Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Guitarist and songwriter Nancy Wilson is one half of the rock band Heart, along with her older sister Ann Wilson. Nancy and Ann have been the face of the band since the mid-70s. Heart’s first album, Dreamboat Annie, was released in 1976 right as the band was making traction opening for big acts like Rod Stewart and The Bee Gees. Soon their songs, like “Magic Man” and “Crazy On You,” started to take off in the States, and Heart quickly became a headlining act.

Nearly 50 years since their debut album, Heart has experienced career highs—like a string of chart-topping hits and an induction into the Rock N Roll Hall Of Fame—as well as their fair share of personal and professional adversity. Today Ann and Nancy remain steadfast in continuing Heart’s legacy. This month they embarked on a world tour—their first in five years.

To celebrate Ann and Nancy Wilson’s massive contribution to rock n roll history, we will feature conversations with both sisters over the next two weeks. Today we’ll hear Leah Rose talk to Nancy about how the popular drugs of the ‘70s and ‘80s influenced Heart’s sound. She also describes how being accepted by the musicians of Seattle’s grunge scene helped her overcome Heart’s fraught experience recording power ballads in the ‘80s. And she describes the lo-fi setup she used to score the soundtracks of her ex-husband Cameron Crowe’s hit movies: Almost Famous, Vanilla Sky, and Jerry McGuire.

You can hear a playlist of some of our favorite Heart songs HERE.

See omnystudio.com/listener for privacy information.

Stone Gossard and Jeff Ament are two of the Seattle scene’s most foundational musicians from the 80’s and 90’s. Stone and Jeff started playing together in 1984 as members of Green River, which eventually dissolved, leading singer Mark Arm to form Mudhoney.

Later, Jeff played bass and Stone played guitar in Mother Love Bone until their lead singer Andrew Wood died of an overdose just days before their major label debut in March of 1990. Reeling from Andy’s death, Jeff and Stone started recording with Soundgarden’s Chris Cornell on a side project called Temple Of The Dog that featured vocals from a then unknown singer from San Diego named Eddie Vedder.

Later that year, Jeff and Stone asked Eddie to join their new band with guitarist Mike McCready. As Pearl Jam, they released their debut album Ten in August of ‘91—the album went 13 times platinum and charted on Billboard for nearly five years.

Since then, Pearl Jam have released 11 more albums and built a die-hard fan base thanks in part to their outstanding live shows. Last week they released their latest album, Dark Matter, which was produced by Andrew Watt, who's recently worked with Miley Cyrus, Iggy Pop, Post Malone and Ozzy Osborne.

On today’s episode Leah Rose talks to Stone Gossard and Jeff Ament about how Andrew Watt’s encyclopedic knowledge of Pearl Jam helped inspire some of their best performances to date. Stone and Jeff also open up about the inner-workings of their professional relationship, and Stone remembers the first time he met Eddie Vedder, who marked the occasion by passing him a hand-written poem.

You can hear a playlist of some of our favorite Pearl Jam songs HERE.

See omnystudio.com/listener for privacy information.

16 years have passed since The Black Crowes released an album of new material. The world has changed a lot since then—and so have the Robinson brothers. Chris and Rich Robinson are, of course, the backbone of the band. They started playing together back in Georgia in 1984 as Mr. Crowe’s Garden before moving to NYC, signing to Def American, and changing their name to The Black Crowes.

The band’s debut album, Shake Your Money Maker, set them up as the torchbearers of Southern rock for the '90s and beyond. As you’ll hear in today's conversation, the brothers Robinson have had a competitive relationship for a long time. Their ups and downs have meant hiatuses for the band over the years. But now they’re back united and seemingly in it for the long haul with their new album, Happiness Bastards.

On today’s episode Justin Richmond talks to Chris Robinson about his growing up in Georgia with Rich, their dad’s rockabilly career, and how his road habits have changed from indulging in champagne and other substances to reading Herman Melville.

You can hear a playlist of some of our favorite songs from Chris Robinson & The Black Crowes HERE.

See omnystudio.com/listener for privacy information.

Famed drummer for the Police and composer Stewart Copeland has one of the more fascinating bios in modern music. His father was a founding member of the CIA and his mom worked in British Intelligence.

After playing in the successful UK prog rock band Curved Air in the mid 70s, Stewart started a new band called the Police with bassist and lead singer, Sting—and eventually guitarist Andy Summers. Over the next decade the Police would go on to become one of the top-selling rock bands of all time, selling over 75 million records.

Last year Stewart released the book, “Stewart Copeland’s Police Diaries,” which includes his personal notes dating back to the band’s formation in 1976 through 1978, when they started to take off.

On today’s episode Bruce Headlam talks to Stewart Copeland about the first time he saw Sting play and how he was able to successfully lure him into his then non-existent band. Stewart also explains why he and Sting eventually had a musical falling out, and how the Arabic rhythms he heard growing up influenced his highly lauded drumming style.

You can hear a playlist of some of our favorite songs from Stewart Copeland and The Police HERE.

See omnystudio.com/listener for privacy information.

Justin Timberlake is one of the most high achieving pop phenomenons of the past three decades. In 1993 he helped relaunch the Mickey Mouse Club where he sang and danced alongside Rylan Gosling and other now luminaries. Then he broke records and sold over 70 million albums worldwide with *NSYNC. And if that weren’t enough, he launched an incredibly successful solo career in the early aughts where he found a musical soulmate in Timbaland who Justin's worked with in some capacity over the course of his six solo albums.

So with all that hard earned success behind him, it’s been interesting to see the online drubbing JT's taken the last couple of years. Curious about how he might respond musically, it turns out, his new album Everything I Thought It Was, is everything you’d hope to hear from JT including a surprise *NSYNC reunion.

On today’s episode Justin Richmond talks through Justin Timberlake’s new album with him as he dissects key tracks from it. JT also recalls how Micheal Jackson helped inspire his solo career, he breaks down the motivation behind each one of his solo albums, and he talks about why he felt now was the right time to reunite with his boy band brothers in ‘NSYNC. This episode was recorded at Amazon’s Studio126.

You can hear a playlist of some of our favorite Justin Timberlake songs HERE.

See omnystudio.com/listener for privacy information.

Brandi Carlile’s knack for uplifting the musicians she loves is exemplary. After her own hard-earned ascent to fame over the course of seven studio albums, Brandi started to turn her sights to producing albums for artists she deeply admires, including Tanya Tucker who she’s been on Broken Record with in the past but also Brandy Clark. Then there’s Joni Mitchell—who, thanks to Brandi’s encouragement—has recently made a glorious return to performing live.

Brandi’s passion for the projects she works on is infectious. The latest is an EP she produced for 18-year-old singer/songwriter Tish Melton called, When We’re Older. Over the course of the five-song collection, Tish pulls influence from artists like Phoebe Bridgers and Lucy Dacus. Tish, whose mom is the New York Times bestselling author Glennon Doyle, is teeming with talent on her EP, which includes heartfelt songs that expertly capture a wise-beyond-her-years self assuredness.

On today’s episode Leah Rose talks to Tish Melton and Brandi Carlile about their creative partnership and the impermeable sense of self Brandi has found in both Tish and Joni Mitchell. And Brandi teases her upcoming collaboration album that she calls “monumental,” plus she talks about why she thinks Beyonce might be country music’s saving grace.

You can hear a playlist of some of our favorite songs from Tish Melton and Brandi Carlile along with all the tracks mentioned in this episode HERE.

See omnystudio.com/listener for privacy information.

Natalia Lafourcade is a force. As you’ll hear when she sings during our conversation today she has a gorgeous voice. But she’s also a deft songwriter who’s able to weave together traditions that feel both modern and old at once.

