Song Exploder

Donate to Dolly Parton's Imagination Library here: https://donate.imaginationlibrary.com/ Donate to Women's Media Center, co-founded by Gloria Steinem, here: https://act.womensmediacenter.com/a/support-wmc -  When I heard the news of Dolly Parton’s death, and then a few days later, of Gloria Steinem’s death, I thought about this song that Natalie Merchant wrote called "Sister Tilly." It’s about losing a generation of activist women who did so much in their lifetimes. And so I wanted to go back and revisit Natalie Merchant’s song, and her beautiful story about what it means to her. This episode originally came out in June 2023. —Hrishikesh Natalie Merchant is an award-winning singer and songwriter from upstate New York. She was the lead singer of the band 10,000 Maniacs until she left in 1993. And then, as a solo artist, she’s put out nine albums over the last 30 years. Between 10,000 Maniacs and her solo work, she’s had multiple multi-platinum records. In April 2023, Natalie put out her first album of new songs in nine years. It’s called Keep Your Courage. And for this episode, she talked to me about the song “Sister Tilly." It’s a eulogy for a fictional character – a woman who represents the generation of women who influenced her. Women who were activists in the 1960s and 70s, when she was growing up. For more, visit songexploder.net/natalie-merchant.

Paula Cole is a singer, songwriter and producer from Massachusetts. She put out her first solo album, Harbinger, in 1994. Her second album, This Fire, came out in 1996 and was a real breakthrough; she was nominated for seven Grammys, and she won the Grammy for Best New Artist. In fact, that year she was the first woman in Grammy history to be nominated for Producer of the Year without a male collaborator. For this episode, Paula told me about how she made one of the big hits from that album: “I Don’t Want to Wait.” It spent 56 weeks on the Billboard charts. And then, it was heard by millions more, when it was used as the theme song for the hit TV show Dawson’s Creek.  These days, Paula has been reclaiming her old music in various ways. A couple of years ago, she re-recorded some of her songs, including “I Don’t Want to Wait.”  And that's the version of the song that you’ll hear throughout this episode, and at the end, in its entirety. And on September 10, 2026, Paula is putting out an archival collection of her demos. It’s called Sonic Memoir: Demos 1989-1998. It includes the original demo of “I Don’t Want to Wait,” which you’ll also hear in the episode, as Paula tells the story of how she wrote and produced the song. For more info, visit songexploder.net/paula-cole.

Charli XCX is a Grammy-winning artist who has been making music since she was a teenager. In July 2026, she released her eighth album, Music, Fashion, Film. It debuted at number 1 on the UK charts—her 4th album in a row to hit number 1 there. In addition to her music career, for the last few years, she’s been acting in films. And for this episode, we talked about how those experiences inspired her song “Camera," and how she and producer Finn Keane figured out how to translate that into music. For more info, visit songexploder.net/charli-xcx.

In 2016, Mitski did an episode of Song Exploder about her song “Your Best American Girl.” She had just released her second album, Puberty 2. Later, Pitchfork named “Your Best American Girl” one of the top 10 best songs of the past decade, and Billboard named it as one of the songs that defined the decade. And in honor of the 10th anniversary of the album, there’s a new deluxe version that’s out digitally, and a limited edition vinyl is coming in October. I thought this would be a good time to revisit Mitski’s episode, where she and her collaborator Patrick Hyland break down how “Your Best American Girl” was made.  To learn more, visit songexploder.net/mitski

Suki Waterhouse is a singer-songwriter, actress, and model from London. She released her first single in 2016, and her first album, I Can’t Let Go, in 2022, on Sub Pop. You might have seen her in the show Daisy Jones & The Six, which came out in 2023. Since then, she’s also had her first child, with her partner Robert Pattinson. And all of that history figured into her new album, Loveland. For this episode, Suki told me about how she made the song “Back in Love” with her longtime collaborators, producer Jules Apollinaire and songwriter Natalie Findlay. "Back in Love" was the first single from her album, but it was the last song that was written for it. For more info, visitsongexploder.net/suki-waterhouse.

My guest today is Ahmir Thompson, aka Questlove, the drummer and founding member of The Roots, as well as an author, a DJ, and an Oscar-winning film director. A song that changed my life is “Double Trouble” by The Roots, and the liner notes that Questlove wrote to go with the song. There’s a change in the drum sound in that song that blew my mind, and Questlove wrote a little bit about the effort that went into getting that drum sound. And as a drummer myself, I wanted to know everything about that. And that moment 26 years ago was maybe when the first seed for Song Exploder got planted in my brain. So, getting to talk to him for this is really special for me.  Questlove has an encyclopedic knowledge of music. It’s really astounding. He knows so much about so many artists, and he’s just directed a new documentary about Earth, Wind & Fire, which is out now. But one of the artists he knows best is Prince. He was recently asked by Rolling Stone to rank the top 100 Prince songs. For this episode, we talked about the song that he put at #1 on that list. For more info, visit songexploder.net/questlove.

Metric is a band from Canada that was formed in 1998. They’ve won four Juno Awards, including Group of the Year. Rolling Stone included them in their list of the 50 Greatest Canadian Artists of All Time. In April 2026, Metric released their 10th album, Romanticize the Dive. And for this episode, I spoke to Emily Haines and Jimmy Shaw about how they made the opening song on that album, “Victim of Luck.” For more info, visit songexploder.net/metric.

Hayley Kiyoko is a singer, songwriter, author, and director from Los Angeles. She was a child actor on Disney and Nickelodeon, and briefly in a girl group called The Stunners. But then, she started her career as a solo artist. In 2015, she put out the EP This Side of Paradise, and one of the songs on it was “Girls Like Girls.” She co-wrote it with Lily May-Young and Owen Thomas, and it was produced by James Flannigan. Hayley co-directed the music video for it, and when the song and the video came out, it was an absolute phenomenon. It became a lesbian anthem; Rolling Stone named it one of the most inspiring LGBTQ songs of all time. Hayley’s legion of fans gave her the nickname “Lesbian Jesus.” In 2023, Hayley adapted the song into a bestselling coming-of-age novel. And in June 2026, she made her feature film directorial debut, with the movie adaptation of “Girls Like Girls.” For this episode, Hayley and I talked about how it all started with the making of that song.  For more info, visit songexploder.net/hayley-kiyoko.

My guest today is the actor Tatiana Maslany. One of the things I find so compelling about Tatiana and her career is that the roles that she plays often contain multitudes—literally. She played over 10 different characters–clones, but with distinct personalities–in the TV show Orphan Black. And in the Marvel Universe, she played She-Hulk, who also had the very different alter ego of Jennifer Walters, a lawyer. And right now, she’s starring in the show Maximum Pleasure Guaranteed on AppleTV. When Tatiana prepares for her roles—and the roles within the roles—she often uses music to inspire and motivate her. Today, I got to talk to Tatiana about a song that’s been really important to her and her process. And that song is “Faceshopping” by Sophie.  If you’re not aware of Sophie’s music, she was an incredible, groundbreaking electronic artist from the UK. She was trans, and she passed away far too young, in 2021. But even in a short time, she made a big impact. In addition to her own music, she also produced tracks for Charli XCX, and Madonna, and more. In 2018, she released her breakthrough Grammy-nominated album, Oil of Every Pearl’s Un-Insides, which dealt a lot with her trans identity. And that’s the album that has the song “Faceshopping.”  For more info, visit songexploder.net/tatiana-maslany.

Paul McCartney is a singer, songwriter, multi-instrumentalist, and producer whose career spans more than six decades. As a member of The Beatles and later Wings and then with his own solo albums, he’s simply one of the most influential artists of all time. He has more accolades than I have time to list in this intro. But if you’re listening to this, you already know all that. In May 2026, he released his twentieth solo album, The Boys of Dungeon Lane. He co-produced it with Andrew Watt, who won the 2021 Grammy for Producer of the Year, and whose credits include working with Lady Gaga, The Rolling Stones, Justin Bieber, and Elton John. For this episode, I spoke to Paul McCartney about how he wrote and recorded his song "Ripples in a Pond."  For more info, visit songexploder.net/paul-mccartney.

Hot Chip is a band from London made up of Alexis Taylor, Joe Goddard, Al Doyle, Owen Clarke, and Felix Martin. Their second album, The Warning, came out in 2006. It was nominated for a Mercury Prize, and named one of the best albums of the year by NME and Pitchfork. And later, NME would include it in their list of best albums of all time. For this episode, I talked to them about one of the songs from The Warning called “Boy From School.” You might have heard it in the second season of the show Beef on Netflix—the band’s also in the show—or you might have heard it on The Simpsons. You could have also heard the song in my car all the time in 2006. So I was very excited to talk to Alexis and Joe from Hot Chip about how “Boy from School” was made. For more info, visit songexploder.net/hot-chip.

