Widow Fantasies (2024, Gordon Hill Press)

The Unravelling of Ou (2026, Palimpsest Press)

Being with the Birds (2027, Guernica Editions)

In this episode of On Creative Writing, guest host Su Chang sits down with debut novelist Ann Cavlovic to discuss her powerful and timely novel, Count On Me, published by Guernica Editions in 2025. Su is also an author and her debut novel The Immortal Woman was published in 2025 by House of Anansi.

Count on Me centers on Tia Pysar, a mother who finds herself at the crossroads of caregiving, financial responsibility, and family conflict as her parents age. The novel delves deeply into the often-unspoken realities of the sandwich generation—those who are simultaneously caring for their children and their aging parents. Through Tia’s experiences, Ann explores the complexities of intergenerational trauma, the emotional and logistical challenges of elder care, and the subtle but devastating forms of elder abuse that can occur within families.

Ann reveals how her background in economics and her own personal experiences as a caregiver informed the novel’s narrative and themes. She discusses the ways in which financial control and dependency can become tools of manipulation or even abuse, and how these issues are frequently overlooked both in literature and in real life. Ann’s nuanced portrayal of elder abuse—ranging from neglect to more insidious forms of control—invites readers to confront uncomfortable truths about aging, vulnerability, and the responsibilities we owe to our loved ones.

One of the most striking aspects of Count On Me is its willingness to tackle subjects that are rarely explored in contemporary fiction. Elder abuse and end-of-life care are topics that many people shy away from, both in their personal lives and in the stories they choose to read. There is a cultural reluctance to face the realities of aging and the difficult decisions that come with it, and as Ann and Su discuss, this silence can perpetuate cycles of harm and misunderstanding. By bringing these issues to the forefront, Ann hopes to spark honest conversations about what it means to care for our elders, how to recognize and prevent abuse, and how to prepare—emotionally and financially—for the inevitable changes that come with aging.

Ann shares her disciplined writing process, explaining how she managed to craft a novel while balancing the demands of single motherhood and a professional career. She offers practical advice for writers who are juggling multiple responsibilities, emphasizing the importance of setting realistic goals, carving out dedicated writing time, and seeking support from friends and family.

Throughout the episode, Su and Ann reflect on the power of fiction to illuminate difficult subjects and foster empathy. They discuss how novels like Count On Me can serve as catalysts for change, encouraging readers to examine their own family dynamics and to have the tough conversations that are so often avoided.

Ann’s hope is that her book will not only entertain but also educate and empower readers to take proactive steps in their own lives—whether that means checking in on an elderly relative, seeking legal advice about power of attorney, or simply starting a dialogue about aging and care.

This episode of On Creative Writing is a must-listen for anyone interested in the intersection of literature, family, and social issues. Ann Cavlovic’s Count On Me is a brave and compassionate exploration of topics that are too often left in the shadows, and her conversation with Su Chang offers valuable insights for writers, caregivers, and readers alike. This episode underscores how fiction can shine a light on the realities we’d rather not face—and why it’s so important that we do.

Links:

Ann Cavlovic

Count on Me

Ann Cavlovic on writing

Su Chang

The Immortal Woman

Su Chang on writing.

In this episode of the On Creative Writing podcast, debut novelist Emma Marnes joins host Sheelagh Caygill for an detailed discussion about book publicity and self-promotion on a minimal budget.

Emma’s novel, The Walk, began as a spark of inspiration while she was studying in Dublin, and she takes listeners through the experience of that initial idea to seeing her book in print. She shares the process of finding a publisher, the importance of having an author website, and how she navigated the sometimes-daunting world of social media to connect with readers and fellow writers.

Emma opens up about the challenges and opportunities that come with promoting a first book, especially for those who identify as introverts. She offers practical, actionable advice for authors who may feel overwhelmed by the idea of putting themselves out there. A key messages is the importance of knowing your audience—understanding who your readers are and where they spend their time, both online and offline. Emma explains how this knowledge helped her choose publicity methods that felt authentic and manageable, such as reaching out to local book clubs and securing speaking engagements with organizations like the Women’s Institute.

Emma tells Sheelagh about the importance of selfless networking—making genuine connections without making every opportunity “all about me.” Emma stresses that successful networking is about building relationships, supporting others, and being sincerely interested in what people are doing, rather than simply seeking personal gain. She shares examples of how offering help, sharing resources, and celebrating others’ successes has led to meaningful collaborations and unexpected opportunities.

Related to this is the likability factor in book promotion. Emma notes that readers and industry professionals are more likely to support authors who are approachable, positive, and authentic. She encourages writers to let their personalities shine through in their interactions, whether online or in person, and to focus on building trust and goodwill within the literary community.

Selfless networking and likability created two big wins for Emma. One was being fortunate to be able to produce an audiobook of The Walk on a tight budget. She describes how through university connections she found talented student, Erin Connolly, to narrate The Walk, resulting in a high-quality audiobook without the hefty price tag. Erin received her first professional credit by narrating the book, and will receive 50 percent of the audiobook royalties. This resourceful approach underscores Emma’s belief that creativity and community can open doors, even when resources are limited.

The second big win was securing her own radio program for one year, Wednesday Words and Music, with Phoenix FM, an Essex radio station.

Emma’s book publicity campaign for The Walkspeaks to the power of perseverance, community, adaptability, and self-belief. She reminds listeners that every author’s path is unique, and so creating book publicity strategies that align with your own strengths and values are key. Finally, it's essential to support other writers and authors.

Links:

EmmaMarns.com

Instagram and Facebook

Buy The Walk, or order from your local bookstore.

Emma Marns' audio essay on writing The Walk

Emma Marns' Q&A interview

Audiobook narrator Erin Connolly.

In this episode of the On Creative Writing podcast, guest Marco Melfi discusses his debut poetry collection, Routine Maintenance, published by Gaspereau Press (2025) with guest host Alice Major. Marco is a graduate of Simon Fraser University’s The Writer’s Studio. His poems have appeared in The Antigonish Review, The New Quarterly, Prairie Fire, The Arc Award of Awesomeness, Funicular, FreeFall and The Prairie Journal. His chapbook, In between trains, was published in 2014. He lives in Edmonton on Treaty 6 Territory, and works as a planner.

Alice is is an award-winning poet and essayist based in Edmonton, Canada. She has published twelve collections of poetry, two novels for young adults, and an award-winning collection of essays about poetry and science. Her most recent collection of poetry is Knife on Snow, (Turnstone Press, 2024). In August, 2026, a new collection of essays and poetry titled Triangularity will be published by the University of Alberta Press.In this episode, Marco and Alice explore the intersections between everyday experience and poetic expression. Marco shares some poems from Routine Maintenance, each delving into themes of daily life, family relationships, and urban landscapes.

Routine Maintenancecaptures the subtle beauty and quiet moments of ordinary routines. The poems study the rhythms of home and city life, memories of time with loved ones, and the ways in which memory shapes our understanding of the present. His poetry is marked by vivid imagery and a keen attention to the sounds and forms of language, inviting listeners to find meaning in the familiar.

Marco discusses his creative process, revealing how his work as an urban planner informs his writing. He explains how his professional experience offers a unique perspective on the built environment, inspiring poems that engage with the physical landscapes of the city. Marco and Alice talk about the importance of place in poetry, considering how streets, neighborhoods, and public spaces can serve as both setting and subject, grounding abstract emotions in concrete detail.

They touche on the significance of poetic form and sound. Marco describes his approach to crafting poems, emphasizing the role of rhythm, line breaks, and repetition in shaping the reader’s experience. He shares insights into how the musicality of language can elevate everyday moments into something artful and resonant.

Alice and Marco reflect on the transformative power of poetry, exploring how writing can help us see the world anew. They consider how poems can draw attention to overlooked details, celebrate the mundane, and offer solace or insight during challenging times. Marco speaks candidly about the joys and challenges of writing about family, memory, and routine, and how poetry allows him to honour the small but significant moments that make up a life.

Marco’s work demonstrates that inspiration can be found in the most routine aspects of daily existence, from morning commutes to broken furnaces, car maintenance, and evening walks in the neighbourhood. This episode highlights the value of paying attention, of slowing down to notice the textures and patterns that shape our days.

Marco and Alice help us see how writing can help us connect more deeply with the routine, our communities, and the places we call home.

Find Marco Melfi online at Instagram.

Find Alice Major at her website and on Instagram.

Buy Routine Maintenance from Gaspereau Press or your local bookstore.

Guest host and poet Kim Mannix sits down with poet and digital media artist Kyle Flemmer for an in-depth conversation about his latest poetry collection, Supergiants, published by Wolsak and Wynn.

In this engaging episode, Kim and Kyle delve into the unique intersections of poetry, science, and visual art that define Kyle’s work, offering listeners a glimpse into the mind of a writer who is constantly pushing the boundaries of literary form.

Kyle shares the inspiration behind Supergiants, his recent collection published by Wolsak and Wynn in 2025, and how it draws heavily from the awe and mystery of astronomy. Kyle explains how the vastness of the cosmos and the intricate systems of the digital world serve as both metaphor and method in his poetry. He describes his fascination with the language of science and how it informs the experimental structures found throughout the book, from visual poems that mimic star charts to pieces that play with the logic of computer code.

Kim notes that Kyle has quotes from poets Diane Ackerman and Alice Major at the opening of his book. Kyle says, "Yes, Alice Major is a big influence on my writing as well [and] her poem 'Let us compare Cosmologies' from her book Standard Candles. I think I had read the Ackerman book (The Planets: A Cosmic Pastoral)first and was like, "Wow, that's an amazing ideal to aspire to in my own work." And then reading Alice Major, I realized, "I know this person! This is something that I could do. It belongs and it fits in our community. And so I feel like maybe Diane Ackerman is my poetic godmother, and Alice Major is more like my poetic mom herself."

Kim and Kyle explore the creative process behind Supergiants, touching on the challenges and rewards of blending scientific concepts with poetic expression. Kyle offers insights into how he balances rigorous research with imaginative leaps, and how his background in digital media art allows him to experiment with form in ways that invite readers to engage with poetry on multiple sensory levels.