And she’s also a beautiful interpreter of song—take for instance the phenomenon that was the song “Remember Me” from Pixar’s film Coco. Or take the many instances where she’s recorded some of the classic songs from across Latin America—performing on songs by greats like Violetta Parra from Chile and Agustín Lara from Natalia’s home state of Veracruz, Mexico. After spending the last seven years interpreting those masters, Natlia’s released De Todas Las Flores, her first album of originals since 2015.

On today's episode Justin Richmond talks to Natalia Lafourcade about the evolution of her artistry over the last 25 years. She recalls the time a hummingbird inspired her to move past a creative rut, and how the logistical challenges of recording her latest album to tape wound up creating an urgency that ultimately fueled the creative process.

You can hear a playlist of some of our favorite Natalia Lafourcade songs HERE.

See omnystudio.com/listener for privacy information.

In recognition of this month's World Happiness Day, we are presenting one of our favorite episodes from last year with Janelle Monàe and her longtime collaborator, Nate Wonder. Janelle's latest album, The Age Of Pleasure, was created in part as a celebration of black love and community. And as Nate Wonder shares in this interview with Justin Richmond, one of his guiding principles when making the album was to make Janelle smile.

As part of Pushkin Industries' network-wide celebration of World Happiness Day, we will also be sharing an episode of The Happiness Lab from our brilliant colleague, Laurie Santos later this month.

See omnystudio.com/listener for privacy information.

At 70 years-old, Kim Gordon—the former bassist and founding member of Sonic Youth—is just now making the most abrasive music of her career. She just dropped her second solo album, The Collective, with producer Justin Raisen, who’s previously worked with artists like Drake, Lil Yachty, and Charli XCX. Kim’s spoken-word-like vocals on The Collective are the perfect accompaniment to Justin’s distorted trap-style beats.

On today’s episode Leah Rose talks to Kim Gordon about her latest solo album, as well as her memoir, Girl In A Band, that detailed her split with ex-husband Thurston Moore. Kim also delves into why she always felt like an outsider in New York City’s thriving downtown art scene. And she recalls Sonic Youth’s storied tour in the early ‘90s opening up for Neil Young.

You can hear a playlist of some of our favorite Kim Gordon songs HERE.

See omnystudio.com/listener for privacy information.

To kick off our month-long celebration of Women's History Month, today we're featuring an interview with Polly Jean Harvey, a.k.a. PJ Harvey, who is without question one of the most gifted songwriters of our time.

Her debut album, Dry, came out in 1992 and was what the LA Times called a near “instant classic.” The same with her sophomore release, Rid of Me—which became an inspiration for Nirvana’s last album: In Utero.

Ten albums later and Polly continues to be not only a remarkable songwriter on her new album “I Inside the Old Year Dying” but...maybe more impressively...continues to find new musical territory and new voices to write from. Keeping her songs and artistry as interesting as it was when she first put music out 30 years ago.

John Parish, who’s been a frequent collaborator of Polly’s since the 1980's produced the new album—along with Flood—and joins Justin Richmond in conversation with Polly to discuss their process of working together, the beauty of Polly’s last few albums and how they bonded long ago over Captain Beefheart.

You can hear a playlist of some of our favorite PJ Harvey & John Parish songs HERE.

See omnystudio.com/listener for privacy information.

For the last installment of our Thursday Black History Month drops, how could we not revisit our episode with the incomparable Sonny Rollins? Listening to Sonny is like history coming right off the page. He’s living, breathing black history and one of the greatest tenor players of all time.

See omnystudio.com/listener for privacy information.

The last couple of years have been huge for Jason Isbell. The Alabama-born singer-songwriter’s latest album Weathervanes won the Grammy for Best Americana album this year. He also snagged a role in Martin Scorsese's film, Killers Of The Flower Moon, which is up for Best Picture at this year’s Oscars.

There was also a critically acclaimed HBO documentary released last year about the making of Isbell’s previous album with the 400 Unit, Reunions, that put his personal life on full display.

On today’s episode I talk to Jason Isbell about his exhilarating experience filming Killers of the Flower Moon and how he prepared to act in scenes opposite Leonardo DiCaprio (heads up—there are some major spoilers in this conversation). Jason also contemplates how he will write about the dissolution of his marriage, and why he struggles to write a balls-out rock song.

You can hear a playlist of some of our favorite Jason Isbell songs HERE.

See omnystudio.com/listener for privacy information.

We’re halfway through Black History month and although we didn’t intend to rerun some of our older conversations to celebrate the month, after realizing we needed to do something to mark Usher’s Super Bowl performance and the release of the new Bob Marley biopic “One Love,” we figured we might as well keep going and celebrate the whole month long…because now we have a country album from Beyonce on the way.

Beyonce released two songs from her upcoming album the night of the Super Bowl—“16 Carriages” and “TEXAS HOLD ‘EM”—to a rapturous response. Not only are the songs good. But they sparked a lot of meaningful conversations about the usefulness of genres, the way marketing shapes our listening and gatekeeping in music. Those are all things very close to Rhiannon Giddens’ heart. As a black banjo player, steeped in the Americana tradition—and its Transatlantic roots—she’s been living this conversation her whole career.

Rhiannon also happens to play on the song “TEXAS HOLD ‘EM” with Beyonce. Which just this week hit number one on the country chart, making her the first time a black woman has ever held that spot.

So let’s flash back to when we had Rhiannon on Broken Record back in 2021 to speak with Bruce Headlam about her album They’re Calling Me Home.

See omnystudio.com/listener for privacy information.

Since releasing their critically acclaimed debut album, Brutalism, in 2017, the British band IDLES have dropped four other albums in quick succession. The band’s bombastic sound brilliantly balances joy, chaos, and an often critical take on the powers that be. IDLES latest album, TANGK, was produced by the band's guitarist Mark Bowen, Kenny Beats, and Radiohead producer, Nigel Godrich.

On today’s episode Justin Richmond talks to Joe Talbot and Mark Bowen from the greenroom of the Tonight Show with Jimmy Fallon about their tumultuous creative partnership. They also explain how Mark helps temper Joe’s sometimes passionate rage, and Joe breaks down why he will forever despise England’s monarchy.

You can hear a playlist of some of our favorite IDLES songs HERE.

See omnystudio.com/listener for privacy information.

Last week we revisited our conversation with Usher to celebrate his Super Bowl performance and the incredible career resurgence he’s had over the last couple of years. In thinking about our catalog, I thought there was another conversation worth revisiting - Malcolm Gladwell speaking with Ziggy Marley about the cultural influence the tiny country of Jamaica and Ziggy’s dad, Bob Marley, have had over the last half a century.

The Bob Marley biopic One Love was released in theaters yesterday. I hope anyone familiar with Bob Marley will go see it at some point. If only to keep the conversation about his songs and his political thinking alive and to guard against his legacy becoming further whitewashed and commercialized.

So listen Malcolm’s conversation with Ziggy from a couple of years back, see the movie and then spend some time with the Marley catalog and with some of the other great music to come out of that era from Prince Buster to Alton Ellis and beyond.

See omnystudio.com/listener for privacy information.

In the minds of many rock fans, Duff McKagan will forever be known first and foremost as the bassist for Guns N' Roses. The band’s white-hot reign in the late '80s through the early '90s is the stuff of hedonistic, hard rock legend. And for anyone interested in reading a detailed account of that wild ride, check out Duff’s memoir, “It’s So Easy and Other Lies.”

