The Daily

Warning: This episode contains strong language. Last spring, the political picture for Senator Chuck Schumer, the minority leader, was downright bleak. President Trump was back in the White House. Schumer’s Democratic caucus was largely powerless to stop him. And restless Democratic activists were calling for Schumer to resign. Fast forward to this week. Democrats have roared back to power in both the Senate, where the party flipped seven Republican seats, and the House. And now Schumer, who personally recruited several of the winning candidates, is poised to become the next Senate majority leader with an unambiguous goal: reining in Trump. On Thursday afternoon, I visited Schumer’s office in the U.S. Capitol to talk about all of that during a 45-minute interview. In between profanity-laced descriptions of the president, Schumer laid out his plans for Senate Democrats over the next two years, including investigations into the Trump administration and legislation seeking to lower Americans’ cost of living.

The midterm elections were an electoral tsunami for Democrats: a complete collapse of the Republican coalition and a landslide victory. Nate Cohn, the chief political analyst for The New York Times, examines the results to figure out which voters showed up, which stayed home and how much billions in campaign spending mattered.

The party clinched the House and the Senate in the midterm elections, giving Democrats a powerful platform to counter President Trump.

Ben Ratliff, a music critic and avid runner, always ran in silence. Then he discovered how music opened up to him — while running. It changed his entire approach to criticism and listening. He calls it “running the song.” Today, for the New York City Marathon, Ben talks with our host Rachel Abrams about how his listening sharpens when he runs to music. Then, he goes through highlights from his five-hour New York City Marathon playlist, which is designed to complement a run through the five boroughs, featuring various styles of music connected to the places on the route.

The writer-director, known for his dark and bleak work, believes in film’s power to change our lives.

Americans are expected to spend a record $13.5 billion on Halloween this year, according to the National Retail Federation. That includes costumes, decorations and lots of candy. In this episode of “The Sunday Daily,” our host Rachel Abrams talks about these three tent poles of the Halloween season with reporters from across the Times newsroom. Kim Severson, who covers food, tells us about the sour, peelable and texture-confused candy edging out longtime chocolate favorites. Louis Lucero II, an editor for style coverage, predicts the most popular costumes of the year. And Callie Holtermann, a reporter who covers style and pop culture, discusses the enduring joy of “Skelly,” the 12-foot-tall Home Depot skeleton with a cult following.

The comedian Nathan Fielder came to fame as the creator and host of the Comedy Central series “Nathan for You.” The show followed Fielder as he devised outrageous schemes, ostensibly with the aim of helping various small businesses. What became clear, though, was that Fielder was less interested in helping business owners generate profits than he was in understanding the people ensnared in his plots. His next project, the HBO series “The Rehearsal,” was a similar offbeat portrait of offbeat people. At the center of both projects is Fielder himself, a documentarian whose motives can sometimes be hard to parse. This week, Fielder’s first feature-length documentary, “You Can See Everything,” hits theaters. Co-directed by Lance Oppenheim, the movie shows Fielder embedding himself into the life of the disgraced Theranos founder and felon Elizabeth Holmes in the days leading up to her imprisonment for fraud. The film caused a big splash when it debuted at the Telluride Film Festival, in part because it presents Holmes, a mysterious and compelling cultural figure, through the eyes of Fielder, a mysterious and compelling filmmaker. This week, the Times movie critic Alissa Wilkinson and critic at large Jason Zinoman, who covers comedy, join Michael Barbaro for a spoiler-free discussion of Nathan Fielder, his career, and why he might be the perfect person to tell the story of Elizabeth Holmes.

A dramatic pop music comeback story is underway: Celine Dion is performing again. In 2022, Dion, the renowned Canadian singer, announced that she had stiff person syndrome, a rare and incurable neurological disorder that causes painful muscle spasms and affects roughly one in a million people. The announcement came as a shock to her fans, and in a raw and revealing documentary released in 2024, “I Am: Celine Dion," she shared her struggle to overcome her condition, and sing again. But Dion worked her way back to performing, and is now appearing in a run of sold out shows in Paris. The culture reporter Elisabeth Vincentelli was there on opening night, and in this episode of “The Sunday Daily,” she talks with our host Natalie Kitroeff about the remarkable comeback of Celine Dion.

If you dine out regularly, you might have noticed some changes in restaurants over the past few years. Perhaps you’ve found yourself ordering at a counter, scanning a QR code to see the menu, or eating … a lot more soft serve. These changes aren’t just trends. Brett Anderson, a New York Times food reporter, says they are restaurant owners’ desperate attempts to stay afloat in an industry in crisis. According to a report from the National Restaurant Association, 42 percent of restaurant owners said they weren’t profitable in 2025. Many of them were at serious risk of closing. In this episode of “The Sunday Daily,” Brett talks with our host Michael Barbaro about the economic realities that are forcing businesses to rethink the entire concept of a restaurant, including a radical experiment at one Minneapolis diner that stopped charging for food entirely.

The turn of the century was the beginning of a new era in television: prestige TV for the masses. Today, television is where big stars and innovative creators go to marshal sizable budgets and tell meaningful stories. Over recent months, our colleagues at The New York Times ran a survey, asking industry insiders — on-screen talent, writers, directors, producers, executives and others — to pick their top 10 television series of the last 26 years. We compiled their responses into a list, published this week, of the best TV of the 21st century. In this episode of “The Sunday Daily,” The Times’s canon editor, Gilbert Cruz, and our chief TV critic, James Poniewozik, talk with our host Natalie Kitroeff about what made the list, and what didn’t.

