Unibrow Radio

The Lucas Museum of Narrative Art is finally open; George Lucas and his wife, Melody Hobson's new opus. The building is stunning, it's a mothership, a cloud, a home to a new way to see art in America. We have been about 4x already. We wrote about it. Please read.

But today we wanted to talk to Jessica Hundley, who edited the catalog that was published by Taschen Books. I'm always fascinated about this part of the process, how an author or editor puts together a timely and meaningful companion piece to, for some, is a show that they will remember for the rest of their lives.

This is different though. This is a catalog (the hardcover edition comes in two volumes, in slipcase,, and is nearly 14lbs and 832 pages) of one collection, of one building, of one couple; a life of telling stories. So it has to be good. Jessica has been writing and editing for years, and has worked with Taschen on the  The Library of Esoterica series. She was up for the task of how to take this monumental collection and give it a chance to come home with you.

This episode is hosted by The Unibrow's Evan Pricco and recorded live on October 2, 2026 at the Lucas Museum of Narrative Art in Los Angeles

You cansubscribeto our print edition now. Read Jessica’s profile onJenny Morganfrom Issue 03 here.

You can also listen on ⁠Spotify⁠ or⁠Apple⁠or wherever you get your pods, too.

Before I sat down with the LA Philharmonic to talk about their ghost stories, I found myself thinking about the last time I had been onstage. It was at the Legion of Honor in San Francisco, in the museum's beautiful and, at times, rather eerie theater. Many of our usual readers will know that I previously worked at the Fine Arts Museums of San Francisco, which includes the Legion of Honor and the de Young Museum. It’s a public secret that the Legion was built on the grounds of a former cemetery that operated from 1868 to 1909. When the city decided to turn the area into the park it is today, families were ordered to remove the graves, many of which were reinterred down the peninsula to Colma, also known as the "City of Souls.” Unfortunately not allof the bodies were removed, something made gruesomely clear during the museum’s seismic renovation in the 1990s. One quick Google search and you will see the remains of the unfortunate souls the city of San Francisco was too cheap to remove. 

Before the museum was renovated to include its downstairs galleries, the only original underground section of the museum was its divine theater. The circular room was designed in a Louis XVI style, with red velvet seats that glisten beneath an ornate ceiling painted by Spanish painter Julio Vila y Prades. It’s a gorgeous setting for any production, but the times I’d spent in the theater when it's empty often chilled me to the bone. During my time at the museum, there were many a security guard who refused to go into the theater at night, let alone anywhere downstairs at the Legion of Honor. 

Alas, this conversation is not about the Legion of Honor, but three even more renowned stages: The Hollywood Bowl, The Ford, and the Walt Disney Concert Hall. Together, these three venues serve as the primary stages for the LA Philharmonic, and present nearly 300 concerts each year. The Bowl and The Ford were built in the 1920s, while Walt Disney Concert Hall, designed by renowned architect Frank Gehry, opened in 2003. These venues have seen the greatest musicians in the world, from Ella Fitzgerald to The Beatles, retaining the profound energy and emotions that have passed through them. And perhaps, a few lost people who have never seemed to find the exit.

On this episode of The Unibrow Radio, we continue our Ghost in the Gallery series, where we look beyond the art inside our beloved cultural institutions, to the things that can’t quite be explained. Today, I speak with Derek Traub, a writer at the LA Philharmonic, about the institution's hallowed halls and strange encounters. At the heart of our conversation is a question that has lingered in the wings for centuries: Why do theaters and concert halls seem to attract so many ghosts?

So come along. The performance may be over, but not everyone has left the building. 

–– Shaquille Heath

VisitLAphil.comto see current offerings and performances. 

What a time to be talking to Bea Scaccia. Yes, she was featured in our Issue 01, so we have been familiar and friends for quite some time now. But she is opening a new solo show, Groomed, at Gagosian Gallery in New York, curated by Francesco Bonami, which is certainly a sign that her trajectory in the contemporary art world is that of rocket shooting into the sky. She's big time.

But her journey to now is fascinating. From a small village in Italy, to her education and teaching in Rome, the weight of Italian art history forced her to make a change: how does one become a contemporary artist in a culture who's history is the Renaissance? That ain't easy. So she moved to NYC, where she worked in the studios of Jeff Koons and Marilyn Minter, honing her own craft and understanding the heights of contemporary art practices. Now, her own career is the center of her universe, and with a passion for what she calls "Existential Performance," and works spanning painting, drawing and stop-motion animation, the world is literally her stage.

This episode is hosted by Evan Pricco of The Unibrow, and you can subscribe to our print edition now. You can also listen on Spotify orAppleor wherever you get your pods, too.

This summer, I was feeling a little down on my time in Los Angeles. I must admit, it comes in waves; some days I love this city and some days I'm wondering how I, one, all, could tolerate a 2-hour, 14 mile commute on a Monday. There are moments where I feel like I wouldn't want to be anywhere on Earth, though. A sunset at the Hollywood Bowl, a morning walk along the ocean, a taco on the side of the road. And, of course, there are the museums, and damn, did the city get two good ones this year: the new Geffen Galleries at LACMA and the Lucas Museum of Narrative Art. So I love this city again, right now.

So when looking at this evolving place, I wanted to talk to author Rosecrans Baldwin about his book, Everything Now: Lessons From the City-State of Los Angeles. With these new institutions, and his deep-dive into the history, neighborhoods and people that make this city such an expansive and confusing narrative, he felt like someone who might have some insight into what I was seeing and feeling. The stories that Baldwin tells are not so much why LA is what it is, but the stories of people who are aren't so much trying to make sense of it, but survive it.

I also wanted to share my thoughts on the Lucas Museum of Narrative Art, and what I think the critics get wrong and, to be honest, what is the critics role in deciphering the art that was mostly trying to avoid the critics for so long...

This episode is hosted by Evan Pricco of The Unibrow, and you can subscribe toour print edition now.

We are really excited about this one, because the staff never just records our editorial conversations for the world to hear. So that is what we are doing today, as our founder Evan Priccoand editor-at-large Shaquille Heath talk about the Fall 2026 exhibition highlights that has them excited. Our new series is called "Brow To Brow."

Evan and Shaq talk about the shows that they missed, the films they watched, the glory of "Widow's Bay," the enjoyment of The Odyssey,diet coke, popcorn, the cultural zeitgeist... really just two old friends catching up and talking about how much they just love looking and talking about art.

Some highlights include a lengthy chat about Roy DeCarava's upcoming show at David Zwirner, Ibrahim Mahama at the Fondation Cartier, Azzedine Alaïa: Sculpting Fashion at the Legion of Honor, what we are excited about, what we have learned this summer, what we loved about Matthew Rhys and Hiro Murai... and the upcoming Issue 03 of our print journal...

So please, like, subscribe to Unibrow Radio, and enjoy this conversation with Evan Pricco and Shaquille Heath and the "Brow to Brow" series...

Sometimes the best podcasts are the most unexpected ones, and that is what happened in our conversation with the acclaimed painter, Robin F. Williams. What began as an interview for our Issue 03 that will be out in the fall, coinciding with Williams' solo presentation with PPOW Gallery for Frieze London in October, turned into a wide-ranging conversation about serendipity, a bit of magic, a bit of cultural critique, and the solar system aligning over the skies of Columbus, Ohio in 2024. We took a journey...

Williams is Ohio-born but now been based in New York for two decades, whose work often explores what they call the “low-brow, nitty-gritty, American stuff” of horror films, social media and pop-culture, but also through the influence of the past masters and European classics.

In quite a rewarding experience, Williams felt a shift in their practice after a return home and the 2024 museum survey, “We've Been Expecting You” at the Columbus Museum of Art in Ohio, where the solar system aligned, literally and figuratively, and a bit of serendipity has brought new energy to the direction of the paintings…

At the moment, Williams is in the final stages of completing Act Natural, a new body of work for PPOW that looks at how we confront AI and technology in our lives, and the dichotomies and contradictions in our 21st century human experience.

So please, like, subscribe to Unibrow Radio, and enjoy this conversation with Evan Pricco and Robin F. Williams.

The main reason I think I love art so much is because it's full of mystery. I've long had a soft spot for the unusual. Somewhere between Are You Afraid of the Dark? and Lemony Snicket’s A Series of Unfortunate Events, I realized my fascination with the unexplained, and I’ve been chasing that feeling ever since. It was only a matter of time before that curiosity led me to the art world. After all, every great mystery leaves clues. So does every great work of art.

Art rewards those willing to think like a detective. Understanding a work of art means leaning into that mystery, and following its scent down a long trail of clues, symbols, and intentions. Why are certain objects illuminated while others recede into darkness? What’s the difference between an open palm and a closed fist? Why does one figure meet your gaze while another looks away? It all means something, if you’re willing to look closely enough.

Of course, when I learned about Jane! at Cantor Arts Center at Stanford University, I had to speak with its curator. Jane! explores the enigmatic life, and even more mysterious death, of Jane Stanford, founder and matriarch of Stanford University. An advocate of the arts, a collector of oddities, a spiritualist, and the steward of the Cantor, Jane was a remarkably complex woman of the Gilded Age. After surviving one apparent poisoning attempt, Jane died just weeks later under circumstances that remain as mysterious today as they were in 1905. Perhaps it's no wonder that her final resting place lies in a mausoleum just steps from the museum she built. What may be even more mysterious are the numerous staff and students who claim to have seen a woman eerily similar to her portrait wandering Stanford's grounds.

On this episode of Unibrow Radio, I speak with Patrick R. Crowley, Associate Curator of European Art at the Cantor, about why it's time for everyone to know Jane, (and her ghost,) a little better. No Ouija board needed. –– Shaquille Heath

Jane! Life, Vision, and Legacy of Jane Stanford is on view at the Cantor Arts Centerat Stanford University through May 18, 2028.

I don't remember the year I met Saša Bogojev, but I know that he and I both were finding our way in the world of contemporary art through a small passageway that was emerging in a tunnel called Street Art. I think he and I both saw that there was a camaraderie, a friendship, a bond in that scene that was applicable to a greater contemporary art world, a language of access that could be used in describing a greater art lexicon and language. So here we are, nearly 15 years later, and Bogojev has gone from Juxtapoz contributing editor to become a leading writer, curator and organizer of a wave of emerging art that is both international and vital to the health of the overall art market.

And, for the last half-decade, Bogojev, The Unibrow’s regular contributor and an editor-at-large, has been a curator and creative artistic director of the CAN Art Fair in Ibiza (and this year, Madrid). This is what I wanted to talk to him about; how the future of the art fair as an entity and the position that CAN has taken over the course of 5 years. We also talk about the increased pressure on the art world, the expectations, the bigger audiences, the draws, the incredible talent we see internationally and the language that we use to historically place it in the world-at-large.

We also talk about some of the subjects he loves to write about, how his passion for the arts shows up in his writing, and those little avenues you can find yourself walking down that end up in bigger conversations about arts and culture.

When Jessica Fredericks and Andrew Freiser founded Fredericks & Freiser Gallery in 1996, the art world was a different place. New York was a different place! What surviving as a gallery meant back then has changed drastically in some respects, but the core principles remain: show what you believe it, and do it with honesty and care.

The parts that have changed, indeed, are art fairs, social media, a more savvy artist and more informed collector. But Jessica and Andrew, through a program of showing estate, middle career and young, emerging artists that create what they call "psychological figuration," have weathered multiple storms and the highs and lows of the art market to have one of the most consistent programs in New York. And that is important, as they know they often give an artist their long-sought-after "first New York solo show." That, to this day, will always be a milestone.

We sat down with Jessica and Andrew the week of the Independent Art Fair, one of two big art weeks in New York during the year, just after they opened a solo show with Maria Calandra a few nights before. This is the type of schedule we wanted to know about. What makes a gallery work? What makes them interested, three decades into their careers as dealers? What are the ups? The downs? What has changed? Is New York still the epicenter of Art?

In this conversation, we talk about the early years of the gallery and how to establish a program that lasts 30 years. From being one of the first galleries in Chelsea, to the blessing of John Wesley and being one of the first galleries to show Jenna Gribbon, they have many stories to tell over 3 decades. 

That is no small feat in the gallery world, and the advice and direction both Jessica and Andrew have taken and given over the years offers an insight for all galleries starting up today.