After turning 30, Duff got sober, eventually left GNR, and then went on to play stints in Alice In Chains and Jane’s Addiction—and he helped form the supergroup, Velvet Revolver. In 2016, he rejoined Guns N' Roses following their induction into the Rock N Roll Hall of Fame.

Outside of his contributions to big name rock bands, Duff has also been releasing solo material since the early '90s. His latest album, Lighthouse, signals a new musical direction for Duff—one that focuses on reflective, personal lyrics and stripped-down rootsy-rock.

On today’s episode Leah Rose talks to Duff McKagan about his decision to leave the heroin-infested punk rock scene in his hometown of Seattle for LA. He also shares stories about Axl Rose and Slash while recording Appetite For Destruction. And he reminisces about the time his musical idol Prince was trying to get Duff to reveal the real reason why Guns N' Roses broke up.

You can hear a playlist of some of our favorite Duff McKagan songs HERE.

See omnystudio.com/listener for privacy information.

Four decades into his career, Usher is at the peak of his powers. In the year since he was on Broken Record, Usher became the king of the Las Vegas strip. According to Billboard, he grossed over $100 million dollars during his beloved Vegas residency.

To celebrate his much anticipated halftime performance at this year's Super Bowl, along with his upcoming arena tour, and the release of his new album “Coming Home,” here's Justin Richmond's conversation with the one and only, Usher.

See omnystudio.com/listener for privacy information.

Countless decisions, large and small, aided The Beatles’ ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this first episode of season two, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles.

Season Two of McCartney: A Life in Lyrics comes out weekly starting February 7th, and features the stories behind songs like Yesterday, Band on the Run, Here, There and Everywhere, Picasso’s Last Words (Drink to Me) and many more. Follow the show to learn more about Paul McCartney’s songwriting process, the creation of Wings, the development of McCartney’s bass playing over the life of The Beatles and more! Binge the entire season early and ad-free starting February 7th by subscribing to Pushkin+ on our Apple show page or at pushkin.fm/plus.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

James Fauntleroy is one of the most prolific pop songwriters of the past 15-plus years. Some of his most prized placements include writing songs for Beyoncé, Rihanna, Justin Timberlake and Bruno Mars. He’s also contributed background vocals to songs by Travis Scott, Jay-Z and his longtime friend, the late Nipsey Hustle.

Similar to his music industry idol and mentor Babyface, James Fauntleroy is also an artist in his own right. While his songs have lived on streaming platforms over the past decade, in December James released his official debut album, The Warmest Winter Ever—a Christmas album put through the Fauntleroy filter.

On today’s episode Justin Richmond talks to James Fauntleroy about why he decided to drop his debut album well over a decade into his career. He also explains how hundreds of his songs were stolen and posted online by international hackers. And why he considers both Weird Al Yankovic and John Mayer among some of his biggest musical influences.

You can hear a playlist of some of our favorite James Fauntleroy songs HERE.

See omnystudio.com/listener for privacy information.

The Baltimore-based synth-pop band Future Islands was first thrust into the national spotlight in 2014 after making their TV debut on The Late Show With David Letterman. The band’s unassuming frontman Samuel T. Herring danced ecstatically around the stage seething with emotion. The performance quickly went viral, making it one of Letterman’s most memorable live appearances of all time.

At the time of their big break, Future Islands had already released three albums and been touring relentlessly for nearly a decade. And while they would become one of the most prominent bands on the festival circuit for the next several years, Future Islands has always maintained a sense of unparalleled raw vulnerability on-stage—in part because of the deeply confessional nature of Sam’s songwriting and electric stage presence.

On today’s episode Leah Rose talks to Future Islands lead singer Samuel T. Herring about the band’s latest album, People Who Aren’t There Anymore. Samuel also describes the physical toll his energetic performance style has taken on his body over the years. And his long-held gripe with guitar-based music.

You can hear a playlist of some of our favorite Future Islands songs HERE.

See omnystudio.com/listener for privacy information.

Sleater-Kinney has long been a safe space for band members Carrie Brownstein and Corin Tucker. What started as a group born out of the feminist punk riot grrrl scene in Olympia, Washington in the early 90s, has grown into a life-affirming artistic endeavor. In late 2022, tragedy struck when Carrie’s mother and stepfather were killed in a car accident overseas. In the months after, Carrie found a respite from her immense grief by playing the guitar for hours on end, and writing new music.

Sleater-Kinney’s latest album, Little Rope, is in part a meditation on Carrie’s grief, but it’s also proven to be a triumph for the band. Corin Tucker, who handles the bulk of the singing on the new album, has been racking up rave reviews, including one from the New Yorker who noted that Corin’s performance is the most dynamic and flexible of her career.

On today’s episode, Bruce Headlam talks to Carrie Brownstein and Corin Tucker about their intimate recording relationship, and how their sometimes opposing approaches to creative work complement one another. They also talk about the matriarchal nature of the early Olympia music scene, and why they wanted their new album to sometimes sound gross and obnoxious.

You can hear a playlist of some of our favorite Sleater-Kinney songs HERE.

See omnystudio.com/listener for privacy information.

2023 has been a helluva year for singer/songwriter Noah Kahan. Just three years ago he started uploading snippets of his indie-folk songs to TikTok while waiting out the pandemic at his dad’s house in rural Vermont. Those songs quickly caught fire across social media and eventually turned into Noah’s most recent album, Stick Season.

After releasing collaborations with Kacey Musgraves, Hozier, and Post Malone, Noah has amassed 4 billion streams globally. It’s no surprise that last month he was nominated for the Best New Artist Grammy.

On today’s episode Leah Rose talks to Noah Kahan about navigating his often overwhelming new-found success, and how he feels about being labeled the new “sensitive woodsman” singer/songwriter du jour. Noah also opens up about initially being embarrassed about his singing voice, and his plans for evolving his sound on his next album.

You can hear a playlist of some of our favorite Noah Kahan songs HERE.

See omnystudio.com/listener for privacy information.

Ludwig Göransson is one of the most accomplished and distinctive film composers of the 21st century. In 2020, after working on the movie Tenet together, acclaimed director Christopher Nolan hired Göransson to score what has become one of the biggest movies of 2023: Oppenheimer.

Ludwig, who emigrated to Los Angeles from his native Sweden in 2007, has racked up dozens of writing, producing and scoring credits. He started out working in TV and he eventually started scoring films with his old college friend Ryan Coogler. Ludwig composed music for all of Coogler's hit movies including Fruitvale Station, the Creed series, and both Black Panther films—the first of which won him the Academy Award for Best Original Score in 2019.

On today’s episode Justin Richmond talks to Ludwig Göransson about his incredible body of work as a composer and producer. He explains how his rigorous musical training in Sweden prepared him to write the complex sections of the Oppenheimer score. Ludwig also plays some of the more moving sections of the score for us in effort to show us how he came up with one of the best soundtracks of the year.

You can hear a playlist of some of our favorite Ludwig Göransson songs HERE.

See omnystudio.com/listener for privacy information.

Janelle Monáe has had a lot to smile about this year. After a run of successful albums over the last decade, in June she released her fourth album, The Age of Pleasure. The album was just nominated for two Grammys including Album of the Year. This project is important—it signaled a big tone shift for Janelle whose past albums have centered in part around a recurring character named Cyndi Mayweather, an android who represents society’s new “other.”

Esthetically Janelle has always been buttoned up. For her first few album releases she made a point of always appearing in public in some iteration of a tuxedo. For The Age Of Pleasure though, she literally stripped down to almost nothing, flaunting a newfound freedom centered around Black joy and acceptance.