For the first time in centuries, the Bayeux Tapestry — a nearly 1,000-year-old piece of embroidery that depicts the invasion of England by William the Conqueror in 1066 — is on display in Britain. It was long said by art experts to be too fragile to move. But in a development that required geopolitical persuasion, this summer the tapestry made its way from Bayeux, France, to the British Museum in London. When the first block of tickets went on sale, the British Museum said, over 80,000 people at a time waited online to buy them. In this episode of the “Sunday Daily,” Alex Marshall, a culture reporter for The New York Times, talks with host Michael Barbaro about why this ancient piece of embroidery matters so much to the British public.

When it comes to movies we love, there are the artistic masterpieces and there are the foot-stomping crowd pleasers. But there’s another particular kind of beloved movie, the one that makes our friends groan, but that we rewatch incessantly; the one that we can quote line for line, even as we giggle at the actors’ performances; the one that we’d say is great, but that we might not say is good. These are the kinds of movies that Maya Salam, a pop culture writer at The New York Times, covers in her monthly column, The Good-Bad. This episode is a celebration of good-bad movies, timed to the release of “Practical Magic 2,” the long-awaited sequel to the 1998 cult film that Salam called “a bubbling cauldron of plot holes and tones.” Our host Rachel Abrams talks to Salam about the joys of loving a movie despite (or because of) its flaws. Then, they’re joined by The Times’s canon editor, Gilbert Cruz, and Taffy Brodesser-Akner, a Times Magazine writer, to discuss the best of good-bad cinema.

This week marks the start of the Gustavo Dudamel era in New York. The superstar conductor was just 28 when he became the musical director of the Los Angeles Philharmonic in 2009. A native of Venezuela and a product of its El Sistema musical training program, Dudamel quickly established himself not just as a great conductor, but also as a cultural force of nature. In his time in Los Angeles, he expanded the Philharmonic’s repertoire, created a successful youth outreach program, won prestigious awards and ingratiated himself with Hollywood elite. Now, after 17 years in Los Angeles, Dudamel is taking the helm at one of the world’s most famous and storied orchestras: the New York Philharmonic. It’s a job once held by Leonard Bernstein, and Dudamel is hoping to follow in Bernstein’s footsteps to make the Philharmonic and the music that it plays a bigger part of the pop culture landscape. On today’s episode, Joshua Barone, who covers classical music for The Times, discusses Dudamel, what he’s accomplished and the high hopes for his tenure with the New York Philharmonic.

The U.S. Open, the final tournament of the tennis season, is getting underway. The world’s best players are heading to the U.S.T.A. Billie Jean King National Tennis Center in Queens, N.Y., to battle it out for the chance to play a championship match at Arthur Ashe Stadium, the largest tennis arena in the world. The players come freighted with great expectations, previous victories and defeats, aches and pains, personal dramas and professional rivalries, all of which they will carry with them out on the court when they play. Tennis is a game that exposes a lot about its players, which is one of the things that makes it so beloved around the world. In this episode of the “Sunday Daily,” the host Natalie Kitroeff talks with Matthew Futterman, a senior tennis writer for The Athletic and the author of “The Cruelest Game: Chasing Greatness in Professional Tennis,” about this year’s crop of players. They’ll dig into the biggest rivalries and dramas brewing in the tournament ahead.

Jesse and Emily Cole created the Savannah Bananas with a simple mission in mind: to make baseball as entertaining as possible. They introduced some innovations to America’s pastime, including twerking umpires, stilt-walking pitchers and TikTok-ready choreographed dance numbers. They tinkered with the rules of baseball, making a game that was shorter and faster, with plenty of opportunities for fan engagement. The result? A sports sensation. In the 10 years since its founding, the team has become one of the most popular sports organizations in the world, reaching tens of millions of fans online, with a waiting list of millions of others hoping to see a game in person. For many, the Bananas are the ultimate sports success story, one that shows a path forward for teams and leagues concerned about fan retention in an era of shortened attention spans and endless entertainment options. But others take a less rosy view of the Bananas and their hyper-energetic brand of baseball, seeing them as an existential threat to a game that fans have loved for more than a hundred years. On today’s show, our host Natalie Kitroeff talks with Jonathan Abrams, a Times reporter who covers culture news, about the Bananas phenomenon, and then heads to a Banana Ball game to see things for herself.

The New York Times Book Review recently released its list of the 50 best thrillers of the 21st century. To put it together, the team asked almost 300 authors and other experts to vote for the best heart-thumping, page-turning, white knuckle reads published since 2000. In this episode of “The Sunday Daily,” Natalie Kitroeff talks with the Times thrillers columnist, Sarah Lyall, about how the list came together. Then, Natalie speaks with one of the greatest thriller writers of this century — with four books featured on the list — the author Tana French.

“Traditional” French parenting is built on a foundation of firm boundaries, strictness and punishment for misbehavior. Within these rules, children are also allowed freedom and autonomy, which some say results in both well-behaved children and stress-free parents. In recent years, though, American-style “gentle” or “positive” parenting has gained a toehold in the country, unsettling decades of orthodoxy about the best way to raise a French child. It has prompted a fierce debate, with both sides accusing the other of being harmful. In today’s episode, Madeleine Schwartz, a journalist who lives in Paris, talks with Michael Barbaro about the dispute over parenting styles in France and what it says about the eternal search for the “right” way to raise children.