My guest today is the bestselling author Emma Straub. Her books include 'This Time Tomorrow,'  'Modern Lovers,'  'The Vacationers,'  and more. And with her husband, Michael Fusco, she co-owns the beautiful Brooklyn bookstore Books Are Magic. I'm so thrilled to have her on because, not only is she a wonderful writer, but Key Change is a series about music fandom and identity. And Emma's newest novel 'American Fantasy' is also about music fandom and identity. That story is set on a cruise ship centered around a nineties boy band and their fans. But today, Emma's going to tell me her story about her own relationship with the music of The Magnetic Fields. Stephin Merritt from the Magnetic Fields was just named one of the greatest living American songwriters by the New York Times, and Emma’s introduction to their music was their 1999 triple album, '69 Love Songs.'  For more info, visitsongexploder.net/emma-straub.

The xx formed in 2005, when they were still in high school. They signed to the UK label Young, and put out their first album in 2009. It won the prestigious Mercury Prize, and was named one of the best albums of the year by Rolling Stone, Pitchfork and more. Since then, the Guardian has named it one of the best albums of the 21st century. This year, the three band members, Romy Croft, Oliver Sim, and Jamie xx played together as The xx for the first time in 8 years. I spoke to them in between the weekends at Coachella, where they were opening their sets with the song “Crystalised.” It’s the first song they ever released, back in April 2009, when the lineup also included Baria Qureshi on guitar. I spoke to Romy, Jamie and Oliver, here at my studio, about how they first found each other, and how they made “Crystalised.” For more info, visit songexploder.net/the-xx.

The legendary singer/songwriter Yusuf / Cat Stevens released his first album in 1967. He’s a member of the Rock & Roll Hall of Fame, and his albums have sold millions. In 2020, he released Tea for the Tillerman², a re-imagining of his hit 1970 album Tea for the Tillerman. In the song “Father & Son,” he sings a duet between the two title characters, doing both voices. But in the 2020 version, he approached this song in a kind of astonishing way—he recorded the part of the father, but for the part of the son, he used a live recording of himself from 1970, taken from a show he played at The Troubadour in Los Angeles. So the two parts are still both sung in his voice, but 50 years apart. In this episode, the 200th episode of Song Exploder, Yusuf / Cat Stevens tells the story of how he created, and then re-created “Father & Son.” For more, visit songexploder.net/yusuf-cat-stevens.

Today, we're sharing an episode of Nate DiMeo's wonderful podcast, The Memory Palace, which helped inspire both Song Exploder, and a song on my upcoming album. So today, I want to present a kind of two-part story. The first part: "The Thundering Herd, The Vanishing American," from The Memory Palace. And in the second half of the episode, I’ll tell you how it ended up unexpectedly unlocking a song that I’d been trying to figure out.  For more episodes of The Memory Palace, visit thememorypalace.us.  To pre-order my album visit keeledscales.com. To get tickets to one of my shows on tour, visit hrishikesh.co.

Alynda Segarra is a singer songwriter from the Bronx. They formed Hurray for the Riff Raff in 2007, and since then, they’ve released 8 albums. Their most recent is The Past Is Still Alive, which came out in 2024. It was named one of the best albums of the year in the New York Times, the Associated Press, Entertainment Weekly, and The Atlantic, and Pitchfork called it one of the best albums of the decade so far. For this episode, I spoke to Alynda about the first track on the album, “Alibi.” For more info, visit songexploder.net/hurray-for-the-riff-raff.

Jack Harlow is from Louisville, Kentucky, and started performing and releasing music in 2015, when he was in high school. In 2020, he released his first album, which went double platinum. He was nominated for a Grammy for Best Rap Performance. He’s had multiple number one hits across his first three albums. For his fourth album, Monica, which just came out in March 2026, he switched things up dramatically. I was curious how and why—how did someone who had so much success as a rapper approach a new way of making music? So for this episode, I spoke to Jack Harlow about the song “Say Hello,” which is the closing track on Monica. For more info, visit songexploder.net/jack-harlow.

My guest today is Baz Luhrmann, the award-winning director whose films include Moulin Rouge!, Strictly Ballroom, The Great Gatsby, Elvis, and Romeo + Juliet.  His newest film is  EPiC: Elvis Presley in Concert, a critically acclaimed documentary about Elvis that’s playing right now in theaters and in IMAX. Before becoming a massively successful film director, Baz began his showbiz career as an actor, and as a ballroom dancer, in Australia. His first film was Strictly Ballroom, which came out in 1992, and became one of the highest-grossing Australian films of all time. It was originally a play, and there’s a song in the film that was part of the story all the way back when it was first performed on stage. And that’s what Baz and I talked about for this episode. For more info, visit songexploder.net/baz-luhrmann.

Thompson Twins originally formed in 1977 in Sheffield, in the UK. “Hold Me Now,” their iconic hit, came out as a single in November 1983, and eventually on their 1984 album, Into the Gap. That album went to number 1 in the UK and went platinum in the US. The song spent 21 weeks on the Billboard Hot 100 chart. So for this episode, I talked to the founding member of Thompson Twins, Tom Bailey, and he told me how he and his bandmates, Alannah Currie and Joe Leeway, made “Hold Me Now.” For more info, visit songexploder.net/thompson-twins.

Silvana Estrada is a singer, songwriter, and producer from Veracruz, Mexico. She won the Latin Grammy for Best New Artist in 2022, and she’s been nominated for three others, including for her song “Como Un Pájaro,” which is the song that we talked about for this episode. It’s from her second album, which came out in 2025, but she started writing the song several years before that. So we talked about all the different versions of this song, and a couple of versions of Silvana herself, that emerged throughout the process. For more info, visit songexploder.net/silvana-estrada.

This week, I wanted to go back and revisit the episode that I made with Iron & Wine in the fall of 2022 about the song "Flightless Bird, American Mouth." And there are a couple of reasons. One, there’s a new Iron & Wine album that’s coming out this month, called Hen’s Teeth. And secondly, I actually have a song of my own that’s coming out today, the same day as this episode, and it features Iron & Wine on the track. It’s called “Stray Dogs,” and it’s the first song from an album that I’m releasing in April, called In The Last Hour of Light. And this Iron & Wine episode of the podcast is what actually led to our collaboration on the song.  I’d been a huge fan of Iron & Wine for two decades, and this live taping, which happened in Wimberly, Texas, at the Blue Rock Artist Ranch and Studio, was the first time that I got to meet Sam Beam from Iron & Wine So before we go back and listen to the episode itself, I thought it could be nice to talk to Sam about how this episode happened, and then how that led to the making of “Stray Dogs.”  For more, visit songexploder.net/iron-and-wine.

The Marías is a band from Los Angeles, made up of María Zardoya, Josh Conway, Jesse Perlman, and Edward James. They released their first EPs in 2017 and 2018, and their first album in 2021. But then, as you’ll hear, there was a period of a lot of uncertainty around the band’s future. Eventually, their second album, Submarine, came out in 2024, and it was incredibly successful. Stereogum called it one of the best albums of the year, and the band was nominated for a Grammy for Best New Artist. But all of that almost didn’t happen. I talked to María about the making of their hit song “No One Noticed.” The story’s beginning, middle, and end all took place during different eras of the band’s existence. In the middle section, when maybe they weren’t going to even be a band anymore, María enlisted the help of Grammy-nominated producer Gianluca Buccellati. And I spoke to Luca for this episode, as well. For more, visit songexploder.net/the-marias.

Leon Thomas is a singer, songwriter, producer, and actor. He’s nominated for six Grammys at this year’s Grammy Awards, including Best New Artist, Best R&B Album, and Album of the Year for Mutt. Mutt is his second album, and I talked to Leon about the title track, which was a breakout hit. He’d already won a Grammy for his work with SZA, but he reached a new level in his own career with this song and this album. I also spoke to David Phelps and Rob Gueringer, AKA D. Phelps and Freaky Rob, who produced the song.  For more info, visit songexploder.net/leon-thomas.

My guest today is John Green. John is the award-winning, #1 bestselling author of books including 'Looking for Alaska,' 'The Fault in Our Stars,' 'Turtles All the Way Down,' 'The Anthropocene Reviewed,' and 'Everything is Tuberculosis.' John and his brother Hank Green have co-created a lot of projects together, including their massive YouTube channel, Vlogbrothers, and their podcast, 'Dear Hank and John.' He also serves on the Board of Trustees for global health nonprofit Partners in Health. And when I asked John if there was a piece of music that changed his life, he knew the answer right away: "You'll Never Walk Alone" by Gerry and the Pacemakers. For more info, visit songexploder.net/john-green.

