GOOD OL' GRATEFUL DEADCAST

The Grateful Dead made their only visit to the land of chocolate on a rainy night in summer 1985, a pivotal show for different reasons for lighting crew member Dan English and longtime Dead Head photographer Bob Minkin

The Deadcast points to the Saratoga Performing Arts Center in New York, set inside the lush green of a state park & home to some of the wildest Grateful Dead shows of the mid-1980s, with a look at the 1985 parking lot scene.

Set the controls for the heart of 1985 and the Dead’s 20th anniversary shows at the Greek Theatre in Berkeley, with a look at the band’s very busy year, plus Dead Head adventures aplenty.

We explore the very high times of the Grateful Dead’s 1966, touring Rancho Olompali with Rosie McGee, swan-diving into Owsley’s magical banana box of mystery reels, and celebrating the feral young Dead heard on the new July 3rd, 1966 Fillmore Auditorium release.

The Deadcast explores Steal Your Face’s iconic artwork & visits the Grateful Dead’s June 1976 return to the road, including a tour of the Dead Head culture that bloomed in their absence.

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.

The Deadcast uncovers the secrets of Steal Your Face, the Dead’s 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley.

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.

The Grateful Deadcast returns for its 13th season, beginning with a 2-part tribute to the great Bobby Weir, mixing interviews with archival audio to tell the story of how a teenage Atherton folkie found his singular jazz-informed musical voice (dropping a few water balloons en route).

The Deadcast’s overstuffed season finale unpacks Blues For Allah’s oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead’s September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.

The Deadcast explores Bobby Weir’s guitar étude, “Sage and Spirit,” speaking with one of the song’s namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.

Bobby Weir & John Perry Barlow’s classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.

The Deadcast unpacks the two-part extra-heady “King Solomon’s Marbles”/’Stronger Than Dirt or Milkin’ the Turkey,” using the instrumental to get into the Dead’s 1975 dalliances with holography, as well as Phil Lesh’s other unfinished pieces from Blues For Allah.

The Deadcast examines how Franklin’s Tower bucked every trend on Blues For Allah to become one of the Dead’s all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.

The Deadcast uses Blues For Allah’s complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn’t a Grateful Dead, & their public reemergence at Bill Graham’s S.N.A.C.K. benefit that March.

The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah’s 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O’Donnell, Chadwick Jenkins, Matt Campbell See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grateful Deadcast visits the set for the Grateful Dead Movie, aka the Dead’s five “retirement” shows at Winterland in 1974, with heads who attended. This bonus episode is a re-run of the 2nd half of Deadcast Season 9, episode 8.

The Good Ol’ Grateful Deadcast is thrilled beyond all audible frequencies to begin its 12th season by welcoming Dan Healy, the Grateful Dead’s in-house sound wizard for most of their career, for tales from three decades in pursuit of high and higher fidelity.

The Deadcast season finale hits shows at 3 legendary venues, exploring Dick Latvala’s transformative experience at Red Rocks ‘79, Hollie Rose’s tour journal, the wonders of the Alpine Valley parking lot, & when Shakedown Street got its name.

The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.

The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.

The Deadcast’s tour of Enjoying the Ride trucks all the way to the East Bay, exploring beloved venues including the Greek Theater & Kaiser Auditorium, with tales of the Hog Farm’s Skeleton Crew & vintage field recordings from Oakland Coliseum Arena’s parking lot.

The Deadcast begins our virtual tour of the new Enjoying the Ride box, visiting the cradle of the Dead in Palo Alto/Menlo Park (with a detour to visit the Warlocks’ earliest shows) before heading to San Francisco with stops at the Fillmore West and Winterland.

For the 50th anniversary reissue of Tiger Rose, we explore the lost story of Robert Hunter & Jerry Garcia’s only full-length studio collaboration, the Dead lyricist’s 2nd solo album, produced by Garcia & performed by an all-star cast including Garcia, Mickey Hart, & Donna Jean Godchaux.

In the 2nd part of the Deadcast’s Phil Lesh tribute, we get deep into his singular bass playing with Phil’s son & bandmate Grahame, Phish’s Mike Gordon, & musicologist Rob Collier, while touring Phil’s high adventures with Ned Lagin, radio co-host Gary Lambert, & other friends.

The Deadcast begins its 11th season with a celebration of the Grateful Dead’s Phil Lesh, drawing on archival interviews to explore his unusual trajectory from jazz trumpet to avant-garde composition to rock and roll bass, and welcoming special guest Mike Gordon of Phish.