For decades, the kitchen was the centerpiece of Yewande Komolafe’s life. She spent long hours there, first as a restaurant cook and later as a recipe developer. But though she loved the often-intense culinary world, she had to navigate it with certain limitations: She was born with sickle cell disease, an inherited blood disorder, which required her to carefully manage her working life. She did so successfully, becoming a celebrated cookbook author and food writer for The Times. A medical crisis in December 2023 changed all of that. Komolafe ended up in a coma for six weeks, and after emerging learned that both her legs and her fingers would need to be amputated. In this episode of “The Sunday Daily,” Komolafe tells Rachel Abrams about what happened and how, after everything, she made her way back into the kitchen.

When Times reporter Ellen Barry’s father developed dementia after a fall, her family spent years trying to manage his erratic behavior and confusion. They struggled to convince him that he was home, he was safe, and he shouldn’t try to leave. The experience was exasperating and impossible to understand. Today, Ellen tells the story of those years, and of how she discovered scientific research that helped explain everything her family had lived through — research that could potentially help to save precious memories from being lost forever.

After a month of competition across North America and 103 matches, the 2026 World Cup is down to its final game. Spain and Argentina will meet this afternoon in a match expected to draw over one billion viewers around the world. Spain is hoping its well-oiled machine and young star can bring it its second World Cup win. Argentina is looking to Lionel Messi, its longtime star, to secure victory in what could be his last game at the World Cup. On today’s episode, Tariq Panja traces the road to this historic final and explains what to know before kickoff.

This Friday, “The Odyssey,” directed by Christopher Nolan, hits theaters. Even before the movie’s release, though, it’s proving to be a cultural event. Spirited discussions of Nolan’s cinematic interpretation of the epic poem already abound online, and they are likely to intensify after the public sees the film. Why does a 12,000-line poem that is nearly 3,000 years old still feel resonant today? In this episode of “The Sunday Daily,” Natalie Kitroeff talks about the “Odyssey” with two writers who have produced some critically acclaimed and widely read modern interpretations of Greek classics: Emily Wilson, the first woman to translate the “Odyssey” from ancient Greek, and Madeline Miller, the author of the best-selling novels “Circe” and “Song of Achilles.”

In celebration of the United States of America’s 250th birthday, we posed a simple question to some of our favorite critics, columnists and editors across the New York Times newsroom, people who write about books, movies, TV shows, science, sports, wellness and food. We asked: What’s the most American thing on your beat? On today’s episode, we present their answers. Happy Birthday, America!

In 1992, David Wood became El Paso’s most notorious convicted serial killer. He has been on death row ever since. More than 30 years later, his lawyers have just a few months to argue his innocence and stop his execution.

The writer Tom Junod has spent a career crafting profiles for men’s magazines like GQ and Esquire, often of famously complicated men like Norman Mailer, Kevin Spacey and Tony Curtis. But another man loomed behind Junod’s interest in these figures, informing his own sense of masculinity and manhood: his father, Lou. Lou Junod was handsome, charismatic — a man who seemed like a celebrity, even though he wasn’t famous. He was also mysterious, a keeper of secrets that have continued to reverberate through his son’s life. On today’s episode, Michael Barbaro talks with Junod about his new book, “In the Days of My Youth I Was Told What It Means to Be a Man,” which is part memoir and part detective story, as well as a powerful meditation on fatherhood.

Almost 50 years ago, Steven Spielberg directed “Close Encounters of the Third Kind,” the story of an average man who discovers that humanity may not be alone in the universe. Over the decades, Spielberg has directed several movies about what would happen if humanity made contact with aliens. Would the aliens be kind like the title character in “E.T. the Extra Terrestrial”? Would they be cruel like the murderous aliens of “War of the Worlds”? And regardless of what the aliens were like, would we humans be ready to receive them? Spielberg returns to the question of whether we’re alone in the universe, and what it might mean if we’re not, with his new film “Disclosure Day.” Today, he sits down with Rachel Abrams, a host of “The Daily,” to talk about the film, and about what he has learned over five decades of making movies about aliens.

The 2026 World Cup is about to descend on North America — spread across three countries, with 48 teams, and 104 games, and with billions of fans across the globe tuning in to watch the biggest sporting event on the planet. Today, Tariq Panja, global soccer correspondent for The New York Times, breaks down everything you need to know about this year’s tournament — the arrival of historic first-timers, like Curaçao, the aging legends like Lionel Messi and Cristiano Ronaldo, who are making their final appearances, and the eye-watering ticket prices that are driving fans to financial extremes just to book a seat.

Olivia Rodrigo sat down with Joe and Jon for her first in-depth conversation about her new album, “you seem pretty sad for a girl so in love,” out June 12. She discussed the many ways her creative process intersects with the extracurricular noise of pop superstardom, whether its managing relationship drama, being targeted for the way she dresses; accusations of pilfering songwriting gestures from Taylor Swift, her onetime idol, or her willingness to speak up about political and social causes in a way many of her peers won’t.

Andy Isaacson is a writer and photographer. His work for The Times has taken him to every corner of the world, and he has transmitted what he’s experienced through his images. But recently, Isaacson took a trip unlike any he’d taken before. Not because of where he traveled, but because of how he traveled. Paired with a set of unlikely travel companions, he put down his camera and experienced the word through touch, smell and sound. On today’s episode of “The Sunday Daily,” Isaacson talks with Host Michael Barbaro about a trip that forever changed the way he travels.