Hit-Boy is an award-winning producer and rapper from LA. He’s one of my all-time favorite producers, from “Backseat Freestyle” by Kendrick Lamar, to “Sicko Mode” by Travis Scott, to tracks he’s made for Beyonce, Nas, and the Jay-Z & Kanye album Watch the Throne. So I was really excited to talk to him, and when I asked him which song from his incredible catalog he wanted to talk about, I was really moved by his choice. He picked “Racks in the Middle” by Nipsey Hussle, featuring Roddy Ricch. Nipsey Hussle was a rapper and community activist from LA whose career was cut short, tragically, when he was murdered in 2019. He’d released just one album, Victory Lap. “Racks in the Middle” was the last song released in Nipsey’s lifetime. It went platinum, and a year after his death, it won the Grammy for Best Rap Performance, in 2020. This episode features a few short clips from a video that Nipsey Hussle made for the website Genius, back in 2019. There’s a link to the full video that he made in the shownotes. But here in the studio, to tell the story, I spoke to Hit-Boy about how “Racks in the Middle” came together. To learn more, visit songexploder.net/hit-boy.

The band Air is a duo from Versailles, France. Their first EP came out in 1995, followed by their critically acclaimed debut album, ‘Moon Safari,' which was an international hit. Then they made the music for the film ‘The Virgin Suicides,‘ which was written and directed by Oscar-winner Sofia Coppola, based on the novel by Jeffrey Eugenides. The movie came out in 1999, and it was Sofia Coppola’s first film. An album version of Air’s score came out in 2000, and it was nominated for a Brit award. Pitchfork put it at number four on their list of the best film scores of all time. In addition to the instrumental music that appears in the movie, Air also wrote a song for the end credits called “Playground Love.” That song featured Sofia Coppola’s future husband, Thomas Mars, from the French band Phoenix, on vocals. Phoenix was still a very new band, and he and Sofia hadn’t even met yet. Thomas appears on the song under the name Gordon Tracks. So for this episode, I spoke to all of them: Nicolas and JB from Air; Sofia Coppola; Thomas Mars; as well as Brian Reitzell, the music supervisor of the film. For more info, visit songexploder.net/air.

My guest today is director Rian Johnson, which is exciting for me, because I’ve been a huge fan of his ever since seeing his first feature film, ‘Brick,' in 2006. Since then, he’s made six more feature films, including ‘Looper‘ in 2012; ‘Star Wars: The Last Jedi‘ in 2017; the murder mystery ‘Knives Out‘ in 2019; and his most recent movie, another in the 'Knives Out' series, ‘Wake Up Dead Man,‘ which is already out in theaters, and comes to Netflix on December 12. I talked to Rian about a piece of music that had a profound impact on him, which was the overture to ‘Das Rheingold‘ by Richard Wagner.  For more info, visit songexploder.net/rian-johnson.

Jessie Reyez is a singer and songwriter originally from Toronto. She's won two of Canada's Juno awards, and she's been nominated for a Grammy. In addition to writing her own music, Jessie's been a songwriter on tracks by Calvin Harris, Dua Lipa, Sam Smith, Eminem, and many others. You're probably aware that there are songwriters and producers whose names you'll find over and over again in the credits for big hits; Jessie is one of them.  But for this episode, I talked to her about her own song "Goliath." And the day that she wrote that song, she happened to be in the studio with a bunch of other songwriters and producers. So I also talked to Jordan and Stefan Johnson, from the production team Monsters & Strangerz, and Jeff Gitelman, AKA Gitty. Between the three of them, their credits also include songs by Selena Gomez, Maroon 5, Alicia Keys, Mac Miller, and again, tons more. When a group like this gets together to write music, they don't always know if they're going to be making a song that's going to get recorded and released by an artist somewhere down the line, or if the song's going to get recorded at all. But in the case of "Goliath," what came out was a song that was very personal to Jessie Reyez. For more info, visit songexploder.net/jessie-reyez.

My guest today is Demi Adejuyigbe. One of the things that makes Demi so special is how hard it is to summarize him in an intro like this, because he has so many talents and applies them in so many different ways. He is a standup comedian, with a brand new one-hour special out on Dropout TV.He co-hosted the podcasts Gilmore Guysand Punch Up the Jam. He’s a screenwriter, who wrote on TV shows like The Good Place. He’s famous on the internet for his parody songs, spoofing artists like Will Smith and Lana Del Rey; and for his September videos, where, for years, he made increasingly elaborate videos of himself, dancing to the Earth, Wind & Fire song. And he used the popularity of those videos to raise over a million dollars for charity. He’s also directed several music videos, including one that he made for one of my songs, back in 2022. And for this episode, we’re talking as much about a music video as the song within it. And that song is "You Only Live Once" by The Strokes. Demi's new special, Demi Adejuyigbe is Going to do One (1) Backflip, is on Dropout TV.  For more info, visit songexploder.net/demi-adejuyigbe.

Clipse was formed in 1994 by two brothers: Gene Thornton Jr, aka Malice, and his younger brother Terrence Thornton, aka Pusha T. From the beginning, they’ve worked with producer Pharrell Williams, originally as part of the acclaimed production duo, The Neptunes. But then, there was a 16 year gap between the third Clipse album, which came out in 2009, and their most recent album, Let God Sort Em Out, which came out in July 2025. This November, they were nominated for 5 Grammys, including Album of the Year. They were also nominated for Best Rap Song, for “The Birds Don’t Sing.” It’s a song that they made after the death of both of their parents in the span of just a few months. For this episode, I asked Pusha T, Malice, and Pharrell about the making of that song, which also features contributions from John Legend and Stevie Wonder.  For more info, visit songexploder.net/clipse.

On September 5, 1973, the first and only Buckingham Nicks album was released. It wasn’t a huge hit, but it was how the world was first introduced to the music of Stevie Nicks and Lindsey Buckingham, before they went on to become members of Fleetwood Mac. Their time together in Fleetwood Mac led to some of the best-selling, most critically acclaimed, and most influential albums of all time. Their individual talents, their musical chemistry together, and the ups and downs of their romantic relationship all eventually became legendary.  And yet, despite all that, the Buckingham Nicks album went out of print not long after it came out. For over 50 years, it wasn’t available, until it finally got re-mastered and re-released in September 2025. So for this episode, I spoke to both Stevie Nicks and Lindsey Buckingham about the making of one of the songs from that album, called “Frozen Love.” It’s the only song on the album where they’re credited as co-writers, and it’s the song that led Mick Fleetwood to invite Lindsey Buckingham to join Fleetwood Mac. But Lindsey would only join if Stevie could, too, and that’s how that story began. So this episode is about a beginning and an ending. It’s the story of how Stevie and Lindsey first met, and how they made "Frozen Love," and how that song really led to the end of their band.  I also want to mention that not only was Buckingham Nicks out of print for all those decades, no one has heard the isolated tracks that you’re about to hear. To make this episode, there was an epic search for the original master tape from Sound City, the studio where they recorded the album with producer Keith Olsen. It took months, but the tape was finally tracked down and digitized, and it feels very special to be able to present this for the first time here, along with the memories and stories from Lindsey Buckingham and Stevie Nicks.  For more info, visit songexploder.net/buckingham-nicks.

Next week, I’m going to be publishing an episode with Stevie Nicks and Lindsey Buckingham about the making of the song “Frozen Love,” from their only album as the duo Buckingham Nicks. That song is what eventually led to them joining Fleetwood Mac. So in anticipation of next week’s episode, I thought it would be great to go back seven years and revisit this Fleetwood Mac episode from 2018, about the making of “Go Your Own Way.” I hope you enjoy it, and I hope you’ll come back to hear the Buckingham Nicks episode. - Lindsey Buckingham is a singer-songwriter, a guitarist, and a producer. In 1974, he joined the band Fleetwood Mac, along with Stevie Nicks, his girlfriend at the time. A few year later, in 1977, Fleetwood Mac released the album Rumours, which would go on to sell over 40 million copies and become the eighth highest-selling album in history. In this episode, Lindsey Buckingham breaks down “Go Your Own Way," a song he wrote for that album about his relationship with Stevie Nicks. For more, visit songexploder.net/fleetwood-mac.

"Take On Me" by A-ha is an iconic hit of the 1980s. It came out in October 1985 with an equally iconic music video that helped define the age of MTV. It hit #1 in the US and in countries all over the world. And it's still massively popular today. It currently has over two and a half billion streams on Spotify. So, with all of that, it's easy to imagine that this was all inevitable. But actually, the song took so many steps and missteps before it became the hit that everybody knows. I talked to Paul Waaktaar-Savoy from A-ha, who wrote the original bones of the song back when he was a teenager in Norway, years before it came out. The song actually came out and flopped TWICE in the UK, before it found a foothold in the US. So for this episode, Paul took me through the whole history of the song, and all the different versions that existed. And he told me how he and his bandmates, Magne Furuholmen and Morten Harket, pushed and pushed and persevered. "Take On Me" was their first single as a band, and it made them the most successful Norwegian pop group of all time. For more info, visit songexploder.net/a-ha.

Lady Gaga is a singer, songwriter, producer, and actress from New York. She’s one of the biggest artists in the world. She’s also won 14 Grammys, 2 Golden Globes, and an Oscar. And in March 2025, she released her sixth album, Mayhem. For this episode, I talked to her about a song from that album called “Abracadabra.” She co-wrote it and co-produced it with Andrew Watt and Cirkut, and they recorded it in Rick Rubin’s studio, Shangri-La. That’s also where we recorded the interview for this episode. For more info, visit songexploder.net/lady-gaga.