The Deadcast concludes its dive into Robert Hunter’s 1962 book, The Silver Snarling Trumpet (and its 10th season), exploring teenage Jerry Garcia’s adventures with his friends Alan Trist and Brigid Meier in Palo Alto, and how this early scene gave way to the Grateful Dead.

To celebrate the Deadcast’s 100th episode, we begin a 2-part special joined by the co-stars of Robert Hunter’s newly-published 1962 book, the Silver Snarling Trumpet, a startling in-the-moment account of his and Jerry Garcia’s formative years in Palo Alto.

The Deadcast uncovers the long-lost tape of the Dead & San Francisco’s Sufi Choir at Winterland in 1971, telling its untold story with composer Allaudin Mathieu, finding hidden connections to big band jazz, longform improv comedy, & spirituality, plus an appearance by Wavy Gravy.

The Deadcast crosses the Blue Ridge Mountains for the Dead’s only show in Huntington, West Virginia, including close looks at the innovative fashion and LSD scenes then emerging in Dead parking lots, and the conclusion of a rare 1978 interview with Jerry Garcia.

The Deadcast cruises into two April ‘78 shows on Virginia college campuses alongside a pair of chartered buses from New York filled with seething Dead freaks and gets into Jerry Garcia’s favorite music and guitar tips from rare interviews.

The Deadcast tells the story of the legendary Duke ‘78 show, the unexplored history of the Dead in North Carolina, the first campout at Cameron Indoor Stadium, the mysterious guest percussionist, & the student-run cable station that filmed it.

The Deadcast pulls into Atlanta’s Fox Theatre to explore the Dead’s two April ‘78 shows, delving into the local underground music scene with Glenn Phillips of the Hampton Grease Band, as well as rare Jerry Garcia interviews.

The Deadcast launches its 10th season, hitting the road for the April 1978 tour documented on the new FRIEND OF THE DEVILS box, exploring the band’s new sound for ‘78 & the birth of drums/space, featuring taper tales & rare archival interviews with Jerry Garcia.

The Grateful Deadcast welcomes back Donna Jean Godchaux-MacKay for the season finale, digs into “Ship of Fools,” and visits the set for the Grateful Dead Movie, aka the Dead’s five “retirement” shows at Winterland in 1974, with heads who attended.

The Deadcast explores the Mars Hotel obscurity “Money Money” & goes on the Dead’s mayhem-filled Europe ‘74 tour, including a long look at the extended jams & Seastones sets performed with Ned Lagin.

The Deadcast joyously welcomes the 50th anniversary reissue of Robert Hunter’s solo debut Tales of the Great Rum Runners, uncovering stories of two early drafts of the album, a mostly-lost book of poetry, and Hunter’s secret performing career as Lefty Banks.

The Deadcast explores Phil Lesh & Bobby Petersen’s “Pride of Cucamonga” (featuring lost lyrics & session pedal steel player John McFee), the Dead’s August ‘74 east coast trip (with Ned Lagin & an extended stop at Roosevelt Stadium), & the band’s decision to take a road hiatus.

Explore “Scarlet Begonias,” from its trans-Atlantic origins (including the Dead’s surprising Bob Marley connection) to Cornell ’77 & beyond, featuring the Wall of Sound’s stop at the Hollywood Bowl (with more unheard Owsley Stanley) & a visit from Vampire Weekend’s Chris Tomson.

From “Loose Lucy,” the Deadcast jumps onto Dead tour in June ‘74, going under the hood of Phil Lesh’s new quad bass, behind the scenes at the tie-dye information booth, a private lunch at the Bank of Boston, & on a Mars Hotel-soundtracked summer road trip with Sonic Youth’s Lee Ranaldo.

The Deadcast explores Phil Lesh’s masterpiece “Unbroken Chain,” its mysterious lyricist Bobby Petersen, & digs into the luminous synth with Ned Lagin himself; plus, the story of the album title & art with the Grateful Dead Records crew & a visit from Animal Collective’s Avey Tare.

The Deadcast explores “China Doll,” perhaps the most delicate Dead song, the innovative studio techniques pioneered for From The Mars Hotel, the formation of Round Records (& the making of Jerry Garcia’s sophomore solo album), & the infamous Wall of Sound test at the Cow Palace.

The Grateful Deadcast begins the epic story of the Dead in 1974 with the writing of From the Mars Hotel’s album-opening “U.S. Blues” & the multiple debuts of the innovative Wall of Sound, featuring new interviews & never-heard archival audio.