For Mother’s Day, we asked you about your “Mom mantras”: the oft-repeated mottos or go-to expressions that your moms have said over the years. In partnership with the Well desk, we received thousands of submissions, full of sayings that ranged from wise to funny to profound. In today’s episode of “The Sunday Daily,” we feature your “Mom mantras,” and the host Rachel Abrams calls her mother to ask about hers.

Roughly a year ago, a team at The New York Times Magazine set about tackling a nearly impossible task: creating a list of the greatest living American songwriters. But how to take the tens of thousands of songwriters working in this country and narrow them down to a digestible list? The answer involved thousands of voting ballots, hundreds of music industry insiders and a series of closed-door meetings among a small group of music experts. The result, The Times’s list of the 30 greatest living American songwriters, was published this week. Today, Michael Barbaro talks with Sasha Weiss, a deputy editor of The Times Magazine, who oversaw the project, as well as Joe Coscarelli and Jody Rosen, two members of the cadre of critics assigned with compiling the final list. They discuss the list-making process, what defines a great songwriter and why Billy Joel didn’t make the final cut. We also hear from some of the songwriters featured on the list, including Taylor Swift, Nile Rodgers and the songwriting team of Brandy Clark, Shane McAnally and Josh Osborne.

With war, political wrangling and price hikes jockeying for headlines, it’s a rare thing to sit for an hour with a large group of strangers and focus on the small pleasures in life. But that’s what the show “Every Brilliant Thing” is all about. Since 2013, Duncan Macmillan’s audience-participation-heavy play has been performed in dozens of languages in hundreds of locations across the globe. It revolves around a central character who writes a list of all the good things in life for a depressed parent. And while it tackles dark subject matter — including frequent mentions of a loved one’s suicide — it may be one of the funniest shows about depression, ever. In this episode of “The Sunday Daily,” Michael Barbaro talks with Daniel Radcliffe, who currently stars in a Broadway production of the show, and Mariska Hargitay, who will step into the role in a few weeks. We’ll also hear from the playwright and several other actors who have performed the play on stages, in living rooms, on basketball courts and aircraft carriers all over the world.

The reality show “Love on the Spectrum” — which just released its fourth season — has become a big hit; it’s currently one of the most watched shows on Netflix in the United States. The show follows autistic adults as they search for love. “Love on the Spectrum” is unlike much of reality television — a genre known to subject its cast members to drama and humiliation for entertainment’s sake. Instead, the show captures a dating world that has more heartwarming moments than histrionics, and is sensitive and nuanced in its portrayal of neurodivergent people. On today’s episode of “The Sunday Daily,” Rachel Abrams talks with Anna Peele, a contributing writer for The New York Times, about the show’s origin story and why it has resonated with so many people.

The first time Robert Draper heard about the psychedelic drug ibogaine, it was from an unlikely source: the retired U.S. senator Kyrsten Sinema. As a political reporter for The New York Times, Draper often talks to figures like Ms. Sinema. But on this occasion, he said, she wanted to tell him about how she had tried ibogaine, which is illegal in the United States. She’d become such a believer in the drug that she was pushing her home state of Arizona to fund clinical trials for veterans with combat-related trauma. Draper found that Ms. Sinema wasn’t the only politician to take up the cause. Rick Perry, the former Texas governor, Republican presidential candidate and Trump energy secretary, has also advocated for research into ibogaine in recent years and taken the drug himself. In 2025, because of Mr. Perry’s efforts, Texas became the first state to dedicate public funds to ibogaine research with veterans. Recent studies of ibogaine at Stanford University and elsewhere suggest that it might prove effective in treating post-traumatic stress disorder, traumatic brain injuries, addiction and a range of other conditions. As Draper reported on ibogaine’s transformative effects on others, he wondered: Could it help him, too? Today, on “The Sunday Daily,” Natalie Kitroeff talks to Robert Draper about what drew him to travel to Mexico to try ibogaine, and how his trip changed his life.

Lise Davidsen is one of the greatest opera singers of our time — a soprano with a voice so rare, critics reach back a century for comparison. This spring, she has been starring in a sold-out new production of Wagner’s “Tristan und Isolde” at the Metropolitan Opera. But she’s also at a crossroads: Her first performance as “Isolde” on the Met stage came just nine months after giving birth to twins. Today on The Sunday Daily, Natalie Kitroeff talks with the Times writer Zachary Woolfe about his recent conversation with Davidsen, and the unexpected emotional weight she felt while returning to the stage as a new mother. They discuss how a production centered on birth, death and renewal gave Davidsen a way to work through this seismic shift in her life, all while tackling the role of a lifetime.

“Love Story,” the FX limited series about John F. Kennedy Jr. and Carolyn Bessette’s relationship, has taken audiences by storm. Its unstoppable wave of ’90s nostalgia has swept through the world of fashion, revitalized iconic New York landmarks and set off a yearning for simpler days before smartphones and dating apps. The series has also drawn significant backlash, with criticism ranging from bad reviews to accusations of inaccuracy and even harm. Today, Rachel Abrams talks to Alexandra Jacobs, a critic for The New York Times Book Review, about why America can’t seem to look away from “Love Story.”

If you’ve spent any time on social media recently, you’ve probably come across a video of a young, square-jawed influencer calling himself Clavicular. He has become the face of an internet subculture called looksmaxxing, in which men do almost anything — like taking steroids and hormones or bashing their jaws with a hammer — to try to become more handsome. In this episode, Natalie Kitroeff talks with reporter Joseph Bernstein about the world of looksmaxxing and how what might seem like a fringe phenomenon is actually the culmination of a digital culture that rewards physical perfection with status and algorithmic power.