On today’s episode Justin Richmond talks to Janelle Monáe and her long time music partner Nate Wonder poolside, at their creative home base in the Hollywood Hills called Wondaland. Nate explains how The Age Of Pleasure album started with the simple conceit of making Janelle smile. Janelle also talks about why she decided to ditch a career in musical theater after college, and how THE Grace Jones ended up topless in Wondaland’s now-infamous pool.

You can hear a playlist of some of our favorite Janelle Monáe songs HERE.

See omnystudio.com/listener for privacy information.

Corinne Bailey Rae is an English singer/songwriter whose career started with a bang. In 2006 her debut album topped UK charts and was certified triple platinum with the help of her first hit single, “Put Your Records On.” A slew of awards and other “best new artist” distinctions followed. As she released subsequent albums, Corinne aspired to stretch herself as an artist beyond neo-soul pop-music success.

In September, Corinne Bailey Rae released her excellent, genre-hopping fourth album, Black Rainbows. It’s an album inspired by her time spent exploring Chicago’s historic Stony Island Arts Bank—a vast collection of Black cultural relics and writing.

On today’s episode Justin Richmond talks to Corinne Bailey Rae about the years she spent in the Arts Bank archives and the stories that inspired her new work. She also talks about her record label’s exhaustive effort trying to push her to recreate the success of her first album. And how an indie skateboarding magazine helped clarify the look of her new album.

You can hear a playlist of some of our favorite Corinne Bailey Rae songs HERE.

See omnystudio.com/listener for privacy information.

David Paich is a prolific musician and songwriter who’s perhaps most well known for writing and co-producing Toto's classic song, “Africa.” Before David co-founded Toto with drummer Jeff Porcaro in 1977, he was an innovative keyboardist and session player. David honed his chops early growing up in L.A. where he worked under the tutelage of his father Marty Paich—an esteemed composer who worked with artists like Ella Fitzgerald, Ray Charles and Mel Tormé.

While in college at USC David started playing keyboard professionally and touring with Sonny & Cher. From there he went on to co-write and play on Boz Scaggs’ multi-platinum album Silk Degrees. He also worked extensively with Quincy Jones, playing on multiple iconic albums including Michael Jackson’s Thriller and Bad. All throughout his work as a session musician, David also served as Toto’s principal songwriter and wrote chart-topping hits like “Rosanna,” “Hold The Line,” and of course, “Africa.”

On today’s episode Justin Richmond talks to David Paich about what it was like to be such an accomplished player at such a young age. He shares crazy stories about working with Michael Jackson and Quincy on Thriller, and how he came up with the intro to Michael Jackson’s “Human Nature,” a song written by Toto’s drummer, Jeff Porcaro. He also plays parts from some of the best songs he’s written, and talks about how they came to be.

You can hear a playlist of some of our favorite David Paich songs HERE.

See omnystudio.com/listener for privacy information.

As a founding member of the iconic all-girl band The Bangles, Susanna Hoffs is perhaps most associated with 80s hits like “Manic Monday,” “Eternal Flame,” and “Walk Like An Egyptian.” After releasing three platinum-selling albums, in 1989 The Bangles broke up. Two years later, Susanna started to release solo material before reuniting with The Bangles at the end of the 90s.

Over the years Susanna has continued to release music and act in movies. She even appeared in all three Austin Powers films as part of a fictional Mod band.

This year Susanna has added another creative pursuit to her repertoire—she’s now a published novelist. Her first book, This Bird Has Flown, was released in April. And she put out her latest collection of cover songs on the album The Deep End produced by the great Peter Asher.

On today’s episode Justin Richmond talks to Susanna Hoffs about how Bruce Springsteen helped The Bangles secure a record deal after seeing them play at an amusement park in Southern California. She also tells the story of first listening to Prince’s demo of “Manic Monday.”

You can hear a playlist of some of our favorite Susanna Hoffs songs HERE.

See omnystudio.com/listener for privacy information.

Marty Stuart has dedicated his life to playing and preserving old country music. During his 40-plus years as a solo artist, Marty has released more than 20 albums and racked up numerous honors, including five Grammys, and an induction into the Country Music Hall Of Fame.

Marty started his career at the age of 12 playing mandolin in a gospel band. By 21, he’d joined Johnny Cash’s touring band, and eventually became a solo artist who combined classic rockabilly sounds with bluegrass and cosmic country. His latest album has a sweeping, spacious feel that's meant to conjure up visions of desert horizons and endless stretches of two-lane highways.

For today’s episode, Bruce Headlam met up with Marty Stuart at Bridge Studios in Brooklyn. Marty shared stories about first going on the road with the Sullivan Family Gospel Singers, and the very first show he ever played backing Johnny Cash where Marty pretended to know how to play the fiddle. Marty also talks about how a star-studded studio session with Roy Orbison, Carl Perkins and Jerry Lee Lewis gave him the confidence to pursue a solo career in country music.

You can hear a playlist of some of our favorite Marty Stuart songs HERE.

See omnystudio.com/listener for privacy information.

Lol Tolhurst, drummer and co-founder of The Cure, first met lead singer Robert Smith when they were just five years-old. Together with their other Catholic school friend Michael Dempsey, they would go on to make dark, brooding music that reflected the isolation they felt as the only punks living in their small English town. As The Cure’s sound developed in the 1980s, they released a string of three albums that Lol now defines as the band’s “goth period.” Today we’ll hear Lol talk in detail about making those albums.

Last month Lol released the book “Goth: A History,” which explores the architects of the post-punk genre—bands like Siouxsie and the Banshees, Joy Division, and Bauhaus. In addition to his book “Goth,” Lol is also releasing a new album with his old friend Budgie, the drummer from the Banshees. The album’s called Los Angeles and it features an all-star guest list including U2's The Edge and LCD Soundsystem’s James Murphy.

On today’s episode Leah Rose talks to Lol Tolhurst about growing up an outcast in post-WWII England and how he and Robert Smith first bonded over a Hendrix record. Lol also talks through the creation of The Cure’s goth albums—Seventeen Seconds, Faith, and Pornography. 

You can hear a playlist of some of our favorite Lol Tolhurst songs HERE.

See omnystudio.com/listener for privacy information.

The lead singer and keyboardist for Devo, Mark Mothersbaugh, is an avant-garde, new wave pioneer. Although critics sometimes classify Devo as a joke band, the Akron, Ohio art-punks’ ethos was created in response to a very serious event—the 1970 shooting at their college, Kent State. Following the incident, the band took on the name “Devo,” short for what they felt was organized society’s “de-evolution.”

Throughout the ‘70s and ‘80s Devo helped lay the groundwork for DIY, anti-establishment bands by releasing bizarre and left-of-center music and conceptual films that helped usher in the music video revolution.

In addition to his work with Devo, Mark Mothersbaugh has also created a long and successful career scoring for TV and film. His credits include, Pee-Wee’s Playhouse, The Rugrats TV show and movies, and he’s scored several classic Wes Anderson-directed films including The Royal Tenenbaums and Rushmore.

On today’s episode Justin Richmond talks to Mark Mothersbaugh about how he developed his quirky sensibility as one of five kids growing up in a chaotic household with exotic animals. Mark also tells a story about the time Richard Branson suggested that Johnny Rotten join Devo after the Sex Pistols broke up.

You can hear a playlist of some of our favorite Mark Mothersbaugh songs HERE.

See omnystudio.com/listener for privacy information.

Laufey’s fast rise to fame is a pandemic success story. During lockdown, the 24-year-old multi-instrumentalist built a substantial following on social media where she was known as “jazz girl.” Since then the Icelandic-Chinese singer/songwriter has released two studio albums that blend classical, pop and jazz. The first single from her most recent release, Bewitched, has been streamed over 20 million times globally since its release a couple months back.