Many think of the past in smells, sounds, joys and fears. Recently, I sat down with Robert Montgomery on a stage during the Nuart Aberdeen festival, to try and put words to memories, to think about how language can be an asset for describing our past. Montgomery is a poet, installation artist, conceptual artist, public artist, thinking about language as a way to intervene into our lives and bring a spiritual and personal experience to our public arenas. He is a like a street poet in the 21 century sense.

Robert’s work was a highlight of the year’s festival, an 11-meter long sculpture placed in the empty pool of the Bon Accord Baths in the center of Aberdeen. This isn’t the first time Robert’s work, in this context, a collaborative poem, has been placed in long-forgotten spaces. His words become an echo of the past, and bring places and spaces back to life.

The work is also about immigration, about community, about sharing life's experiences with others and making others feel welcome. In an era of anti-immigrant politics and the rise of right wing ideology, the new work felt like a counter-argument, a powerful and peaceful resistance: a light poem in the deep end, where fear is replaced by courage and love.

In this conversation between Robert and myself, The Unibrow’s Evan Pricco, we connect the dots of Robert’s work and why, as a poet, he found somewhat of a mutual respect and admiration working in public space. The energy of a street art practice connected with Robert. It also connected with Nuart’s founder, Martyn Reed, who has long curated his festival to place unsanctioned art into the context of poetic interventionism. For the 2026 festival, curated under the idea of “Poetry in the Streets,” it was a natural connection to bring Robert back to Scotland.

Recorded live at Nuart Aberdeen, at the Lemon Tree, Aberdeen, Scotland, April 2026.

Like our recent conversations on the radio channel, we apologize in advance that some of the audio may have a discrepancy in volume due to the live nature of the show. We also have questions from the audience in attendance at the end of the interview, and we thank everyone who participated. And we thank Nuart Aberdeen for their continued support of The Unibrow.

Welcome to Unibrow Radio Fiction, a new series where the editors of The Unibrow speak to authors, share selected readings, and begin to think about the art being fiction and narrative writing. Today's guest coincides with Issue 02, with an excerpt and interview with Eirinie Carson and her new novel, Bloodfire, Baby. The book is being hailed by critics and honored for its honesty and daring story. It is Carson's first novel after her memoir, The Dead Are Gods. Shaquille Heath interviews Carson about creating the characters and the story behind the making of the book.

The book is "a maternal gothic tale of new motherhood and the torment of a centuries-old haunting," and as you will hear in this conversation with Carson, comes from her own life experience as a new mother and the stories that began to take shape on the page as she experienced her own postpartum reality.

Bloodfire, Baby is currently available via Penguin Books. Audio excerpted with permission of Penguin Random House Audio from BLOODFIRE, BABY by Eirinie Carson, excerpt read by Emana Rachelle. Eirinie Carson ℗ 2026 Penguin Random House, LLC. All rights reserved.

Shepard Fairey is one of the most famous artists in the world, and if you think about it, there aren't many artists who are famous in their lifetimes. In times' past, artists didn't get to live with their fame, their notoriety, the praise and scrutiny that comes with making art seen by man. We are living in a different era, art has sometimes permeated into popular culture and consciousness, and Fairey's' Obey Giant and Obama imagery are the rare instances where art becomes mega Pop Art, the kind found on tee shirts and on refrigerator magnets.

Fairey is a street artist, fine artist, designer, clothing brand owner, DJ, printmaker, father, husband and revered muralist. He makes art in the moment for a number of social justice causes, and creates studio work that is meticulous and bold and innovative. As we say in the introduction to Episode 02 of Unibrow Radio, for over 35 years, Fairey has been actively pursuing a balance between image and message, creating and exploring the symbiosis of how to make works where politics, music, poster design, skate culture can all exist in a single work. What he is often asking, is how an image can, in itself, be an active work of the past, present and future.

Recorded live at Fairey’s gallery, Subliminal Projects, during the run of his new show, MODULAR FREQUENCY, the artist talks about how he uses his own history in his work, the constant battle between reactive work and experimentation, finding ways to rest, and the many layers of influences that he’s drawn on to help develop his aesthetic. He constantly mentions he stands on the shoulders of those who came before him, and he hopes he has blazed a path for others to stand on his… 

Christopher Anderson is an award-winning photographer and contributor to The New York Times Magazine and The New Yorker, as well as the Photographer in Residence at New York Magazine from 2011-2014. A member of Magnum Photos from 2005 to 2023, Anderson is the author of nine monographs, including the 2026 collection Index, out in the Spring 2026 through Stanley Barker.

Originally know for his work as a war correspondent, his photographs depicting the journey of 44 Haitian immigrants attempting to sail to America on a hand-made, wooden boat were awarded the Robert Capa Gold Medal.

Recently, his name became widely known for his work for Vanity Fair in covering the Trump Administration. On the occasion of that shoot and his revealing his portraits of Jeffrey Epstein that had never been published, and on the publishing of his newest monograph, The Unibrow sat down with Anderson from his studio in Paris and caught up with the photographer in this wide-ranging conversation.

This episode was hosted by Evan Pricco, with introduction by Kim Stephens, and music by Aesop Rock.

When Nathan Bellannounced his latest solo show was to be called "Conversations with Inanimate Objects" and it would showcase a series of what he called "guidance paintings," I was hooked. I've known Nathan for years but mostly as a designer. So being able to speak to him in this context, inside the gallery These Days in downtown LA as the show was coming to a close, was a refreshing moment to have with someone you know and the other side of their brain.

In this conversation of The Unibrow's Radio Juxtapoz podcast, I speak with Nathan about the journey of these works, from Finland to Mexico and back to Los Angeles, to his latest project in China and exactly what a guidance painting is. We may mention the Detroit Tigers and Timothée Chalamet... the latter by accident, we swear.

Subscribe to the Radio Juxtapoz podcast on Spotify and on Apple Podcasts. 

The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠⁠Evan Pricco⁠⁠⁠⁠. Episode 167 was recorded in Los Angeles on June 4th, 2025. Music by Aesop Rock for The Unibrow

We kick off Season 20 of The Unibrow's Radio Juxtapoz podcast with a conversation with Mexican-American, Los Angeles-based painter, Salomón Huerta.

What started as scheduling a conversation with Huerta around the opening of his solo show Stillness, which opened at Harper's in NYC in the spring, and he and I wanting to catch up after Huerta lost his home in Altadena in the fires that ravaged Southern California in January 2025 became another conversation about fires in LA County: just as we click confirmation on our time to meet up, ICE raids throughout LA had put the city into shock, sparking mass protests, National Guard and Marines being brought to the streets to heighten tensions and has left the Mexican-American community in fear.

Not only did Huerta want to talk about the current climate here but his own personal story of being an immigrant to America. Born in Tijuana, Mexico in 1965, his story is one of a meteoric rise in the fine art world (shows at Gagosian in 2001 just as he left UCLA) to soul-searching after his initial success to now creating some of the most personal works to date.

There is so much of Huerta's story I didn't know, so on this episode of the podcast, I speak with him about the creation of his famed "back of head" portraits, the genesis of the gun paintings and how he began to develop the pool and home works he is know for now. And, of course, we talk about LA, how his community is rattled and what that means for him in the future. From a wild story of John Baldessari's sort-of critique of his MFA work, to an upcoming show at Marc Selwyn Fine Art, this is an honest must-listen. —Evan Pricco

The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 166 was recorded in Los Angeles on June 11th, 2025.Music by Aesop Rock for The Unibrow

Author and curator Dan Nadel is a hero of mine and a bit of a renaissance man. He was the publisher of the brilliant and influential PictureBox for decades and was a champion of much of what Juxtapoz was founded on but took it to a whole new level of intricate historical research and creating a voice of record for so many artists who time wasn't given them a needle to etch their name in the vinyl, so to speak. We are talking comic book legends, graphic novelists, outsider artists who might have created some of the most recognizable art of the 20th century that the history books hadn't given the full retrospective for. And Dan was going to do it. 

This year in paricular, Dan is busy. From publishing his newest book, Crumb: A Cartoonist's Life on the career and life of the controversial figura that is Robert Crumb, to co-curator for Sixties Surreal, a rethinking survey the art history of the 1960s at the Whitney Museum of American Art (opening September 24, 2025) and Curator-at-Large for Geroge Lucas' new Lucas Museum of Narrative Art, we had a lot to catch up on The Unibrow's Radio Juxtapoz podcast. We talk about undergrround comic's new resurgence into contemporary art, the making of the Crumb biography and the incredibly pivotal moment of KAWS' collection show at the Drawing Center in 2024.

But more than that, I got to speak with someone I admire on his dedication to print, to words, to creating narratives in a world that needs to understand it's visual history. —Evan Pricco

The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 165 was recorded in Los Angeles and Brooklyn on May 14th, 2025.

"'Too Bad, So Sad, Maybe Next Birth' was a phrase my parents would say whenever something was out of my control and didn’t go exactly according to plan," Shyama Golden wrote on the subject of her new solo show of the same name for PM/AMin London. "It feels to me like a short phrase that embodies the entire human struggle, like Sisyphus pushing the boulder up the hill." The Los Angeles-based painter has created a universe where reincarnation, generational trauma and suffering (and a sense of humor to cope with it), Sri Lankan folktales and a personal journey through time and the soul's journey through eras. Golden told me she wanted to create a works that spoke of "past lives because this framework challenges the idea of an essential self, a fixed history, and linear progress." And so she is creating her own story, not the next birth, but this birth. 

In this conversation from The Unibrow's Radio Juxtapoz podcast, I spoke with Shyama in LA just before her trip to London, just after her husband, Paul Trillo, showed me an incredible AI-generated film he created with her that will premiere in short form at the PM/AM show but will continue to be worked as a longer work in the future. The show is like a journey through our collective creative output: traditional painting, wood masks co-created with craftsmen in Sri Lanka that harken to centuries past as well as a short film utilizing AI. It's work for the ages, literally.

The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 164 was recorded in Los Angeles on May 2, 2025.

Music by Aesop Rock for The Unibrow.

The first thing I said to Nellie Scott, Executive Director of the Corita Art Centerin downtown Los Angeles that preserves and promotes Corita Kent’s art, teaching, and passion for social justice, was that I wish we didn't need to do this. I wish Corita Kent's work had already done its work, that the world was free of oppression, racism, inequality, chaos and fear. Maybe Nellie and I could just talk about love and a butterfly,the upcoming showing of Kent's work at Andrew Kreps and kaufmann repetto in NYC this month. But the times they are a'changing and oh how they stay the same. The new Corita Art Center opened in March and since, Pope Francis has passed, the structure of democracy in America has been bent to a near breaking point and art has an act of protest and social awareness is struggling to find its footing. So, it's time for Corita Kent once again. 

In this conversation on the Radio Juxtapoz podcastproduced by the Unibrow, Nellie Scott speaks of the founding of the Center in 1997 and its association with the Immaculate Heart Community, how Corita Kent went from entering the religious order Immaculate Heart of Mary at age 18, to championing civil rights, anti-war activism, and peace, through her unique aesthetic of printmaking. She left the order in 1968 and moved to Boston, where she continued to make work. Her art, and her life, was devoted to finding a deep understanding of the human experience, through teaching and creating. Corita left behind a great legacy that continues to reverberate - at the time of her death in 1986, Corita had created almost 800 serigraph editions and thousands of watercolours, alongside public and private commissions. From Boston to Los Angeles, Corita’s life is a truly inspired story. 

The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 163 was recorded at the Corita Art Center in Los Angeles in late April 2025. 

Original music by Aesop Rock for Radio Juxtapoz

Adele Renault's studio is an old converted Korean church in Los Angeles. It's a large, fascinating old building just down the road from some of the biggest gallery names in the world like Zwirner, but here, there is a quiet hum of the 10 freeway and a massive painting area that could almost be an old cinema in terms of scale. Here, the Belgian-born artist is far from the rural countryside she grew up in and now in the thick of the concrete landmass that is the sprawl of LA. And here, in these conditions, she is making paintings so precise and photorealistic, so airtight, that she is almost leaning into something abstract. They are stunning and a major moment for the artist as she is set to open her solo show, Things I Can't Unsee, at Good Mother Gallery. 

It's the perfect title to a show, and in particular, to the practice she has of documenting her travels via bicycle, running or in a car across LA. Made over the span of 12 months, through a tumultuous time in LA's history, the works are an ode to the city and the constant conversation between nature and cement. 
In this conversation on the Radio Juxtapoz podcast, presenting by The Unibrow, Renault talks to Evan Pricco about her growing from graffiti and street work into this new direction, from pigeons to now urban landscapes, how being afforded time is a gift every artist needs and how close to abstraction these works can get up close. 