For 12 years, Pete Wells had his dream job: working as the chief restaurant critic for The New York Times. The job’s journalistic mission required Wells to eat out most nights and taste nearly everything on any given restaurant’s menu. He didn’t realize it at the time, but the excessive eating had taken a toll on his body. Then came a health crisis, followed by his doctor’s advice to “stop doing what you’re doing right now.” In 2024, Wells gave up his post as restaurant critic and set out to remake his entire relationship with food. On today’s episode, Michael Barbaro speaks with Wells about the realities of life as a restaurant critic, and what he’s learning about the joys of home cooking, mindful eating and grocery shopping for the diet he intends to follow.

Today on “The Sunday Daily,” The Times’s chief movie critic, Manohla Dargis, talks with the “Daily” host Michael Barbaro about this year’s batch of Oscar nominees, which — according to her — are uncommonly good. They discuss the performances that Dargis believes deserve to win, the dark horses that might pull off upsets, and the ambitious films that give her hope for Hollywood’s future.

In 2012, Tinder revolutionized dating apps with its swipe feature. With the flick of a finger, singles could accept or reject a potential mate. While this innovation has worked for many, some have grown weary of the simple swipe, and long for a more nuanced way to find love. Today on “The Sunday Daily,” Rachel Abrams examines two dating tends on the rise: in-person mixers that are far from old-fashioned, and emerging A.I. technology that promises singles a ‘soul’ match. Rachel speaks with The New York Times’s dating columnist Gina Cherelus; Luke Vander Ploeg, a producer on the “Daily”; and Amanda Hess, a writer at large at The Times.

In this episode of “The Sunday Daily,” the host Rachel Abrams is joined by her New York Times colleagues Motoko Rich, Shawna Richer and Juliet Macur, who are all covering this year’s Olympic Games. They discuss how the geopolitical climate may or may not be influencing the competition, and talk about some of the extraordinary athletes who are pushing the limits of physical achievements.

At the Grammy Awards tonight, the Puerto Rican pop sensation Bad Bunny is the first Spanish-language artist to be nominated for album, record and song of the year simultaneously. For most artists, this would be the high point of their year, if not their career. For Bad Bunny, this is just an appetizer for what’s in store for him next week. Next Sunday, he will headline the Super Bowl halftime show. His performance comes in the middle of a nationwide crackdown on immigration — an issue he’s been vocal about — and follows a backlash against the N.F.L. for booking him in the first place. Jon Caramanica and Joe Coscarelli, the hosts of The Times’s pop music show “Popcast,” discuss Bad Bunny’s rise to the heights of pop stardom, and explore what it means for a Puerto Rican artist to headline the world’s biggest stage.

Pop culture has not been kind to the Neanderthal. In books, movies and even TV commercials, the species is portrayed as rough and mindless, a brutish type that was rightly supplanted by our Homo sapiens ancestors. But even 40,000 years after the last Neanderthals walked the earth, we continue to make discoveries that challenge that portrayal. New research suggests Neanderthals might have been less primitive — and a lot more like modern humans — than we might have thought. The Times science reporters Carl Zimmer and Franz Lidz discuss recent discoveries about Neanderthals, and what those discoveries can tell us about the origins of humanity.

There’s a lot of anxiety about artificial intelligence invading Hollywood; the general mood there right now could be called “doom and gloom.” But speculation about a future where A.I. actors perform A.I. scripts in A.I.-generated movies often obscures the role A.I. is currently playing in the industry. In this episode, the host Michael Barbaro talks with the Hollywood reporter Brooks Barnes and the movie critic Alissa Wilkinson about the ways that A.I. is already showing up in our movies and television today, and how they see it contributing to — and complicating — the future.

As 2025 comes to an end, The Sunday Special is looking back on the year in culture. This week, on our final episode of the podcast, we’re talking about movies. The potential acquisition of Warner Brothers by Netflix has dominated entertainment news in recent weeks, but the year in movies has been about a lot more than corporate mergers. Alissa Wilkinson, a movie critic for The New York Times, and Nicole Sperling, a culture reporter based in Los Angeles, join Gilbert Cruz to talk about what really matters: the movies we loved this year. Movies discussed in this episode include: “One Battle After Another” “Sinners” “A Minecraft Movie” “Superman” “Weapons” “Wicked: For Good” “Zootopia 2” “Avatar: Fire and Ash” “Marty Supreme” “It Was Just an Accident” “The Testament of Ann Lee” “Come and See Me In the Good Light” “Mission: Impossible — The Final Reckoning”

In these final weeks of 2025, The Sunday Special is looking back at the year in culture. Today, we’re talking about the TV we watched this year — the best shows, the most popular ones and the ones that allowed us to just enjoyably veg out. Gilbert Cruz talks with the TV critic James Poniewozik and the culture reporter Alexis Soloski about the year in television. TV shows discussed in this episode: “Severance” “Common Side Effects” “Too Much” “Nobody Wants This” “Dying for Sex” “The Hunting Wives” “The White Lotus” “Dr. Odyssey” “Long Story Short” “Heated Rivalry” “Andor” “The Lowdown” “Platonic” “Pluribus” “The Pitt” “Adolescence”