The Good Ol’ Grateful Deadcast is back for its 9th season of high adventure and historical storytelling, unlocking the secrets of From the Mars Hotel and going on tour with the Wall of Sound. Tune in starting March 28th wherever you get your podcasts.

The Deadcast finishes its season by examining Bob Weir’s ambitious Weather Report Suite with collaborator Eric Andersen & following the launch of Wake of the Flood on the band’s own label with company president Ron Rakow, plus Yo La Tengo’s Ira Kaplan, Erik Davis, & more.

The Deadcast uncovers a most unusual lost studio session by Robert Hunter & the Grateful Dead, recorded at the Record Plant in November 1973, which we listen to in its entirety & annotate with the help of Donna Jean Godchaux-MacKay & others.

Explore “Eyes of the World” inside & out with the studio multi-tracks, lost lyrics, archival audio of Robert Hunter, a meditation by Erik Davis, & a tour of the song’s evolution (yes, including that cool 7/8 ending).

We explore the Beatlesque optimism of “Here Comes Sunshine,” its roots in the Vanport flood of 1948, & the story of the brand-new custom Doug Irwin guitar Jerry Garcia debuted on Wake of the Flood.

A personal favorite of both Jerry Garcia & Robert Hunter, we explore how “Stella Blue” grew from New York’s fertile Chelsea Hotel into one of the great American songs, plus Bruce Hornsby on how Wake of the Flood made him a Dead fan.

The Deadcast explores the strange not-quite-reggae of “Row Jimmy,” featuring a long never-heard interview with lyricist Robert Hunter from 1977.

The Deadcast explores Keith Godchaux’s only song for the Grateful Dead, the unassuming but complex “Let Me Sing Your Blues Away,” the debut single from Wake of the Flood & Grateful Dead Records, co-starring Donna Jean, company president Ron Rakow, & a gaggle of early Dead tapers.

The Deadcast begins our deep dive into Wake of the Flood, including multi-track breakdowns for Mississippi Half-Step, never-heard outtakes, studio memories from Donna Jean Godchaux-MacKay, & the origins of Grateful Dead Records with co-founder Ron Rakow.

The thrilling conclusion of our visit to the record-breaking Watkins Glen Summer Jam, featuring John Belushi crashing the backstage, a super jam onstage, a teen-run pirate radio station, & the birth of a new generation of Dead Heads.

Musicians, organizers, & fans tell the epic story of how the Watkins Glen Summer Jam started as a giant rock show & turned into history when more than a half-million came to see the Grateful Dead, the Allman Brothers, & The Band.

Our stadium-sized season finale visits the Dead’s June 1973 mega-gigs with the Allman Brothers Band in Washington DC, featuring the Allmans family, legendary tapers, searing heat, super jams, backstage brawls, & the manifestation of the Ouroboros.

The Deadcast visits one of the Dead’s most legendary hometown shows with the band, crew, & Bay Area Dead freaks, featuring 3 sets in the Golden Gate Park sunshine, technological innovations, & an important paper by the Haight Street Free Medical Clinic.

Feel the ocean breeze and spend a sunny Sunday with the Grateful Dead as the Deadcast visits Santa Barbara ‘73 with first-time showgoer Al Franken, archivist David Lemieux, the show’s promoters, and more.

We time-travel to the Dead’s massive 3-set show in Des Moines, May 1973 (& the first show on the new Here Comes Sunshine box) with stories from Donna Jean, the show’s promoters, & the Dead’s office staff, plus custom gear, big jams, an indoor fireworks fight, etc.

The Deadcast takes a special side trip into Jerry Garcia’s extracurricular projects in 1973, exploring his partnerships with organist Merl Saunders & the legendary bluegrass group Old & In the Way with guests David Grisman & Peter Rowan, & how they impacted the Dead’s music.

The Deadcast sets course for 1973, diving into the newly announced Here Comes Sunshine box set with firsthand tours of the ambitious family businesses in orbit around the Dead in 1973, including an independent record label, booking company, travel agency, clothing boutique, & more.

Ladies and gentlemen, fellow deadheads, today’s regularly scheduled DeadCast will be coming in the not too distant future, fear not we have all the Golden Yummies lined up for your listening pleasure.

The Deadcast is honored to welcome Tom Constanten to discuss his remarkable tenure as Grateful Dead keyboardist from late 1968 through early 1970, his work on 3 classic albums, & his adventures before & after the Dead, including his current band Dose Hermanos.

The Deadcast returns to the Fillmore East and digs into the Dead’s 1st archival live album, History of the Grateful Dead, Volume One (Bear’s Choice), produced by former LSD alchemist Owsley Stanley & released as a tribute to Pigpen just after his death.