Raised in Iceland, Laufey started playing cello and classical piano when she was four years old. By 15 she was performing with the Icelandic Symphony Orchestra as a cello soloist. The Chinese side of her family has been studying classical music for generations—Laufey’s mom is a professional violinist and her maternal grandfather taught violin at China’s Central Conservatory of Music.

And while Laufey’s classical training runs deep, perhaps the most surprising thing about her ascent to stardom is the fact that she's now known as a singer/songwriter as much as a musician.

On today’s episode I talk to Laufey about how she started singing jazz standards online, and what inspired her to write her own songs as well. She also talks about the great sacrifices her Chinese family made during the Cultural Revolution when there was a strict ban on playing classical Western music. And she sings two original songs for us including her single, “From The Start.”

You can hear a playlist of some of our favorite Laufey songs HERE.

See omnystudio.com/listener for privacy information.

Hermanos Gutiérrez may be an instrumental guitar band, but they have zero interest in shredding. Instead the Swiss-Ecuadorian brothers, Estevan and Alejandro Gutiérrez, take a minimalist approach to playing. They create hypnotic, sweeping compositions inspired by classical Latin guitar and film scores from old Spaghetti Westerns.

In 2022, after releasing three albums independently, Hermanos Gutiérrez signed to Easy Eye Sound, a label owned and operated by Dan Auerbach, guitarist and vocalist of The Black Keys. Last October they released the album, El Bueno Y El Malo to critical acclaim. The album features the song “Tres Hermanos,” where Auerbach joins the brothers on guitar. Today we’ll hear Estevan and Alejandro play that song, along with a couple other songs live from Auerbach’s studio in Nashville, TN.

Justin Richmond also talks to Hermanos Gutiérrez about how their brotherly spats sometimes fuel their playing. Then they recall a recent performance in Mexico City where they played during a volcanic eruption. And how Dan Auerbach knew he wanted to meet with Hermanos Gutiérrez after seeing them play for just 15 seconds.

You can hear a playlist of some of our favorite Hermanos Gutiérrezsongs HERE.

See omnystudio.com/listener for privacy information.

Pete Townshend, the legendary guitarist and songwriter for The Who, is one of the most decorated rock stars alive. He’s been inducted into the Rock N Roll Hall of Fame, received Kennedy Center Honors, and lifetime-achievement awards from both the Brit Awards and the Grammys. Pete's iconic power chord-guitar style and early use of synthesizers established him as a musical innovator in the '60s and '70s.

After a string of chart-topping singles in the early '60s, Pete set to work writing the first-ever rock opera, a project that became the double album Tommy. Tommy is widely recognized as The Who’s breakout record, and is considered a masterpiece by many critics.

Following its release, Pete started writing songs and a script for a sci-fi epic called Life House. After that project was scrapped, the songs wound up on different releases from the band over the next decade including their 1971 classic, Who’s Next.

Last month The Who released an epic box set called Who's Next/Life House that contains 155 tracks, 89 of which are unreleased. The set also includes a graphic novel, unheard demos, complete live concerts, posters and collectable pins.

On today’s episode Justin Richmond talks to Pete Townshend about how some of the ill-fated effects of technology that he predicted on Life House have come to pass. Pete also explains why he decided to target a specifically male audience when writing music for The Who. And he gives an unexpected take on the Grateful Dead and San Francisco’s music scene in the '60s.

You can hear a playlist of some of our favorite Pete Townshend songs HERE.

See omnystudio.com/listener for privacy information.

Today we are sharing a very special project we've been working on at Pushkin, a new podcast with the one and only, Sir Paul McCartney. The show’s called McCartney: A Life in Lyrics and it's full of insightful conversations between Paul McCartney and his friend, the Irish poet Paul Muldoon.

Together they taped years of conversations digging into Paul’s lyrics and songwriting process. And because it’s impossible to separate the art from the man, a lot of McCartney's personal life gets revealed along the way, like insight into his family life in Liverpool, the success and breakup of the Beatles, Wings and so much more.

McCartney: A Life in Lyrics dropped with two episodes today—one on The Beatles "Eleanor Rigby," and the one we're presenting here for you today on "Back In the U.S.S.R."

If you love music and songwriting and have ever wanted to be a fly on the wall for in-depth conversations with a Beatle, then McCartney: A Life in Lyrics won’t disappoint. You can binge the entire first season now by subscribing to Pushkin+ on Apple Podcasts.

See omnystudio.com/listener for privacy information.

Amanda Shires is a Texas-born singer/songwriter who got her start at 15 when she joined Bob Wills & His Texas Playboys on fiddle. After starting her solo career in 2005, Shires continued to play with a number of other bands including her husband Jason Isbell's band, the 400 Unit. In 2019, she started the all-female country supergroup The Highwomen, which includes Brandi Carlile, Natalie Hemby and Maren Morris.

After the 2022 release of Amanda Shires’ seventh solo album, Take It Like A Man, she released an album of covers with the late Bobbie Nelson—who’s primarily known for playing piano in her younger brother Willie Nelson’s band. Amanda initially enlisted Bobbie to play on her version of Willie’s classic, “You Were Always On My Mind,” but they continued to record together. The resulting collection of songs became the album Loving You, which was released this past June, nearly a year after Bobbie’s death.

On today’s episode Justin Richmond talks to Amanda Shires about Bobbie Nelson’s unfortunate start in the music business. Amanda also talks about why she feels more comfortable singing about society’s big issues alongside The Highwomen. And she remembers the time she went to Vegas and gambled away all her band’s tour money—only to win it all back after playing craps through the night.

You can hear a playlist of some of our favorite Amanda Shires songs HERE.

See omnystudio.com/listener for privacy information.

Today we are sharing an episode of one of our favorite shows on the Pushkin network, Talk Easy, hosted by Sam Fragoso. In this episode Sam talks to the renowned Swedish music producer and composer, Ludwig Göransson.

Ludwig is a Grammy and Academy award winning producer and composer who scored Ryan Coogler’s Black Panther, The Mandalorian, and most recently he scored Christopher Nolan's epic, Oppenheimer. He’s also produced records and wrote songs for HAIM, Rihanna, Adele, and Childish Gambino.

He's a truly talented musician who's reenergizing modern films compositions. We hope you enjoy this chat as much as we do!

See omnystudio.com/listener for privacy information.

DJ Drama is one of the most iconic mixtape DJs of all time. His legendary Gangsta Grillz tapes helped propel artists like T.I. and Young Jeezy to stardom. His classic Dedication series reinvigorated Lil’ Wayne’s career in the early and mid-2000s.

By 2007, the underground mixtape market was booming. But in January of that year DJ Drama and his longtime business partner Don Cannon were arrested by federal agents and charged with bootlegging and racketeering. The much publicized raid only boosted DJ Drama’s profile. In the years since, DJ Drama has built a successful record label and he’s continued to make mixtapes. Tyler The Creator even crafted his latest album, Call Me If You Get Lost, with DJ Drama’s classic adlibs all over it. It won the Grammy for best rap album in 2022.

That same year though, while DJ Drama was professionally at the height of his success, personally he was battling an addiction to opioids—an ongoing struggle he’s only recently started to talk about publicly.

On today’s episode Leah Rose talks to DJ Drama about how he got sober after being what he calls “a functioning junkie” who spent six figures a year on opioids. He also tells the story of how Lil Jon recorded his iconic “gangsta grillz” drops in Drama’s laundry room. And Drama explains why he decided to sign Lil Uzi Vert and Jack Harlow to his Atlantic Records imprint, Generation Now.