⁠Subscribe to the Radio Juxtapoz podcast onSpotifyand onApple Podcasts. 

The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 162 was recorded in Los Angeles in late April 2025. 

Studio photo by Pysa (@Pysainhiding)

“No hierarchies are implied.” If you need to know anything about Katie Merz, start with that. The Brooklyn-born and bred artist has been playing on the streets both metaphorically and recently literally, for most of her life. Hierarchies would have got in the way if she let them. Art was all around, or perhaps better stated, it could be all around. For Merz, improvising was the goal, and the ever-evolving canvas that is her home borough gave her the imagination and the thoughtfulness to read and react to the world around her that has now blossomed into a public art career that is also extended into fine art and commercial projects. And this is where we found her. 

It was serendipity that at the time we were meeting up with Katie in her Brooklyn studio, she was finalizing her long-awaited collaboration with Simplehuman. The Southern California-brand is famous for their, well, beautifully simple trash can designs and home goods, but there was something rather ideal about pairing an artist to create a design for cans. Ideas come and go in the studio, projects can get thrown away but the function of an artist is to take the everyday object and turn it into art. For Katie, this is in her DNA. 

On this episode of The Unibrow's Radio Juxtapoz podcast, we speak with Katie about the collaboration with Simplehuman but also how she involves spontaneous play into her work, how much growing up with the romantic history of NYC plays into who she is and the process of storytelling with lines. 

The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 161 was recorded in Los Angeles and Brooklyn on April 21, 2025. This episode was made possible bySimplehumanand their upcoming capsule collection withKatie Merz. 

The serpent has been around for a quite some time. It's biblical stature as the representation of the temptation of the devil to Eve in the Garden of Eden has often been part of Western thought, but the asp was a powerful symbol in ancient Egyptian culture, representing "divine authority of the pharaohs." The serpent has been a protector and mischievous creature, chaotic and a form of order. And this is where we find Montreal-born, LA-based sculpture artist David Altmejd, on the border of chaos and order, restraint and rawness, realism and fantasy. We are in the underworld but also inverting the hierarchy of the world above it all in one.

I spoke with David on the occasion of his solo show, The Serpent, at White Cube Gallery in NYC, a show exploring a theme he had wanted to challenge himself for years and one that brought out a whole new direction and subconscious expression that he plans to explore in future shows and works. On a sunny April morning, I visited David's now almost-empty-but-in-the-process-of-new-ideas studio in Echo Park and found that this was just the time to get the story of where he is at in 2025. David digs himself into quite a personal world when he is making a show, and he told me he is often unprepared or able to speak of his work until it leaves his studio. So here we are. 
On this episode of The Uniborw's Radio Juxtapoz podcast, we speak with David Altmejd about feline energy, biology, physical space, the beauty of a sculpture that is almost always in motion, and what The Serpent means to him. 
⁠Subscribe to the Radio Juxtapoz podcast! 

The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor,⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 160 was recorded in Los Angeles on April 7, 2025.

This episode of Radio Juxtapoz is brought to you by the generous support of the ⁠⁠⁠Artemizia Foundation⁠⁠,⁠ a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.

Barcelona-born Noelia Towers has been painting a form deconstructing power structures for years now, but it seems like over the last few years her subject matter has received a heightened attention. And importance. Not like a typical activist painter, Noelia is placing herself right in the center of both a personal biography and a universal appeal for action against patriarchy and a prevailing mood across the world of a new form of masculine power structures. I wrote a few months back, "She plays with ideas of myth, both personal and universal, using imagery that creates a feeling of familiarity but abstracted to make you rethink your expectation of memory," and this holds up even more after our conversation.

On this episode of the Unibrow's Radio Juxtapozpodcast, Noelia talks to me about her move to Chicago, the traumas she carries with her in her practice today and how her recent show, An Account of Preceding Events at de boer, Los Angeles came quickly and was one of her best experiences in the studio in years.

The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 159 was recorded in New York and Chicago on March 26, 2025.

This episode of Radio Juxtapoz is brought to you by the generous support of the ⁠⁠Artemizia Foundation⁠,⁠ a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.

Mark Whalen has been with us for almost 20 years, from the streets of Sydney, Australia to a new life of a sculpture studio in Los Angeles. Now it is time we are with him: after losing his home in the Altadena fire of January 2025, I got in touch with Mark about a visit to The Unibrow's Radio Juxtapoz, but also to catch up on an immersive, darkly humorous series of works he was creating. It felt like the right time.

In this conversation on the podcast, we find the inspiration behind the world Whalen has created, the stream of consciousness and deeply investigative construction of the sculptures, the materials, the fun, the pain, and how losing his home will inevitably transform the power of the work.

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The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 158 was recorded in Los Angeles on March 14, 2025.

This episode of Radio Juxtapoz is brought to you by the generous support of the ⁠Artemizia Foundation,⁠ a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.

Daniel Gibsonis a painter of the California landscape, a visualizer of a certain kind of desert oasis dreamt of in a surreal dream as opposed to a place you have been. But to be honest, I wasn't aware of this fantastical world of desert sun, flora and fauna in Gibson's work; I just wanted it all to be real. I don't think that is important; what is important is that Gibson is capturing an essence of fantasy and freedom, a rural and desert basins, the Imperial Valley of Southeast California.

This is where Daniel grew up, and though he has lived in San Diego and now Los Angeles for years, he takes this childhood daydream of his surroundings with him in some of the most beautifully phantasmagorical paintings being made today.

Gibson's path to a fine art career took many twists and turns, from ArtCenter to graphic design, street posters to working at Levi's. He found himself in the studio of Mary Weatherford, another artist of color bursts and abstractions, where he learned the details of a career artists and the blueprint for dedication. The pandemic allowed him more time in the studio, and when the world was shut away, Gibson developed a body of work that has seen the galleries of Almine Rech, Nazarian / Curcio and new show just about to open at Marquez Art Projects (MAP)in Miami.

In this conversation on The Unibrow's Radio Juxtapoz podcast, Gibson speaks to Juxtapoz editor Evan Pricco about a semi-retirement set for 2025 (aka, a break from shows to develop new work), growing up near the California-Mexico border, being self-taught at painting, the emotional parts of paintings and what he learned from Weatherford's practice.

The Unibrow's Radio Juxtapoz podcastis hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 157 was recorded in Los Angeles on March 11, 2025. This episode of Radio Juxtapoz is brought to you by the generous support of theArtemizia Foundation,a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.

There have been many iterations of the man we know as Nehemiah Cisneros, but right now, in the most moment, he is most himself. If you know Nehemiah, he is a thoughtful, insightful and evolving figure in art who is a filmmaker in a painters' body. We met him as AUGOR, the graffiti writer who took over Los Angles in the late aughts with billboards and walls that were just as influenced by comics, video games and low brow art as it was the history of lettering and monikers. He was fresh air in a scene that was already full of major creative forces: SABER, REVOK, RETNA and the MSK crew members. Cisneros was the young buck making a name, with LA in his blood and something theatric in his vision.

Across a few art schools, going through addiction and his own "trouble" that we mention in this podcast, Cisneros found a new voice in the art departments of Santa Monica City College, Kansas City Art Institute and then an MFA at UCLA. What that voice does is create a vision of his youth in Los Angeles and the aesthetic of a city of narratives, literally in its DNA. Cisneros, even now with a body of work on its way to Josh Lilley in London, has taken a life of influence from film, arcades, city streets, low brow and fine art into a beautiful and often overwhelmingly dense series of paintings.

In this conversation on The Unibrow's Radio Juxtapozpodcast, Evan Pricco and Cisneros talk about life after an MFA, his time working in the arts and studying painting, how Mark Ryden influenced his early years and how now he is looking to Theodore Gericault, Max Ernst, gamer culture and Black Exploitation films for his new works. Off the the "goon cave"...

Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 156 was recorded in Los Angeles on March 5, 2025 Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

Hannah Lupton Reinhard's paintings always have a consistency in intent, and yet an interpretation of intention seems to be flexible for some, perhaps even malleable. The theme of moving goal posts to secure your own meaning is rife in modern society, perhaps more so than ever as we all have the unique ability to erase our own history so easily. We all, at the touch of a button, can share and manipulate our opinions, often in an instant. I don't know if we, as a collective, were ready for this, and we are struggling. We are angry. We are confused. 

Reinhard has been making paintings about being Jewish since her time at RISD, has explored Jewish "displacement, diaspora, and the weight of inherited identity." In her celebratory work, she speaks of something quite universal: the complex idea of home and, as she notes from the philosopher Judith Butler, "that cohabitation—living among and alongside others—is central to Jewishness itself." As war in the Middle East began to explore, her work was being re-evauluated, her inclusive opinions causing her anger from her community and re-reading of her artwork that was never her intention. It brought out broader conversations about coexistence, and how a proudly Jewish artist can criticize Zionism while remaining as proud of her heritage as ever? 
In this conversation on the Radio Juxtapoz podcast, Evan Pricco speaks with Reinhard at Rusha & Co just as her solo show, Are We Here Yet? was opening. They spoke about how the fires in Los Angeles gave her work an extra dimension, finding identity in art school and how she painted through a major shift in her public life and how it caused a uncertainty in her private life. 
(Editor's note: Click here to see imagery that connects with the conversation, a gives context for some of Reinhard's older works)

Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 155 was recorded in Los Angeles on February 12, 2025 Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

It took Melbourne's Jeremy Geddes over 5 years to make his newest solo show, Periphery, for Thinkspace Projects, and it's been over a decade since he last had a show all together. He is a patient man, a man who loves the details, making personal and universal works that are about the human condition in relation to explorations of space, our soul and our relationship the technology all around us. He is an explorer of the smallest details, a painter who doesn't just have the technical skill of past masters from centuries before, but a problem of solver of the self.

So it took him 5 years to make this show, and, while on the plane to Los Angeles in the first week of January, 2025, it took Los Anglees a few hours to be changed forever. Time is fascinating that way; an artist and mother nature have different schedules.

Speaking of schedules, we schedules this conversation with Jeremy a few weeks ago, just before he made his trip to Los Angeles for the solo show at Thinkspace Projects, his first solo show in over a decade and a culmination of work made since 2019. Before the pandemic, to now. Quite a significant moment for him, and for us, a moment to connect with a past cover artist, a vital artist in our history.

As fires were ravaging LA's hills and communities, Jeremy and I had this conversation with heavy hearts. With heavy minds. Past guest of Radio Juxtapoz, featured artists in the magazine, friends, family, colleagues, all lost homes in these fires. Friends, family and colleagues have homes threatened right now, as I recond this. It’s a tragedy, it’s unthinkable, it’s been quite unimaginable.

In this conversation, Jeremy and I speak about that attention to detail, about how he sees the scope of his life finally seeing this show all together and how much of his work isn't informed by science fiction but our need to explore what it is that moves us, no matter how small or how significant. —Evan Pricco

Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 154 was recorded in Los Angeles on January 10, 2025 Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

It isn't often we invite a guest to come onto Radio Juxtapoz for a second time, but Umar Rashid is beyond an exception. He's a friend with something to talk about, a new show, yes, The Kingdom of the Two Californias. La Época del Totalitarismo Part 2at BLUM in Los Angeles... but we are also talking two days after the American election and an artist dedicated to history has something to say. A lot to say.

"This epoch is exhausting," Rashid says, as we explore his own explorations of history and the cacophony of noise of the contemporary. In our wide-ranging conversation, we talk about making art in the midst of history happening around you, how you can tell stories from the past that explain our current and future selves and how much it takes to prepare a body of work that is about a narrative that demands a deeper read. Umar never shies away from telling us how our history is often over-looked, and although that seems simple, it's a plague of humanity to not look back in order to move forward. And art is his language...

Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠Evan Pricco⁠⁠. Episode 153 was recorded in Los Angeles on November 7, 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

Something that will always exist, regardless of political landscapes and the changing of societal norms, is the need to honor space. ⁠Danielle Mckinney⁠ knows something about space, and waiting, and watching, and observing. As a photographer she practices these disciplines, and when she began to explore her desire to paint, she found something remarkably powerful: the space for the body to rest. Whether it was a fantasy or a dream, Mckinney's work is a powerful reminder that the art of protest can come in unexpected ways, that sound can reverberate from the quietest of moments and just how much rest and the act of being seen resonates so deeply.