The conversation also highlights the collaborative nature of Kyle’s work, as he discusses the importance of feedback from peers and mentors in shaping the final manuscript.

He looks at the feminist themes woven throughout Supergiants, and reflects on his commitment to challenging traditional narratives within both science and poetry, and how he seeks to amplify marginalized voices through his work. He shares how feminist theory has influenced his approach to authorship, representation, and the ethics of artistic creation, emphasizing the need for inclusivity and critical engagement in contemporary literature.

Listeners are treated to live readings of selected poems from Supergiants, with Kyle providing context and commentary on each piece. These readings showcase the collection’s innovative use of language, form, and imagery, inviting the audience to experience the wonder and complexity of the universe through a poetic lens.

The episode concludes with a preview of Kyle’s upcoming projects, including new experiments in digital poetry and collaborative art. Kyle expresses his ongoing commitment to expanding the boundaries of what poetry can be, encouraging listeners to embrace curiosity and openness in their own creative pursuits.

If you’re a longtime poetry lover or new to experimental literature, this episode offers thought-provoking into into new imaginative territories.

Find the full transcript of Michael Mirolla's audio essay, 'Michael Mirolla on metafiction: Writing that reflects on its own creation'.

In this episode of the On Creative Writing podcast, award winning author Michael Mirolla delivers an audio essay deep into the genre of metafiction, a literary mode that self-consciously highlights its own artifice and construction, inviting readers to reflect on the very nature of storytelling itself.

Michael begins by defining metafiction and explaining how it distinguishes itself from other literary forms such as realism, magic realism, and speculative fiction. While realism strives to create the illusion of a seamless, believable world, and magic realism blends the ordinary with the extraordinary, metafiction draws attention to its own fictional status. By doing so, it breaks the so-called fourth wall, making readers acutely aware that they are engaging with a crafted narrative rather than an objective reality. Michael illustrates how this self-awareness can be both playful and profound, offering writers and readers alike a unique lens through which to examine the act of creation.

Delving into the historical roots of metafiction, Michael traces its lineage from early examples in classical literature to its flourishing in the postmodern era. He highlights key authors who have shaped and expanded the boundaries of metafiction, such as Laurence Sterne, whose novel "Tristram Shandy" is often cited as a pioneering work, and more contemporary figures like Italo Calvino, Jorge Luis Borges, and Margaret Atwood. Michael discusses how these writers use metafictional techniques to question narrative conventions, blur the lines between author and character, and explore the relationship between fiction and reality.

The episode also explores the contemporary relevance of metafiction, particularly in the context of feminist and postmodernist approaches. Michael examines how feminist writers have employed metafiction to challenge patriarchal narratives and give voice to marginalized perspectives, while postmodernists have used it to deconstruct grand narratives and highlight the instability of meaning. He discusses how metafiction remains a vital tool for writers seeking to engage with the complexities of identity, language, and power in the modern world.

Drawing from his own experience as a novelist, Michael shares personal insights into the creative process behind his metafictional works. He describes the sense of freedom that comes with embracing metafiction, allowing writers to experiment with form, structure, and voice in ways that traditional storytelling might not permit. Michael encourages listeners to view metafiction not as a set of rigid techniques, but as an invitation to play with the possibilities of narrative, to question assumptions, and to forge new paths in their own writing.

Whether you are a seasoned author or just beginning your creative journey, this episode provides valuable perspectives on how metafiction can enrich your writing practice and open up new avenues for artistic exploration.

Discover how metafiction can transform the way you think about stories—and perhaps inspire you to experiment with your own writing, challenging conventions and embracing the limitless potential of literary art.

On Creative Writing is grateful to author Sean Minogue for this engaging audio essay about writing his speculative fiction time-travel thriller, Terminal Solstice! Sean takes listeners through the decade-long period during which he was (mostly) writing Terminal Solstice (Ravenstone, an imprint of Turnstone Press, 2025).

Sean describes the novel’s central concept: a world where time literally freezes, and everyone is suddenly stuck in an unconscious, mannequin-like state. All technology stops, cars crash, and planes fall from the sky. These events happen without warning and follow no predictable schedule. While governments struggle to adapt, small groups have discovered a way to stay awake during these "frozen" events. Terminal Solstice follows three characters as they navigate a power struggle within a city that is totally silent and motionless.

The novel progressed over ten years, beginning as a collection of loosely connected ideas before transforming into a cohesive narrative. Sean describes the early stages of experimentation and how his vision for the story sharpened as he evolved personally and immersed himself in parenting.

While writing Terminal Solstice, parenthood became a priority for Sean. Although writing was set aside for a time to focus on his child, being a parent significantly influenced his creative process—over time, he became more patient, more aware, and a better problem solver.

Sean also discusses how his diverse background in theater, film, and television influenced his approach to storytelling, specifically regarding pacing, dialogue, and visual imagery. He reflects on how his work as a copywriter honed his ability to write with clarity and precision—skills that proved invaluable during many rounds of revision—and notes how mentorships helped guide his progress.

As the writing process continued, the story grew more complex, with characters and themes deepening as Sean revisited and reimagined the manuscript. He emphasizes the importance of patience and allowing a story to unfold organically rather than forcing it into a predetermined mold.

Finally, Sean shares his experience working with Turnstone Press. He speaks highly of the collaborative process, noting how the editorial team provided insightful feedback that was instrumental in refining the manuscript for publication.

Throughout this episode, Sean offers valuable insights into the emotional and practical realities of novel writing. His journey is a testament to the power of persistence and the rewards of following a creative vision.

Connect with the Author:

Find Sean Minogue at his website and follow him on Instagram.

Discover Sean’s Q&A interview at OnCreativeWriting.com.

In this episode of the On Creative Writing podcast, host Sheelagh Caygill sits down with novelist and poet Kim Farner to discuss her latest poetry collection, The Pollination Field,published by Turnstone Press of Winnipeg, Manitoba.

This engaging conversation delves into the book’s rich tapestry of themes, including the vital role of pollinators in our ecosystems, the enduring power of myth, the intersections of feminism and environmental change, and the deeply personal transformation that underpins Kim’s work.

Throughout the episode, Kim offers listeners a glimpse into her creative process, sharing how her Sudbury roots and the landscapes of Northern Ontario have shaped her poetic voice. She reflects on the ways her upbringing and the natural world around her have influenced her writing, from the imagery she employs to the subjects she explores. Kim also discusses the profound impact of her Irish heritage, weaving together stories of family, folklore, and cultural memory that inform her poetry’s sense of place and identity.

Listeners are treated to readings fromThe Pollination Field, as Kim brings her evocative language to life and provides context for the collection’s central motifs. Sheelagh and Kim explore how the act of pollination becomes a metaphor for connection, renewal, and the interdependence of all living things. The conversation touches on the challenges and rewards of writing about environmental issues through a feminist lens, and how poetry can serve as both witness and catalyst for change.

Kim opens up about her experiences with grief and loss, and how these emotions have found expression in her evolving poetic forms. She shares insights into the importance of allowing oneself to experiment with structure and voice, and the ways in which poetry can offer solace and understanding during difficult times. The discussion also highlights the significance of reading deeply and widely, with Kim offering thoughtful advice for new poets on finding inspiration, honing their craft, and building resilience in the face of rejection.

As the episode draws to a close, Kim reads her poignant poem “Grief,” inviting listeners into a moment of reflection and empathy. She also shares a preview of her upcoming projects, including a new novel in progress and a series of workshops aimed at fostering creativity and community among emerging writers.

Whether you’re a seasoned poet, an aspiring poet, or a lover of poetry, this episode offers a wealth of inspiration and wisdom. Join Kim and Sheelagh for a heartfelt exploration of poetry, place, and the transformative power of words.

The Pollination Field is available from Turnstone Press and all good bookstores and online stores.

Episode information and links:

Jericho Brown, creator of the Duplex form.

Càirdeas is the Gaelic word for kindred friend. Càirdeas is an ekphastic poem in The Pollination Field. Explore ekphrastic poetry:

https://crae.mcgill.ca/article/view/56/106, and

https://www.malahatreview.ca/interviews/reibetanz_interview.html

Books Kim recommends:

Poetry Unbound: 50 Poems to Open Your World, by Pádraig Ó Tuama

How a Poem Moves: A Field Guide for Readers of Poetry, by Adam Sol.On the poem "Grief", Kim explains: "The poem, "Grief", along with the other very short poems in the collection, speaks to a rough year. I was struggling with long Covid and the end of a close friendship and it seemed nothing was working well. The crab apple tree in my front yard did not flower, for the first time in ten years, and so I found it was symbolic of how grief can find be reflected in the natural world. In this case, the tree taught me about how some years are "fallow seasons," more about rest and acceptance than about persistence and stubbornness. "Grief" is also an attempt to play with shorter poetic forms, to try and get at a crystallized image and then extend the metaphor. "

In this episode of On Creative Writing, author Emma Woodhouse sits down with Canadian author Lucy E. M. Black to discuss her latest novel, A Quilting of Scars. Lucy discusses her fulfilling career in education and how her background as an educator has influenced her storytelling, particularly her sensitivity to the complexities of human experience and her deep appreciation for history.

Lucy and Emma explore the origins of A Quilting of Scars, a work of historical fiction set in Ontario, Canada in the late 19th and early 20th-century. Lucy reveals the extensive research that went into crafting the novel, from poring over archival documents to conducting interviews with historians and community members. She discusses how real-life stories and historical events found a place in A Quilting of Scars,and how one upsetting and distrubing memory from her early school years gave the book its title.

The discussion delves into the novel’s central themes, including secrecy, trauma, and sexuality. Lucy explains how these themes are interwoven in the story, much like the symbolic motif of quilting that appears in the book. She describes quilting as both a literal and metaphorical act—representing the piecing together of memories, the preservation of stories, and resilience in the face of adversity. Emma and Lucy talk about the importance of giving voice to marginalized characters and exploring the hidden histories that often go untold.