My guest today is Chef David Chang. He founded Momofuku Noodle Bar in 2004. That was just the start of his incredible career – he’s opened several restaurants, winning awards and Michelin stars along the way, and becoming a fixture in the upper echelon of food. He’s the host of the Netflix shows Ugly Delicious and Dinner Time Live, as well as his own podcast, The Dave Chang Show. For this episode, I talked to Dave about the song “I See a Darkness.” It's the title track on the album by Bonnie “Prince” Billy, aka Will Oldham, which came out in 1999. Later, Johnny Cash would cover “I See a Darkness” in 2000, as a duet with Will Oldham, as part of Johnny Cash’s acclaimed American series. You can get Bonnie "Prince" Billy’s "I See a Darkness" on vinyl or digital here. For more info, visit songexploder.net/david-chang.

Hayden Anhedönia has been making music under the name Ethel Cain since 2019. But it’s not just a band name or a moniker; Ethel Cain is a fictional character, a sort of alter ego that Hayden’s been creating and world building around throughout her albums. The first Ethel Cain album, Preacher’s Daughter, came out in 2022. It ended up blowing up, and it made Hayden the first openly trans artist with an album in the top ten on the Billboard chart. In 2025, she put out the second Ethel Cain album, called Willoughby Tucker, I’ll Always Love You. For this episode, I talked to Hayden about how she made the song “Nettles.” As you’re about to hear, it took on a lot of different forms, over several years, before she got to the final version.  For more info, visit songexploder.net/ethel-cain.

Sam Fender is a singer and songwriter from the town of North Shields in England. He won the Brit Award for Best Rock/Alternative Act twice. His most recent album is called People Watching, and just like his first two albums, it went to #1 on the UK album charts. To help produce the album, Sam enlisted Adam Granduciel, the singer and frontman of the band The War on Drugs. For this episode, I talked to Sam, and his bandmate Joe Atkinson, about the title track from People Watching, and the long journey that it took to get made, from Sam’s kitchen, to the Hollywood Hills, to Abbey Road.

My guest today is Jia Tolentino. Jia is the author of the essay collection Trick Mirror, which was named one of the best books of 2019 by The New York Times Book Review, NPR, The Paris Review, and more. She won a National Magazine Award for her work at the New Yorker, where she’s been a staff writer since 2016. Her writing covers so many different topics, from Roe V. Wade to the internet to pop culture and music. And today, we’re going to talk about the 1996 pop hit “I Love You Always Forever” by Donna Lewis.  For more, visit songexploder.net/jia-tolentino.

Melina Duterte goes by the name Jay Som. She’s a singer, songwriter, and multi-instrumentalist. She’s released three albums as Jay Som, and has produced, engineered, and mixed each one. Her third album, Anak Ko, came out in August 2019. And in this episode, Melina breaks down a song from it called “Tenderness.” To learn more, visit songexploder.net/jay-som.

Fall Out Boy is a band from Chicago that formed in 2001. Their first album, Take This To Your Grave, was a hit, especially in the punk rock world. When they put out their second album, though, in 2005, that was on a whole other scale. That album is called From Under the Cork Tree, and it went double platinum, and they were nominated for a Grammy for Best New Artist. For this episode, I talked to the band’s singer, Patrick Stump, about how they made their breakout hit from that album, the song “Sugar, We’re Goin Down.”  For more info, visit songexploder.net/fall-out-boy.

Gigi Perez is a singer and songwriter from Florida, and at 25 years old, she’s already had so many ups and downs in her music career. She started sharing her songs on TikTok, where they got enough attention that she got signed to a major label deal, but that ultimately didn’t pan out. Soon after that, as an independent artist again, she had her biggest breakout hit, with “Sailor Song.” She released it in July 2024, and it went viral on TikTok. Now, it has over a billion streams on Spotify alone, and it’s a part of her new album, which came out in April 2025. In this episode, you’ll hear how the song evolved, from her first voice memo to the final version, which she recorded in her childhood bedroom. I talked to Gigi about how “Sailor Song” came about, and about all the different parts of herself that she put into it—her faith, grief, desire, and more.  For more info, visit songexploder.net/gigi-perez.

Jason Schwartzman, actor, songwriter, and musician, talks  about how the soundtrack to 'Rushmore'—his first film—changed his life. I met Jason briefly in 2017, as he was leaving the room where I was supposed to interview the band Phoenix. I was shocked when he stopped on his way out to tell me he loved Song Exploder. Eight years later, I reached out to him to see if he’d want to be a guest on Key Change, and we ended up talking for almost two hours, just on the phone. By the time he came over to record, I felt like I’d met a kindred spirit who’d also been cataloguing his whole life through the songs he’d encountered along the way. The fact that we got to talk about one of my favorite movies, 'Rushmore,' made the experience even more meaningful and thrilling for me. For more, visit songexploder.net/jason-schwartzman.

Goo Goo Dolls formed in 1986 in Buffalo, New York, and by the time 1998 rolled around, they’d already had a pretty successful career. They’d released five albums, and one of their songs, “Name,” from 1995, had become a Top 10 hit. But things really changed for them when they made the song “Iris.” It originally came out on the soundtrack for the movie City of Angels, which came out in 1998 and starred Nicolas Cage and Meg Ryan.  “Iris” spent a record-breaking 18 weeks at number one on the radio, and became one of the best selling songs of all time, with over 14 million copies sold, and over 4.5 billion streams. So for this episode, John Rzeznik of Goo Goo Dolls came over to my place, and he told me about how he wrote the song. He told me how the Grammy-winning producer Rob Cavallo helped them expand their vision, and how the version of the song in the movie isn’t actually the version that everybody knows. For more info, visit songexploder.net/goo-goo-dolls.

Little Simz is a rapper from England who put out her first album in 2015. She’s won the Mercury Prize, a Brit Award, and three MOBO awards. She also starred in the Netflix series Top Boy. Her most recent album is called Lotus. It came out in June 2025, and it followed a pretty tumultuous time in her career. For this episode, I got to talk to Little Simz about one of the songs from that album, called "Free," along with Miles Clinton James, who produced the track.  Thanks to Sonos for their support of the podcast. Check out sonos.com. For more, visit songexploder.net/little-simz.

My guest today is Shirley Manson. Since 1994, she’s been the lead singer of the band Garbage, and she is a bona fide rock icon. The two of us worked together on a different podcast called The Jump, which Shirley hosted and I helped produce. It was a dream of mine to get Shirley as the host of that podcast, partly because, as you’re about to hear, she has one of the greatest voices, and I could listen to her talk about anything. And so I’m especially excited to listen to her today tell me about a song that changed her life.  Thanks to Sonos for their support of the podcast. Check out sonos.com. For more, visit songexploder.net/keychange. And check out the Song Exploder episode with Garbage from 2014,featuring Shirley and her bandmate Butch Vig talking about how they made their song “Felt.”

Anohni is a singer and songwriter originally from England, who started putting out music in 2000. She’s released 6 albums, and won the Mercury Prize. She’s also been nominated for two Brit Awards, and an Oscar. For this episode, I talked to her about the song "4 Degrees," from her 2016 album Hopelessness. It might be strange to describe a song about climate change as an anthem, but that’s what I think it is, and it feels more urgent with every passing year. It’s also one of my most listened-to songs. It was produced by two of my favorite electronic musicians: Daniel Lopatin, aka Oneohtrix Point Never, and Ross Birchard, aka Hudson Mohawke. I got to speak to Ross about how he started the track on his own, before it became a collaboration between the three of them. This is an episode that I’ve been trying to make happen since 2016. Here it is. For more info, visit songexploder.net/anohni. Thanks to Sonos for their support of the podcast. Check out sonos.com.

In June 2024, I got to go to the Solid Sound Festival in North Adams, Massachusetts, which is organized by the band Wilco. I performed some of my new songs, and I got to interview Jeff Tweedy, the lead singer of Wilco, on stage as part of the festival. Jeff, in addition to being in Wilco and the band Tweedy, and putting out his solo albums, has also written three books. And this conversation was focused on his second book, which is called How to Write One Song. And even though it’s called How to Write One Song, I think it actually contains a lot of insight about creativity in general, and life in general. I’ve recommended it to friends of mine who aren’t songwriters. And, as you’ll hear, the conversation gets pretty personal for me, because I got so much out of the book personally. It helped me with some of the blocks that I’d been facing in my own songwriting, at a pretty profound level. And when I was listening back to this recording, I’d kind of forgotten about how much I put out there in front of Jeff and the thousands of people who were there watching. But I’m glad the conversation was recorded, partly just so I could revisit it, but also so that I could share it here on Song Exploder. I hope you’ll enjoy it, too. You can buy How to Write One Song by Jeff Tweedy here (via Bookshop.org) or here (via Amazon) or on Wilco's website. You can listen to the Wilco episode of Song Exploder here.I also interviewed Jeff along with his son Spencer, who is also his bandmate in Tweedy, about their relationship and musical partnership, for an episode of my podcast Partners. You can listen to that here. Thanks to Sonos for their support of the podcast. Check out sonos.com. For more, visit songexploder.net/jeff-tweedy.