In this episode of the ⁠Radio Juxtapoz's Unibrow podcast⁠, Jux editor ⁠Evan Pricco⁠ speaks to Mckinney the day before the American election of 2024, which envelops the conversation with a bit of realistic uncertainty. Mckinney speaks of her shows in Europe in 2024, listening to Thom Yorke and the Cocteau Twins, her youth in Alabama and Georgia and giving woman of color the space and place to be seen.

⁠Subscribe to the Radio Juxtapoz podcast⁠⁠. 

Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠Evan Pricco⁠. Episode 152was recorded in Los Angeles and New York on November 4, 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

Photo of Danielle Mckinney by Pierre Le Hors, provided by Kunsthal n in Copenhagen

San Francisco's ⁠Koak⁠ has always been a mystery to us. Yes, of course she is an internationally exhibited painter and the cover of the Juxtapoz Fall 2024 Quarterly in time with her solo show at Perrotin in Paris in September, but that there is something non-era-specific about the work she makes. Timeless get overused, but Koak makes otherworldly paintings that are personal, emotional, universal, environmental and narrative all in one.

In this episode of the Radio Juxtapoz's new Unibrow series, a more raw, uncut version of our podcast, Koak talks to me about her teen years in Santa Cruz, how she thinks of composing her installations in the vein of comic book storytelling, how a very difficult year led to quite a compulsive, painstaking process to make her show in Paris and how an upcoming institutional show in London makes her feel right at home.

Subscribe to the Radio Juxtapoz podcast⁠. 

Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor,Evan Pricco. Episode 151 was recorded in Los Angeles and San Francisco on October 29, 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

Anthony Cudahy is at an interest time in his life when we spoke for the Radio Juxtapoz podast: he hadn't been in the studio for a bit. And who could blame him? He had concurrent solo shows open at Grimm and Hales in NYC, and his first museum show, Spinneret, had opened Ogunquit Museum of American Art in Maine earlier in the year and was about to open at the Green Family Art Foundation in Dallas the week of our conversation. A break, or at least taking it all in, seemed quite relatable. 

And on this episode of Radio Juxtapoz, it does feel like Anthony is thinking about what is next, giving his most recent work and past works a little deeper look, deeper thoughts and really taking note of how the past 5 years of his life have really taking off. He is a painter of stories, of narratives, capturing his husband and friends in fragments that almost take on a life of their own. Maybe that is what it is all about; letting a painting take you somewhere, outside of yourself by of yourself, and just taking you to another place. That is what Anthony is really, really good at that. 

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 150 was recorded in the NYC in October 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

Matt Bollinger's aim is both to define America but also define himself. Okay, okay, that seems like a wide net to throw, and it maybe it even seems simplistic, but there is his contemporary approach to social realistic, Ashcan School style that has made Bollinger one of the most interesting artists working today in painting, drawing and animation that speaks about and creates narratives of midwest America. His characters often show up in different bodies of work, different mediums, as we follow them through recessions and pandemics and aging, and really just life. Originally from Missouri and now working out of upstate New York, this is a time where Bollinger's voice seems as vital as ever.

On this episode of the Radio Juxtapoz podcast, we get the band back together, so to speak, where hosts Evan Pricco and Doug Gillen interview Bollinger about his recent body of work shown in London and the state of America through the lens of his characters. On the heels of our conversation with Patrisse Cullors, this could be the beginning of our "state of the union" series of pods.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 149 was recorded in the Los Angeles, Margate and Ithaca in September 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

As a co-founder of the Black Lives Matter movement, and a career as an artist, writer, abolitionist, Patrisse Cullors is one of the most influential figures in contemporary culture of the 21st century. What the Los Angeles-born Cullors has found in art is something quite fascinating in contrast to work as a activist: space to explore the limitations of language and the expansive nature of creating histories in physical form.

I met Cullors at picnic table outside Charlie James Gallery in Los Angeles' Chinatown on the occasion of the artist's first solo show with the gallery, "Between the Warp and Weft: Weaving Shields of Strength and Spirituality." That conversation led to this episode of Radio Juxtapoz, where. Cullors and I discussed the expanded world of activism, her history in making art and the influences of Black American artists in her work and where she sees America at now with the looming elections just months away. —Evan Pricco

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 148 was recorded in the Los Angeles in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

The first time we encountered the works of London-based Christian Quin Newell was at his stunning Earth altar solo show at Public Gallery. Newell works in an otherworldly realm, dreamscapes if you will (more on this in a second). His newest solo show, The Way,at the same London-based Public Gallery, created what we could say are cosmological paintings, a combination of fictional mysticism, medieval and futuristic at the same time. It's his universe, and we are walking into it.

On this episode of the Radio Juxtapoz podcast, we speak to Newell about the characters and universe, his influences and his incredible ability of documenting and then painting his dreams in almost real time.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 147 was recorded in the London in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

When you open up the Fall 2024 Juxtapoz Quarterly, our colleague Kristin Farr brings up a caveat when looking (or hearing) about the works of Hannah Wilson. "Embedded in this interview is a required watchlist: Motion pictures that catalyze the arresting paintings of Hannah Wilson." What perhaps you need to know is that Wilson's works are dramatic in that they are the in-between moments of film, stills of the often-missed moments of repose and turmoil. Backs of heads, faces turned down, whispers, grimaces, stress. This is the world of Hannah Wilson is investigating.

The Glasgow-based painter has had quite the few years in the public eye, from a solo show at Steve Turner in Los Angeles and residency in Norwich with the team at Moosey and a new feature in our Fall Quarterly. When we asked Wilson how 2024 was going to wrap up, they said "I’ll be continuing my research, watching lots of films and painting what feels good. Also failing, of course, if I’m lucky."

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 146 was recorded in the London in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

We often said with Juxtapoz that the power of art is to make people feel engaged, feel good and feel ownership over both their community and the world-at-large. Art makes you feel alive, makes you thoughtfully engaged, whether the art challenges you or makes you just have a smile on your face. It's the beauty of it: art allows you to activate yourself.

On the occasion of Ken Nwadiogbu taking part in the River Centre Development at Hellesdon Hospital in Norwich, where he the London-based painter transformed the walls of Hellesdon hospital, we found it a good time to finally get a chance here at Radio Juxtapoz to pay Ken and visit and see what he is up to. With Ken's solo show at Kristin Hjellegjerde Gallery in Berlin on this summer, we had a lot to catch up on with the Nigerian-bon painter.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 145 was recorded in the London in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

We often ask ourselves how art can heal or make us better understand the world around us. It's the function of art, isn't it? We may not have a universal or agreed upon definition of what art is or means, but we have an understanding that art is an expression of creativity in response to both personal and communal experiences. It's complicated, but good art makes you feel and understand something deeper about the human experience.

On the occasion of "Don’t Forget to Remember," a documentary film by director Ross Killeen that follows the Irish street artist "Asbestos as he and his family learn to navigate his mother’s diagnosis of Alzheimer’s and cope with her fading memories," Radio Juxtapoz sits down with the artist to discuss this incredible transformation in his personal life and how this has created a new direction in his artistic life.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 144 was recorded in the UK in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠⁠⁠

A new season of the Radio Juxtapoz podcast is here, and we start with something that feels quite relevant as we cross-over into the halfway mark of 2024. The concept is this: Truth is a Moving Target, and the artist and exhibition it pertains to is Southern California's Jaime Muñoz who just opened his first solo museum show at LA Plaza de Cultura y Artes in Los Angeles.

When Jaime makes work, he is thinking about movement, how labor moves through our world, how we get from one place to another, and the illusions that some have about what it means to be labor. I wrote this about Jaime earlier this month prior to the podcast, that he "uses the utilitarian methods to speak about a history of California, immigration, migration, labor commodification and the automobile."

Over the course of this episode, we talk about these ideas and his unique craft of airbrush and ink drawings, through a unique visual collage of the things we see across our commutes and highway landscape and the political truths we tell ourselves in the midst of all of this.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 143 was recorded in Los Angeles at LA Plaza de Cultura y Artes in July 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠⁠

Continuing our series of podcasts from the Crystal Ship festival in Ostend, Belgium, Radio Juxtapoz' Doug Gillen sat down with Spanish muralist and painter DULK to capture the essence of his practice that has long featured wild animals in a new urban context.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 1412was recorded in Ostend in April 2024 during Crystal Ship. Follow us on ⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠

Ah, its nice to have a little color talk here on the podcast. Dublin, Irelands' ACHES is a theorist of color. He combines a multitude of ideas and styles into his work, whether graffiti, murals, painting, graphic design, all into an aesthetic that is deservedly his and one of the more unique in the street genre. When you see an ACHES, you know its him.

Now on this occasion we aren't in Dublin or the UK to speak with the artist, but in Hong Kong during Basel Week 2024 and the HK Walls festival. It's always a good time to speak to an artist away from home because you understand a certain idea of perception about their work, and a great conversation usually occurs when you have a little jet lag and hard work going on at the same time. What ACHES describes here is his history and his style that he calls a "subtractive and additive color theory." That's the good stuff.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 141 was recorded in Hong Kong in March 2024 during HK Walls. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠

It was always as much as an intervention as it was a hotel. When Banksy opened the Walled Off Hotel in Bethlehem in Palestine in the West Bank in 2017, it was met by both amazement and a bit of shock. In what, in a way, like, "Wait, he opened an actual hotel in the West Bank? By the wall? How did he get that done?" And of course there was the simple: "I want to go. Can I go? Is it safe? I need to go." But there were also more vital questions and anwsers that the hotel offered: what is the history of this region? What is the West's role in this history? The year 2017 was important as it marked the 100 years since the "British took control of Palestine and helped kick start a century of confusion and conflict." And of course in true Banksy fashion, he noted, "At the time of writing there are no special events being planned to mark the occasion." This was a real hotel, with real world implications in a region occupied by Israel with wartime conditions dominating the consciousness of the people there. For Banksy and Walled Off Hotel manager, Wisam Salsaa, this was the opportunity to tell the story of a people, a region and a culture. 

After our Israel-Palestine episode at the end of 2023, Radio Juxtapoz wanted to return to the stories of the region but also highlight those who help give Palestinian artists a voice and platform. Wisam, for his years as a tour guide in Bethlehem and now the manager of the Walled Off Hotel (which, of course, is currently closed), helped make Banksy's vision for the hotel come to life and continued to operate it through the following years. In this episode, Jux editor Evan Pricco speaks to Wisam about the creation of the Walled Off, the artistic culture in the West Bank, how street art brought international attention to the region and how Banky changed the way many in the West began to think about its role in the history of Palestine. 
You can follow the Walled Off Hotel at@walledoffhotel

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 140 was recorded in May 2024. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠

When Cindy Bernhard found the cats she found herself. That is the short summary of the story. During the pandemic, and years of trying to find her artistic voice, Chicago-based Bernhard painted a cat in her work and found that voice, that direction, that narrative, the character that was her but also something so universal. The cats aren't just lying about, they are sleekily wandering beautiful rooms, hiding behind beautiful objects, with candles and purple and the night as the backdrop. They are inquisitive and curious, much like Bernhard herself. 

On the eve of her solo show Take Me to Church at Richard Heller Gallery, Radio Juxtapoz sat down with Bernhard to discuss religion, growing up on a farm, a brief move to Los Angeles, finding a home in Chicago and how the cats and the candles made it into her work. 

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 139 was recorded in Los Angeles and Chicago in April 2024. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠  

The thing about FAILE is that they are always trying to take you somewhere you feel like you have been but may have dreamt. Since coming into street art at the pivotal moment of the early 2000s and their various explorations into installation, muralism, nightlife and fine art, you recongnize the world of FAILE even though it's something completely fresh and new. I think of it as the imaginary world you always wanted but could never quite find. 

And at the moment they open their new solo show,Don't Stop, at CONTROL Gallery in Los Angeles, Radio Juxtapoz wanted to talk to the duo that is FAILE and discuss what it is they saw and see now as pioneers of street work but also transformative artists who think of place and space and experience in everything they do. 

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 138 was recorded in Los Angeles and Brooklyn in April 2024. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ 

As these things happen when we are on the road, we met a Canadian in Ostend, Belgium. Radio Juxtapoz was on the road for the annual Crystal Ship and as we love with the mural festivals we get to see the process, the ideas and the creation of so many works from so many different practices. Katie Green creates masks, what she calls "intimate watercolour personas that are eerie and ethereal." On a mural level, this requires participation and something quite unique. 