You can hear a playlist of some of our favorite DJ Drama songs HERE.

See omnystudio.com/listener for privacy information.

Johnny Marr is an acclaimed British guitarist who’s played with a ton of bands including, most famously, The Smiths. Marr started playing guitar as a young teenager growing up in Manchester. When he turned 15 he dropped out of school and moved to London to join the band Sister Ray.

A couple years later he would help form The Smiths with Morrissey, Mike Joyce, and Marr’s friend and bassist, Andy Rourke. After The Smiths broke up in 1987, Marr went on to collaborate with an array of different musicians and play in bands like The Pretenders, The The, and Modest Mouse. In the early aughts, Marr started releasing solo material, and he’s on the brink of releasing a new album of his greatest hits.

On today’s episode Justin Richmond talks to Johnny Marr about his exciting work scoring movies with Pharrell and Hans Zimmer. Marr also recalls the terror he felt performing live in front of stadiums full of fans with The Pretenders on U2’s Joshua Tree tour. And he talks about the time he bought a Fender Stratocaster while hanging out with Oasis’ Noel Gallager. That Strat has nine pickups and it eventually led to him writing one the best songs of his solo career.

You can hear a playlist of some of our favorite Johnny Marr songs HERE.

See omnystudio.com/listener for privacy information.

Today we are sharing an episode from one of our favorite podcasts, Norah Jones is Playing Along. Norah is a multi-grammy winning artist who loves to collaborate with other musicians, so she started a podcast to do just that.

Today's episode features the legendary Mavis Staples. You’ll hear stories from her time as a member of the iconic Staples Singers. We will also hear Mavis and Norah play a gospel classic, as well as pay homage to Mavis’s father, Pops Staples, along with a few other surprises.

Listen, follow, and subscribe to Norah Jones is Playing Along wherever you get your podcasts, to hear more great episodes, with fantastic guest artists.

See omnystudio.com/listener for privacy information.

Since his major-label debut in 2011, James Blake's haunting vocals and brilliantly edited, collage-style tracks have helped usher in a new sound in popular music. James has both produced and contributed vocals to a ton of artists including Travis Scott, Jay-Z, and Spanish megastar, Rosalia. He even earned a Grammy for best rap performance alongside Kendrick Lamar, Jay Rock and Future on the song “King’s Dead” from the Black Panther soundtrack.

This month James is releasing his sixth solo album, which is a nod to his electronic music roots. It’s called Playing Robots Into Heaven—a title inspired by the modular synth James built for the album that creates sounds meant to evoke a spiritual experience conjured by machines. It’s a heady concept that translates into some of the most heartfelt and energized tracks James has made to date.

On today’s episode, Leah Rose talks to James Blake about how he and his longtime collaborator Dom Maker constructed key tracks on the new album. James also recalls how a conversation with Rick Rubin changed his life. And he reveals how he spent months making new music with Andre 3000 only to learn on this podcast that it may never be released.

You can hear a playlist of some of our favorite James Blake songs HERE.

See omnystudio.com/listener for privacy information.

Of all the groundbreaking musicians to come out of the ‘60s, few were as engaged socially and politically as Joan Baez. A lifelong proponent of non-violent activism, Joan marched with Dr. Martin Luther King Jr. and has continued to advocate for non-violent, civil disobedience ever since.

With the release of her debut album in 1960, Joan Baez became the preeminent female folkie. With just her exquisite soprano and her guitar, she reworked classic American folk songs and eventually wrote songs that helped fuel her activism. By the time she helped launch Bob Dylan’s career by inviting him on stage with her in the early ‘60s, Joan was already an international sensation.

In 2019, after a career that spanned nearly six decades, Joan announced she was no longer performing live. In recent years, she’s turned her creative attention to visual art. Her new book of drawings titled “Am I Pretty When I Fly” features sketches rooted in humor, freedom, and sorrow. But, in classic Joan Baez style, her drawings defy convention—they were all drawn upside down.

On today’s episode you’ll hear a live conversation Justin Richmond had with Joan Baez at the Chicago Humanities Festival in May. Joan spoke about the emotional catharsis she finds in drawing. She also talked about juggling music and activism as a young artist, and what happened when she handed over access to her personal storage unit to a group of documentary filmmakers who are making a movie about her life. And despite giving up live performance, she took a moment to serenade the crowd all with her beloved voice.

You can hear a playlist of some of our favorite Joan Baez songs HERE.

See omnystudio.com/listener for privacy information.

In honor of Robbie Robertson’s passing, we’re replaying an old episode of Broken Record featuring Robbie in conversation with Rick Rubin, Malcolm Gladwell and Bruce Headlam.

When Robbie Robertson turned a house perched above a Malibu beach into a home studio in the 1970's, he had no idea it'd remain a refuge for artists decades later. In this episode, Robbie returns to Shangri La—now the home of our own Rick Rubin—to discuss creating the studio, helping Bob Dylan go electric with The Band, writing "The Weight" and collaborating with Martin Scorsese on his films.

See omnystudio.com/listener for privacy information.

Today we're sharing an episode from another Pushkin podcast we love called The Last Archive. The fourth season of The Last Archive just dropped and it's full of truly unexpected stories and big ideas.

The episode you will hear today, "Player Piano," is an audio biography of one of the most famous composers of the 20th century who most people have never heard of: Raymond Scott. He wrote tons of hits in the '30s and since then his music has been sampled by Lizzo, J. Dilla and the Gorillaz.

Aside from being an avid composer, Scott was also an inventor. And later in his life, he was hired by Motown Records to create a machine that could help people write songs. He called it The Electronium.

Today's episode is a crazy piece of musical history, and just a wild story. Be sure to subscribe to The Last Archive to hear other episodes about time travel, invasive species panics, freelance wiretappers-turned-evangelists, and secret science fiction family histories, and more.

See omnystudio.com/listener for privacy information.

Santigold is an artist who exists at the cross-section of punk, dub, new wave and indie pop. Long frustrated with attempts like these to classify her style, Santi has always been a proud outlier among the restrictive categories used to divide music.

Santi’s anti-establishment bent was in part a reaction to working as an A&R for Epic Records’ black music department. Frustrated with what they categorized as “urban music” in the early aughts, Santi left her job, went home to Philly, and started a punk band called Stiffed. After honing her chops for a few years as a lead singer, Santi released her debut solo album, Santigold in 2008. The album’s lead singles “Creator” and “L.E.S. Artistes” were a revelation when they came out, and led to Santi headlining tours around the world and even opening shows for Bjork, Coldplay, Jay-Z and the Beastie Boys.

Now with three other albums to her credit, including last year’s soul-stirring Spirituals, Santigold is celebrating the 15th anniversary of her debut release. And today she’s expanded her artistic endeavors to include a podcast called Noble Champions where she mines the creative life with friends like Olivia Wilde, Questlove and Yasiin Bey.

On today’s episode Leah Rose talks to Santigold about the unique path she took to build her solo career. Santi also shares why she decided to cancel her tour last year with a heartfelt public letter that shared insight into the financial and emotional toll of touring post-pandemic. She also recalls finding out that she was included in a list of influential black female artists on Beyonce’s “Break My Soul” remix.

You can hear a playlist of some of our favorite Santigold songs HERE.

See omnystudio.com/listener for privacy information.

Albert Hammond Jr. first rose to prominence as the lead guitarist of The Strokes—a band at the forefront of New York City’s indie rock renaissance in the early aughts. In 2007 Albert Hammond Jr. launched his solo career, putting his songwriting and abilities as a frontman to the test. He’s now released five albums, including, Melodies On Hiatus, which came out just a couple months ago. It’s a double album that he co-wrote with Canadian singer Simon Wilcox, and features collaborations with GoldLink and Matt Helders from the Arctic Monkeys.

