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Historiansplaining: A historian tells you why everything you know is wrong

Historiansplaining: A historian tells you why everything you know is wrong

Samuel Biagetti

History lectures by Samuel Biagetti, a historian (and antique dealer) with a Phd in early American history; my dissertation was on Freemasonry in the 1700s. I focus on the historical myths and distortions, from "the Middle Ages" to "Race," that people use to rationalize the world in which we live. More info at www.historiansplaining.com Please see my Patreon page, https://www.patreon.com/user?u=5530632, if you want to keep the lectures coming, and to hear the patron-only materials.

211 - Origins of the First World War, pt. 12 -- War Planning & Strategy
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  • 211 - Origins of the First World War, pt. 12 -- War Planning & Strategy

    We examine the prophetic warnings from scholars and bureaucrats that a great-power war in the twentieth century would lead to bloody stalemate, mass destruction, and a wave of revolutions; and we trace how war strategists and generals reacted to the prophets of doom, formulating new war plans, from Russia’s blundering steamroll, to Germany’s precarious and ill-fated Schlieffen plan, to Britain's devious and mercurial scheme of economic warfare. Suggested further reading: Barbara Tuchman, “The Guns of August”; Nicholas Lambert, “Planning Armageddon” Nicholas Lambert’s discussion of Britain’s hope of economic warfare, “The Short War Assumption” -- https://www.youtube.com/watch?v=Kp7jJ-POo90&pp=ygUQbmljaG9sYXMgbGFtYmVydA%3D%3D Margaret MacMillan’s lecture on war planning: https://www.youtube.com/watch?v=5RUFHkal6Jk&pp=ygUbbWFyZ2FyZXQgbWFjbWlsbGFuIHBsYW5uaW5n Image: Cartoon of the dispute over Alsace-Lorraine as a medieval romance, Puck Magazine, 1898 Please sign up as a patron to support this podcast, and hear recent posts on Germany and Japan in the lead-up to World War I -- https://www.patreon.com/user?u=5530632

    Sat, 20 Apr 2024 - 1h 41min
  • 210 - Origins of the First World War, pt. 11 -- The 19th-Century Revolution in Warfare

    The scale and horror of the First World War were possible only after the Nineteenth Century's double revolution in the nature of war. Warfare -- including weaponry, strategy, and command -- had remained mostly unchanged for three centuries, from the early integration of firearms in the 1400s until the French Revolution; the campaigns of Napoleon unleashed a new era of mass mobilization and nationalistic fury, while a series of haphazard improvements massively multiplied the killing power and reach of firearms, tearing open a battlefield "killing zone" unlike anything that prior generations of soldiers could have imagined. We follow both the breakdown in the old distinctions between war and civil society and the breakneck advance in land and sea warfare that set the stage for the nightmare of World War I. Image: Japanese riflemen defending a breastwork embankment, Russo-Japanese War, 1904-5. Margaret MacMillan on war & 19th-century society: https://www.youtube.com/watch?v=hJVe0KLONJU Nicholas Murray on the emergence of trench warfare: https://www.youtube.com/watch?v=2cbq7iu8FrI Suggested further reading: Nicholas Murray, "The Rocky Road to the Great War"; Margaret MacMillan, "The War That Ended Peace"; Hew Strachan, "A Clausewitz for Every Season," https://www.the-american-interest.com/2007/07/01/a-clausewitz-for-every-season/ Please sign on at any level to support this podcast and to hear the recent lectures on Germany, Bosnia, and Japan -- https://www.patreon.com/user?u=5530632

    Tue, 26 Mar 2024 - 1h 44min
  • 209 - Article: "In the American Tempest: Democracy, Conspiracy, & Machine"

    In 2022, I was asked to contribute to a symposium at Yale Law School on the question, "How can the humanities inform tech policy and design to promote 'healthier' discourse and democracy online?" The ultimate result was this article, published in the 2023 symposium issue of the Yale Journal of Law and the Humanities. A scanned pdf of the article can be found as an attachment here: https://www.patreon.com/posts/100047377 I also gave a short presentation at the symposium in 2022; since visual evidence is important to the argument of this article, I hope to expand upon the slides that I used in that presentation in order to produce a video with a full-length visual track to accompany the article. Film of Sumi Jo performing second half of Olympia's aria, "Les Oiseaux dans la Charmille," in Offenbach's "Tales of Hoffmann," at Opera de Lille, 1997: https://www.youtube.com/watch?v=lW2iiZ8MyGI Thank you to the editors and staff of the Yale Journal of Law and the Humanities and the Justice Collaboratory.

    Sat, 09 Mar 2024 - 1h 28min
  • 208 - Teaser: "Origins of the First World War -- pt. 10: Japan"

    A sample from, "Origins of the First World, pt. 10 -- Japan" To hear the entire lecture, sign up here: https://www.patreon.com/posts/origins-of-first-99483180 We trace the evolution of Japanese society -- including the tensions between its peaceable, Buddhist-inspired aspect and its martial aspect; its extraordinary transformation in the Meiji period, from an antiquated hermit kingdom to a dynamic modern power; and its crucial alliance with its European mirror image, Great Britain – which set the stage for its role in the First World War. Dan Carrick & Japanese singers’ performance of Gilbert & Sullivan’s 1885 adaptation of the Meiji anthem, “Miya Sama” -- https://www.youtube.com/watch?v=cOh5MIVP1bU A Japanese rendition of “Miya Sama” -- https://www.youtube.com/watch?v=5DpgzFtHuBg Image: the grand receiving room of Nijojo, Kyoto Suggested further reading: Perez, “The History of Japan”; Mason & Caiger, “A History of Japan,” 2nd ed.

    Sat, 02 Mar 2024 - 09min
  • 207 - Audio track from video -- Red White & Royal Blue: A Historian's Analysis -- Intro

    Audio track from my recent video -- "Red, White & Royal Blue: A Historian's Analysis -- Introduction: 'I Know I Owe You an Explanation'" -- We consider the political, literary, and artistic dimensions of the recent movie, "Red, White and Royal Blue" -- a gay romance on the international theme -- beginning with an overview of its origins as an escapist novel in the Trump and pandemic period, its unusual status as a same-sex "romantic comedy," and its political symbolism as a response to the crisis of confidence in American institutions and of American standing in the world. We then examine two examples of subtext and multiple meanings encoded in the film, as a preview of future analysis. To skip the preliminaries and go straight to the analysis, go to 46:40 To view this video on youtube -- https://www.youtube.com/watch?v=-6hLiraFY0k To view the video without ads on Patreon -- https://www.patreon.com/posts/98784602 Ethan Clark's youtube channel: https://www.youtube.com/@ethanclarkreacts Marco Cera's youtube channel: https://www.youtube.com/@marcocera993

    Thu, 22 Feb 2024 - 1h 15min
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