Her project, as she notes on her IG, "is a community driven process which uses handmade masks as a way to build community, find healing, and explore aspects of self. By designing and wearing a mask, invited participants are given the opportunity to present society with an internal, alternate, or imagined part of themselves. The mask creates a safe space—both expressive and anonymous—to share oneself with the outside world."
Like Ostends' beloved James Ensor, "Katie uses masks as a symbol for intrigue. Masks are a passageway between what we perceive on the outside and the mystery of what lies beyond. In Ensor’s work, his masks are unpredictable and we are invited to befriend our own imaginations as we ponder the hidden subjects. In this project masks become an extension of self, where each participant is guided through a curated process that brings them closer to their internal landscape." 
So for Crystal Ship, Green worked with the community to create masks, and chose this particular mask as an ode to the city and Ensor's work. And we have her on this episode of Radio Juxtapoz. 
The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 137 was recorded by Gillen in Ostend in April 2024 during Crystal Ship. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ 

Hong Kong was the center of the art world a few weeks back, as Basel week set the stage for the prominent art capital to get some much overdue love from the pandemic era shutdowns. Juxtapoz, and mainly Radio Juxtapoz, was there for HK Walls, the esteemed mural fest celebrating its 9th edition with a roster of international and Hong Kong-based painters.

On the occasion, as we always like to make a little time with the artists at a mural festival, we spoke with German-based Bond Truluv, the calligraphic and futurist who transforms walls into alternate universes. He's a portal maker.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 136 was recorded in Hong Kong in March 2024 during HK Walls. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ 

We love when an old friend becomes a new friend all at once. We have known and featured the works of German-artist Cathrin Hoffmann many times through the years and one of the things we love about her practice of going from digital to analog all while keeping the spirit of something from another world. Not alien, but just something beyond human. But, in that, she seems to be capturing the exact innate quality it is to be human. Get it? Got it.

On this episode of Radio Juxtapoz, we catch up with Hoffmann as she takes part in a group show at Christine König Galerie in Vienna and where her ability to create an atmosphere with her paintings and sculptures, side by side, is hitting its stride.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 135 was recorded in London and Hamburg in March 2024 . Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠

The first thing we researched when we came across the paintings of Johanna Bath was this simple declaration "I am madly in love with life." That is a great place to start, because sometimes a painter just needs to love the life they are inspired by. Maybe, in her distorted and almost hazy representations of life and in her fate to become an artist, she finds life just a little more exhilarating.

After seeing the German-born painter's work at Pipeline Contemporay in London and a residency at the Fores Project in 2023 and 2024, Radio Juxtapoz's Doug Gillen sat down with Bath to her about her route to the art world and her lust for life.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 134 was recorded in London in February 2024 . Follow us on ⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠ 

On the occasion of his newest solo show, Abstract Figurativism: Loving Fiercely, at BSMT in London's Dalston, Radio Juxtapoz sat down with Ben Wakeling for a special conversation about art, healing, community, loss, grief and love.

As the Artist in Residence of the North London Trust NHS Arts Programme that he helped found, Wakeling collaborates with patients experiencing episodes of mania or psychosis. The beauty of the works lies in both the sublime brushstokes and the channeling of energy, creating something fresh and introspective for abstract painting. You don't want to miss this one.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 133 was recorded in London in February 2024 . Follow us on ⁠⁠⁠@radiojuxtapoz⁠⁠⁠ // You can buy the SPRING Quarterly now at Shop.Juxtapoz.com

Christian Rex van Minnen and I decided to talk on Valentine's Day. He was about to be announced as the cover artist for the SPRING 2024 Juxtapoz Quarterly and, like two old friends should do, we wanted to have a talk on a day where sharing your feelings is a rite of passage. Over the years, the Santa Cruz-based painter and I have had a long history of, you guessed it, long talks, but we haven't spoken since the pandemic started and it felt like it was time for a catch up. His masterful paintings had recently graced the walls of Veta Galerie in Madrid, and there seemed to be a slight evolution of his visual language that I couldn't quite put my finger on. So, let's chat it out.

What we found on this episode of the Radio Juxtapoz podcast is an artist not just in an evolution of his craft but in an evolution of his psyche, his philosophies, his selfhood. I've always felt like Christian was wise beyond his year, a thinker who takes those deeply meditative moments alone in the studio and used them to contemplate the history of painting, the history of the self and man's ability to understand it's own darkness. It's own weaknesses, it's strengths. We didn't talk much about painting on this day (although I got some stories about the gummies), but we did talk about life and how much we each have changed over the last 16 years. —Evan Pricco

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 132 was recorded in Santa Cruz and Los Angeles on February 14, 2024 in Los Angeles. Follow us on ⁠⁠@radiojuxtapoz⁠⁠

Los Angeles is a big place. Sprawling is the description most give it, and that feels so apt once you spend a few days here. It's not a top to bottom type of city, but left to right, almost like a city laid out like a book. A city of narratives and chapters. And right now, there aren't many an artists who seem to be writing a tale quite like Ozzie Juarez. As a painter, curator and incubator, Juarez and his Tlaloc Studios is telling the modern story of LA to not only the rest of the world, but to itself. It's LA about LA; and it's unlike any story being told today.

On this episode of the Radio Juxtapoz podcast, Jux editor Evan Pricco sits down with Ozzie days after the opening of one of the most talked about shows of the LA season: his solo OXI-DIOS at Charlie James Gallery. He still feels the buzz, but will soon turn his attention back to his curatorial duties with TRADITIONS at Muzeo down the road in Orange County and taking part in what may be the show of the year, At the Edge of the Sun, opening at Jeffrey Deitch Gallery just in time for Frieze LA. This is where Ozzie is at. Whether its in the blue chip galleries of West LA, Tlaloc in South Central or his own solo show in Chinatown, he is the pulse of LA.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 131 was recorded on January 25, 2024 in Los Angeles. Follow us on ⁠@radiojuxtapoz⁠

We are back in London for the 2nd episode of the 15th season of Radio Juxtapoz with a conversation with British painter, Kemi Onabulé. One of the things that stood out for us and why we wanted to speak with Kemi was this quote she said about her new show, All The Land Is Spoken For, on view now at Sim Smith. "There is so much to enjoy from a tree as a painter, you can paint its skeleton as if it were a body.” This is how 2024 begins.

One of the ideas of this show, and our conversation is the idea of how we all have a desire, or at least many of us, to own the place that we come from. Not just as a place where we live and grew up in, but in terms of ecological and cultural terms. Maybe we don't think about it often enough, but where we come from define us, both personally and how others perceive us; this is how we start to define ourselves and what we make of our life. But what Onabulé talks about is this idea of a game of aesthetics, how we interact with the viewer, what the viewer understands, and the power of a visual.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 130 was produced and recorded in January 2024 by Doug Gillen. Follow us on @radiojuxtapoz

Welcome to a new season of Radio Juxtapoz. And why not kick off the 15th season with someone who not only pushes the boundaries of a medium but plays a bit on the absurdity that is modern life, contemporary art and the ways we experience both. William Cobbing explores both a physical and digital world with something quite antiquated: clay. He can be both a performance artist and a studio practitioner, playfully using his social media accounts to create interactive "plays" and "scenes" of his art in motion. It's playful, other-worldly, and probably exactly what we need.

In this episode of the Radio Juxtapoz podcast, Doug Gillen speaks with Cobbing in England at the end of 2023, just as the British Ceramics Biennial closed and just in time to have him kick off a new season.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 129 was produced and recorded in December by Doug Gillen. Follow us on @radiojuxtapoz

We close out our 14th season and the 2023 with a special conversation with friends, about the story of the year, the impact it has had on each of their lives and how art can be a conduit to understanding, care and shared humanity.

"The Israel-Palestine Episode" features conversations with two Radio Juxtapoz alums, Israeli artist Know Hope, Palestinian-American artist Saj Issa, as well as Anthropologist and Curator, Dr. Rafael Schacter.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 128 was produced and recorded in November and December by Doug Gillen. Follow us on @radiojuxtapoz

When you go to Miami each year, you are hoping to discover something new, something fresh, an artist that changes the way you look at the contemporary art landscape. For Radio Juxtapoz, we were able to go North while heading South, where we hosted a live panel conversation with Saimaiyu Akesuk, an Iqaluit born, Kinngait-based artist whose distinctive patterns and oil pastel animal drawings drew the eye of Canada Goose and the Canada Goose Art Collection.

Last week at the Canada Goose pop-up store in Miami's Design District, and in an evolution of its longstanding program, Canada Goose commissioned Saimaiyu to create three new print works, with proceeds from the sales of the works to benefit Inuit artists and communities across Canada. On the occasion,and on this episode of the Radio Juxtapoz podcast, Jux editor Evan Pricco spoke with Saimaiyu and Canada Goose Art Collection curator, Natalie MacNamara to discuss Saimaiyu's early influences in her community, her grandfather's lasting impression on her pastel drawings and the inspirations behind her birds and bears.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 127 was recorded on December 7, 2023 at the Canada Goose pop-up in Miami. Follow us on @radiojuxtapoz

It's refreshing to talk to an artist who likes a bit of the absurd. And who bucked the trend of his home country and started making work that blended performance, fashion, sculpture, text, video, theater and interaction that turned him into an internationally acclaimed artist who is known to make fine art out of, well, the absurd moments of daily life. Vienna-based Erwin Wurm comes from a refreshingly old school way of a studio practice that utilizes ideas over function. We might know him for his "fat sculptures" or his one-minute sculptures, and you may know him for fashion shoots for the likes of Hermès, but really, we Wurm is in a league of his own in terms of what conceptual art can be.

On the occasion of his solo museum show, HOT, on view at SCAD MOA, Radio Juxtapoz sat down with Wurm from his home in Vienna to talk about his practice, his history in the Austrian art scene, the fun of one minute sculpture and how having a museum show across the world in Savannah is great opportunity for him to talk about where he plans to go in the future.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 126 was recorded in October 2023 in Los Angeles, Vienna and London. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠

There are just certain artists who know their subject. For Tim Conlon, freight train graffiti is his muse, his subject, his love, his investigation. As a freight graffiti artist himself, Tim took that passion and understanding of the North American railroad system and turned into wonderfully constructed photoreal paintings of graff on trains as well as a series of train set works featuring graffiti pieces. His work is about not only a love of graffiti, but a story of movement, of communication and connection, friendship and the insight to a subculture of America that collect rail ephemera. It's a story of the industrial revolution, but also of the power of moving art.

On this episode of the Radio Juxtapoz podcast, Juxtapoz editor Evan Pricco speaks with Tim about his early days in Baltimore, how he got into painting the freights and the culture around painting trains. From taking part in a show at BEYOND THE STREETS in LA this past Fall, as well as big showcases at BTS in London and Shanghai earlier this year and working on Showtime's "Rolling Like Thunder" documentary on freight train graffiti with Roger Gastman, Tim's stories are part of the fabric of American art.

 The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 125 was recorded in October 2023 in Los Angeles. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠

There doesn't seem to be anything more 1984 than taking what was one of the most popular selling books of the 21st century and printing an alternative text upon its ashes. There is that wonderful moment in Orwell's masterwork that reads "Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right."

Okay, David Shrigley isn't some mastermind of double-think of mind control, but he is a conceptual artist. And this was his concept: after seeing a campaign gone viral where the Oxfam charity shop in Swansea had asked people to please stop bringing their copies of Dan Brown's "The Da Vinci Code" into the shop to resell, Shrigley decided to buy every copy he could of the novel with the purpose of re-printing over it as "1984." The project is called Pulped Fiction.

As we noted earlier this week, fragments of the original novels remain on the paper, with letters and sometimes whole words of Robert Langdon’s adventures appearing on the pages. The typeface was carefully chosen to mirror the type used for The Da Vinci Code’s first edition, while the book’s cover has been repurposed from the card backing and dustjackets of more than 1,250 copies of the hardback special edition.

On this episode of the Radio Juxtapoz podcast, we sit down with David to discuss Pulped Fiction, the omnipresent shadow that 1984 continues to have on our world, the irony of erasing a text to reprint atop it, the beauty of charity shops and all things happening in the Shrigley world.

 The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 124 was recorded on October 25, 2023 in Swansea and Los Angeles. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠

Okay, okay, okay, Cape Town-based artist Dada Khanyisa isn't a Dadaist, so maybe the title here is misleading. But they are having a solo show currently at the Johannesburg Art Gallery and they are part of the roster of the great Stevenson gallery and they are making work that is both politically astute but also about this ideas of what they say is "going out culture, but also going in culture." So even if it's not Dadaism, it's Dada-ism.