On today’s episode, Albert Hammond Jr. and Justin Richmond talk about how he was dramatically impacted by his parents’ recent divorce, despite the fact that he’s in his early 40’s. Albert also reminisces about his past life as a champion roller skater who was once scouted by Kristi Yamaguchi’s Olympic ice skating coach. And he explains why he’d never been a fan of Radiohead or Led Zeppelin.

You can hear a playlist of some of our favorite Albert Hammond Jr. songs HERE.

See omnystudio.com/listener for privacy information.

Paul Simon is one of the greatest living songwriters. Since debuting with Art Garfunkel in 1957, Paul Simon has written countless songs quintessential to the American psyche. This year, at 81 years old, he’s released the latest addition to his beloved catalog, Seven Psalms, to an outpouring of critical acclaim.

In 2021, Malcolm Gladwell and Bruce Headlam released the audiobook, Miracle And Wonder: Conversations with Paul Simon. It’s an intimate look into Simon’s songwriting alongside never-before-heard live studio versions of hits including “The Boxer," “The Sound of Silence," and “Graceland.” This fall, we'll also be releasing an updated version of the audiobook with a brand-new chapter featuring even more from Malcolm and Paul's newly-recorded deep dive into Seven Psalms, some of which you'll hear today.

To celebrate the latest chapter in Paul Simon’s 65-year-career, on today’s episode Malcolm Gladwell sits back down with Paul to discuss the creation of his latest album. Paul explains why he feels music reviews are more about the writer than the piece of music being critiqued, and he talks about why many of his lyrics take a conversational bent. He also recalls how the title came to him in a dream after he considered never writing again.

You can hear a playlist of some of our favorite Paul Simon songs HERE.

Check out the Miracle And Wonder audiobook at miracleaudiobook.com

See omnystudio.com/listener for privacy information.

Over the course of his 35-year career, Damon Albarn has reached international fame with two very different bands. In 1988, Damon created the rock band Blur with three friends in his native London. Blur started out as what Damon calls a “classic art school band.” They quickly moved to the forefront of the ‘90s Britpop explosion along with their formal rivals, Oasis.

After a series of successful albums with Blur, Damon started Gorillaz in 1998 with cartoonist Jamie Hewlett. Dubbed as the world’s first virtual band, the Gorillaz rotating lineup includes collaborations with De La Soul, Stevie Nicks, Bobby Womack and Lou Reed. The band pulls influence from electronic music, hip-hop and world music, and over the last 25 years, Gorillaz has been wildly successful—selling over 30 million albums worldwide.

Despite having found such success, Damon has never stopped exploring his artistic potential. He’s written an opera, released solo and side projects, and recently, he reunited with Blur to release the band’s latest album called The Ballad Of Darren.

On today’s episode Leah Rose talks to Damon Albarn about what it’s like for Blur to headline international music festivals in 2023. Damon also reveals how Gorillaz are about to undergo a major paradigm shift. And he explains how, according to family lore, John Lennon and Yoko Ono first met at his dad’s counterculture art gallery in London.

You can hear a playlist of some of our favorite Damon Albarn songs HERE.

See omnystudio.com/listener for privacy information.

In September, Ben Gibbard, the founder of Death Cab For Cutie, will set out on a nationwide tour to celebrate the two very different albums that have come to define his career.

Both albums came out in 2003. The first was called Give Up, and it was a collaboration with his friend and producer Jimmy Tamborello. They’d made it while Gibbard was taking a break from the relentless cycle of touring and releasing music with Death Cab. They called their new band The Postal Service. Give Up steadily built momentum, found critical acclaim, and eventually became Gibbard’s first platinum selling record. Musically, the Postal Service incorporated various synth and new wave-inspired elements behind Gibbard’s confessional songwriting style, which set a precedent for many of the indie releases over the following decade.

Later that same year, Gibbard went back to his band roots and released Death Cab For Cuties’ breakthrough album, Transatlanticism. This fall Gibbard and his band will play both Transatlanticism and Give Up in their entirety. And today we’ll hear him play three acoustic renditions of his classic songs.

On today’s episode Justin Richmond talks to Ben Gibbard about the conditions that led to the most successful year of his career. Gibbard also gets candid about the woman who inspired multiple songs on Transatlanticism, including the brutally honest, “Tiny Vessels.”

You can hear a playlist of some of our favorite Ben Gibbard songs HERE.

See omnystudio.com/listener for privacy information.

Long regarded as pop music’s resident party animal, Kesha is now dead-set on slowing down and speaking up. Since debuting on the hook of Flo-Rida’s mega smash “Right Round” in 2009, Kesha has released five albums—two of which debuted at number one. And until very recently, she was involved in a decade-long court case with her former producer and label head.

Somehow despite the bitter legal battle and a public struggle with an eating disorder, Kesha has remained steadfast in sharing her art with her fans, who she affectionately refers to as her “animals.”

On today’s episode Justin Richmond talks to Kesha about how working with Rick Rubin on her new album Gag Order provided the safe space she has longed for when making music. She also talks about how she channels Dolly Parton, Iggy Pop and Beyonce when she’s in promotional mode, and how early in her career she lived in a castle with roommate Devendra Banhart.

You can hear a playlist of some of our favorite Kesha songs HERE.

See omnystudio.com/listener for privacy information.

Rickie Lee Jones hit it big with her debut album in 1979. The following year she won the Grammy for Best New Artist, and over the course of the next four decades, she released numerous albums that pulled inspiration from jazz, rock, electronic music, and even musical-theater.

In late April, Rickie released her latest album, Pieces Of Treasure, where she sings songs from the American songbook with a jazz slant. Producer Russ Titelman, who produced Rickie’s first two albums, reunited with her on her latest and helped inspire Rickie to find comfort in a lower register. The result is an oftentimes sultry meditation on aging and survival.

On today’s episode Bruce Headlam talks to Rickie Lee Jones about her decades-long fight to sing jazz even though she is often viewed as an outsider. She also tells stories about leaving home as a young teenager, and the abuse she endured while trying to survive on her own. And she plays songs from her career including one she wrote after seeing John Lennon appear in a dream. And just a note before we get started – this episode contains descriptions of sexual abuse, and might not be appropriate for all listeners.

You can hear a playlist of some of our favorite Rickie Lee Jones songs HERE.

See omnystudio.com/listener for privacy information.

Singer/songwriter Caroline Rose has always been a character. Her music videos often feature Caroline as the screwball lead, navigating ambition, desire and super stardom. Now, on her latest album, The Art of Forgetting, Caroline is shedding all of the past pretense and offering up an unflinching look into her inner life in the midst of personal turmoil. The result is an album packed with clever lyricism and soaring arrangements produced by Caroline with help from Nick Sanborn of Sylvan Esso.

On today’s episode, Broken Record producer Leah Rose talks to Caroline Rose about why she wanted to set her living room on fire for the sake of her album art. Caroline also shares an early demo of a song she wrote under a starry desert sky, and she explains how aside from herself, Caroline’s parents are her harshest critics.

You can hear a playlist of some of our favorite Caroline Rose songs HERE.

See omnystudio.com/listener for privacy information.

Hip-hop super producer Hit-Boy has helped create some of the biggest hits of the last decade. His discography includes classic songs with Jay-Z and Kanye West, Travis Scott, Kendrick Lamar, Beyonce, and Rihanna. His crowning achievement however are the series of albums he's produced for Nas including King's Disease and Magic.