The Deadcast concludes our tribute to Ron “Pigpen” McKernan, exploring his years with the Dead, featuring more documents from the McKernan family archives, his alleged firing, former housemate Tom Constanten, lost song lyrics, & last songs.

The Deadcast marks 50 years since the passing of original Grateful Dead frontman Ron “Pigpen” McKernan, in part 1 uncovering his mysterious pre-Dead years in the Palo Alto folk scene, featuring a visit to the McKernan archives, never-heard performances, & archival interviews.

The Deadcast concludes its dive into the Grateful Dead’s entanglement with technology, exploring Jerry Garcia’s digital graphics obsession, how Dead Head online communities helped shape the emergent internet, lyricist John Perry Barlow’s manifestoes, & more.

The Deadcast explores the Grateful Dead’s long-term cosmic entanglement with the California technology world & the architecture of the internet itself, featuring biomusic pioneer Ned Lagin, Dead Heads at the Stanford AI Lab & Apple, sonic heroes from Alembic & Meyer Sound, & more.

We present an encore of the Deadcast’s Denmark episode from earlier this year to celebrate the 50th anniversary of Europe ‘72’s proper release, as well as to get you ready for (or debrief you from) the Meet-Up At The Movies presentation of the Dead’s historic Danish telecast.

The Grateful Deadcast celebrates Bobby Weir’s 75th with the birthday boy himself, exploring Weir’s world with Don Was, Jeff Chimenti, members of the expanded Wolfpack, & orchestral collaborator Giancarlo Aquilanti.

The Deadcast welcomes Bobby Weir to honor the 50th anniversary of his 1972 solo debut “Ace” (& its forthcoming reissue), made with an all-star backing band that happened to be the Grateful Dead, featuring archival audio with “Ace” lyricists John Perry Barlow & Robert Hunter.

Pack the Microbus & hit the road with the Dead in ‘83, hang out with the deep scene of Dead Head graffiti writers & frisbee players in Central Park, & get back to Madison Square Garden for two shows with two room-shaking bustouts.

The Deadcast examines how the Grateful Dead remained a center of innovation in 1982, exploring their new sound system with John & Helen Meyer of Meyer Sound, an audacious plan to sell live tapes, the DIY zine scene, one future hit, & two sold-out shows at Madison Square Garden.

We point the Deadcast to the ‘80s & channel the room-shaking power of the 1981 Madison Square Garden shows on the new box set with archivist David Lemieux, promoter John Scher, photographers Jay Blakesberg & Bob Minkin, tapers Jim Wise & Charlie Miller, & many more.

On a very special bonus episode, we check in with Mickey Hart about his latest drones and hear high tales of Grateful Dead madness, from frying bacon onstage to using firearms as percussion, plus stories about his handcrafted instrument, the Beam, and a look into the Barn, his recording “crucible” in Novato and one of the great and oft-forgotten studios of the ‘70s and ‘80s.

This week, the Deadcast swaps feeds with the Comes A Time podcast hosted by Dead & Co. bassist Oteil Burbridge & comedian Mike Finoia, featuring their interview with promoter Peter Shapiro, impresario behind Fare Thee Well & the Capitol Theatre, & author of a new book.

We time travel to one of the Grateful Dead’s most legendary shows, the 1972 benefit that saved the Springfield Creamery, featuring eyewitness accounts of heads freaking freely in the scorching heat amid some of the most incandescent jams of the band’s career.

The Deadcast explores the backdrop for one the Grateful Dead’s most extraordinary shows, saving the Springfield Creamery at an off-the-grid potluck picnic amid Merry Pranksters, colorful commune dwellers, & innovative yogurt pioneers during the heady summer of 1972.

Our Deadcast season finale explores how the Grateful Dead crafted 73 hours of tape into the sparkling triple-LP Europe ‘72, commissioned iconic cover art, spawned several new businesses, created a global impact, & eventually built a groundbreaking box set four decades later.

The Grateful Dead (& the Deadcast) finish the Europe ‘72 tour with 4 rapturous nights at London’s Lyceum Ballroom, where they record much of their new live album, including a most psychedelicized tour finale, plus deep dives into “Ramble On Rose,” “Morning Dew,” & other classics.

The Europe ’72 tour’s last week on the Continent includes a free show in Lille (where a Greenpeace co-founder has a far-out experience), a broadcast from the biggest pirate radio station in the world, a famous new sticker for Jerry Garcia’s Stratocaster, & adventures in the Alps.