Lucy offers a behind-the-scenes look at her writing process, from the initial of inspiration which came from a poster she and her husband saw in an antique store. She was so taken with it she hung it in her writing studio and slowly, over time, the story of Larkin and A Quilting of Scars began to evolve.

Lucy touches on the challenges of revision and editing. She shares how she develops her characters, giving them depth and authenticity by drawing on her own experiences and observations. Lucy emphasizes the importance of empathy in writing, and how she strives to create characters who are flawed, complex, and ultimately relatable.

The conversation also touches on the role of community in the writing life. Lucy speaks passionately about the support she has received from fellow writers, readers, and literary organizations. She highlights the value of participating in writing groups, attending workshops, and seeking feedback from trusted peers. For emerging writers, Lucy offers practical advice: read widely and voraciously, embrace constructive criticism, and never underestimate the power of perseverance.

Throughout the episode, Emma and Lucy reflect on the transformative power of storytelling and the ways in which literature can foster understanding and connection. Lucy’s insights into the craft of writing, her dedication to historical research, and her commitment to amplifying underrepresented voices make this a must-listen episode for anyone interested in creative writing, historical fiction, or the art of storytelling.

Find Lucy E.M. Black at her website linked above and on Instagram.

A Quilting of Scarsis published by Now or Never Publishing.

In his audio essay for On Creative Writing, Ken Wilson, author of Walking the Bypass: Notes on Place from the Side of the Road, explores the transformative power of walking as both a reflective and creative practice.

Ken shares how his regular walks along Regina’s controversial bypass—a space often dismissed as a “non-place”—became a catalyst for personal insight, creative inspiration, and a deeper connection to the land. Through his experiences, Ken demonstrates how attentive walking can turn overlooked or utilitarian spaces into meaningful places, rich with stories and significance.

A professor of creative writing at the University of Regina, Ken gives some history and context of the Regina bypass, discussing its impact on the landscape, local communities, and the ways people relate to their environment. He reflects on the concept of “non-places,” a term used to describe spaces like highways, airports, and shopping malls that are designed for transit rather than dwelling. By walking these spaces with intention and presence, Ken challenges the idea that any place is truly devoid of meaning. Instead, he suggests that meaning emerges through our relationships with the land, our memories, and the stories we bring to these spaces.

Part of the audio essay centers on Indigenous concepts of kinship and the sacredness of all places. Ken discusses how Indigenous worldviews emphasize interconnectedness—not just among people, but with animals, plants, water, and the land itself. He contrasts this with settler colonial histories that often treat land as property or a resource to be exploited, leading to a sense of disconnection and alienation. By weaving these perspectives together, Ken encourages listeners to reconsider their own relationships with the places they inhabit and move through, no matter how mundane or overlooked they may seem.

In this narrative, Ken considers how walking can become a meditative and creative act. He talks about the ways in which walking helps him process thoughts, generate ideas for writing, and cultivate a sense of presence. For Ken, walking is not just a means of getting from one place to another, but a way of being in the world—an opportunity to slow down, observe, and engage more deeply with the environment.

Ken asks us to recognize the histories embedded in the land, the stories that shape our understanding of space, and the responsibilities we have as inhabitants and stewards. He advocates for a more thoughtful, responsible relationship with the environments we often overlook, reminding us that every place—no matter how ordinary—holds the potential for connection, meaning, and transformation.

Whether you’re a writer, a walker, or someone interested in place-based thinking, this episode offers inspiration and practical wisdom for cultivating a deeper sense of belonging and responsibility to the world around you.

Links to books, authors, and subjects mentioned in this audio essay:

The Plains Cree word is wâhkôhtowin. The macrons on the vowels are important; some words in Cree mean something different when the long vowels aren't marked.

"Ruderal" is the word for disturbance used in Bettina Stoetzer's 2018 article, "Ruderal Ecologies: Rethinking Nature, Migration." Her new book, City: Ecologies of Migration, Race, and Urban Nature in Berlin, was published in 2022 by Duke University Press Books.

Author Louise Halfe, who Ken once walked with.

Chief Loud Voice's words come from Alexander Morris's account of the treaty negotiations (Project Gutenberg).

Philosophers' Walks,by Bruce Baugh.

A Philosophy of Walking, by By Frédéric Gros. 

Wanderlust: A History of Walking, by Rebecca Solnit.

Métis artist Bob Boyer.

Trevor Herriott, prairie writer, naturalist, and activist.

The Regina Bypass.

Host Sheelagh Caygill sits down with James Cairns, an author and professor at Wilfrid Laurier University, Ontario, to discuss publicizing his essay collection, In Crisis, On Crisis: Essays in Troubled Times,published by Wolsak and Wynn.

Until this book was released, James' books were mostly academic texts, and so this was the first time James was closely involved in a busy publicity campaign, co-ordinated by River Street Writing.

They examine River Street's strategies that helped James successfully promote In Crisis, On Crisis, offering actionable advice for authors at any stage of their careers. James emphasizes the importance of having a clear publicity plan, tailored to the book’s themes and intended audience. He highlights how working with a professional publicist amplified his book's reach, and also notes that authors themselves play a crucial role in the process.

James' simple observations about podcast interviews are really helpful! He says audiences really just want to like a guest and learn about a topic, so be personable and engaging from the start. If podcast interviews feel intimidating at first, feel free to ask a podcast host what they might ask, or if they can send example questions. He also invested time in coming up with about ten questions coming up with questions he imagined a host or interviewer might ask about his book, and then he drafted the answers to those potential questions. This, he says, gave him confidence and with experience he knew when to cut in or could figure out where a conversation may go.

Local engagement emerges as a key theme, with James recounting how connecting with independent bookstores, libraries, and community organizations has been instrumental in building grassroots support for his book.

He encourages authors to participate in local readings, festivals, and book events, noting that these events not only boost visibility but also foster meaningful connections with readers. James also discusses the value of writing essays and op-eds related to the book’s subject matter, which can attract new audiences and establish the author as a thought leader in their field.

Social media is another powerful tool in the modern author’s publicity toolkit. James shares his approach to using platforms like Twitter, Instagram, and Facebook to engage with readers, share behind-the-scenes glimpses of his writing process, and promote upcoming events. He advises writers to be authentic and consistent in their online presence, and to interact with followers in a genuine way.

James explains why he doesn't have an author website, instead relying on his page on the university website, while Sheelagh presents the pros of an author website.

Throughout the episode, James offers practical, real-world advice for writers navigating the complexities of book promotion. From collaborating with publicists and media professionals to building relationships within the literary community, his insights provide a roadmap for authors seeking to maximize their book’s impact. Whether you’re preparing to launch your debut or looking to reinvigorate your publicity efforts, this episode is packed with tips and inspiration to help your book find its audience.

Mentioned in the interview:

In The Field, by Sadiqa de Meijer, published by Palimpsest Press.

James' Q&A with On Creative Writing.

James' podcast episode exploring the writing of In Crisis, On Crisis: Essays In Troubled Times.

James Cairns on Instagram.

Guest host Kim Mannix, author of the new poetry collection Confirm Humanity,is excited to tell you all that the On Creative Writing Poetry Contest is officially OPEN!

The Poetry Contest is giving $300 Canadian for the first prize, and $100 Canadian for the runner-up!

Here’s what you need to know:

● Who can enter? Anyone, anywhere in the world.

● What are we looking for? Original poems in English. Any subject, any style.

● The fine print: Your poem must be unpublished and no longer than 50 lines.

● Entry fee: Just $5 Canadian per poem, and you can enter as many times as you like.

Now, a few words about the judges and the sponsors. Your poem will be judged by a stellar panel: poet and professor Rob Winger, Kim Mannix, a poet and author of a new collection called Confirm Humanity, and On Creative Writing’s Sheelagh Caygill.

Not least, a big thank you to poetry contest sponsors, Wolsak and Wynn publishers and River Street Writing author and book publicity firm, for making this poetry contest possible.

The entry deadline will be here soon! Mark your calendar, set a reminder, tattoo it on your arm—just don't miss it!

The deadline is Friday, December 19, 2025, at 11 a.m. Mountain Time.

Stop waiting for inspiration and start submitting! We can't wait to read your entry.

If you’re a lover of poetry, we have another contest you’ll want to know about. This contest is for a hard copy of award-winning poetKim Fahner’s new collection, The Pollination Field. This beautiful book has been provided by the publisher, Turnstone Press. The contest for Kim’s book closes on Friday, December 12, 2025 at 11 a.m Mountain time.

Enter both contests at Oncreativewriting.com.

Thanks, and good luck everyone!

By Sheelagh Caygill

The Writer's Spark Coaching Competition is designed for creative writers who need that extra push, that spark to reignite their passion and move forward with their work.

Have you ever felt stuck in your writing? Maybe you're wrestling with your first draft, or you've lost momentum on a project that once excited you. Maybe self-doubt has crept in, or life has simply gotten in the way. If any of this sounds familiar, this competition might be exactly what you need.

The competition offers one writer a prize including sessions with a writing coach, editing, a one-year free membership with Brain.fm, and a Q & A interview with On Creative Writing. This prize is about transformation. It's about getting the professional support and tools you need to move your writing forward.

If you know you have a bit of talent within you—that unique combination of observation, imagination, and perspective that only you can bring to your work—but your spark is diminished, then I want you to enter. 

The prize

First, you'll receive two one-hour coaching sessions with Fiona Fenwick, a professional coach and mentor based in New Zealand who specializes in helping creative writers reconnect with their creative energy, focus, and clarity. 

In your first Zoom session with Fiona, you'll discuss and explore your goals, challenges, and any obstacles getting in your way. Are there habits preventing your progress? 

Fiona will help you find solutions and provide actionable recommendations. 

Then, three to four months later, you'll have a follow-up session for continued support. 

Plus, Fiona will be available for email support as needed throughout the process.

Fiona specializes in helping writers overcome self-doubt and build sustainable writing habits. Her coaching is truly a lifeline for anyone navigating the ups and downs of the creative process. 

Listen to a simulated coaching session with Fiona in my interview with her in the episode titled How a writing coach helps creative writers become unstuck, released Sept. 23 2025.

