The New Yorker Radio Hour

The first transgender person elected to Congress discusses how to respond to a bathroom bill and transphobic attacks from other House members, including Speaker Mike Johnson.

The Supreme Court Justice talks with David Remnick about the decline in public trust and questions about the Court’s ethical code, and how Justices get along in a very partisan era.

The actress discusses starring in the new film adaptation of “The Piano Lesson,” Wilson’s play about the Great Migration and a family torn apart by inheritance.

Two leading political scientists explain why voters failed to defend democracy: We never do.

Gold, a celebrated Shakespeare director, designed his theatre production for a young audience. “It’s loud. I’m willing to hear the complaints, because I have risk tolerance,” he said.

David Remnick joins Evan Osnos, Jane Mayer, and Susan Glasser to explain how Trump won the race, and what his rhetoric of vengeance and retribution portends for his return to power.

The MSNBC host says that Trump’s authoritarian message is timeless. “You can sell [it] to people who are in great need of relief,” she says. “But you can also sell it to billionaires.”

Once a top Republican in Congress, and now a supporter of Kamala Harris, Cheney cancelled her subscription to the Washington Post after Bezos blocked its endorsement: “It’s a disgrace.”

Jazmine Hughes considers the nation’s oldest Black sorority and its most famous sister. And the choreographer talks about a new performance of his classic “Still/Here.”

The “Breakfast Club” co-host talks with David Remnick about Black voters, his recent interview with the Vice-President, and why the Democratic Party needs a lot more “Bulworth.”

Alexis McGill Johnson discusses lobbying for a Democratic “trifecta” in Washington—and what a second Trump Administration would do on abortion rights in America.

A concept album based on a 1979 gang film is no big stretch for the creator of “Hamilton,” a rap musical based on a biography of a Founding Father.

The musician talks with Amanda Petrusich about his three-song EP. “I was getting a lot of positive feedback for having heartache . . . maybe I’m pressing the bruise.”

Though historically unpopular as a Vice-President, Harris unified the Democratic Party around her. Evan Osnos reports on her emergence as a contender for the White House.

The actor and showrunner talks with Vinson Cunningham about his new comedy whose main character is a gay English teacher in Texas, and what he learned on the set of “Will & Grace.”

A second Trump Administration would be “dramatically more managerial and practical,” the former Speaker of the House claims. Trump “has a much deeper grasp of what has to be done.”

A co-founder of the Uncommitted National Movement tells the staff writer Andrew Marantz why Muslim voters in Michigan are turning in droves to Jill Stein—and Donald Trump.

Gabriel Sherman on “The Apprentice,” his coming-of-age film about Trump. There are “parts of the film that I could imagine Donald Trump liking,” Sherman says.

The historian has travelled extensively in Ukraine, and discusses the lessons Ukrainians can teach America about freedom.

The Republican strategist Sarah Longwell explains what she’s hearing in focus groups from swing-state voters, and those who’ve “flipped” between Democratic and Republican candidates.

Ahead of their show at Madison Square Garden, one of rock’s most interesting bands talks songwriting with David Remnick, and plays some of their songs.

The deeply purple swing state is key to this election. The state’s governor, a runner-up for Kamala Harris’s Vice-Presidential pick, explains how a Democrat can win.

The three-time Tony winner discusses her new play “The Roommate,” alongside Mia Farrow, and bringing Aubrey Plaza—her castmate on “Agatha All Along”—to a “sort of theatre boot camp.”

The Democrats’ top legal strategist in the 2020 Presidential election won nearly every lawsuit brought by Trump’s team. He explains why the threat to democracy is far greater in 2024.

The staff writer walks through New York’s most overlooked borough. “There are places . . . where ‘a Bronx’ means a slum,” he notes. “This cannot, this should not stand.”

The novelist, who uses the word “mulatto” to describe mixed-race people like herself, talks with Julian Lucas about living across the color line, in a country obsessed with it.

Novelist Hernan Diaz explains why he wanted to focus his latest novel on the marriage of a Wall Street tycoon in the Roaring Twenties.

A new series from the award-winning investigative podcast examines the killing of twenty-four Iraqi civilians by U.S. marines, and why no one was ever brought to justice.

Susan B. Glasser discusses growing fissures in the Republican Party around abortion. She speaks with Representative Matt Rosendale, who wants to push the battle further and end I.V.F.

Geraldo Cadava speaks with prominent Latinos about why the Republican message is resonating with them.