The Grateful Deadcast explores the Netherlands with band & crew, dives deep into “He’s Gone,” learns why Dutch Dead fans were headier than regular Dutch rock fans, glides through the longest ever “Dark Star,” & traces the Hippie Trail from its northwestern terminus in Amsterdam.

The biggest gig of the Grateful Dead’s Europe ‘72 tour, their largest ever overseas show, & one of our biggest Deadcasts yet, reconstructing the legendary Bickershaw Festival mudbath with enraptured audience members including an extended conversation with Elvis Costello.

The Deadcast’s grand tour of Europe ‘72 hits the City of Light, goes museum-hopping with band & crew, digs deep into 2 classic shows at L’Olympia & the 5 songs recorded there for the live album, reconstructs how everybody got too high, & puts together the pieces of the Lille riot.

The Grateful Dead truck into West Germany, film a session for the Beat-Club, get thrown out of their hotel, jam in a planetarium, meet Naked Frankfurt Dude & many American GIs, are pranked by their light crew, influence the course of German psychedelia, & play 3 legendary shows.

In which the Grateful Dead make landfall on the Continent, do battle with Danish customs, play on the 1st live rock telecast in national history, perform in a university cafeteria, visit Hamlet’s castle, cross paths with a countercultural hero, wear clown masks, & get cool sweaters.

Board the red-eye to London & storm England with the Dead as they open their Europe ‘72 tour, featuring family members, legendary jams, British Dead freaks, letters home from Pigpen, a trip to/at Stonehenge, Bozos, Bolos, & the birth of Hypnocracy.

The Deadcast begins our 10-part series on Europe ‘72, revisiting the Grateful Dead’s legendary triple-LP & epic tour, as the band prepares to blaze a new circuit across the Continent with more than 40 family members, custom recording gear, & the makings of a classic album.

The Good Ol’ Grateful Deadcast is back on April 7th and we’re celebrating the 50th anniversary of Europe ‘72 by going on the whole tour, featuring members of the band, crew, family, European heads, 11 Dark Stars, and 10 episodes of high adventure, every Thursday through June.

The Deadcast celebrates the 30th anniversary of 1991’s “Infrared Roses,” the last original Grateful Dead album (with cover art by Jerry Garcia & track titles by Robert Hunter) & explores the band’s MIDI years.

We uncover the secrets of the Grateful Dead’s legendary tape vault with archivist David Lemieux, from LSD alchemist Owsley Stanley to the making of the Betty Boards, from “Dick’s Picks” (& Dick Latvala’s own home recordings) to the 10th anniversary of “Dave’s Picks.”

We examine the emergent interdisciplinary world of Dead Studies & pay a virtual visit to the annual Grateful Dead Scholars Caucus, hearing presentation excerpts from a spectrum of musicologists, historians, psychologists, and more.

We give thanks to Dead Heads and use listener-submitted stories to tell to the Heads’ history from the Haight-Ashbury to Shakedown Street, with Bill Walton, DeadBase founder Mike Dolgushkin, sociologist Rebecca Adams, Steve Silberman, & and many new friends.

We are beyond honored to welcome former Grateful Dead vocalist Donna Jean Godchaux-MacKay herself to hear the wondrous story of how she went from Alabama to the top of the charts before fate led her to San Francisco, Keith Godchaux, and the Grateful Dead.

The Deadcast finishes our tour of St. Louis at the Kiel Auditorium in fall 1973, featuring Warlocks-era insider Steve Brown, local heads, the return of musicologist Graeme Boone to go deep into Dead’s jams, & a visit from Rich’s parents.

We explore the Grateful Dead’s formative early 1966 months in Los Angeles under the patronage of Owsley Stanley, LSD chemist & the band’s new sound engineer, featuring Owsley’s assistants Tim Scully & Don Douglas, Merry Pranksters, Rosie McGee, & an archival interview with Owsley.

We go behind the scenes, into the crowd, around the specially-installed mirror ball, & inside the music at the Dead’s 3 legendary 1972 shows at St. Louis’s Fox Theatre with promoters Sepp Donahower & Tony Dwyer, musicologist Graeme Boone, & Dead freaks who were there.

The Grateful Dead’s relationship with St. Louis went deep as the new Listen To The River box set and this Deadcast prove, featuring promoter Tony Dwyer, offstage jams at Scotty’s Music, and the time the Dead crashed Richie Gerber’s bar mitzvah.

The Deadcast opens its 4th season with one of the most unlikely but totally true stories in Grateful Dead history: how Keith & Donna Jean Godchaux approached Jerry Garcia at a bar and announced that Keith was the Dead’s new keyboardist, going deep into Godchaux family history.