You'll receive a free full year subscription to Brain.fm. This isn't just background music. Brain.fm's music is scientifically engineered to work with your brainwaves to help you focus, relax, sleep, or meditate.

The third component is two hours of professional editing and feedback from me. As an experienced journalist and creative writer, I'll tailor the editing to your specific needs. 

You might want to divide the time into two sessions—I can review your work first, then we'll discuss my feedback over Zoom. Or you can use me as an alpha or beta reader, and I'll send you a detailed report. 

Finally, you'll have the opportunity to be featured in a Writers Reveal Q&A interview here at On Creative Writing. You'll also be promoted through our newsletter and social media platforms. It's a wonderful opportunity to share your story and connect with our community of readers and writers.

To enter you need to have reached the age of majority in your country or jurisdiction. 

You'll need to answer two questions. The first question asks why you deserve to win. This is the answer that Fiona and I will evaluate, based on how well it's written—we'll consider spelling and grammar, use of language, persuasiveness, and writing style.

The second question asks you to describe your project in 300 to 700 characters. Tell us about the genre, the subject, whether you've started, and if you have a deadline. 

The entry fee is just $6 dollars Canadian to cover administrative costs. You can pay through our Ko-fi page when you submit your entry. 

Entries, coaching, and editing sessions will be in English.

Deadline: Friday, December 19th, 2025 at eleven a.m. Mountain Standard Time.

If you're in a creative rut, dealing with writer's block, or need motivation to push through, this prize will help!

Enter here: https://www.oncreativewriting.com/writers-spark-coaching-contest

In this episode of On Creative Writing, guest host and poet Kim Mannix sits down with acclaimed Canadian author C.J. Levigne to explore her post-apolyptic novella, The Drowned Man’s Daughter.

C.J. shares the origins of the book, which came out of her experiences with climate grief and a sense of isolation during the COVID-19 pandemic. She describes how these experiences, combined with her fascination for the rugged beauty of the Nova Scotia coastline, shaped the novella’s evocative setting—a small, weather-beaten fishing village teetering on the edge of environmental collapse.

C.J. offers listeners a behind-the-scenes look at her writing process, revealing how she balances meticulous research with moments of creative spontaneity. She discusses the challenges of editing The Drowned Man’s Daughter, particularly when it came to maintaining narrative tension and emotional resonance in a shorter format.

Kim and C.J. discuss the novella’s unique blend of speculative genres, including elements of magical realism, folklore, and eco-fiction. C.J. explains how she wove together these threads to create a story that feels both timeless and urgently contemporary, reflecting anxieties about climate change while also drawing on the mythic traditions of the Atlantic coast.

The episode also highlights C.J.’s experience working with NeWest Press’s Barbour Books imprint, which is focused on acquiring speculative fiction. C.J. talks about collaborating with Barbour’s new editor, Jenna Butler, whose keen editorial eye and passion for innovative storytelling helped shape the final manuscript. She shares anecdotes from the editing process, including tough decisions about what to cut and what to expand, and how Jenna’s feedback pushed her to deepen the core of the story.

C.J. works full-time and mentions the "bl**dy mindedness" she employed to finish The Drowned Man’s Daughter,working from initial drafts through rounds of revision and the uncertainties of submitting to publishers.

She emphasizes the importance of research—not just into the environmental science that underpins the novella’s world, but also into the folklore and oral histories of coastal communities. Kim and C.J. touch on the role of community in the novella and on how isolation and connection are mirrored in both the story and the author’s own creative journey.

Listeners will come away with a richer understanding of blending genres, including dystopian fiction, building immersive settings, and working with a supportive editorial team. It is a must-listen for anyone interested in the intersection of literature, place, and pressing contemporary themes.

Host Kim Mannix is a poet who has just released her debut collection, Confirm Humanity. Read Kim's interview with On Creative Writing.

Author Saad Omar Khan, a Pakistani Canadian writer and the author of the acclaimed debut novel Drinking the Ocean, joins host Sheelagh Caygill for a thoughtful and wide-ranging conversation about his writing and his book.

Saad was born in the United Arab Emirates to Pakistani parents and lived in the Philippines, Hong Kong, London, and South Korea before immigrating to Canada. He is a graduate of the University of Toronto and the London School of Economics and has completed a certificate in Creative Writing from the School of Continuing Studies (University of Toronto) where he was a finalist for the Random House Creative Writing Award (2010 and 2011) and for the Marina Nemat Award (2012).Saad shares insights into his multicultural upbringing and how his cosmopolitan upbringing has shaped both his view of the world and his writing. He reflects on the complexities and richness of navigating cultures, and how these experiences inform the characters, settings, and themes in his writing.

Listeners will hear a reading from Drinking the Ocean, where Saad brings to life the emotional depth and lyrical prose that have won him praise for this debut. He reflects on the literary influences that have shaped his voice, and discusses how he sought a balance of perspective for the characters of Murad and Sofi in Drinking the Ocean.

Saad strives to authentically portray the nuances of faith, mental health, and culture in his fiction. He discusses how he aims to represent these themes with honesty and sensitivity, avoiding stereotypes and instead offering multidimensional characters who grapple with real-life challenges. He shares his writing process, through to revisiions, and talks about the authors and books that have influenced him.

We touch on balancing a full-time professional career with creative writing. Saad offers advice for writers who are juggling multiple responsibilities, emphasizing the importance of discipline, time management, and self-compassion. He also highlights the role of literary communities—both online and in-person—in providing support, feedback, and a sense of belonging for writers at all stages of their careers.

The episode also explores the complexities of love, identity, and belonging, as Saad discusses how fiction can be a powerful tool for empathy and understanding. Saad offers a look at the challenges and rewards of writing about topics that are deeply personal yet universally relatable.

Find Saad Omar Khan online.

Drinking the Oceanis published by Wolsak and Wynn.

Read Saad Omar Khan's interview at On Creative Writing.

Guest host and poet Marco Melfi (author of Routine Maintenance) joins poet and professor Chris Hutchinson to explore the intricacies of Chris’s latest poetry collection, Lost Signal. Marco and Chris have a thoughtful discussion about the intersections of creativity, technology, and culture in contemporary poetry. They reflect on the enduring power of poetry to connect people across differences, create moments of shared understanding, and inspire both joy and critical thought.

The poets unpack the origins of Lost Signal, with Chris sharing the inspirations and experiences that shaped the collection. He discusses how the rapid evolution of technology and the omnipresence of digital culture have influenced not only the themes of his poems but also his approach to language and form.

The conversation explores the role of place and personal experience in Chris’s poetry. He describes how his sense of identity is shaped by the landscapes he’s inhabited, from urban environments to more rural settings, and how these places inform the emotional and imagistic texture of his poems. Chris emphasizes the importance of observation and presence, explaining how paying close attention to the world around him fuels his creative process and helps him capture moments of beauty, uncertainty, and transformation.

Chris reads several poems from Lost Signal, offering listeners a glimpse into his poetic voice and sensibility. Each reading is accompanied by a discussion of the poem’s origins, themes, and craft. Chris shares insights into his writing process, highlighting his use of intuition in writing first drafts and the necessity of revision in refining his work. He talks about the challenges of balancing spontaneity with careful editing, and how he strives to keep the energy of an initial idea while shaping it into a finished poem.

Marco and Chris delve into broader questions about the function of poetry in society. Chris believes in poetry’s unique ability to critique cultural norms, question dominant narratives, and foster empathy among readers. He discusses the pleasure he finds in the musicality and playfulness of language, as well as his commitment to engaging with social and political issues through his art. The conversation touches on the responsibilities of the poet in an era of rapid change and uncertainty, and how poetry can serve as both a mirror and a catalyst for personal and collective reflection.

Chris offers advice to aspiring poets and writers, encouraging them to trust their instincts, embrace revision, and remain open to the world’s complexities.

He explains: "My process as very intuitive. I honestly haven't had an idea for a poem or a book. Other people have ideas and schemes, and I admire that . . . you know, you travel to museums or do interviews and compile all this information and you kind of know where you're going. I think that's a very mature and sophisticated kind of creative process that I envy. And unfortunately, or maybe for better or for worse, I just don't. I've never been able to. Or maybe I haven't even bothered to try to do anything quite like that.

"I love sitting down and having no expectations and not really knowing what a poem is. If I have preconceived ideas or assumptions about what am I going to do, then I won't make any discoveries. It's no surprise for the writer, no surprise for the reader, as Robert Frost once said.

"I like the idea of clearing one's mind and turning off one's internal editor, self-criticism, and doubts, in order to just allow language to kind of gurgle up from your unconscious or wherever it comes from and spontaneously spill out onto the page."

Thanks to Marco Melfi for hosting this episode, and to Chris for his time as a guest!

Chris Hutcinson

Lost Signals

Marco Melfi

Routine Maintenance

Novelist Susan Wadds presents an audio essay for this episode of On Creative Writing. She discusses her debut novel, What the Living Do. The title is from a poem by Marie Howe, which addresses someone who has passed away, and tells what the living is doing with their day.

Susan's novel centers on Brett Catlin, a woman navigating the complex terrain of grief, guilt, and a cancer diagnosis, all while coming to terms with a haunting childhood tragedy. The story looks at how the past continues to shape the present, and how healing can emerge from even the deepest wounds.

Many years ago, Susan had cancer and felt that there was a psychological underpinning to the disease. She shares her experiences with illness and how it informed both the emotional landscape of her protagonist, Brett Catlin, and the broader themes of her novel. She describes the challenges of writing authentically about pain and vulnerability, and how drawing from her personal journey allowed her to create a character who feels both real and relatable. Susan also discusses the cathartic power of storytelling, and how writing became a means of processing her own grief and uncertainty.

A significant part of Susan’s writing journey involved participating in supportive writing workshops. She shares how these creative communities provided not only technical guidance but also much-needed encouragement and camaraderie.

She wrote What the Living Do after years of not writing, even though she had been writing since before her teenage years. But after spending a lot of time in India and raising a family, she had stepped away from writing seriously. She had lost her confidence in being able to write a story, but was introduced to a woman named Sue Reynolds, who uses the Amherst Writers and Artists method of writing and workshop facilitation to help writers write what they need to write. Susan went to Sue's workshops and with the support of other writers and celebrating one another's successes, she found her voice and the confidence to complete her novel.