As 2025 comes to an end, The Sunday Special is looking back on the year in culture. This week, we’re listening to the songs and albums that defined the year, for better or worse. Gilbert Cruz is joined by Caryn Ganz and Lindsay Zoladz from The Times’s pop music desk to discuss some of the biggest and best releases of 2025.Albums and songs mentioned in this episode: Bad Bunny, “Debí Tirar Más Fotos” Lady Gaga, “Mayhem” Justin Bieber, “Daisies” Chappell Roan, “The Giver” and “The Subway” Sabrina Carpenter, “Manchild” Doechii, “Alligator Bites Never Heal” Taylor Swift, “The Life of a Showgirl” Morgan Wallen, “I’m the Problem” Ghost, “Skeletá” Dijon, “Baby” Geese, “Getting Killed” Water From Your Eyes, “It’s a Beautiful Place” PinkPantheress, “Fancy That” Lily Allen, “Tennis” Ella Langley, “Choosin’ Texas” Sleigh Bells, “Bunky Becky Birthday Boy” Hayley Williams, “Ego Death at a Bachelorette Party” Turnstile, “Never Enough”

The first week of December at The New York Times is known as “Cookie Week.” Every day, for seven days, our cooking team highlights a new holiday cookie recipe. This year’s batch features flavors that aren’t necessarily traditional holiday ones — or even, for that matter, flavors. Instead, they draw inspiration from family night at the movies, drinks like Vietnamese Coffee, and perhaps most surprisingly, an Italian deli meat. In this edition of the Sunday Special, Gilbert Cruz talks with Melissa Clark and Vaughn Vreeland from New York Times Cooking about this year’s cookies, and they answer questions from readers about how to navigate cooking and baking during the holidays.

The holiday season is here, which means it’s the time to think of great gifts for everyone on your list. While it can feel like a daunting task to choose thoughtful, personalized presents, we’ve got a fix for you: books. On this edition of The Sunday Special, Gilbert is joined by Joumana Khatib and Sadie Stein, editors at the Book Review, for a conversation about the best books to give your family and friends. Joumana and Sadie will share what excited them most this year and also provide recommendations for giftees in very specific categories. Books mentioned in this episode: “The Colony,” Annika Norlin“Perfection,” Vincenzo Latronico“Things: A Story of the 60s,” Georges Perec“The Bee Sting,” Paul Murray“The Loneliness of Sonia and Sunny,” Kiran Desai“The Director,” Daniel Kehlmann“Playworld: A Novel,” Adam Ross“A Marriage at Sea,” Sophie Elmhirst“Entertaining is Fun!,” Dorothy Draper“The Thursday Murder Club,” Richard Osman“The Mysterious Case of the Alperton Angels,” Janice Hallett“Roald Dahl’s Revolting Recipes,” Roald Dahl“Mrs. Manders’ Cook Book,” Sarah Manders, edited by Rumer Godden“Halleluja! The Welcome Table,” Maya Angelou“The Pat Conroy Cookbook: Recipes of My Life,” Pat Conroy“Les diners de Gala,” Salvador Dalí“Diaghilev’s Empire: How the Ballets Russes Enthralled the World,” Rupert Christiansen“Finishing the Hat and Look I Made a Hat,” Stephen Sondheim“Tonight in Jungleland: The Making of Born to Run,” Peter Ames Carlin“The Uncool: A Memoir,” Cameron Crowe“The Gales of November,” John U. Bacon“The Journals of Ralph Waldo Emerson,” Ralph Waldo Emerson“Cats in Color,” Stevie Smith“Archie and the Strict Baptists,” John Betjeman“Stories 1,2,3,4,” Eugène Ionesco“Trip: A Novel,” Amy Barrodale

“Wicked” was one of the biggest movies of 2024. It was culturally ubiquitous, a box office smash and an Oscar nominee for Best Picture. Now, a year later, “Wicked: For Good” arrives in theaters to finish the tale of the complicated friendship between Glinda the Good Witch and Elphaba, the Wicked Witch of the West. Can “Wicked: For Good” be the sensation that its predecessor was? Will it inject new life into a movie business that has suffered a historically bad business year? Will it satisfy the legions of “Wicked” fans who have been waiting to see their favorite musical brought to the big screen? Gilbert Cruz is joined by Kyle Buchanan, a pop culture reporter for The New York Times who profiled the stars of “Wicked,” and Madison Malone Kircher, a reporter for the Styles desk and affirmed “Wicked” fanatic, to discuss what “Wicked: For Good” means for the movies.

There was once a time when documentaries could be found only on public television or in art-house cinemas. But today, documentaries are more popular and accessible than ever, with streaming services serving up true crime, celebrity documentaries, music documentaries and so much more. On today’s Sunday Special, Gilbert is joined by The New York Times’s chief television critic, James Poniewozik, and Alissa Wilkinson, a Times film critic, to talk about the documentaries that are worth your viewing time. Discussed on this episode: “The American Revolution,” 2025, directed by Ken Burns “The Alabama Solution,” 2025, directed by Andrew Jarecki and Charlotte Kaufman “The Jinx: The Life and Deaths of Robert Durst,” 2015, directed by Andrew Jarecki “Making a Murderer,” 2015, directed by Laura Ricciardi and Moira Demos “The Yogurt Shop Murders,” 2025, directed by Margaret Brown “The Perfect Neighbor,” 2025, directed by Geeta Gandbhir “The Last Dance,” 2020, directed by Jason Hehir “Copa 71,” 2023, directed by Rachel Ramsay and James Erkine “Cheer,” 2020, created by Greg Whiteley “Last Chance U,” 2016, directed by Greg Whiteley, Adam Ridley and Luke Lorentzen “Pee-wee as Himself,” 2025, directed by Matt Wolf “The Remarkable Life of Ibelin,” 2024, directed by Benjamin Ree “Ladies & Gentlemen … 50 Years of SNL Music,” 2025, directed by Questlove “Cameraperson,” 2016, directed by Kirsten Johnson “An American Family,” 1973, created by Craig Gilbert “Look Into My Eyes,” 2024, directed by Lana Wilson “When We Were Kings,” 1996, directed by Leon Gast

This year has been a banner year for video games, with an abundance of surprise releases and unexpected hits. On this week’s Sunday Special, Gilbert Cruz talks with two fellow gamers — Zachary Small, a culture reporter, and Jason Bailey, an editor on The Times’s culture desk — about the state of the industry, the biggest releases and the games they loved playing in 2025. They also share their predictions for Game of the Year.