On this episode of the Radio Juxtapoz podcast, we sit down with the Cape Town-based artist about imagination versus reality and the trickiness of the balance, tolerance training and the continuing emerging career of one of the brightest stars of South African art today.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 123 was recorded in October 2023 in Margate and Cape Town. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠

Let's talk about morphing. Better yet, let's talk about the images and visions that we have that are in-between our reality, like when you snap to focus and there are blurred lines and a bit of a shaky floater in your eyeline. You might see some crazy shit. For Sara Birns, she is a painter of morphing visions and facial structures, things that are recognizably unrecognizable. "I wanted to capture, and realistically reveal the way I interpret the invisible forces that are just beyond the matter our human eyes pick up on," Birns told us a few years ago, and it seems like in a world turned upside down, she is seeing things they way they really are.

On this episode of the Radio Juxtapoz podcast, we sit down with Birns in London during Frieze week as the Santa Cruz-based painter was taking a trip abroad. We speak about the value of an object, the way you can see in-between reality and those incredible morphinng faces she captures.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 122 was recorded in October 2023 in London. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠

The airbrush is a utilitarian tool. That is the beauty of it. It can be a fine art device, of course, as is the case with so many brilliant studio artists today, but it can also be an everyday tool, customizing cars, painting industrial objects, sign paintings, you name it. And for Cato, the London-based artist who is both in the fine arts and music, the airbrush is a tool to tell a story, a new sort of social realism, where art is both a mode for storytelling but also something deeply foundational.

In this conversation on the Radio Juxtapoz podcast, we head to Peckham in London to sit down with Cato to talk about family support, the airbrush, music, animation, found photography and collaging this all to make his beautiful works together. And in this, there is life, and what he says his deep interest in faces.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 121 was recorded in October 2023 in London. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠

When you walked through the prestigious Armory Show a few weeks ago, April Bey's solo booth with Bahamas-based Tern Gallery, was the standout. The fair itself was quite strong, but there was something about walking into a universe, the April Bey universe, that was transcendental and hypnotic, immersive. Bey is political and poignant, with a sense of humor and harsh social critique that has been honed by both being a professor at Glendale College in California and practicing fine artist with solo and museum shows on the CV. The works are wide-ranging: installation, printmaking, photography, mixed-media, and the Atlantica series has become one of Bey's defining bodies of work.

Bey grew up in The Bahamas, and on this episode of the Radio Juxtapoz podcast, Evan Pricco and Doug Gillen speak to Bey about youth, moving to the USA, being educated in the States versus a commonwealth, where their art comes from and how Bey's dad helped create the Atlantica world. There might be a Beyonce story, too.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 120 was recorded in September 2023 in Margate, NYC and Los Angeles. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠

Shadi Al-Atallah's newest solo show, Fistfight, begins with an excerpt from The Epic of Gilgamesh and seems apt to start right here: “huge arms gripped huge arms, foreheads crashed like wild bulls, the two men staggered, they pitched against houses, the doorposts trembled, the outer walls shook, they careened through the streets, they grappled each other, limbs intertwined, each huge body straining to break free from the other’s embrace. Finally, Gilgamesh threw the wild man and with his right knee pinned him to the ground. His anger left him. He turned away. The contest was over.”

Having met Shadi a few times in London over the last few years, there is a balance between rage, humor, anger, a grip, a pulse and passion their works. The struggles seen in Gilgamesharen't unlike the struggles we see today, whether it be space, identity, movement or just plain confrontation. Shadi is working with the idea of controlled violence, and I get the sense that they are aware of what the world around them is presenting, the conflicts both internal and external, and finds that through making art, the confronations themselves are just a bit more controlled, more theatric, more epic. As Guts Gallery notes, "Throughout Fistfight, Al-Atallah explores the rigid distinction between the spaces where violence is permitted and the spaces in which it is not." 

This interests me as a writer and observer of art, and has always interested me in terms of Shadi's brilliant works on canvas here (and in the past, works on paper). They are controlling historical events, historical sentiments, the past we bring with us into the future. In Fistfight, the conflict feels rather internal, and the feelings individual, and yet there is a universality that is ever so present.

On this episode of Radio Juxtapoz, Doug Gillen speaks with Shadi on the subject of Fistfight, their evolotion in the works and the move from the Middle East to London. —Evan Pricco

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The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 119 was recorded in September 2023 in London. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠

"Everything in our universe has a dual manifestation," says Mexico City born Horacio Quiroz when you just take a gander at this bio. Well, here we go, you know this conversation is going to be a good one. As the artist opened his new solo show, Goddesses of Spoiled Lands, at Annka Kultys Gallery in London, duality of existence is definitely on the mind. In this insightful and revealing conversation, Radio Juxtapoz sat down with Quiroz to discuss the complexities of growing up queer in Mexico, how his work is a balance of almost supernatural explorations with the details of his homeland and the evolving relationship that humans have with nature. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 118 was recorded in August 2023 in London. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠https://www.juxtapoz.com/radio-juxtapoz/https://www.horacioquiroz.com/

When you name your solo show Say Cheese, there are a lot of puns that can come from it. Ana Barriga did just that for her solo show at Carl Kostyál in London. Say Cheese makes you smile, makes you focus your attention on something that may stand the test of time really, but also puts you into another realm of posing and posturing. And for the Madrid-based painter, she is ready for this moment.

"My work involves instinct and attitude," she says, and as her show was opening in the British capital last weekend, we caught the painter in a moment of both fun and introspection. Her works are like still-life memories done through cartoons done through art history and then almost tasty in their near life-like embodiments of time once lived. On this episode of the Radio Juxtapoz podcast, Doug Gillen sits down with Barriga and captures a painter's painter at the height of her powers, in a moment where an international breakthrough is just beginning.

Subscribe to the Radio Juxtapoz podcast. 
The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 117 was recorded in August 2023 in London. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠

We can call this a new season for Radio Juxtapoz, and Jon Key is the perfect guest. Situating himself between Brooklyn and Margate, UK, Key has a thread through his practice and his life, one that involves family (he is a twin), art, design and adventure. Though his work is focused on the relationships and heritage he is constantly discovering, he is weaving, both through painting and conceptual fashion design, a story about himself. As a Queer Black man originally from the rural town of Seale, Alabama, Key uses greens, blacks, violets and reds to visual speak of his 4 central themes: Southernness, Blackness, Queerness, and Family.

This is where we find Key, on rainy turned sunny day in Margate, at Tracey Emin's TKE Studios where he has a studio space, speaking about his 4 themes, his experiments with landscape painting and why he finds Margate such a special second home for his practice. Key is energetic and thoughtful, full of life and not afraid to let his work move through the centuries.

Subscribe to the Radio Juxtapoz podcast  

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 116 was recorded in July 2023 in Margate, UK. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠

When we have talked about British painter and muralist Lucy McLauchlan over the years, we have used descriptors like spontaneous and natural, organic and natural. She transformed almost room and building sized brushstrokes, often in black and white, as extensions of her being and adapting to the surfaces she paints on. She may have been part of the street art scene, but she was channeling environmentalism in the process.

Recently part of Mural Fest Kosovo, curated by Radio Juxtapoz's own Doug Gillen, he sat down with Lucy for a rare interview about her process and career, her work in Ferizaj, Kosovo and the future of her practice.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 115 was recorded in June 2023 in Kosovo during Mural Fest . Follow us on ⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠

We have spent years trying to get Martyn Reed on the Radio Juxtapoz podcast. The main reason being that the man behind perhaps the most famous, enduring and renowned street art festival in the world, Nuart, has changed the way we contextualize and think about the role of art in our everyday lives. Every year, whether in Stavanger, Norway until recently and now his 7th edition in Aberdeen, Scotland, Reed has themed his curation to certain topics, inviting not only artists to paint on city walls, but brought writers, academics, media members, organizers, city planners and just about anyone who thinks about art in a critical way to come to the festival and give their story. It's a family, and it continues to grow and mature.

On this very special edition of the Radio Juxtapoz podcast, recorded live in Aberdeen, we finally got a chance to sit down with our good friend Reed and get the origin story of not only the festival, but his history in examining power structures and finding ways to infiltrate and nurture those places with prevailing and underground culture.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 114 was recorded in June 2023 in Aberdeen, Scotland during Nuart Aberdeen . Follow us on ⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠

It's rare we get an artist to come out of retirement for a Radio Juxtapoz podcast, but there we were in Aberdeen, Scotland this past weekend with the pioneering and legendary artist SWOON. She didn't retire per se; she retired from street art. The consuming nature of the art form she felt took her away from other creative outlets she wanted pursue, like installations, philanthropy, museum exhibitions, gallery work, collaboration and now, animation and film. But for Nuart Aberdeen, she got back in the game for a week for a series of wheat-pastes that felt so familiar, it was like seeing an old friend after years away. Perhaps it is the Caledonia in her name that got her inspired in Scotland?

SWOON isn't just a legend, she changed the way street art was looked at, how folk and craft elements could be applied to any medium. From the boats she floated down the Mississippi or into Venice, to her earliest days showing at Deitch, to philanthropic projects in New Orleans and Haiti and her Heliotrope Foundation, SWOON is about expansion. With her new and powerful work in animation and an upcoming film, it seemed like the perfect time to speak with one of the great artists of the Juxtapoz era.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 113 was recorded in June in Aberdeen, Scotland during Nuart Aberdeen . Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz

As part of our series of live podcasts recorded at The Crystal Ship Festival in Ostende, Belgium last month, today we share a series of conversations from legendary photographer Martha Cooper, artist Jaune and festival organizer and curator, Mélissa Cucci. This episode was recorded live at a special evening of Radio Juxtapoz conversations at the Festival, with each giving their unique perspective, history and understanding of the ever-expanding world of graffiti and street art, as well as its acceptance into public art forums and curation.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 1112 was recorded in April in Ostende, Belgium during The Crystal Ship Festival . Follow us on ⁠⁠⁠⁠@radiojuxtapoz

There are thousands of paintings that exist in the backrooms of museums, forgotten by time but still exquisite and tell the story of a period of time. Like street art, that transforms our public spaces and reimagines the experience of city or challenges our perceptions of where art can and should exist, and what is ownership, the practice of Julien de Casabianca is perfectly linked to art history and art in the streets. As the Crystal Ship notes, where this podcast was recorded, "Casabianca takes characters from historical paintings, yanks them out of context, and ‘glues’ them onto towering walls, giving them a whole new life and often also a different meaning."

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 111 was recorded in April in Ostende, Belgium during The Crystal Ship Festival . Follow us on ⁠⁠⁠@radiojuxtapoz ⁠

Palestinian-American artist Saj Issa was born in St Louis, studies at UCLA and is influenced and moved by the imagery of the Arab World. This is all important in understanding where she comes from in her ceramic works and paintings: she is showing you where she comes from and where she is going, and most importantly, the visuals that she has been embedded with her entire life. Her parents emigrated to the US in the 1980s from Palestine, settling in Missouri, literally coming from the center point of the world in the Middle East and ending in the center point of the US. Issa doesn't settle in any center, though. She is vividly re-imagining how the logos of the West are omnipresent in the East, where the texture and history of Arab imagery and ceramic patterns now often have a landscape surrounded by the logos of Nike, Coca-Cola, Shell, and more.

In this episode of the Radio Juxtapoz podcast, we speak with Issa as she completes her MFA at UCLA and heads out into the contemporary art world with a vision and practice that is unique and exciting. She talks about her youth in St Louis, how she continues to find her voice in Los Angeles, and how she finds herself speaking with both the West and the East, simultaneously.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 109 was recorded in March in Los Angeles at UCLA's MFA art department. Follow us on ⁠@radiojuxtapoz⁠

We can't believe Conor Harrington hasn't been on the Radio Juxtapoz podcast before. The 3x cover artist has been a symbol for our magazine for the last 15 years or so, an artist who learned his chops as a teenager on the streets as a graffiti writer, honed those skills in art school and then found a way to combine the two worlds into his fine art practice. For years, Conor has been painting these scenes of reenactors' playing out their great fantasy of pageantry and tradition. But Conor paints the conflict of this tragic play: what we reenact is a history that denies progress and acceptance, that the uniforms and adornments of our past stop us from living into the present and future.