When it came to the creation of the novel's protagonist, Susan listened to Sherry Coalman, a writer and theatre person, who talks about a sacred image in writing. This can be can epicenter of what it is you're going to write about. For Susan, the sacred image was noticing women on roads, crews who actually weren't down in the ditches with the men, but just holding stop slow signs. And as most writers do, she asked the question, what if, what if what? What kind of person would she be if she was down there, scraping roadkill and filling potholes and taking down trees? Who would that be? Well, she'd be a little bit tough, able to hold her own in a misogynistic landscape or job. Susan flipped the script and gave Brett a younger lover. She has a work partner named Mel, who's indigenous, and Brett projects all of this wise Indigenous wisdom onto Mel.

Susan reflects on the role of positive feedback in a writer’s development. She recounts moments when a kind word or thoughtful critique made all the difference, motivating her to keep going during periods of self-doubt. She encourages aspiring writers to seek out communities that foster growth and to be generous with their own encouragement.

Listeners will come away with insights into the intersection of life experience and fiction, the value of creative support networks, and the transformative potential of writing through pain. Whether you’re a seasoned writer or just starting out, Susan’s story is about the resilience of the creative spirit and the healing power of narrative.

Susan is based in Sebright, Ontario, Canada. Find on Substack and Instagram.

News!The Writer's Spark Coaching Competition is open! One creative writer has an opportunity to win one prize comprising:

Find The Writer's Spark Coaching Competition details here. Closing date: December 19, 2025.

Show notes:Go to coach and mentor Fiona Fenwick's transcript.

Fiona summarizes the wisdom from two popular books on writing: Dorothea Brande’s classic Becoming a Writer and Anne Lamott’s Bird by Bird.

Drawing on her own experiences as a coach and writer, Fiona transforms the knowledge in these books into six essential lessons.

Lesson one: Mindset over innate talent. Brande and Lamott emphasize that while talent is helpful, the writer’s mindset—openness, curiosity, and resilience—shapes a successful writing life.

Fiona discusses ways to cultivate a grow a, growth-oriented mindset, including daily affirmations, self-compassion, and reframing setbacks as opportunities for learning. She shares anecdotes from her coaching practice, illustrating how writers who focus on mindset are better equipped to navigate the inevitable ups and downs of the creative process.

Lesson two: The power of routine. Fiona highlights how Brande advocates for establishing a consistent writing schedule, treating writing as a daily practice rather than waiting for inspiration to strike.

Lamott’s advice is to take things “bird by bird”—one small step at a time. Fiona offers tips for building sustainable routines, such as setting realistic goals, creating a dedicated writing space, and using rituals to signal the start of a writing session. She addresses common obstacles, like procrastination and perfectionism, and suggests gentle strategies for overcoming them.

Lesson three: The fear of failure. This is a challenge that plagues writers of all levels. Drawing from Lamott’s candid discussions about “shi**y first drafts,” Fiona reassures listeners that imperfection is not only acceptable but necessary.

She encourages writers to embrace the messy, uncertain early stages of writing, reminding them that every published work began as a rough draft. Fiona shares exercises for quieting the inner critic and building confidence, such as freewriting, journaling, and celebrating small wins.

Lesson four: Honesty in writing. Both Brande and Lamott stress the importance of authenticity—writing truthfully about one’s experiences, emotions, and observations.

Fiona discusses how vulnerability on the page can create powerful connections with readers and foster personal growth. She offers guidance on navigating the discomfort that often accompanies honest writing, including setting boundaries and practicing self-care.

Lesson five: The emotional challenges writers face. Fiona acknowledges that writing can stir up difficult feelings—self-doubt, frustration, even grief. She draws on Brande’s advice to treat writing as both a craft and a form of self-discovery, and Lamott’s encouragement to keep writing even when it’s hard.

Lesson six: Have a supportive writing community. Both Brande and Lamott highlight the importance of connecting with other writers for encouragement, feedback, and inspiration.

Fiona shares her own experiences with writing groups and online communities, offering suggestions for finding or creating a circle of supportive peers. She discusses the benefits of sharing work, giving and receiving constructive feedback, and celebrating each other’s successes.

Fiona weaves these six lessons together, and the central message is: nurture your unique creative voice, or, as Brande called it, your “writer’s magic.”

She encourages you, as a writer, to trust yourself, embrace imperfection, and find joy in the writing process. By drawing on the wisdom of Brande and Lamott, Fiona offers a roadmap for writers seeking inspiration, guidance, and a sense of belonging.

Find Fiona at Fionafenwick.com.

In this episode of On Creative Writing, guest host and poet Kim Mannix converses with award-winning Chinese-Canadian poet Natalie Lim to discuss Natalie's highly anticipated debut poetry collection, Elegy for Opportunity.

Natalie shares the origins of her collection’s title, which draws inspiration from the Mars rover Opportunity, a solar-powered explorer that operated on Mars from 2004 until 2018, and its poignant final transmission.

Natalie explains how the rover’s journey and eventual silence became a powerful metaphor for exploring themes of grief, longing, and the search for meaning in times of crisis, both personal and collective.

The two poets delve into the creative process behind Elegy for Opportunity, which reveals how Natalie crafted the book’s structure to mirror the emotional arc of loss and recovery. Natalie describes her decision to use an accessible style in her poetry, aiming to invite readers into intimate moments of vulnerability and reflection.

She describes how she balances deeply personal narratives—such as her experiences with family, identity, and cultural heritage—with broader, cosmic questions about humanity’s place in the universe.

Kim and Natalie explore the challenges and rewards of writing about vulnerability, especially as a young poet navigating questions of identity and belonging.

Natalie shares insights into her writing routine, the importance of community and mentorship in her development as a poet, and the literary influences that have shaped her voice. She cites poets such as Ocean Vuong, Tracy K. Smith, and Ada Limón as inspirations, noting how their work encouraged her to embrace honesty and emotional risk in her own writing.

The conversation also touches on the intersection of science and art, as Natalie reflects on how the story of the Mars rover allowed her to weave together motifs of technology, exploration, and human emotion. She looks at the process of researching Opportunity’s mission and how scientific language and imagery found their way into her poems, creating a unique blend of the personal and the cosmic.

Listeners will hear Natalie's thoughts on the evolving landscape of contemporary poetry, including the importance of accessibility and representation.

Natalie offers advice for emerging writers on finding their authentic voice and building resilience in the face of rejection and self-doubt. She also shares a glimpse into her future creative projects, expressing excitement about experimenting with new forms and themes in her next body of work.

Natalie brings to life her collection's central motifs of loss, hope, and the enduring human desire to connect across distances—whether between people or between planets.

Kim and Natalie's conversation closes with Natalie reading from Elegy for Opportunity. In her reading of the poem 'Elegy for Opportunity III', Natalie brings to life the collection’s central motifs of loss, hope, and the enduring human desire to connect across distances—whether between planets or between people. Her reading exemplifies the collection’s ability to hold space for both sorrow and possibility, leaving listeners with a sense of comfort and inspiration.

Many thanks to Kim Mannix for interviewing Natalie!

Read Natalie Lim's Q&A interview with On Creative Writing.

Natalie Lim's website.

Kim Mannix's website.

The Writer's Spark Coaching Competition

Today's guest is Fiona Fenwick, a coach and mentor who coaches creative writers, too. Fiona is part of On Creative Writing's new competition: The Writer's Spark Coaching Competition, which delivers one prize including two-hours coaching from Fiona, and more! Check it out at the link above! Closing date: Nov. 4, 2025.

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On Creative Writing's Sheelagh Caygill welcomes Fiona Fenwick, a New Zealand-based coach, who includes creative writers amongst her clients. Fiona is an author and mentor and in this episode gives insights into navigating and overcoming the most common challenges creative writers face.

Whether you’re a seasoned author or just starting as a writer, this episode gives practical advice, real-world examples, and encouraging strategies to help you move forward with confidence.

Listeners are treated to a simulated coaching session at the start of the episode, where Fiona demonstrates her approach to helping writers clarify their goals, identify obstacles, and develop personalized action plans. This segment offers a behind-the-scenes look at the coaching process and highlights the value of having a mentor or coach to provide guidance and encouragement.

Sheelagh and Fiona dive into the universal struggles that writers encounter, such as writer’s block, perfectionism, and self-doubt. Fiona draws on her experience coaching writers from all backgrounds to explain why these obstacles arise and how they can be addressed. She emphasizes that these challenges are not signs of failure, but rather natural parts of the creative process. Fiona shares actionable techniques for breaking through writer’s block, including setting realistic goals, establishing a regular writing routine, and using prompts to spark creativity.

They touch on perfectionism, a hurdle that often prevents writers from finishing their work or sharing it with others. Fiona discusses the importance of giving yourself permission to write imperfectly, especially in early drafts, and how embracing the messy parts of creative writing can lead to greater authenticity and growth. She offers tips on silencing the inner critic and reframing negative self-talk, so writers can focus on progress rather than perfection.

Fiona provides reassurance that even the most successful writers experience moments of uncertainty. She shares strategies for building self-confidence, such as celebrating small wins, seeking constructive feedback, and connecting with a supportive writing community. For introverted writers, Fiona offers tailored advice on how to find motivation and accountability without feeling overwhelmed by social expectations.

A key topic discussed is the importance of understanding one’s purpose in writing. Fiona explains how clarifying your “why” can serve as a powerful motivator and guide your creative decisions. She encourages writers to reflect on what they hope to achieve with their work, whether it’s to inform, entertain, inspire, or make a difference in the world.

The episode also discusses Fiona’s book, Stand Out and Step Up, a reputation tool kit for life.

This episode delivers plenty of actionable advice on how to be authentic, build a support network, and maintain accountability throughout the writing process. Fiona’s compassionate and practical approach empowers writers to embrace their unique voices, persist through challenges, and celebrate their progress along the way.

Find Fiona's website: www.fionafenwick.com.