Lorde is a Grammy Award-winning singer, songwriter, and producer. Her second album, Melodrama, debuted at number one on the charts in June 2017 – five months before her 21st birthday. In this episode, Ella breaks down her song “Sober.” You’ll hear how it started, with the original demos she made with her co-producer Jack Antonoff, and how the song changed over the course of working on it for months and months. Thanks to Sonos for their support of the podcast. Check out sonos.com. For more, visitsongexploder.net/lorde.

Tears for Fears is a duo formed in 1981 in Bath, England by Roland Orzabal and Curt Smith. They’ve sold over 30 million albums, starting with their first, The Hurting, which went to number one in the UK. But it was their second album, Songs from the Big Chair, that made them international stars. It came out in 1985, and had huge singles like “Shout” and "Head Over Heels.” But their biggest hit is “Everybody Wants to Rule the World.” It won Best Single at the BRIT Awards in 1986, and it’s been streamed over 2 billion times. So I talked to the two of them about how they, along with their producer Chris Hughes and keyboard player Ian Stanley, made a song that would help define the sound of the 80s. Thanks to Sonos for their support of the podcast. Check out sonos.com. For more, visit songexploder.net/tears-for-fears.

Lizzo is a Grammy- and Emmy-winning singer, rapper, songwriter, and actress. She’s been putting out music since 2013, and her last two albums both went platinum. Her fifth album, Love In Real Life, comes out this summer. For this episode, I talked to Lizzo, as well as her longtime collaborator, Grammy-winning producer Ricky Reed, about the making of one of her new songs, “Still Bad.” It wasn’t a straightforward process at all, and coming up, you’ll hear a few of the many, many demos they made on their way to the final song.  For more, visit songexploder.net/Lizzo.

My guest today is my friend Samin Nosrat, the author of the bestselling, award-winning cookbook Salt Fat Acid Heat, and the host and executive producer of the hit Netflix show that's based on it. Her second cookbook comes out this fall, and it's called Good Things: Recipes and Rituals to Share With People You Love.  Back in March 2020, Samin and I started a podcast together called Home Cooking, where we answered people's anxious questions about cooking in the time of the pandemic and lockdown. And we're bringing that podcast back later this year.  Samin is one of my closest friends. We've been there for each other for all of the most important moments of our lives over the years that we've known each other. But with a total lack of consideration to our friendship, it turns out Samin’s had important moments in her life from before we met. But we're going to make up for lost time, and she's going to talk to me about one of them today. For more, visit songexploder.net/keychange. You can listen to "Untouchable Face" by Ani DiFranco here.

Jake Lenderman plays and records under the name MJ Lenderman. He put out his first album in 2019. In addition to his solo work, he’s been a member of the band Wednesday, and he’s also featured on the Waxahatchee hit song “Right Back to It." In September 2024, the fourth MJ Lenderman album came out. It’s called Manning Fireworks. The New Yorker named it the best album of the year, and Stereogum, Rolling Stone and Pitchfork all put it in their top ten. For this episode, I talked to Jake about one of the songs from that album, called “You Don’t Know the Shape I’m In.” The song itself took shape in a few different ways. Coming up, you’ll hear the way the song started as a demo, and then how that got fleshed out, and then how it got rebuilt, and then how Jake completely reimagined the whole thing. For more info, visit songexploder.net/mj-lenderman.

My guest today is James Acaster, a comedian, author, musician, and interviewer. He's filmed comedy specials for HBO and Netflix, which are hilarious and high concept. His musical project, Temps, has released an album and an EP. He’s written multiple books, including one about how the year 2016 was the greatest year for music. James also co-hosts the food podcast Off Menu, with comedian Ed Gamble. And I've listened to more hours of Off Menu than any other podcast. James and Ed don't know it, but they're my best friends. And I have lured James out of the parasocial relationship that we have in my head and into this conversation with me, to talk about a song that had a profound effect on his life. For more, visit songexploder.net/keychange.  You can listen to "Hey Ya!" by OutKast here.

Lucy Dacus is a singer and songwriter from Richmond, Virginia. She put out her first album in 2016, and in 2018 she formed the band Boygenius with Julien Baker and Phoebe Bridgers. In June 2021, she released her third album, Home Video, which includes this song, "Thumbs." The first time I heard it, I knew I wanted to ask Lucy about how and why she made it. After some COVID testing, we spoke in person here in Los Angeles. And she told me the story of how "Thumbs" took months and months to get right.  For more, visit songexploder.net/lucy-dacus.

The TV show Severance debuted on Apple TV+ in February 2022. It was created by writer Dan Erickson, and developed into a series by director and executive producer Ben Stiller. He directed the pilot and most of the episodes. After the first season came out, Severance was nominated for 14 Emmys, including Outstanding Drama Series, and it won two Emmys: for Main Title Design and for Musical Composition. I love this show, and the main title sequence is incredible. I was so excited to get to talk to the composer, Theodore Shapiro, about how he made the main title theme music. In this episode, you’ll hear how that theme first came into existence in a totally different form, and then, how Teddy re-imagined it to become the final version.  For more, visitsongexploder.net/severance.

My guest today is Hanif Abdurraqib, a poet, cultural critic, and New York Times bestselling author of books like They Can't Kill us Until They Kill Us, Go Ahead in the Rain: Notes to A Tribe Called Quest, and A Little Devil in America, which won the Andrew Carnegie medal for nonfiction. I've been a guest on Hanif's podcast, Object of Sound, and I just love reading and hearing his thoughts about music. When I first started toying with the idea for this Key Change series, I was specifically excited about the idea that it could give me the chance to have Hanif on as a guest. For more, visit songexploder.net/keychange.  You can listen to "Lost in the Supermarket" by The Clash here. 

Sasami is a singer, songwriter and producer who grew up in Los Angeles. But now she’s based in Northern California, and as you’ll hear in this episode, that’s significant. Sasami went to school for classical French horn. She was in the band Cherry Glazerr, and she’s had a lot of collaborations with other artists on their projects and her own. Collaboration is at the heart of the song that I talked to her about for this episode. It’s called “In Love With A Memory,” and it features Clairo on vocals, and it was co-produced with Grammy-winning producer Rostam. The song is on Sasami’s third album, Blood on the Silver Screen, which is out March 2025. Coming up, you’ll hear the original voice memos that she recorded for this song back in the fall of 2022. You’ll also hear the demo she made in Garageband after that, and then how she and Rostam turned that demo into the final version, a duet with Clairo. For more info, visit songexploder.net/sasami.

Kevin Barnes started of Montreal in 1996 in Athens, Georgia. The Sunlandic Twins came out in 2005; it was their seventh album. And I remember when that album came out, how it felt like they were suddenly everywhere. And the breakout song from that breakout album was “Wraith Pinned to the Mist and Other Games.” And so, for this episode, I spoke to Kevin Barnes about how that song came together, and what it meant to them then, and what it means to them now.  For more info, visit songexploder.net/of-montreal.

Key Change is a new conversation series within Song Exploder, where I talk to fascinating people about the music that's transformed them. My first guest is Sophie Thatcher, an actor and musician whose credits include starring in the TV show Yellowjackets, the film Heretic, and the new movie Companion. I met Sophie through Companion, because I composed the score to the film, and she contributes vocals to a few of the tracks I wrote. For this episode, we discussed how "Waltz #1" by Elliott Smith shaped Sophie's tastes and work.  For more, visit songexploder.net/keychange.  You can listen to "Waltz #1" by Elliott Smith here. 

Yola is a singer/songwriter and actress. She released her solo debut album in 2019, which was nominated for 4 Grammys, including Best New Artist and Best Americana Album, and Rolling Stone named it one of the best country albums of the year. But the thing is, Yola’s music career wasn’t new, and her background wasn’t in country music. She’s from Bristol in the UK, and starting back in the early 2000s, she was a vocalist recording tracks for DJs and electronic music producers. In January 2025, Yola put out an EP called My Way. And as you’ll hear her explain in this episode, a lot of her new music is motivated by wanting to assert her identity beyond the Americana and country music boundaries. In addition to her music, she’s also acting – she played Sister Rosetta Tharpe in the 2022 film Elvis, and she starred on Broadway in the musical Hadestown. For this episode, I talked to Yola about her song “Symphony,” along with co-writer and co-producer Sean Douglas. Yola and Sean trace the journey of the song “Symphony,” and, along with it, Yola traces her own journey, too. For more info, visit songexploder.net/yola.