The only thing Gilbert Cruz loves more than celebrating Halloween is watching scary movies. And between the classic horror franchises that span decades and the prestige original films of the current moment, he has seen hundreds of them. On today’s episode, Gilbert puts his knowledge to use in conversation with his fellow horror aficionados Jason Zinoman and Erik Piepenburg. They comb through a century of spooks, frights and screams to crown the Top 10 franchises in cinema history. Horror franchises discussed on this episode: “A Nightmare on Elm Street” “A Quiet Place” “Alien” “The Amityville Horror” “Candyman” “Child’s Play” “The Conjuring” “The Exorcist” “The Evil Dead” “Final Destination” “Friday the 13th” “Halloween” The Hannibal Lecter films “Hellraiser” “The Hills Have Eyes” “Insidious” “Jaws” “Night of the Living Dead” “The Omen” “Paranormal Activity” “Phantasm” “Poltergeist” “Psycho” “The Purge” “The Ring” “Saw” “Scream” “Terrifier” “The Texas Chainsaw Massacre” The Universal monster films “V/H/S”

On Friday, “Springsteen: Deliver Me From Nowhere” will be released in theaters. Rather than chronicling Bruce’s entire life, the film focuses on the making of his stripped-down 1982 album “Nebraska” and on his concurrent mental health struggles. This movie is the latest in a long history of musician biopics featuring stars like Bob Dylan, Loretta Lynn, Eminem and Elvis Presley. Hollywood clearly loves telling the stories of influential artists. In this episode, Gilbert Cruz chats with Lindsay Zoladz, a pop music critic for The Times, and Joe Coscarelli, a Times culture reporter, about the tropes of the genre and their favorite films that break the mold.

Broadway represents some of the best and most exciting of what American theater has to offer. But for many people, it’s inaccessible. Whether because of geography, cost or other considerations, most people will never sit in a Broadway theater and experience a play or a musical in person. For years, cast recordings have offered a way to experience Broadway shows at a remove. And now, in the streaming era, some Broadway shows are making themselves available to be watched remotely, in movie theaters and on television. Distance and expense aren’t the impediments they once were to culture lovers looking to experience world-class theater. In this episode, Gilbert Cruz talks with Jesse Green and Elisabeth Vincentelli, two of The New York Times’s culture writers, about new ways to experience some of the joys of theater from the comfort of your own home.

Amusement parks are enduring vacation destinations for American families. The rides, the long lines for rides, the concessions, the long lines for concessions — these are practically familial rites of passage. Theme parks are also enormous moneymakers, with industry leaders such as Disney and Universal earning billions of dollars each year from their parks. In this episode, Gilbert Cruz chats with Brooks Barnes, who writes about show business (including theme parks), and Mekado Murphy, a film editor and thrill-seeker who reports on roller coasters. They talk about the state of the contemporary amusement park and the ups and downs of roller coasters around the world.

This month kicked off the big four fashion weeks: New York, London, Milan and Paris. Each year, designers, brands, influencers and celebrities flock to these events to see and be seen. On today’s episode, Gilbert sits down with Stella Bugbee and Jacob Gallagher, two of The Times’s foremost style experts and veterans of the fashion week circuit, to discuss clothes. They talk about what fashion week means in the frenetic fashion ecosystem of 2025, and they answer some listener questions about how to cultivate a personal style.

This month, The Times released a list of the 50 best restaurants in America. The Food desk’s reporters, critics and editors crisscrossed the country from Portland, Ore., to Deer Isle, Maine, to scout places formal and casual, big and small, experimental and classic. Their survey is an evocation of what it’s like to dine out, right now, in America. On today’s episode, Gilbert sits down with the Food reporters Priya Krishna and Brett Anderson, two contributors to the list, for a veritable feast of dining wisdom. They discuss what makes a restaurant worthy of the 50 best list, how they go about finding those restaurants, and the dining trends they’re loving and hating in 2025.

The 77th Primetime Emmy Awards ceremony is tonight, honoring the best television shows released between June 2024 and May 2025. But before the festivities begin, Gilbert Cruz, the editor of The New York Times Book Review, would like to have a TV celebration of his own. On today’s episode, he gathers Jason Zinoman, a critic at large for The Times, and Alexis Soloski, a culture reporter for The Times, to “channel surf” through some of their favorite shows of the past year.

As kids across America head back to school, Gilbert Cruz, the editor of The New York Times Book Review, is thinking about the books he read when he was in school. On today’s Sunday Special, Gilbert talks with the Book Review editor Sadie Stein and the author Louis Sachar (“Wayside School” series, “Holes”) about the books they read when they were students, and ways to encourage young readers today to keep reading.