Connect with Fiona on LinkedIn.

Fiona's interview with Oncreativewriting.com.

This episode of On Creative Writing is for lovers of poetry everywhere! Talented poet Kim Fahner reads two poems from her new collection of poetry, The Pollination Field. The poems Kim has selected are "Man, Sleeping on the Living Room Floor" and "Attic Colony".

Kim is a poet, novelist, playwright, and teacher based in Sudbury, Ontario, Canada. She is chair of the Writers Union of Canada, and was the poet laureate for the City of Greater Sudbury from 2016 to 2018.

The Pollination Field was published this summer by Turnstone Press. This new collection is a poetic foray into the literal and metaphorical world of bees, but it also includes an exploration of other pollinators such as bats, beetles, birds, butterflies, dragonflies, and even humans.

In these poems, Kim continues with her poetic observation and documentation of how the human world impacts the environment. Kim also incorporates myth and feminism in her consideration of how women evolve over time. Read more about Kim, her writing, and the pollination field in the show notes.

Read Kim Fahner's Q&A interview with Oncreativewriting.com, and find Kim at Kimfahner.com.

Aaron Kreuter, author of the new novel Lake Burntshore, discusses his writing with Emma Woodhouse. He delves into the origins of his passion for storytelling and the path that led him to write his novel. Aaron opens up about the inspirations that shaped Lake Burntshore, a coming-of-age story set against the evocative backdrop of a Jewish summer camp. He discusses how his own experiences and observations of camp life informed the novel’s vivid setting and authentic characters, bringing to life the joys, challenges, and complexities of adolescence within a tight-knit community.

Aaron writes about weighty themes such as identity, colonialism, and the political tensions surrounding Zionism and Indigenous land rights. He reflects on the responsibility and opportunities fiction offers to address real-world issues, sharing how he approached these sensitive topics with nuance and empathy. He talks about the delicate balance between weaving political and historical realities into a compelling narrative while ensuring that the story remains grounded in personal experience and emotional truth.

Listeners gain insight into Aaron’s creative process, from the initial spark of an idea to the discipline required to bring a manuscript to completion. Aaron emphasizes the importance of community for writers, recounting how feedback from peers, mentors, and writing groups shaped his work and helped him navigate moments of self-doubt. He discusses the challenges of editing and revising, offering practical advice for writers facing the daunting task of refining their drafts. Aaron also shares his experiences with the publishing process, highlighting both the obstacles and the rewards of bringing a debut novel into the world.

Emma and Aaron celebrate the power of fiction to foster empathy, spark conversation, and illuminate the complexities of our world. They discuss how storytelling can serve as a bridge between cultures and perspectives, inviting readers to question assumptions and engage with difficult questions. Aaron’s experiences are a testament to the resilience and creativity required to pursue a writing career, and his reflections offer encouragement and inspiration to aspiring authors.

Whether you’re a writer, a reader, or simply curious about the intersection of literature and social issues, this episode offers an engaging look at the art and craft of contemporary fiction.

Links:

Aaron Kreuter.

Aaron's interveiw with On Creative Writing.

On Creative Writing host Sheelagh Caygill talks with writer and academic James Cairns to explore the themes in his new and compelling collection of essays, In Crisis on Crisis. This book blends deeply personal memoir—particularly his account of living with and recovering from addiction—with rigorous academic analysis. James talks about how writing this fusion of personal narrative and scholarly inquiry allowed him to experience deep emotional growth and rich intellectual engagement. The result is a nuanced examination of the crises that define our contemporary moment.

James discusses his approach to unpacking the concept of “crisis,” reflecting on its historical evolution and the ideological battles that shape its meaning in public discourse. He explains how the term is often contested terrain, used by different groups to advance competing political agendas, and how this struggle over language can obscure the real, lived experiences of those most affected by crisis. The discussion moves between the personal and the political, as James draws connections between his own years of addiction and recovery and the broader societal crises we face today—ecological collapse, political polarization, and the erosion of trust in institutions.

James examines the ways in which individual upheaval can mirror and illuminate collective struggles. He shares the challenges and rewards of writing vulnerably about his own life. The author reflects on the risks involved in exposing personal pain and the transformative potential of using one’s own story as a lens for understanding larger social dynamics. In effect, by writing In Crisis, On Crisis, James underscores the power and importance of storytelling in breaking down stigma and fostering empathy.

Parts of In Crisis, On Crisis examining the limitations of liberal democracy in responding to ongoing crises. James writes about the tendency of mainstream politics to treat crises as isolated, temporary disruptions rather than symptoms of deeper systemic problems. He argues for the need to rethink our political and economic structures in order to address the root causes of crisis, rather than merely managing its symptoms. The episode also looks at the role of hope, resilience, and collective action in navigating uncertain times, and the importance of cultivating spaces for honest dialogue and critical reflection.

The word crisis doesn't only apply to James' socio-political explorations in this book. Crisis is something deeply personal. In the book's last essay, titled "Blackout", James turns the spotlight on himself to explore his crises of addiction. Blackout reveals how James' study of Walter Benjamin’s “Theses on the Philosophy of History” led him to reinterpret his alcoholic blackouts and stop drinking. James and Sheelagh discuss his writing of this essay and James explains how Blackout, more than any other essay, really engages his personal history of alcoholism and through the lens of crisis

Listeners are invited to consider how personal and societal crises intersect and inform one another, and how storytelling—both personal and academic—can serve as a powerful tool for making sense of our world. James’s insights offer both intellectual depth and emotional resonance, encouraging listeners to engage thoughtfully with the crises shaping our lives and to find meaning and possibility even in the midst of upheaval.

Whether you’re interested in memoir, political theory, or the art of essay writing, this episode provides a thought-provoking exploration of what it means to live—and write—through crisis.

Find James online:

James Cairns

Instagram

In Crisis, On Crisis

Q and A with author and academic James Cairns.

Audio essay from poet and novelist Kim Fahner

On Creative Writing is extremely fortunate to publish an informative and engaging audio essay from acclaimed poet, playwright, novelist, and teacher Kim Fahner.

Based in Sudbury, Ontario, Kim's first novel The Donoghue Girl was published in 2024 by Latidute 46 Publishing. In this episode, she gives listeners an close look at her evolution from a poet focused on the precision and lyricism of verse to a writer who now embraces hybrid literary forms. Kim explores how this transition has enriched her creative practice and expanded her understanding of storytelling.Studying the craft of writing and reading a lot are essential to her growth as a writer.

Poet Laureate for the City of Greater Sudbury from 2016-18, Kim delves into her latest collection of poetry, The Pollination Field, published by Turnstone Press and available from Aug. 8, 2025. It is already in many good bookstores, and the ebook will be available Aug. 15, 2025.

The Pollination Field has already received attention for its innovative use of bees—particularly the queen bee—as metaphors. Kim explains how bees serve as symbols of transformation, female leadership, and the intricate web of ecological interconnectedness that binds all living things. Through her poetry, Kim invites readers to consider the parallels between the structure of a beehive and the dynamics of human communities, highlighting the importance of co-operation, adaptability, and resilience.

Eco-poetry and the urgent realities of the climate crisis

Kim considers the broader context of eco-poetry and the urgent realities of the climate crisis. She touches on the responsibility of writers and artists to engage with environmental themes, and how poetry can serve as both a form of activism and a means of fostering empathy for the natural world. She shares her views on the role of art in raising awareness about ecological issues, and how her work is informed by a deep connection to the environment.

Visual art plays a role Kim’s creative process. She often schedules visits to art galleries while on holiday in different cities and countries, and viewing paintings, photographs, and sculptures are significant influences. For example, in her work with ekphrasis, when images from the Australian wildfires of January 2020 populated social media feeds, they led her to create a suite of poems about Australia's Burning Times.

Kim encourages listeners to remain open to transformation, to trust in their own creative instincts, and to find inspiration in the cycles of growth and renewal that surround us.

This episode is a rich exploration of creativity, environmental consciousness, and the unending growth of artistic self-discovery. Whether you are a writer, an artist, or simply someone who appreciates thoughtful reflection on the creative process, Kim's audio essay offers valuable insights and inspiration.

Author Kim Fahner

Kim has published two chapbooks, You Must Imagine the Cold Here (Scrivener, 1997) and Fault Lines and Shatter Cones (Emergency Flash Mob Press, 2023), as well as five full books of poetry, including: braille on water (Penumbra Press, 2001), The Narcoleptic Madonna (Penumbra Press, 2012), Some Other Sky (Black Moss Press, 2017), These Wings (Pedlar Press, 2019), and Emptying the Ocean (Frontenac House, 2022). Kim is the First Vice-Chair of The Writers' Union of Canada (2023-25), a full member of the League of Canadian Poets, and a supporting member of the Playwrights Guild of Canada.

On Creative Writing host Sheelagh Caygill speaks with author and AI expert Paul Dettmann to explore how much of a threat generative AI is to creative writers. Paul brings a wealth of experience, tracing his journey from early AI research to his current projects at the intersection of technology and storytelling. They unpack the complexities, opportunities, and challenges that gen AI presents to creative writers.

Paul shares his personal background, detailing how his fascination with both literature and technology led him to investigate the potential of AI in creative fields. His early days saw him working on a neural network project with the BBC. Since then, there have been many advancements in generative AI.

A central theme of the conversation is the concern many writers have about AI-generated content. Paul acknowledges these anxieties, noting that the rapid development of gen AI tools has sparked fears about originality, job security, and the dilution of authentic voices. However, he offers a reassuring perspective: rather than viewing AI as a threat, writers should consider harnessing it as a tool for research and ideation. Paul notes that AI can be good at generating ideas, suggesting plot twists, or providing background information, but it lacks the nuanced understanding, emotional depth, and lived experience that human writers bring to their work.

Paul and Sheelagh dig into the role of media in shaping public perceptions of AI. They examine how sensational headlines and dystopian narratives can amplify a writers' fears, often overlooking the practical limitations of current AI systems. Paul points out that while AI can mimic certain aspects of human writing, it is still far from replicating the complexity and authenticity of genuine artistic expression.