Adrianne Lenker is a singer and songwriter. She’s the lead singer of the critically acclaimed and beloved band Big Thief, and her work as a solo artist is also critically acclaimed and beloved. Her most recent solo album, Bright Future, was named one of the best albums of 2024 by the New Yorker, Stereogum, and more, and it was nominated for a Grammy for Best Folk Album. It was co-produced by Adrianne and longtime collaborator Phil Weinrobe. And I talked to the two of them about the making of one of my favorite songs from it, “Sadness As a Gift.” For more, visit songexploder.net/adrianne-lenker.

Sabrina Carpenter is a singer, songwriter, and actress. She had a huge year with her album Short N Sweet, which came out in August 2024. It debuted at #1, and went platinum within a month. At the upcoming Grammys, she’s nominated for Song of the Year, Record of the Year, Album of the Year, and more. One of her big hits is “Please Please Please,” which she wrote with Amy Allen and producer Jack Antonoff. He’s won Producer of the Year at the Grammys for the last three years in a row. For this episode, I talked to Sabrina and Jack about everything that went into making “Please Please Please.”  For more, visit songexploder.net/sabrina-carpenter.

Gracie Abrams is a singer and songwriter from Los Angeles. She started putting out music in 2020, and in June 2024, she put out her second album, The Secret of Us. She was nominated for a Grammy for Best New Artist, and this year she’s up for another Grammy, for Best Duo Performance, for her collaboration with Taylor Swift. But for this episode, I talked to Gracie about her song “I Love You, I’m Sorry.” It was produced by Aaron Dessner, at Long Pond Studio in upstate New York, and it was co-written with Audrey Hobert. Coming up, you’ll hear the isolated tracks from the studio recording, but you’ll also get to hear a lot of the voice memos that Gracie recorded during the writing process. I think it’s so nice to have these raw moments documented because, as you’ll hear, they give you an insight not just into the song, but into the relationship that Gracie and her co-writer Audrey have as friends. For more, visitsongexploder.net/gracie-abrams.

Katie Crutchfield is a singer and songwriter from Birmingham, Alabama. She’s been making music under the name Waxahatchee since 2010. Her fifth album, Saint Cloud, came out this past March. Pitchfork named it Best New Music, and The Guardian called it the best album of the year so far. In this episode, Katie breaks down how she made the song “Fire." This episode was originally published July 29, 2020. For more, visit songexploder.net/waxahatchee.

Le Tigre originally formed in 1998. They released their self-titled debut album in October 1999. Spin Magazine called it one of the best albums of the past 30 years, and Pitchfork called it one of the best albums of the 90s. I listened to that album a lot when it came out, and 25 years later, I still hear songs from it everywhere, on TV and in movies, and just out in the world – especially the song “Deceptacon.” For this episode, I talked to Kathleen Hanna and Johanna Fateman from Le Tigre about how they wrote it, and how they put the track together. For more, visit songexploder.net/le-tigre.

In 1968, singer and songwriter Graham Nash joined David Crosby and Stephen Stills to form the supergroup Crosby, Stills & Nash. All of them had already been in successful bands: Graham Nash had been in The Hollies; David Crosby was in The Byrds; and Stephen Stills was in Buffalo Springfield. The next year, Neil Young joined them, to make Crosby, Stills, Nash & Young. The four of them released Deja Vu in 1970, and that album was a huge success. It sold over 8 million copies. It includes the song “Our House,” and for this episode, I spoke to Graham Nash about the making of that song, and the relationship that led to the song. For more, visit songexploder.net/crosby-stills-nash-and-young.

Pharrell Williams is—well, let me just say, he’s a big reason why Song Exploder exists. He’s a singer, songwriter and producer, and in the 90s, when I first heard the work that he was doing with the Neptunes, which was his production duo with Chad Hugo, it blew my mind. It made me want to know where those sounds came from and where those ideas came from. Pharrell has won 13 Grammys. He’s been nominated for two Oscars. He’s produced iconic songs for Kendrick Lamar, Britney Spears, Clipse, Gwen Stefani, and so many others. And on his own, he’s made songs like “Happy,” the giant hit for Despicable Me that was the best-selling song of 2014. And now, there’s a movie about his life called Piece by Piece. But it’s an animated Lego film. For this episode, I talked to Pharrell about the title song from Piece By Piece. So, coming up, you'll hear how Pharrell built that song, including a first draft that never saw the light of day. You’ll hear how he built “Piece by Piece” by programming it, on his own, with MIDI instruments, and then adding and replacing those parts with other musicians, including the high school marching band that he used to play in.  For more, visit songexploder.net/pharrell.

Jon Batiste is a pianist, songwriter, and composer from New Orleans. He’s been nominated for multiple Grammys, and just won the Golden Globe and got an Oscar nomination for the soundtrack to the Pixar film Soul, which he composed along with Trent Reznor and Atticus Ross. Jon is also a recipient of the American Jazz Museum’s Lifetime Achievement Award, and on weeknights, you can see him as the bandleader on The Late Show with Stephen Colbert. In March 2021, he put out his new album, We Are. But the title track from it actually came out much earlier, in June 2020. In this episode, Jon talks about how he drew from his roots, both at a personal level and at a cultural level, and wove all of it into the song. For more, visit songexploder.net/jon-batiste.

Troye Sivan is a singer and songwriter from Australia. He’s been nominated for a Golden Globe, two Grammys, and he’s won four of Australia’s ARIA awards. His song “My My My!” was a #1 hit on the Billboard Dance Chart, and his third album, Something to Give Each Other, was one of Billboard’s picks for the best albums of 2023. Troye’s also an actor; he was in the HBO series The Idol, which figures into the story that he tells about this song. Troye came to the studio and we talked about how he made one of his big hits, the song “One of Your Girls.” For that song, he worked with two of his longtime collaborators: his frequent songwriting partner, Leland, and producer Oscar Görres.  For more, visit songexploder.net/troye-sivan.

Beabadoobee is an award-winning singer and songwriter from England who’s been releasing music since 2017. Her third album is called This Is How Tomorrow Moves. It came out in August 2024 and went to #1 on the UK charts. She made the album with her bandmate Jacob Bugden and with producer Rick Rubin at his studio, Shangri-La, in Malibu. And for this episode, I talked to Bea about a song from that album called “Coming Home.” For more, visit songexploder.net/beabadoobee.

Remi Wolf is a singer and songwriter originally from Palo Alto, California. She’s been releasing music since 2019. She performed at Coachella in 2023, and has toured with Olivia Rodrigo, Lorde, and Paramore. Her second album, Big Ideas, came out in July 2024. I talked to Remi about how she and her collaborators wrote and produced the song “Soup.” How they used 80s gear to make 80s sounds, and how a fun anthem quickly turned into something pretty vulnerable. For more, visit songexploder.net/remi-wolf.

Sam Smith is a Grammy and Oscar-winning singer and songwriter from London, England. Their first album, In the Lonely Hour, came out in 2014. It went quintuple platinum in the US, and the biggest hit from that album is the song “Stay With Me,” which has over 2 billion streams on Spotify alone. For this episode, in honor of the song’s 10th anniversary, I talked to Sam about how “Stay With Me” was made. I also talked to Sam’s frequent collaborator, Jimmy Napes, who is an award-winning producer and songwriter as well. The two of them tell the story of how the song began, and how it turned into the hit that it became. And then, years later, how it changed again. For more, visit songexploder.net/sam-smith.

Fenne Lily is a singer and songwriter from Dorset, England. She released her first album in 2018, but I didn’t find her music until 2023, when she put out her third album, Big Picture. The album she released in between those two was one that got a little lost in the lockdown, when all her touring plans around it got canceled. All of that plays into the story she tells in this episode, about making her song “Lights Light Up” from that third album. I spoke to Fenne in front of a live audience at WBUR CitySpace in Boston. Coming up, you’ll hear how the song evolved across different versions of demos and then in the studio, where she recorded it with Grammy-nominated producer Brad Cook. For more, visit songexploder.net/fenne-lily.

Last year, Vagabon released her third album, Sorry I Haven’t Called, which I’ve been listening to a lot. So I wanted to revisit an episode that I recorded with her back in 2020, about her breakout song "Water Me Down." The episode also features the voice of Eric Littmann, who co-produced the track. He passed away in June 2021, way too young. Vagabon’s new album is dedicated to him. If you haven’t heard this episode before, I hope you like it.  When Laetitia Tamko started making the second Vagabon album, she really wanted to produce the entire thing on her own. It would be a new sound, and producing was still a relatively new skill to her, but she wanted to tackle it head on, and do it all herself. On this song, though, "Water Me Down," Laetitia actually has a co-producer, Eric Littmann. It’s the one exception to her otherwise entirely self-produced album. In this episode, she breaks down how she and Eric made the song, and why it was worth making that exception.  For more, visit songexploder.net/vagabon.

Crowded House formed in 1985 in Melbourne, Australia. They’ve released eight albums, including their most recent one, Gravity Stairs, which came out last month. But on their very first album, they had a big hit with "Don’t Dream It’s Over." Crowded House made “Don’t Dream It’s Over” with Grammy-nominated producer Mitchell Froom, who they went on to work with multiple times. For this episode, I talked to frontman Neil Finn about how the song was first written, and how it developed with his bandmates and collaborators in the studio. And we talked about the profound connection people have had with the song over the years. For more, visit songexploder.net/crowded-house.