Welcome to the Sunday Special, running now through the end of the year. Every Sunday, Gilbert Cruz, the editor of The New York Times Book Review, will talk with a rotating cast of Times critics and culture and lifestyle reporters about “the fun stuff”— pop culture, movies, TV, music, fashion and more.On today’s inaugural episode, Gilbert sits down with Jon Caramanica, a pop music critic at The Times, and Madison Malone Kircher, an internet reporter at The Times, to recap their cultural highs and lows of this summer.

Today, millions of Americans will have the opportunity to see a rare total solar eclipse. Fred Espenak, a retired astrophysicist known as Mr. Eclipse, was so blown away by an eclipse he saw as a teenager that he dedicated his life to traveling the world and seeing as many as he could. Mr. Espenak discusses the eclipses that have punctuated and defined the most important moments in his life, and explains why these celestial phenomena are such a wonder to experience. Guest: Fred Espenak, a.k.a. “Mr. Eclipse,” a former NASA astrophysicist and lifelong eclipse chaser.

When Taffy Brodesser-Akner became a writer, Mr. Lindenblatt, the father of one of her oldest friends, began asking to tell his story of survival during the Holocaust in one of the magazines or newspapers she wrote for. He took pride in telling his story, in making sure he fulfilled what he felt was the obligation of all Holocaust survivors, which was to remind the world what had happened to the Jews. His daughter Ilana knew it was a long shot but felt obligated to pass on the request — it was her father, after all. Taffy declined because after a life hearing about the Holocaust, she said, she was “all Holocausted out.” But, years later, when she learned of Mr. Lindenblatt’s imminent passing, Taffy asked herself what would become of stories like his if the generation of hers that was supposed to inherit them had taken the privilege that came with another generation’s survival and decided not to listen? So here it is, an old Jewish story about the Holocaust and a man who somehow survived the pernicious, organized and intentional genocide of the Jews. But right behind it, just two generations later, is another story, one about the children and grandchildren who have been so malformed by the stories that are their lineage that some of them made just as eager work of running from it, only to find themselves, same as anything you run from, having to deal with it anyway.

Sometime in the 1850s or ’60s, at a terrible moment in U.S. history, a strange man seemed to sprout, out of nowhere, into the rocky landscape between New York City and Hartford, Conn. The word “strange” hardly captures his strangeness. He was rough and hairy, and he wandered around on back roads, sleeping in caves. Above all, he refused to explain himself. As one newspaper put it: “He is a mystery, and a very greasy and ill-odored one.” Other papers referred to him as “the animal” or (just throwing up their hands) “this uncouth and unkempt ‘What is it?’” But the strangest thing about the stranger was his suit.

Fifty years ago, eight Americans set off for South America to climb Aconcagua, one of the world’s mightiest mountains. Things quickly went wrong. Two climbers died. Their bodies were left behind. Here is what was certain: A woman from Denver, maybe the most accomplished climber in the group, had last been seen alive on the glacier. A man from Texas, part of the recent Apollo missions to the moon, lay frozen nearby. There were contradictory statements from survivors and a hasty departure. There was a judge who demanded an investigation into possible foul play. There were three years of summit-scratching searches to find and retrieve the bodies. Now, decades later, a camera belonging to one of the deceased climbers has emerged from a receding glacier near the summit and one of mountaineering’s most enduring mysteries has been given air and light.

It was meant to mark the start of their lives out of college, but the adventure quickly turned into a nightmare. Beginning with what seemed to be a lucky whale sighting, three friends set out on a sea-kayaking trip through Glacier Bay National Park in Alaska, watching out for bears, and having a good time, when tragedy struck. In recounting the days preceding and following the accident, which seriously injured one of his friends, the Times journalist Jon Mooallem explains how he was forced to reckon with his fears. Detailing the incident’s surprising repercussions, he muses on the importance of overcoming one’s fears, and finding poetry in life’s darkest moments.

On June 24, 2015, Dawn Dorland, an essayist and aspiring novelist, did perhaps the kindest, most consequential thing she might ever do in her life. She donated one of her kidneys — and elected to do it in a slightly unusual and particularly altruistic way. As a so-called nondirected donation, her kidney was not meant for anyone in particular, but for a recipient who may otherwise have no other living donor. Several weeks before the surgery, Ms. Dorland decided to share her truth with others. She started a private Facebook group, inviting family and friends, including some fellow writers from GrubStreet, the Boston writing center where she had spent many years learning her craft. After her surgery, she posted something to her group: a heartfelt letter she’d written to the final recipient of the surgical chain, whoever they may be. Ms. Dorland noticed some people she’d invited into the group hadn’t seemed to react to any of her posts. On July 20, she wrote an email to one of them: a writer named Sonya Larson. A year later, Ms. Dorland learned that Ms. Larson had written a story about a woman who received a kidney. Ms. Larson told Ms. Dorland that it was “partially inspired” by how her imagination took off after learning of Ms. Dorland’s donation. Art often draws inspiration from life — but what happens when it’s your life?

Rachel Abrams and Natalie Kitroeff officially join Michael Barbaro as co-hosts of the show. Welcome to the next chapter.

Jeanna Smialek, who covers the U.S. economy for The Times, will be 33 in a few weeks; she is part of a cohort born in 1990 and 1991 that makes up the peak of America’s population. At every life stage, that microgeneration has stretched a system that was often too small to accommodate it, leaving its members — so-called peak millennials — with outsize economic power but also a fight to get ahead. Guest: Jeanna Smialek, a U.S. economy correspondent for The New York Times.