Paul underscores the enduring value of human creativity. He argues that authentic, human-created art will always hold a vital place in human cultures, even as digital tools become more sophisticated. The unique perspectives, emotions, and cultural contexts that writers infuse into their work cannot be replicated by algorithms. Instead, AI should be seen as an assistant—one that can enhance productivity and spark inspiration, but never fully replace the creative spark that defines great writing.

Paul delivers a nuanced understanding of AI’s role in the creative process. He encourages writers to experiment with AI as a collaborative partner, while at the same time setting their own rules for how to use it. For example, Paul does not use AI to write any of his books, but instead he may use it to test out ideas, brainstorm, or research. Ultimately, Paul suggests that writers need to embrace adaptability, critical thinking, and a be open new tools, all while staying true to the core principles of authentic storytelling.

Key Topics Discussed:

Takeaways:

Links:

PaulDettmann.uk

Bill Gates article: 

https://www.windowscentral.com/artificial-intelligence/bill-gates-coding-will-remain-a-human-profession-centuries-later

Paul's interview with fashion expert Nafisa Tosh on AI in fashion: 

https://www.smarttalk.show/p/ai-in-fashion.

British author Emma Marns shares how she came to write her novel The Walk in this audio essay. The Walkis about two girls who are sent to Bessborough, in Cork, Ireland. Bessborough is one of the many Irish Roman Catholic Mother and Baby homes which operated in Ireland from the mid-1900s until the 1990s.

Emma recounts how while studying for an M.Phil at Trinity College, Dublin, she read an article titled The Girls of Bessborough, by Deirdre Finnerty, which featured interviews with women who had been in Bessbrough. The mother and baby homes are very much recent history and were a systemic approach to dealing with unmarried mothers in Catholic Ireland. Unmarried pregnant women became outcasts and were sent away to institutions run by the Roman Catholic church. They were usually kept there while pregnant and in some cases for years after giving birth. The children, meanwhile, would be forcibly taken from their mothers and adopted. Measures were put in place to ensure the mothers and children were kept apart for the rest of their lives. Emma describes the practice as brutal, abhorrent, and harrowing.

After reading The Girls of Bessborough, Emma went to visit her elderly landlady to find out more about the Mother and Baby homes. The old lady told Emma a story of a friend who in her 40s discovered she'd been adopted; her birth mother had been young, unmarried, and had been taken care of in a domestic home as opposed to a mother and baby home. Says Emma, "The two stories just merged in my mind instantly at her kitchen table, and I felt compelled to sit down and write this book, The Walk. "

Emma stresses that writers of historical fiction based on truth - especially when it's about a collective trauma - must determine their goal: to entertain readers, or inform about the past. She says she would never feel good about selling a book for money if it was not serving the people who went through the traumas. She made sure her research was thorough and accurate, and to that end spent months poring over archival documents, government reports, and personal memoirs. She listened carefully to survivors and consulted with historians so that every detail in The Walk was grounded in truth.

Emma was careful to balance authenticity with protecting the dignity of those who shared their stories. She also faced ethical considerations around fictionalizing real events, and notes that writers must navigate a line between creative license and historical responsibility.

Like all good works, The Walk took many, many edits. Emma finished it during the COVID-19 pandemic, a time when hundreds of people were writing books and the publishing industry was saturated with fresh manuscripts, so it took a while to find a publisher.

Emma found innovative ways to connect with readers, such as virtual book clubs, online readings, and interactive Q&A sessions. She also got a slot on a local radio station, Phoenix 98 FM, and these days goes into schools, community events, and workshops to discuss writing and her book.

Accessibility is an important theme in Emma’s approach to publicising and promoting her book. She produced an ebook and audiobook versions of The Walk, recognizing that not all readers have equal access to print materials. She helped getThe Walk in libraries and community centers, particularly in areas with limited resources - she views her novel as partly education and believes education should be free, always.

It is almost impossible for writers to make a substantial living from writing novels (or other books). For Emma, the rewards of writing The Walk have been immense and greater than monetary value. She's received much positive feedback on the book.

If you have questions about writing historical fiction or The Walk,Emma would love to hear from you! She's here: EmmaMarns.com, Instagram, LinkedIn, Goodreads, or Facebook.

If you'd like to feel really good about yourself, consider supporting OnCreativeWriting.com at our Ko-fi page. Thanks!

Hollay Ghadery, founder of River Street Writing, gives a lesson in book publicity for seasoned and new authors of all genres in this conversation with Sheelagh Caygill.

River Street Writing is an Ontario-based brand, publicity, and author support services business with more than two decades of experience. Hollay, senior publicist with the team, says book publicity is essential and delivers plenty of actionable tips on how to build relationships and get your book noticed.

Hollay clarifies the differences between publicity, promotion, and marketing—terms that are often used interchangeably but refer to different aspects of getting your book into readers’ hands. Publicity is about generating awareness and buzz through unpaid channels such as media coverage, interviews, and events. Promotion typically involves more direct efforts to drive sales, such as book signings, giveaways, and special events. Marketing encompasses the broader strategy of positioning your book in the marketplace, including everything from cover design and pricing to advertising campaigns and social media presence.

A key theme in this episode is the importance of building and nurturing community—not just with readers, but also with fellow writers, booksellers, librarians, and local media outlets. Reach out to local newspapers, radio stations, and community blogs. These smaller, regional platforms are often more accessible and happy to spotlight local talent compared to national outlets.

Attend literary events such as book launches, participate in open mics, and join writing groups, both online and in person. These help authors hone their craft and create opportunities for organic networking and mutual support.

Hollay stresses that supporting other writers—by attending their events, sharing their work on social media, or simply offering words of encouragement—can lead to reciprocal relationships that benefit everyone involved.

Authors should explore a variety of channels, from traditional media to podcasts, bookstagrammers, and literary influencers. Sometimes, unexpected opportunities can arise from even the smallest outreach efforts.

The value of authenticity and genuine connection cannot be overstated. People see through transactional networking, so be real and build relationships based on shared interests and mutual respect.

Book publicitity and promotion can be tough for introverted writers or those who feel uncomfortable taking the spotlight Hollay reassures listeners that self-advocacy is not about bragging, but about sharing your passion and inviting others to be part of your journey.

Not every pitch will be successful, and not every event will draw a crowd, but resilience, persistence, and a willingness to learn are important for long-term success.

Collaboration is vital for a thriving literary ecosystem. Hollay highlights examples of authors who have teamed up for joint events and cross-promotions, demonstrating how collective efforts can amplify individual voices and create a sense of belonging.

Be supportive and and share resources. This way, authors can enhance their own visibility and contribute to a more inclusive and dynamic literary landscape.

- Understand the distinctions between publicity, promotion, and marketing to develop a well-rounded outreach strategy. Key takeaways:

- Build and nurture relationships within your local literary community, including media, booksellers, and fellow writers.

- Diversify publicity efforts by exploring multiple channels and being open to new opportunities.

- Be proactive in seeking out publicity, and don’t be afraid to advocate for yourself and your work.

- Foster genuine connections and support others in the literary world, recognizing that collaboration benefits everyone.

- Embrace resilience and persistence, learning from setbacks and celebrating small victories along the way.

Find Hollay at RiverStreetWriting.com and HollayGhadery.ca.

In this engaging episode of the On Creative Writing podcast, author and editor Allister Thompson takes the mic in our Authors-Behind-The-Mic series.

From North Bay, Ontario, Allister has edited for more than 30 years or so. Decades ago, his first attempt at writing a novel years ago was a negative experience. But when he pulled a dusty manuscript from a draw, he discovered it wasn't half bad, and decided it was time to try again. He asked himself what he'd learned from all those years of editing, and as it turned out, the answer was a lot! Allister is now the proud author of the debut YA sci fi novel Birch and Jay,published by Latitude 46 Publishing.This is a compelling story weaving together themes of friendship, adventure, and the urgent realities of climate change.

Allister delves into the process of outlining and planning a novel, emphasizing how staying organized not only makes writing more efficient but also helps maintain the joy and creativity that drew him to storytelling in the first place. Allister shares practical strategies for managing large projects, from developing detailed outlines to setting realistic writing goals, and discusses how these methods helped him overcome common obstacles such as writer’s block and self-doubt.

The discussion also explores the role of setting in speculative fiction, particularly when addressing environmental themes. Allister explains how he conducted research to create a believable world that reflects both the beauty and fragility of our natural environment. He talks about the importance of grounding speculative elements in real-world science and current events, making the story both accessible and thought-provoking for young readers. Allister examines how fiction can inspire awareness and action around climate issues, and why it’s vital for writers to engage with topics that matter to them personally.

Allister offers encouragement and actionable advice for aspiring writers, whether you're just starting out or looking to get published. He discusses the value of persistence, the benefits of seeking feedback from trusted peers, and the importance of balancing creative freedom with disciplined work habits. The conversation touches on the emotional ups and downs of the writing process, with Allister candidly sharing his own experiences of doubt and breakthrough moments.

Listeners will come away with a deeper understanding of the craft of writing, the significance of environmental storytelling, and the practical steps that can turn an idea into a finished manuscript. Whether you’re interested in the mechanics of novel-writing, the challenges of addressing big themes like climate change, or simply looking for inspiration to start your own creative project, this episode offers a wealth of insights and motivation.

Connect with Allister:

AllisterThompson.com

Instagram

Bluesky

Facebook

Birch and Jay at Latitude 46 Publishing

OnCreativeWriting.com

Canadian author Anthony Bidulka delivers an engaging and info-packed audio essay in this episode of On Creative Writing. He delves into his writing career in mystery and suspense novels and the creative process behind his new novel, Home Fires Burn - the latest installment in the Merry Bell series.

Anthony gives lots of actionable tips as he discusses the challenges and rewards of crafting a compelling series. He explores how he maintains suspense and continuity while allowing his characters to grow and surprise both himself and his readers.

He talks about his thoughtful approach to character development, and touches on his groundbreaking transgender protagonist, Merry Bell. The creation of this character required research, empathy, and sensitivity to authentically portray a character whose experiences differ from his own.