Lizzy McAlpine released her first album in 2020, and her second album in 2022. And between the two, she’s had a lot of success. One of her songs, "Ceilings," was a viral TikTok hit, and has been streamed over half a billion times. So you might think, with all that success, you’d want to keep working in way that’s been working. But while Lizzy was making her third album, Older, after almost a year into the process of recording, she threw the whole thing out. She brought in a new band, and started over with a totally different approach. I talked to her about the song "Staying," from her new album. You’ll hear her original voice memos, as well as the first version she made in the studio, and then how it really came to life once she reimagined it. For more, visit songexploder.net/lizzy-mcalpine.

The Flaming Lips formed in Oklahoma City in 1983. Over the last four decades, they’ve put out 16 albums. In 1999, they put out their album The Soft Bulletin, and that brought them a new level of success. And then, in 2002, they followed it up with Yoshimi Battles the Pink Robots, which was their biggest album to date. Pitchfork named it one of the top 5 albums of the year, Stereogum called it one of the best albums of the decade, and they won a Grammy. And the biggest song from the album was "Do You Realize??" So, for this episode, I talked to Wayne Coyne and Steven Drozd about how that song was first imagined. You’ll hear the very first demo Wayne recorded for the song, and the demo he and Steven put together later, on their way to making the final version with producer Dave Fridmann.  For more, visit songexploder.net/the-flaming-lips.

One of the songs I keep coming back to is “Mohabbat” by Arooj Aftab. It’s really special to me. I listen to it all the time. I’ve been listening to it so often that I wanted to revisit Arooj's episode about it. In the time since the episode has come out, she has released a collaborative album with Vijay Iyer and Shahzad Ismaily called Love In Exile, which got two Grammy nominations. And she has a new album that’s about to come out on May 31st, called Night Reign. Here’s her episode:  Arooj Aftab is a singer and composer based in Brooklyn. She grew up in Saudi Arabia, but her family is from Pakistan. And earlier this year, she made history by becoming the first Pakistani artist to win a Grammy. Her song, “Mohabbat" won the Best Global Music Performance Grammy, and she was nominated for Best New Artist. "Mohabbat" was first released on her 2021 album, Vulture Prince, but it’s been a part of Arooj’s life for a long time . In this episode, she tells the story of how the song was first born, and how it lived with her and evolved over the years before she finally recorded it. For more, visit songexploder.net/arooj-aftab.

The band War formed in 1969, in Long Beach, California. “Low Rider” is from their 1975 album Why Can’t We Be Friends? The song was a hit as soon as it came out. It went to #1 on the Billboard R&B charts. And it’s just had tremendous lasting power ever since. Besides being in Dazed and Confused, where I heard it, it’s been sampled by The Beastie Boys, it was covered by Korn, and it was the theme song for all six seasons of The George Lopez Show. For this episode, I talked to War’s bandleader Lonnie Jordan, and their producer Jerry Goldstein. The two of them told me how “Low Rider” was made in the studio, through a combination of improvisation and meticulous editing. For more, visit songexploder.net/war.

Shania Twain is a singer and songwriter from Ontario, Canada. She’s the only female artist to have had three consecutive Diamond albums — albums that have sold over ten million copies. Actually, her 1997 album Come On Over is the best-selling album by a female solo artist of all time. One of the most iconic songs from that iconic album is "You’re Still The One." It was co-written and produced by Mutt Lange, who had previously produced some other classic albums, like Back in Black by AC/DC and Pyromania by Def Leppard. He had also produced Shania Twain’s previous album, The Woman in Me.  For this episode, Shania told me the story of writing “You’re Still The One.” She told me about what the song meant to her when she was making it, over 25 years ago, and what it means to her now. For more, visit songexploder.net/shania-twain.

Danny Brown started his career in 2007 by handing out mixtapes in Detroit, where he’s from. In 2011, he put out his acclaimed second album, XXX. Since then, he’s collaborated with rappers like Kendrick Lamar, A$AP Rocky and JPEGMafia, but he’s also worked with electronic bands like Purity Ring and The Avalanches, and he did a verse on a remix for Korn. When I first heard him, around when XXX came out, I was really drawn to his voice. And I also appreciated that, given how young so many artists are now when they get really famous, Danny Brown’s career really started taking off in his 30s. He put out his sixth album, Quaranta, in 2023. And for this episode, I talked to him about one of the songs from that album, called “Y.B.P.," which features guest vocals from Bruiser Wolf. For more, visit songexploder.net/danny-brown.

Rhiannon Giddens has released five solo albums since 2015. Before that, she was a member of the Grammy-winning band, the Carolina Chocolate Drops. She is now also the artistic director of the Silkroad Ensemble, the musical supergroup that Yo-Yo Ma founded. Rhiannon Giddens is one of those people where I feel like they have to start inventing new awards, because she’s already won all of them. She’s got multiple Grammys, she won the Pulitzer Prize for an opera she co-wrote called Omar, she’s a MacArthur Genius, and the new Beyonce song “Texas Hold ‘Em,” the one that features the banjo? That’s Rhiannon Giddens playing the banjo. (I guess that’s not technically an award, but it feels like one to me.) In 2023, Rhiannon released an album called You’re The One, and I talked to her about the song she wrote called "You Louisiana Man," which was nominated for a Grammy for Best American Roots Performance. For more, visit songexploder.net/rhiannon-giddens.

I wanted to revisit an episode about one of my favorite songs from 2021, “Black Dog” by Arlo Parks. A few months after this episode originally came out, Arlo Parks won the Mercury Prize for Album of the Year. She was also nominated for two Grammys: Best New Artist and Best Alternative Album. Since then, she released a new album called My Soft Machine, and she’s going to be on tour this spring. Arlo Parks is a singer and songwriter from London. In January 2021, she released her debut album, Collapsed in Sunbeams. It hit number three on the UK charts, and she won this year’s BRIT award for Breakthrough Artist. Last year, NME called her song "Black Dog" the year’s "most devastating song." In this episode, Anaïs breaks down “Black Dog," which she made with producer Gianluca Buccellati. For more, visit songexploder.net/arlo-parks.

Green Day is a punk band from the East Bay in California. Billie Joe Armstrong, Mike Dirnt and Tré Cool have been playing music together since 1987. They’ve sold over 90 million records. They’ve won four Grammys, including twice for Best Rock Album. They put out their first album in 1990, and their second album, Kerplunk!, in 1991. And then, they moved to a major label and in 1994 they put out their third album, Dookie, which was huge. It helped bring punk into the mainstream. And this month is its 30th anniversary. So for this episode, I talked to Billie Joe Armstrong about the making of one of Green Day’s biggest hits of all time: “Basket Case." Coming up, you’ll also hear from Rob Cavallo, who produced the album. Plus, you’ll hear two different demo versions of “Basket Case,” the first of which is basically a totally different song. Billie Joe Amstrong traces the history of “Basket Case,” from its origins as a cassette recording in a punk basement, all the way to becoming a song that helped define an era of music. For more, visit songexploder.net/green-day.

The first episode of Song Exploder, about The Postal Service song "The District Sleeps Alone Tonight," came out 10 years ago, in January 2014. To celebrate the 10th anniversary of the podcast, we're doing what bands do, and putting out a deluxe, expanded edition of our very first release: this version features a new interview, new insights, and new pieces of the song and demo. The Postal Service formed in 2001. Their debut album came out in 2003, and it was a game changer. Their combination of electronic music and indie rock not only sold over a million copies; their songs were everywhere on TV and in film, and influenced a generation of artists. Last year, they played sold-out concerts across the US in celebration of the 20th anniversary of the album, and there are more shows to come in 2024. A few weeks ago, I spoke to Ben Gibbard, and I combined that with my original interview from 2013 with Jimmy Tamborello. And here, together, the two of them tell the story of how they made their song “The District Sleeps Alone Tonight.” For more, visit songexploder.net/postal-service-deluxe.

For the last episode of the year, I got the chance to drive up to Northridge, California, and have a conversation with Dave Grohl. We talked about the Foo Fighters song “The Teacher,” which is an epic, 10-minute-long song. Dave told me it’s the most important piece of music he’s ever written, because it’s dedicated to his mother, Virginia, who passed away in 2022. Dave Grohl started Foo Fighters in 1994, after Nirvana ended. This year, Foo Fighters set a record for having the most Top 10 hits on the Billboard Mainstream Rock charts. They’ve won 15 Grammy awards, including winning the Grammy for Best Rock album five times — more than anyone else. “The Teacher” is from their 11th album, But Here We Are, which came out in June 2023. I sat with Dave in the Foo Fighters practice space, and he told me the whole story of the song. Coming up, you’ll hear the two voice memos he originally recorded on acoustic guitar, plus the two demos he made on his way to figuring the song out. For more, visit songexploder.net/foo-fighters.