The staff writer Clare Malone reported that Kennedy, a Presidential candidate, once dumped a dead bear cub in Central Park as a joke. But Kennedy tried to get ahead of the story.

The Speaker Emerita played a leading role in pushing the Biden Administration’s legislative agenda through Congress. Then she helped clear the path for a new Democratic leadership.

Nathan Thrall and Raja Shehadeh on the occupation of the West Bank, and whether there can be any prospect for peace. Plus, fifty years since Philippe Petit’s famous high-wire walk.

The writer Nathan Thrall and the lawyer Raja Shehadeh on the occupation of the West Bank, and whether there can be any prospect for peace.

Doreen St. Félix and Vinson Cunningham on the complicated identity of the likely Democratic nominee. And the New Yorker’s sports writer on the unexpected venues of the Paris games.

Jennifer Palmieri explains what she learned working on the 2016 election, and how the race that Harris faces differs from those of other women who’ve run for President.

The writer talks with David Remnick about writing the lives of the undocumented, in journalism and in fiction. Her previous work, a memoir, was a finalist for the National Book Award.

CNN’s data guru Harry Enten says that, unless the race shifts significantly, Donald Trump will win. And the pollster Ann Selzer explains how the polls know what they know.

Three masters talk about the craft of investigative journalism, and how the bad guy makes the story tick.

A former Presidential candidate, Castro tells David Remnick why Democratic leaders concerned about President Biden’s age were afraid to challenge the establishment and run against him.

The singer and band leader talks with John Seabrook about finding her voice as a songwriter, and her struggles with alcohol. Welch plays two songs live with Florence and the Machine.

The legendary historian and biographer explains how, from a background in daily journalism, he came to write one of the most revered nonfiction books of the twentieth century.

David Remnick asked listeners for their questions about the Presidential election, and a crack team of The New Yorker’s political writers came together to answer them.

Once a beacon for progressives, the senator has put the left at a distance and moved past centrist Democrats with his unconditional support of Israel’s conduct during the war in Gaza.

The staff writer picks three pioneering entries to the genre. “If you hate reality television,” she says, “I'm trying to talk to you.”

The actor and director, whose film “Horizon: An American Saga” has been in the making for decades, thinks of the Western as America’s Shakespeare.

The co-host of “How Did This Get Made?” enlightens David Remnick on the art of terrible film. Plus, the New Yorker film critic Justin Chang praises Coppola’s divisive “Megalopolis.”

Rory Stewart, a former Conservative Party Member of Parliament, explains the upcoming U.K. elections, the “catastrophic” Brexit, and the soul-crushing sham of a life in politics.

Eric Smokes and David Warren were convicted as teen-agers. Even after serving their sentences, the “Times Square Two” argued their innocence. It took decades for prosecutors to agree.

The Democratic senator and Baptist pastor, who preaches from the same pulpit in Atlanta as Martin Luther King, Jr., did, says that Trumpism has exacerbated a “spiritual crisis.”

A track star’s gender transition in the nineteen-thirties, and the response of Olympic officials, foreshadowed today’s culture-war battles over gender and sports.

Though rooted in the jazz tradition, the singer's interests and repertoire reach across eras, languages, and continents.

Glazer’s new movie, “Babes,” delves into the absurd, paradoxical, graphic realities of pregnancy and parenthood.

Lawsuits and the labor movement come to reality TV, by way of the Netflix hit.

While the filmmaker, writer, and artist was writing her new book, “All Fours,” the character she created was influencing her own life.

David Remnick asks R.F.K., Jr., where his run for President and his beliefs are coming from.

In lobbying Congress to force the sale of TikTok, a Palantir executive called it a national-security threat—a digital Trojan horse controlled by the Chinese government.

A tech journalist sees Silicon Valley making policy—and lawmakers refusing to regulate social media. Plus, salmon in the dishwasher, and other highlights of culinary TikTok.

For Democrats and Republicans, it’s time to pay attention to R.F.K., Jr. Three writers discuss his possible impact on the election.

Not since the Vietnam War has a protest movement reached college campuses with such fury. We look at the reverberations at one school, Harvard University.

Amid threats, Georgia’s secretary of state describes how he convinces Republican voters that elections are fair.

The comedian could have retired decades ago, but he continues to hone his craft onstage, and at age seventy he’s directed his first feature film, “Unfrosted.”

The acclaimed actor talks with David Remnick about her new book, and a lifetime of performing Shakespeare.

The evidence implicating social-media apps, the social psychologist says, is not another moral panic over technology. “Actually, this time is different,” he insists. “Here’s why."