Anthony touches on the importance of consulting with members of the transgender community and highlights the responsibility authors have in representing diverse voices with respect and accuracy. This seagues into Anthony's views on diversity and inclusion in contemporary literature, and how writers can contribute to a richer, more representative literary world.

In his 20-year writing career, Anthony has witnessed dramatic changes and shifts in the publishing industry, including:

To succeed in an always changing environment, Anthony says: "Expect the unexpected. Expect changes."Anthony encourages aspiring authors to understand their 'Why' before writing. Do you write for creative fulfillment, commercial success, or to give voice to underrepresented stories? Let your answer guide your choices in an ever-changing industry.

Perseverance and the value of a supportive writing community are essential, as is the need to balance creative passion with the business side of authorship. He shares anecdotes from his own experiences, including setbacks and successes.

You will be inspired by Anthony’s dedication to his craft and his commitment to inclusivity in storytelling.

Whether you’re an emerging creative writer seeking guidance or an established author looking for fresh perspective, Anthony's audio essay is packed with wisdom, encouragement, and real-world strategies for thriving in today’s literary landscape.

Anthony’s Writing Journey and his 'Why' (00:00:28)  Anthony discusses his background, writing journey, and the importance of understanding why you write.

The Evolving Publishing Industry (00:02:49) Anthony reflects on two decades of industry changes and the need for adaptability as a writer.

Creating the Merry Bell Series (00:05:35) Anthony explains the inspiration behind Merry Bell, a transgender P.I., and themes in the series.

Home Fires Burn: Dual Prologues (00:06:59) Description of the two prologues in "Home Fires Burn" and their significance to the story.

Writing Process: Plotter vs. Pantser (00:08:17) Anthony details his organized approach to plotting and character development.

Character Arcs & Genre Shift (00:09:24) Emphasis on character growth, and how he shifted from literary suspense to mystery writing.

Final Advice & Farewell (00:10:34) Anthony encourages writers to stay open to unexpected paths and concludes the episode.

Links:

Anthonybidulka.com

Anthony Bidulka's Q&A at On Creative Writing

On Creative Writing

Content trigger warning:This episode touches on topics including self-harm, alcoholism, drug use, and eating disorders. We understand that these topics may be distressing for some listeners. So please take care while listening, or you may decide not to listen.

In this episode of the On Creative Writing podcast, Sheelagh Caygill talks with acclaimed Iranian-Canadian multigenre writer Hollay Ghadery about the themes and inspirations behind her powerful memoir, Fuse. Fusewas published in 2021 by Guernica Editions and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir.

The conversation opens with Hollay discussing being a mixed-race individual and navigating the complexities of identity, family, belonging, and cultural heritage. She reflects on her childhood experiences growing up between two worlds, and how these formative years shaped her understanding of self.

Hollay discusses the challenges she faced living with Iranian and Canadian backgrounds, and how this duality impacted her sense of self, place within her family, and communities. The episode explores the nuances of family dynamics, touching on moments of connection, misunderstanding, distrust, and growth.

The episode looks at mental health, with Hollay opening up about her struggles and the ways in which writing served as a tool for exploration, healing, and self-discovery. She emphasizes the importance of honesty and authenticity in memoir writing, noting that readers are drawn to stories that are raw, real, and unfiltered. The conversation also addresses the complexities and limitations of labels—whether cultural, racial, or psychological—and how these can both help and hinder our understanding of ourselves and others.

Sheelagh asks Hollay about her writing process, from the idea to the discipline required to bring a memoir to completion. Hollay shares practical advice for aspiring writers, encouraging them to read widely and to embrace the messiness of drafting and to trust their unique voices. She highlights the significance of compassion, both in writing about oneself and telling the stories of others, and underscores the healing power of storytelling for individuals and communities alike.

Throughout the episode, Hollay advocates for the inclusion of diverse narratives in literature, stressing that every story has value and the potential to foster empathy and connection. She encourages listeners—both readers and writers—to approach identity and creativity with openness, curiosity, and a willingness to challenge preconceived notions.

Listeners will come away from this episode with a deeper appreciation for the courage it takes to write a memoir, the intricate interplay between personal and cultural identity, and the transformative impact of sharing one’s truth. Whether you are a writer, a lover of memoir, or someone interested in the intersections of culture, mental health, and family, this episode offers great insights and inspiration.

Hollay Ghadery: Hollayghadery.ca

Instagram.com/hollayghadery/

Facebook.com/hollayghaderywriter

X.com/Hollay2

Hollay’s editor, Margo Lapierre: Margolapierreeditor.com

On Creative Writing founder Sheelagh Caygilldiscusses Emma Woodhouse's experiences writing historical fiction, seeking an agent and acquiring a publisher in the UK. She also discusses her own imprint, Havisham and Webb. If you're a writer asking "How do you get a publishing contract?" this podcast provides a candid look at the dedication, commitment, and self-belief needed to bring books to life.

Emma's debut novel, The Prendergast Watch, historical fiction set in Victorian London, emerged from an unexpected source: her struggle with the present-tense narration after being inspired by The Crimson Petal and the White, by Michael Faber. Initially uncomfortable with writing historial fiction in the present tense, Emma challenged herself to write a short piece in that tense, aiming for a "Dickensian" feel. This experiment grew into The Prendergast Watch.

The COVID-19 lockdown gave time to revisit the manuscript. Emma describes the writing process as organic and unplanned. She let characters and plot unfold as she wrote, often discussing ideas with her partner. This free time was instrumental in completing the novel. Emma notes she sometimes "slipped back into the past tense," but edits solidified her signature present-tense voice.

A key milestone was securing a literary agent for The Prendergast Watch. Emma used a strategic "game plan": for every rejection, she submitted to two more agents. She submitted to around 30 agents. Persistence paid off when an agent, from her subsequent submissions, requested the full manuscript. This led to an R and R (revise and resubmit), a common step in the agent-author process. After refining her manuscript, Emma secured representation and worked with this agent for three "fantastic" years.

When Emma's agent went on maternity leave, Emma found herself without a publishing contract. She faced a critical decision: "give up or carry on." She chose to keep going.

This period offered insights into the realities of publishing. Emma learned that large publishers have limited interest in multiple authors within niche genres, to avoid internal competition. She emphasizes that authors can be "naive about the world of publishing," noting publishers' significant investment in editing, cover design, and marketing, making each acquisition a gamble.

Emma also realized a book is a "product," and authors themselves are viewed similarly. A strong online media presence is often crucial for securing a contract (explaining celebrity book deals). Emma's experience revealed that "a lot of success comes from being seen and being heard," especially in "the attention economy."

Emma's persistence led to a publishing contract. After submitting The Prendergast Watch to smaller presses, one pointed her to Holand Press, who accepted her debut. In a "very cheeky" move, Emma then offered them a second manuscript, Simple Twists of Fate, which they also accepted. This book responded to feedback on The Prendergast Watch, suggesting a single female main character for historical fiction readers.

While writing Simple Twists of Fate, Emma developed a deep interest in historical research, particularly the story of Mary Carr, a Victorian female gang leader of the Forty Elephants. This obsession led to her third book, Mary, Queen of the Forty, a novelized version of Mary Carr’s life. Emma's research involved extensive work with British newspaper archives and "Mary Carr tours" in London. She aims to uncover the lives of "forgotten women," especially from poorer backgrounds, often overlooked by history. Factual accuracy is paramount, with any poetic license noted in the book's back matter.

Emma's experiences highlight that talent and passion are essential, but persistence, adaptability, and understanding the industry's business realities are equally crucial for navigating the path from manuscript to published work.

On Creative Writing: Building community, exploring trends, and supporting writers

Creative writer Sheelagh Caygill brings you the On Creative Writing podcast. On Creative Writing is here to talk about all things creative writing. This includes fiction in all forms, from poetry, prose, flash fiction, through to novels, novellas, screenplays, scripts, and creative nonfiction.

In this debut episode, Sheelagh speaks with guest Emma Woodhouse dives into the world of book cover design—a topic that resonates with both new and seasoned writers.

Sheelagh and Emma discuss trends in cover design, from historical fiction’s moody, floral motifs to the bold, dark aesthetics of contemporary fantasy and thrillers. Emma highlights standout covers, including Natalie Lim’s Elegy for Opportunity and Kyle Flemmer’s Supergiants, each with distinct visual appeal.

Emma’s own writing journey is a testament to creative growth and adaptability. With five books to her name and a recent foray into a new genre, she shares the challenges and excitement of pushing creative boundaries: “It’s all very exciting. It's kind of weird, really, still to get my head around it all, to be fair. It's all happened quite quickly.” The show’s next episode will delve deeper into Emma’s writing process and experiences.

A recurring theme is the importance of community for writers. Emma and Sheelagh met during their MA in Creative Writing at Northeastern University in London, where they discovered the value of peer feedback and shared ambition. “What we're trying to do is build a community of writers,” Emma explains. “We're here for writers, writers are here for us, we're sharing interviews, hints, and our own experiences.”

Sheelagh echoes this sentiment: “So many writers write on their own; you have to do it in solitude. Finding a community that feels safe, doesn't judge, and is open to helping answer questions is just so important.”

On Creative Writing is open to episode suggestions on any aspect of creative writing. Sheelagh emphasizes that both traditional publishing and self-publishing are on the table. The podcast show will also try to address timely topics, such as the impact of AI on creative writing. “I'm busy reading a lot about that and wanting to write about it, so that's another thing we're going to explore,” Sheelagh says.

The podcast will feature a diverse lineup of guests, including Hollay Gadhery, James Cairns, Kyle Flemmer, Saad Omar Khan, and Natalie Lim.

The hosts also encourage listener feedback and suggestions, aiming to make the show as interactive and useful as possible. On the website, oncreativewriting.com, writers can find resources such as Writers Reveal—an ongoing Q&A series with authors sharing practical tips and craft advice. The first downloadable guide, Moving Forward With Your Writing: Guidance from Authors & Writers, is now available to newsletter subscribers.

Sheelagh invites writers and readers alike to become part of the On Creative Writing community. Share the podcast with friends, join the conversation online, and help shape future episodes.