Raye is a singer, songwriter and producer from London. Besides being an artist in her own right, she’s also been a songwriter for other artists since she was a teenager. She’s co-written songs for Beyoncé, Charli XCX, and Ellie Goulding. In 2023, she released her debut album, My 21st Century Blues. The first single, “Escapism," became her first song to hit #1 in the UK. It’s gone platinum in the US, the UK, and seven other countries. It features guest vocals from 070 Shake. When she was here in LA on tour, I talked to Raye about how she made “Escapism.” For more, visit songexploder.net/raye.

Sampha is a singer, songwriter and producer from London. His first album, Process, won the Mercury Prize in 2017. He’s collaborated with artists like the XX, Kendrick Lamar, Drake, and Solange. If you saw the Song Exploder Netflix show, Sampha was in the Alicia Keys episode, for the song they did together as a duet. This year, in October 2023, Sampha put out his second album, Lahai. And for this episode, I talked to Sampha about the song “Spirit 2.0.” Coming up you’ll hear the original demo, and some early voice memos. Sampha recruited some collaborators for the song, like producer Pablo Diez-Reixa, aka El Guincho, who won a Grammy for his work on Rosalia’s first album; plus Yaeji; and Lisa Kaindé, from Ibeyi. But the song “Spirit 2.0” first took shape when Sampha was by himself, at home. For more, visit songexploder.net/sampha.

I think one of the hardest things there is to do in music is to write a love song that expresses something real. I read that the song "Liar" by Paramore was written by Hayley Williams, the singer of the band, about her longtime bandmate Taylor York, and about the feelings she started to realize she’d had for him. Paramore has been a band for over 20 years, since Hayley and Taylor and Zac Farro, who plays drums, were all young teenagers. Paramore’s won a Grammy for Best Rock Song, and they have multiple platinum albums. But with all that history, Taylor and Hayley only recently became a couple. "Liar" is a song off of their most recent album, This Is Why, which came out in February 2023. So I talked to Hayley, Taylor and Zac in their studio about how their song first came about and what it means to them. For more, visit songexploder.net/paramore.

Kesha is a singer and songwriter from Los Angeles. She put out her first song in 2009, and it was a huge #1 hit in the US and 13 other countries. She’s had 10 top-ten singles on the Billboard charts, and sold millions of albums.  She got famous for songs that were about partying, and breaking the rules, and having fun. But this year, in May 2023, she put out the album Gag Order, which is a lot more raw and vulnerable. She made it with superstar producer Rick Rubin. And for this episode, I talked to Kesha about her song “Eat the Acid," which she wrote early on in the pandemic. I was really interested in the intense, distorted vocal sound that I’d heard in the track; and, as you’ll hear, it turns out most of that was a byproduct of the way she had to write and record when we were all in lockdown. For more, visitsongexploder.net/kesha.

Alvvays is from Toronto. Their first album came out in 2014, and they’ve put out two other albums since then. In Canada, they’ve won the Juno Award for Alternative Album of the Year, and all three of their albums have been shortlisted for the Polaris Music Prize. Their first song was also one of their biggest hits. It’s called "Archie, Marry Me." Rolling Stone and Stereogum named it one of the best songs of the last decade. So for this episode, I talked about it with Molly Rankin and Alec O’Hanley from the band. The two of them are pretty quiet about their relationship other than being bandmates, but they told me a lot about the song, which I would count nowadays as an indie rock classic. For more, visit songexploder.net/alvvays.

Laufey is a singer and songwriter originally from Iceland. She studied piano and cello as a kid. When she was 15, she was a guest soloist with the Iceland Symphony Orchestra. She went to Berklee College of Music in Boston, and that’s when she started writing songs. While she was still a student, she had a number one hit on Icelandic radio. Her first album debuted at number one on Billboard’s Alternative New Artist chart. Laufey was Spotify’s most streamed jazz artist of 2022. Her second album, Bewitched, came out in September 2023. And her new album just broke Spotify’s record for the most streams of a jazz album in a single day. And for this episode, I talked to Laufey about the breakout hit from that new album: a song called “From The Start." For more, visit songexploder.net/laufey.

This summer, in June 2023, Janelle Monáe put out her fourth album, The Age of Pleasure. Listening to it made me want to revisit her Song Exploder episode, from 2018. One thing on Song Exploder that I personally love is when we get to hear an artist’s raw voice memo, from the moment when they’re first coming up with a song idea. This episode has one of my all-time favorites. Janelle Monáe is an award-winning musician and actress who released her first record in 2007. She’s been nominated for multiple Grammys, and she starred in the Oscar films Moonlight and Hidden Figures. In April 2018, she released her third album, Dirty Computer, which includes this song, “So Afraid.” In this episode, Janelle Monáe takes “So Afraid” apart, to explain how she built it, step by step—beginning with a trip to the dentist. For more, visitsongexploder.net/janelle-monae.

The "Skip Intro" button first got introduced to us through Netflix in 2017, and, I know, a lot of people use it – including me. But, if I can get into old-man, back-in-my-day mode for a second, I have so much fondness for the opening theme music for so many shows. It’s a chance to set the mood for everything that you’re about to see. One of the intros that I never skip is the animated opening title sequence for Only Murders in the Building, which is a Hulu show that debuted in August 2021, and now is in its third season. It was created by Steve Martin and John Hoffman, and it stars Steve Martin, Martin Short, and Selena Gomez. The three of them play neighbors who live in the same building in New York, and they’re all obsessed with the same true crime podcast. And then when someone in their building gets murdered, they decide to start their own true crime podcast, and try and solve the mystery of who the killer is. For this episode, I talked to the show’s composer, Siddhartha Khosla, about the show’s theme music. Coming up, you’ll hear a voice memo that Siddhartha recorded before he’d even heard about the show, which then led to a demo that you’ll hear, and eventually, the final theme. For more, visitsongexploder.net/only-murders-in-the-building.

It can be hard to be in a band, or really, in any kind of group where there’s creative collaboration, and you’re supposed to act like it's a democracy. Because what do you do with an idea that you love, if nobody else believes in it? That question is a big part of this episode with Local Natives. Local Natives is a band from Southern California. Their first album came out in 2009, but the three vocalists and songwriters in the band, Taylor Rice, Kelcey Ayer, and Ryan Hahn – they’ve been playing together since they were in high school. The lineup also includes Matthew Frazier on drums and Nik Ewing on bass. They’ve put out five albums, including their most recent, Time Will Wait For No One, which came out in July 2023. But for this episode, I talked to Taylor, Kelcey, and Ryan about an older song of theirs: “Dark Days,” which came out in 2016. It’s their biggest song to date; it has over 100 million streams, and it's been certified gold.  It’s a duet with Swedish singer Nina Persson, from The Cardigans. In  2020, they put out a new version of the song, featuring Amelia Meath from the band Sylvan Esso. I talked to the guys here in the studio, and to Amelia Meath remotely. And together, they told me the seven-year story of how “Dark Days,” was first made and then eventually remade. For more, visit songexploder.net/local-natives.

Bakar is a singer and songwriter from London. In 2018 he put out his first release, Badkid. A year later, he put out the EP, Will You Be My Yellow?, and this September, he’s releasing his second full-length album, Halo. One of Bakar’s tracks from the EP and the upcoming album is a song called "Hell N Back," which went platinum, and hit number one on Billboard’s Triple A Charts. For this episode, Bakar told me how he wrote "Hell N Back," and all the unexpected twists and turns it took before it became a hit. For more, visit songexploder.net/bakar.

Natalie Merchant is an award-winning singer and songwriter from upstate New York. She was the lead singer of the band 10,000 Maniacs until she left in 1993. And then, as a solo artist, she’s put out nine albums over the last 30 years. Between 10,000 Maniacs and her solo work, she’s had multiple multi-platinum records. In April 2023, Natalie put out her first album of new songs in nine years. It’s called Keep Your Courage. And for this episode, she talked to me about the song “Sister Tilly." It’s a eulogy for a fictional character – a woman who represents the generation of women who influenced her. Women who were activists in the 1960s and 70s, when she was growing up. For more, visit songexploder.net/natalie-merchant.

Julien Baker is from Memphis, Tennessee. She released her second album, Turn Out The Lights, in October 2017, on Matador Records. The New York Times called her music "devastating" and Pitchfork gave the album Best New Music. In this episode, Julien tells the story of her song "Appointments," and how writing it helped her work through her thoughts around addiction, depression, and relationships. Julien also takes apart the track “Over,” which was written as part of “Appointments,” but then split off as a separate track. For more, visit songexploder.net/julien-baker.

Feist is a singer/songwriter from Canada. She put out her first solo album in 1999. She’s won 11 Juno awards, including two for Artist of the Year, and she has four Grammy nominations. She’s also been a member of the band Broken Social Scene since 2001. In April 2023, Feist put out her sixth album, Multitudes. And for this episode, I talked to her about how she made the opening song from that album, called “In Lightning.” For more, visit songexploder.net/feist.