On this episode of the Radio Juxtapoz podcast, we sit down with Conor in Los Angeles just as his new solo show, When the Ship Goes Down, was about to open at CONTROL Gallery. It seemed like a ripe time to speak with the Irish-born, London-based artist about his unique history with the global rise of street art, how and where he found his aesthetic voice and the urgency he feels now to paint.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 108 was recorded on March 29, 2023 in Los Angeles. Follow us on@radiojuxtapoz

It's a conversation about sports but also doesn't have to be. Nostalgia is a huge part about sports. So is myth. So is the idea of athletics being larger than life. For Julian Pace, the Seattle-born and now Los Angeles-based Italian-American painter (his name is not pronounced like the iconic gallery), the uniforms and the symbolism of athletics is at the heart of his newest solo show, Front and Back, on view at Simchowitz in LA. It's also about memory and the sharing of generational stories. It's about family and texture.

In this episode of the Radio Juxtapoz podcast, Evan Pricco sits down with Pace at his studio in downtown LA to talk about the rise of his career over the last 4 years, how a subconscious influence of Italian painting is seen in his work and how he uses familiar iconography to challenge our collective memory of them. On the eve of new solo show in Belgium at De Brock, Pace tells a story of his family, his journey both physically and mentally and how the open-ideas of Los Angeles have helped shape him.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 107 was recorded in March 2023 in Los Angeles. Follow us on @radiojuxtapoz

The rules of fine art have finally, and for the better, been bended and broken and destroyed. What used to be just some white walls in a white cube has now become a bit of a evolution and revolution: film, digital art, tech, digital collage.. its all on the board, all here, and all here to stay.    

In today's episode of the Radio Juxtapoz podcast, our Doug Gillen sits down with London-based Nigerian visual artist, Àsìkò, who used digital art, photography and mixed media to construct a narrative that straddles between "fantasy and reality as a response to his experiences of identity, culture and heritage." On the eve of Rites of Passage, a group show at Britannia St Gagosian Gallery in London opening on the 16th of March of which Àsìkò will be in, we speak about the ever-evolving possibilities of fine art, identity and the evolution of what art can be.   

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 106 was recorded in March 2023 in London by Gillen at the MT Art Agency. Big thank you for letting us use the office! Follow us on@radiojuxtapoz

We love finding all the nuanced stories happening in and around the street art world. Not just the blockbuster shows, but the political and activist areas that often shape how we construct both the print publication and the podcast itself. So today, we present Daniel Albanese and his project, OUT IN THE STREETS.

Daniel “Dusty” Albanese is the New York City-based photographer and filmmaker behind the website TheDustyRebel. Shaped by his background in anthropology, he has built a worldwide following documenting the more marginal aspects of the urban landscape, as well as controversial artworks, and political protests. In 2017, he began production on his first feature length documentary and book OUT IN THE STREETS, which explores the global Queer Street Art movement. The project is about to see the light of day, and that is where we are now, on this episode of Radio Juxtapoz. 

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 105 was recorded in February 2023 in London and NYC. Follow us on@radiojuxtapoz

When you enter the website of Willehad Eilers, aka Wayne Horse, you are greeted with a message that reads "80.000.000 Hooligans." What does it mean? Does it matter? Because whatever you see in the works of Wayne Horse is an entry point to a bizarro world that is a bit ghoulish and a full of debauchery. What started as a career in graffiti has evolved into highly-detailed, intense works that have both an element of play but also depictions of glorified hedonism. You know, the good stuff.

As a forthcoming solo show with Harlan Levey Projects in Brussels in April, Doug Gillen sits down with Mr. Horse to discuss the evolution of his work over the past few years, from cheeky experimentation to some of the most sought after paintings in the game.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 104 was recorded in February 2023 in London and the Netherlands. Follow us on@radiojuxtapoz

We are lucky at Juxtapoz that we get to talk the emerging art scene before most others are waving microphones and cameras in their faces. But with Guts Gallery, a London hub for all things emerging and flourishing hub for exhibitions and up-and-coming artists, there is perfect balance of all the things that make covering art crucial.

"Progress lies at the heart of Guts’ ethos," and in this two-part episode on the Radio Juxtapoz podcast, we speak with Guts Gallery founder Ellie Pennick and one of the galleries exhibiting artists Elsa Rouy for a look at London's scene as we emerge into 2023, what it takes to run a gallery in one of the cultural capitals of the world and how to Rouy's universe is just expanding.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 103 was recorded in January 2023 in London. Follow us on@radiojuxtapoz

Ian Strange isn't your traditional street artist, hell, he isn't your traditional installation artist. Architectural interventionist? Spatial performance artist? On his website, he notes, "His practice includes collaborative community-based projects, architectural interventions, and exhibitions resulting in photography, film, sculpture, installation, site-specific works, research, and documentary works." When looked at a whole, Strange is doing something more collective, more universal. He is talking about home, what it means to have a home and how home shapes the places we have seen and the people we become.

Over the course of this Radio Juxtapoz podcast, our first release of the new 2023 calendar year, Doug Gillen speaks with Strange about a wide-range of topics in regards to his practice, his recent installation in Ohio and that beautifully sublime and complex topic of home.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 102 was recorded in early January 2023. Follow us on@radiojuxtapoz

“… painting Central Park is a challenge because there's so many paintings of it and everyone has their own personalized visual. But I thought if I just paint it in my own way, it's going to be unique.” —Stipan Tadić

This was the way we began our Winter 2023 Quarterly, with a quote from Croatian-born, NYC-based painter, Stipan Tadić. The quote seemed quite apt, as he was talking about a confidence in seeing, to paint something everyone knows but not everyone has seen your own version of it. And that is what Stipan does. He paints NYC streets as if they have never been seen before, with a keen eye that blends comics, humor, nostalgia, mystery and good-old-fashioned painterly skill.

We sat down with Stipan as the Winter issue was dropping, speaking with him about that keen eye to see what others see but attempt to reimagine it in your own voice, the fun in his work, his upcoming shows in Croatia and NYC and his penchant for going out at night. The city is like a video game in Stipan's work, and we love watching him play the whole landscape.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 101 was recorded in NYC in November 2022. Follow us on@radiojuxtapoz 

Yes, here we are, Radio Juxtapoz turns 100. And what a way to turn 100 then to look back at the golden age of... well, suspended adulthood? For this 100th episode, we sit down with Laura June Kirsch on the occasion of her new photography book, Romantic Lowlife Fantasies: Emerging Adults In The Age Of Hope, a look at the unique era that was the Obama years, and what many would see as both a carnal, fun, debaucherous  and really, we must say, a literal end to an era. These may be party photos, but there is something more unique going on in Kirsch's photos, a time when music, art, corporate events, food culture, beer culture, festivals and a young generation of business owners and creatives all sort of came together into one party. And the party went on for a bit.

Full disclosure, I helped edit this book with Laura, and wrote in the book's introduction something I truly still believe today:

"I worked with Laura on this book via Zoom and it seems almost like it had to be that way. Maybe there was a need to rekindle a sense of nostalgia, but I think in a moment of pause and absence of sociability, Laura could begin to articulate what this era was. She was there. She participated. There is no judgment in these photos because it was a time when there wasn’t much care about expectations and societal norms. That is why I love these photos, love her stories about each moment, like how she accidentally appears and disappears in each of them. I only dipped my toe in those scenes, but I understood a sense of momentum in the Age of Hope for our generation. This book is perhaps a chapter closing. There may be a new Roaring 20’s on the horizon but that is what makes this era so bizarrely and disastrously wonderful. It wasn’t born off of a period of time when we couldn’t interact, had our live music and bars and nightlife taken from us. Romantic Lowlife Fantasies was literally a moment when we all decided collectively that life didn’t need a schedule. These photos are fun, a word we don’t use often enough in our vernacular, and Laura captures what it was like to just have that fantastical sense of community and fucking fun."

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 100 was recorded in NYC in November 2022. Follow us on@radiojuxtapoz//  https://www.romanticlowlifefantasies.com/

In celebration of the Moral Fibres collaboration between the charitable organizations Migrate Art and Love Welcomes, Radio Juxtapoz took a moment to speak on how they each have found a place in both the art world and philanthropic, activist spaces. As the two created a series of scarfs with the artists Chloe Early, Lakwena, Camille Walala and Sara Shamma, where each designed a "beautiful crepe de chine silk scarf, handmade by the incredible team of refugee women at Love Welcomes," we found a moment to highlight the project and learn more about what goes into each companies ethos.

Profits from the sale of every scarf will be split between Love Welcomes and Migrate Art, to support our work helping displaced communities. These scarves will launch next month (December 2022).

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 099 was recorded in London in November 2022 by Doug Gillen. Follow us on@radiojuxtapoz

This isn't his first rodeo with us, but wow, it's always great to sit down with our friend Axel Void. He is both an elegant and renegade soul, a painter, muralist, a lynchpin in the Void Projects community of artists and co-op of ideas and practice. He is constantly presenting his work alongside his peers and friends, building an identity that art is more than just a solitary expression, but a potential for a collective.   

When we were in Ferizaj, Kosovo for Mural Fest Kosovo, we sat down with Axel Void as he was preparing a workshop with the community there, fresh off another wonderful Void Projects gathering in Spain, and again, on the precipice of another wonderful mural and project in Kosovo.  

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 098 was recorded in September 2022 in Ferizaj, Kosovo by Doug Gillen. Follow us on@radiojuxtapoz

It was supposed to be a hailed and more open return to London art week and the Frieze Art Fair in Regent's Park. Sure, it was open last year, but 2022 saw a chance to revive the London art world after the pandemic and recent shock to the pound. But a few weeks ago, an outsider (albeit a much followed one) known as Mr. Doodle sent the message in the form of a massive 12-room Kent-mansion doodle out into the world and every newspaper, blog, social media account had something to say. But we wanted to go there ourselves and talk to the man himself. So that is what we did.

What we found was an artist who not only fulfilled a childhood dream of doodling an entire home, but someone with both an earnestness and bold sense of what would make him happy to complete the project. Over two years he doodled on nearly every inch of the home, a home in which he and his wife will move into permanently in the days to come. When the shock and awe wanes, you realize that the public may never get a chance to see this home and the artist himself will be living and amongst his own mind. We asked him about that, the incredible timelapse he made the project and how he hears the critics now. This is the Doodle House.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 097 was recorded in October 2022 in Kent, England. Follow us on@radiojuxtapoz

For over a decade, the German artist HERA was one part of the successful street and fine art duo, HERAKUT. Their murals were seen across the world as part of a major generation of street artist who took muralism to new heights and interpretations. Her visual aesthetic, that of powerful women with a hybrid of animals and text made her and her partner, AKUT, international names in the movement.

Now boldly working just as HERA, her voice in street art is that of a veteran and of individuality. She is a trailblazer, and recently, we caught up with her at the Rise Up Residency in Margate, UK to see what her activism and vision looks like in 2022. As her tagline reads, "been busy doing street art for the past 2 decades…" but there is so much more just underneath the surface.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 096 was recorded in October 2022 in Margate, England. Follow us on @radiojuxtapoz

For years, we have been fans of, and followed the muralist, painter, photography, illustrator and filmmaker Pat Perry. What started as a fascination with his On the Road style journal drawings, documented a bohemian life on the go around North America has now turned to an international view of building communities through art in places far and wide, including where this episode was recorded, in Ferizaj, Kosovo for Mural Fest Kosovo.

The Detroit-based artist is one of America's leading muralists, but when you dig deeper, his paintings are like contemporary Andrew Wyeth scenes of rural life and tender moments that often go overlooked. In this episode of Radio Juxtapoz, Doug Gillen speaks with Pat Perry as he completed his mural in Ferizaj and we hear about how the artist tried to embed himself where he paints, the bringing together of all his creative passions and taking of the life jacket of his career and jumping into the deep end of art. 

Pat was a participating artist for the On/Offline edition of Mural Fest Kosovo.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 095 was recorded in September 2022 in Ferizaj, Kosovo. Follow us on @radiojuxtapoz

What world are we living in, really? We spend so much time traversing through different realms of reality and existence that sometimes our digital self meshes with our physical self and we can pretty much create any persona we want at any given time. Emma Stern is brilliantly creating art in these realms. She has observed and participated in the metaverse with her Lava Babys but found a way to take that universe into the most traditional of places; the easel and oil painting. It's a fascinating concept that is both traditional and of the most the most contemporary, and she is having so much fun doing it.

Her practice of taking 3D worlds and then taking that into the studio to paint has gained her international attention and made the NYC-based painter one of the newest voices in the contemporary art landscape. With shows at Half Gallery, Almine Rech and more, she is challenging our perceptions of what we consider "Internet art" and the possibilities of painting.