The popular actor and songwriter speaks with Rachel Syme about not going to college—the subject of her new single. And a novelist discusses the excitement and uncertainty of protests.

Rare across-the-aisle coöperation in Austin aims to protect the lives of some women who need abortions—and protect their doctors from prosecution.

The New Yorker’s new critic on three films he’s excited about this year.

Why are so many states restricting what schools can teach about racism? Two leading journalist-historians discuss the efforts to ban or rewrite the teaching of Black history.

The singer, banjo player, music scholar, and opera composer talks with David Remnick about the legacy of Black string music—and how not to be limited by genre.

In her musical opening on Broadway, Keys tells a story very much like her own life, using her own hit songs—but don’t call it autobiographical.

The author creates a new inner life for a “Huckleberry Finn” character.

Adam Gopnik considers how Hitler came to power, and what it tells us about the 2024 election.

The staff writer Louisa Thomas talks with the former sportswriter David Remnick about why men’s college basketball suffers a state of malaise, while the women’s game is electrifying.

The philosopher popularized new ideas about gender—and has been burned in effigy. They talk with David Remnick about “Who’s Afraid of Gender?” Plus, Erin Reed on anti-trans legislation.

The journalist’s autobiographical novel reflects his time working on Barack’s Obama’s campaign, and in his White House. Has the former President lived up to his expectations?

The writer-director tells David Remnick that conducting an actual orchestra, in the role of Leonard Bernstein, was “the scariest thing I’ve ever done, hands down.”

The staff writer Evan Osnos went to the White House for a rare, frank talk with the President about his reëlection battle. Can he persuade voters that his accomplishments outweigh his age?

One of the most influential Silicon Valley reporters chronicles the rise of an industry, and moguls like Elon Musk, in “Burn Book.”

“The Killers of the Flower Moon” star reflects on the challenges faced by Native actors. Plus, New Yorker film critic Richard Brody’s unique awards for the best of 2023.

The former Trump White House attorney is sounding the alarm on the consequences of ignoring the ex-President’s rhetoric on Russia, and his actions on January 6th.

The author of “Ten Bridges I’ve Burnt” and other books talks with Jeffrey Masters about his journey from go-go boy to Renaissance man.

The co-host of the popular show explains how the withering of the media and the threat of political violence are warping the Presidential campaign, and what Biden’s team needs to do.

In her Netflix special, the comedian uses an act of oral sex as a springboard for a rapid-fire rant about the human condition, along with human anatomy.

The author of the influential novel “How Should a Person Be?” culled decades of material from her own journals to take a radical approach to her new book.

As the border crisis escalates, the President is changing his rhetoric on immigration. Plus, Olivia Rodrigo embraces being the voice of Gen Z.

An excerpt from “The Runaway Princesses,” a miniseries based on Heidi Blake’s reporting on Dubai’s royal family, and the women who risked their lives to escape it.

The president of the Committee to Protect Journalists discusses whether Israel is targeting Palestinian reporters, and looks at threats to the safety of journalists around the world.

“American Fiction,” nominated for five Academy Awards, satirizes the literary world, and upends Hollywood conventions about Blackness.

The chair of the powerful Congressional Progressive Caucus looks at whether Joe Biden can put the Democratic Party back together again in time to achieve victory in the 2024 election.

David Remnick talks to the writer about her successful lawsuit against Donald Trump. Plus, a Profile of Walt Disney from the archives, as Mickey Mouse enters the public domain.

In a new film, the actress is attracting Oscar buzz for a role first made famous by Oprah Winfrey almost forty years ago.

Whether he wins as expected or somehow underperforms, Donald Trump has upended the Republican primary without participating in a single debate and barely campaigning on the ground.

On the other side of the microphone, the host of The New Yorker Radio Hour sits for a lengthy interview about his reporting in Israel, his recent book, “Holding the Note,” and more.

The celebrated filmmaker is back with a challenging new movie intended to provoke a political response.

The Wisconsin-based Nation reporter was not at the Capitol when it was attacked. That hasn’t stopped Donald Trump’s attorneys from holding him responsible.

Clark’s collection, a finalist for the National Book Award in Poetry, is a meditation on language and communication.

The last major overhaul of the immigration system was in 1986. Changing conditions and a political impasse have created a state of chaos that the Biden Administration can no longer deny.

From “Barbie” to “Priscilla,” narratives about cloistered women contending with a new political reality have dominated the cultural landscape. Why do these stories hit so hard?