In this conversation of the Radio Juxtapoz podcast, Emma Stern discusses her process, what she thinks about the role of woman shaping the metaverse aesthetic and how a little salacious fun is not a bad place to explore our world.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 094 was recorded on August 15, 2022 in London, Los Angeles and NYC. Follow us on @radiojuxtapoz

Every now and again, the Radio Juxtapoz podcast gets a chance to catch an emerging artist on the cusp of a pivotal moment in their career. What mean is literally in the gallery with the artist as their newest show is about to open. We love that, the energy and anxiety, the excitement and contemplation. In the instance of Toronto-born, Barcelona based Sophie Crichton, we found her at her solo show Bare Bones, opening at OMNI Gallery in London and her at the precipice of a major moment for her career.

Bare Bones is about abstraction, but it's also about the feelings we can't quite say in words as we go about this ever-changing landscape that we call daily life. We don't often have conversations with abstract painters on the podcast, but there is something so refreshing about conversations about mark-making, the challenges of abstraction and how an artist uprooted her life in Toronto for a completely new scene in Spain.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 093 was recorded on August 8, 2022 in London Follow us on @radiojuxtapoz

We are asking more questions these days, aren't we? As fractured as we all seem, as disjointed and uncertain the present and future may seem, we are beginning to have conversations about how we face ourselves, peers, family, society and our past. The pandemic reset many of our lives, but also put a new perspective on our identities and the existence of those around us. If this time didn't change you or cause you to reflect, you really weren't paying attention.

Glenn Lutz is a writer and conceptual artist whose new book, There’s Light: Artworks & Conversations Examining Black Masculinity, Identity and Mental Well-being, is a result of years of conversations with fine artist and creatives in the Black community who are actively engaged in examining their mental health in the 21st century. In conversations with the likes of the late Virgil Abloh, Mark Bradford, Rashid Johnson, Steve McQueen and more, Lutz has become the conduit to an overlooked conversation in not only our society but the art world as well.

In this episode of the Radio Juxtapoz podcast, we speak to Lutz about putting this new book together, how open his subjects allowed themselves to be, growing up in LA, his own mental heath battles, how religion played a role in his life and how a move to Hawaii has settled his mind.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 092 was recorded on July 29, 2022 in LA, Oahu and Margate. Follow us on @radiojuxtapoz

The first thing you need to know about Oslo-based artist Martin Whatson is that he is one of the nicest people in all of street art. We have known him for years on the Radio Juxtapoz podcast, traveled throughout Norway with him, been at numerous festivals and Basel years and have never sat down for a proper interview. Until, of course, Nuart Aberdeen and a chance to reconnect with old friends and get a sense of where everyone has been at over the course of a few years of dormant travel. And Martin has been busy.

Starting as a graffiti artist and stencil artist on the streets of Oslo, Whatson has always had a keen sense of a finding the right place for his artwork. His prints are some of the most popular releases in the game, and his murals, especially the one in Aberdeen this year, take both a historic and contemporary look at the city he is in and finds a way to create an eye-popping work to leave behind.

After a long night out, where all 3 of us were feeling it, we sat down with Whatson to discuss his early years in Norway, how he has been able to create a space for himself with prints and fine art, and how the pandemic allowed him time with family and in the studio.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 091 was recorded on June 10, 2022 in Aberdeen, Scotland for the Nuart Festival. Follow us on @radiojuxtapoz

Working in the public space creates an interesting dichotomy for an artist. It is both a highly personal relationship to an audience and the wall itself, but the brief moment in time in which a street artist or muralist is in the location while they paint can create a separation from the artwork. In many cases, you leave just as the town begins to embrace your art. For Danish painter, Jacoba Niepoort, an artist who literally creates some of the most intimate works in the public space we have ever seen, there is both a tenderness and strength in how she approaches a wall. And, there is something about materiality, the surfaces she works on, that is a unique.

Creating murals and works on paper, Jacoba is working within time with surfaces that can be both enduring and fragile. A wall could crumble or the weather could wear down the colors. Working on paper, the art may fade with time. We love that sort of balance, and so does Jacoba.

In this episode of the Radio Juxtapoz podcast, we speak with Jacoba in the middle of painting a mural at Nuart Aberdeen, a wall that proved difficult with the changing weather patterns. She spoke to us about how the pandemic changed her practice, how she always wanted to change the world and pivoted to a new career and how she paints the bold poses of woman in unison.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 090 was recorded on June 8, 2022 in Aberdeen, Scotland for the Nuart Festival. Follow us on @radiojuxtapoz

When we move away from a place at a certain, and find ourselves in a new land with new frends and schools and remake our childhood, it can be a jarring experience. Bony Ramirez moved from the Dominican Republic at the age of 13 and has now spent half his life in New Jersey, where he now is emerging star of the art world. His work is about memory and remaking the DR in his mind, a combination of folktales and his own impressions, as well as a powerful sense of where he came from and where he exists now. His work also asks questions; what it means to be a queer artist, what it means to treat a painting like an object and how to project a character with a sense of reconnecting with a heritage.

In this episode of the Radio Juxtapoz podcast, we speak to Bony on the heels of his solo booth at Independent Art Fair, on the precipice of a major year for the artist and how the pandemic allowed for the space to breathe and grow as a young painter.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV'sDoug Gillenand Juxtapoz editor,Evan Pricco. Episode 089 was recorded in early June 2022 in LA, New Jersey and Margate, England. Follow us on@radiojuxtapoz

Living in the Pacific Northwest, Aleah Chapin's paintings feel like a reflection of the unique landscape. The way the blues mix with the greens, the way the waterways connect to the land; Seattle and the surrounding terrain... there is nothing like it on Earth. And that is the sort of balance, both figurative and abstract, that Chapin is painting.

On this episode of the Radio Juxtapoz podcast, Chapin talks about her desire to be a mirror to both her feelings and the times we live in, the type of artist with the desire to bring to the surface her inner self and feelings. Earlier in 2022, her solo show in Hong Kong at Flowers Gallery, the gallery noted that the "renowned (painter is knownO for her unflinching nude portraits of older women, relatives, and friends." Or, as Eric Fischl has put it, she is “the best and most disturbing painter of flesh alive today." High praise, and let's start here.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV'sDoug Gillenand Juxtapoz editor,Evan Pricco. Episode 088 was recorded in early May 2022 in Seattle and Margate, England. Follow us on@radiojuxtapoz

BEZT was part of the now legendary Etam Cru, the Polish mural and graffiti team that was part of a revolution in the ways that we looked at muralism and the potential of street art. He is the rare artist who can treat a 20m wall into a studio painting, with detail and intimacy that also changes the way we look at the streets we inhabit and the potential for something else.

On the occasion of Crystal Ship in Ostend, Belgium, BEZT sat down with Radio Juxtapoz' Doug Gillen to talk about a new change in the way he paints, incorporating nature into his urban works, and the idea of sampling imagery.

This interview was made possible thanks to The Crystal Ship Festival and All About Things. Portrait shot by Doug Gillen. 

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV'sDoug Gillenand Juxtapoz editor,Evan Pricco. Episode 087 was recorded in early April 2022 in Ostend, Belgium. Follow us on@radiojuxtapoz

For years now, the Haifa, Israel collective now as Broken Fingaz has been a bit of everything and everywhere: graffiti, murals, screenprints, installations, paintings, photography and now a new monograph shows a unique combination of comic-book styles and cut n' paste imagery across every medium. Now spread across the globe, from London to Israel to Mexico, the crew is still making noise as a singular force and creating a sense of community and inclusion no matter where they are. They are funny and political, with roots in graffiti vandalism and champions of the evolution of the art form. 

In this episode of the Radio Juxtapoz podcast, Doug Gillen speaks with Broken Fingaz members UNGA and TANT on the occasion of their new mural in The Bird in Ostend, Belgium for The Crystal Ship, a mural for which they released a limited edition print with all proceeds from the sale going to refugees from the Russian war on Ukraine. 

This interview was made possible thanks to The Crystal Ship Festival and All About Things.Portrait shot by Yona Preminger. Music featured in the episode courtesy of 3421. 

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV'sDoug Gillenand Juxtapoz editor,Evan Pricco. Episode 086 was recorded in early April 2022 in Ostend, Belgium. Follow us on@radiojuxtapoz

Through the most abstract of output, British artist Idris Khan is speaking to us in the most literal of ways. Through paintings and sculpture, Khan is in a constant conversation between lightness and darkness; obviously at the time we live, a pivotal discourse. On the occasion of his new print with Migrate Art, "I Thought We Had More Time...," with 100% of profits will be sent to Disasters Emergency Committee via the Evening Standard's Ukraine Appeal, this conversation of universality and tragedy is at the forefront.

As Sean Kelley notes of Khan's work: "Whilst Khan’s mindset is more painterly than photographic, he often employs the tools of photomechanical reproduction to create his work. Photographing or scanning from secondary source material–sheet music, pages from the Qur’an, reproductions of late Caravaggio paintings–he then builds up the layers of scans digitally, which allows him to meticulously control minute variances in contrast, brightness and opacity. The resultant images are often large-scale C-prints with surfaces that have a remarkable optical intensity."

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV'sDoug Gillenand Juxtapoz editor,Evan Pricco. Episode 084 was recorded in March 2022 in London. Follow us on@radiojuxtapoz

It's not hyperbolic to say that for many people over the last decade plus, Detroit's 1XRUN has taught many how to collect art. To feel comfortable with it. To see a form of art they love, street art, and figure out a way to have a piece of it in their homes. Through their art print business, their various gallery iterations and Murals in the Market, Jesse Cory and Dan Armand have taken a love of graffiti, street art, storytelling and Detroit and turned it into one of the pillars of print collecting around the world. And now through NFTs, they are once again changing the way we collect.

We have been trying to get Jesse and Dan on the Radio Juxtapoz podcast for years, and as we are nearly at the 1-year anniversary of the early NFT craze, we thought it would be a good time for Juxtapoz editor Evan Pricco to chat with the two from their Detroit base as we discussed how the pandemic changed their business, how Glenn Barr changed their strategy in the early years and how their lifelong friendship has allowed them both to have honest conversation about the business of art and the evolution of collecting.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV'sDoug Gillenand Juxtapoz editor,Evan Pricco. Episode 083 was recorded in March 2022 in Detroit and Los Angeles. Follow us on@radiojuxtapoz

We rarely get a chance to talk about psychedelics on the Radio Juxtapoz podcast, but we are jumping right into the ether now. In conjunction with the Outsider Art Fair 2022 and their 30th anniversary, Radio Juxtapoz sat down with Psychedelic Solution founder, Jacaeber Kastor, artist Fred Tomaselli and writer Carlo McCormick for a special conversation around the fair's exhibit, Field Trip: Psychedelic Solution, 1986-1995.

Kastor was a pivotal figure in transforming the way we look at psychedelic art, from collectability, viability and historical precedent. Through Psychedelic Solution in NYC, he brought so many psychedelic artists to prominence, from poster artists to musicians, Rick Griffin to Giger, comics to just the best trip you will ever see on canvas. Alongside Tomaselli and McCormick, the three talk about their own experiences with psychedelics, how these types of art practices have an almost folkloric history and what the OAF will present from March 3—6, 2022 at the Metropolitan Pavilion in NYC.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV'sDoug Gillenand Juxtapoz editor,Evan Pricco. Episode 082 was recorded in February 2022 in  NYC. Follow us on@radiojuxtapoz

John Fekner is both a historian and pivotal artists who transformed the ways we looked at street art and graffiti. You know him for his work in the Bronx in the 1970s and early '80s, the massive stencil works that read BROKEN PROMISES and DECAY, painted upon what almost appeared to be the post-apocalyptic landscape of the city. His career started in the late 1960s, but found a voice working amongst the unique artists of the era that transformed the way we looked at the art on the streets.

As we look at a particular series of NYC artists in a new trilogy and new season of the Radio Juxtapoz podcast, we speak to Fekner on a winter morning about his history on the streets of NYC, how the city now reflects that late 1970s era, his collaborations with Don Leicht, Fashion Moda as a movement and why that era still resonates today. It's a history lesson and the moment as John sees it now.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV'sDoug Gillenand Juxtapoz editor,Evan Pricco. Episode 081 was recorded in February 2022 in London and NYC. Follow us on@radiojuxtapoz