On today's episode Justin Richmond talks to Hit-Boy about how he recently introduced a new, but old, piece of equipment into his beat-making process. He also talks about the years-long process of making a beat on Beyonce's Renaissance, and he explains his creative process with Nas and how they have been able to lock in and create some of the best work of Nas's career.

You can hear a playlist of some of our favorite Hit-Boy songs HERE.

See omnystudio.com/listener for privacy information.

Moby never stops working. His first taste of mega-success came in the early aughts after the release of his multi-platinum album, Play. In the years since, he's released 19 more studio albums including his latest, Resound, NYC, where he re-orchestrates songs he recorded between 1994-2010.

Moby has also spent a good deal of the last two decades unpacking his own unconventional upbringing and his meteoric rise to fame. He’s released two extensive memoirs, and he recently directed “Punk Rock Vegan Movie,” which explores the connection between two of his greatest passions: punk rock and animal rights.

On today’s episode Leah Rose talks to Moby about his compulsive desire to make music and why he’s cut out nearly all IRL socialization as a result. Moby also reminisces about the massive party pad he bought in upstate New York that led to years of all-out debauchery.

You can hear a playlist of some of our favorite Moby songs HERE.

See omnystudio.com/listener for privacy information.

Arlo Parks is one of the most compelling voices of her generation. Born in London, the 22-year-old snagged the Best New Artist trophy at the Brit Awards in 2021 in part because of her breakout single “Eugene,” about an unrequited crush. Arlo’s songwriting is a vivid exploration of the euphoria and heartbreak that comes with being young and in love.

This month, Arlo Parks will release her sophomore record, called “My Soft Machine.” She collaborated with producers who worked with Brockhampton, SZA and Frank Ocean. The album unpacks the anxiety of feeling lost in your 20s, and navigating the uncertainty of life with grace.

On this week’s episode, Justin Richmond talks with Arlo about how seeing Black creators pushing the boundaries of popular music inspires her. She also explains how taking long drives around LA shaped the sound of her new album, and how she first started writing songs at just seven years old.

Plus, we’ll hear Arlo play three of her singles live from the Village Studios in Los Angeles.

You can hear a playlist of some of our favorite Arlo Parks songs HERE. 

See omnystudio.com/listener for privacy information.

Canadian-born singer/songwriter Feist has been one of the most dynamic indie voices of the last two decades. Last month she released her sixth album, Multitudes. She recorded it in the aftermath of tremendous personal loss and change. In late 2019 Feist adopted a baby just months before the pandemic started. About a year later, her father died suddenly. Multitudes is a raw, intimate look at how she grappled with deep-seated grief and a new kind of love.

On today’s episode Leah Rose talks with Feist about how being assaulted in high school ultimately led to her gaining resilience. Feist also remembers the day her music career began when was asked to front a hardcore punk band, and how screaming on stage–and ultimately blowing out her voice–forced her to develop her intimate, career-defining singing style.

You can hear a playlist of some of our favorite Feist songs HERE.

See omnystudio.com/listener for privacy information.

Kenny “Babyface” Edmonds is a pillar of contemporary R&B. As a producer and songwriter, Babyface’s discography includes hits for powerhouse vocalists like Aretha Franklin, Whitney Houston, Beyonce, Ariana Grande, and Stevie Wonder.

Although Babyface’s career is most often associated with pop hits, he started writing songs in the singer/songwriter tradition, pulling influence from James Taylor and The Beatles.

On today’s episode Justin Richmond talks to Babyface about the childhood crushes he had that continue to inspire his songwriting today. He also plays a song he wrote in high school that he considers one of the best songs he's ever written. And he reveals how he was on the verge of making new music with Whitney Houston a month before she died.

You can hear a playlist of some of our favorite Babyface songs HERE.

See omnystudio.com/listener for privacy information.

Today, we’re bringing you a preview of a new audiobook, So Many Steves. Steve Martin is more candid than he’s ever been about his creative life in this engrossing audio-biography centered around a series of conversations recorded over many afternoons at home with his friend and neighbor, writer Adam Gopnik. You can get So Many Steves, exclusively on audio, now at https://www.pushkin.fm/audiobooks/so-many-steves-afternoons-with-steve-martin or wherever you get your audiobooks.

See omnystudio.com/listener for privacy information.

Today we have part two of our run of interviews with The National in celebration of their new album, First Two Pages of Frankenstein. Last week Broken Producer producer Leah Rose talked to guitarist and composer Aaron Dessner, and today Leah picks up the conversation with the band’s lead singer, Matt Berninger.

Matt, whose fear and anxiety are often on full display in his songwriting, talks about overcoming a debilitating bout of depression in the period before he started writing songs for the new album. He also explains how the combination of weed and iced tea help him spark creativity. And why he hopes his songwriting impresses Phoebe Bridgers and Taylor Swift.

You can hear a playlist of some of our favorite songs from Matt Berninger and The National HERE.

See omnystudio.com/listener for privacy information.

Today we’re kicking off a two-part series of interviews with members of The National, who just released their ninth album, First Two Pages of Frankenstein. Today’s conversation is with Aaron Dessner, The National’s guitarist and oftentimes lead composer.

Outside of The National, Aaron is also a prolific producer, having worked with a slew of artists, including, most famously, Taylor Swift. During the pandemic Dessner and Swift teamed up to write music that would eventually become Taylor’s critically acclaimed indie-leaning albums Folklore and Evermore.

On today’s episode Broken Record producer Leah Rose talks to Aaron Dessner about how an invitation to open an arena tour for Bon Iver led to him writing the music that he would eventually share with Taylor Swift. Aaron also talks about how The National almost came to a breaking point after a grueling tour schedule, and he opens up about his battle with depression as a teenager and how his twin brother Bryce carried him through it.

You can hear a playlist of some of our favorite songs from Aaron Dessner and The National HERE.

See omnystudio.com/listener for privacy information.

Roger McGuinn is best known as the driving force behind The Byrds. But McGuinn is also a preservationist of traditional folk music. For the past 27 years he’s been re-recording traditional folk songs and sharing them on  a section of his website called The Folk Den.

On today’s episode Rick Rubin talks to Roger McGuinn about his decades-long career, which started in the early ‘60s at Greenwich Village cafes where he played with the likes of Bob Dylan and Richie Havens. McGuinn reminisces about the vibrant music scene in LA, and he also talks about meeting his Byrd’s bandmate David Crosby.

We’ll also hear Roger McGuinn play his guitar throughout the interview, and talk about how playing basketball with Bob Dylan helped inspire Dylan’s storied tour, the Rolling Thunder Revue.

You can hear a playlist of some of our favorite Roger McGuinn and The Byrds songs HERE.

See omnystudio.com/listener for privacy information.

Today, we’re sharing a fantastic episode from a podcast we love, Louder Than A Riot from NPR Music. Louder Than A Riot connects the stories of hip-hop's biggest artists to socio-political changes we’re going through right now. This season, Louder Than A Riot is tackling the connection between hip-hop and misogyny. Hosts Sidney Madden and Rodney Carmichael dig into the unwritten rules of rap that have marginalized Black women for decades, and highlight the rule breakers who refuse to play nice.

Today's episode tells the story of the first female MC, MC Sha-Rock. She’s a rapper from The Bronx and former member of the Funky 4 Plus One More who laid the foundations of rap as we know it. But even though she’s a pioneer, Sha’s name often gets left out of conversations around the history of hip-hop. Why is that? Because decades ago, Sha-Rock had to deal with the hurdles that so many women in rap still face today: Getting tokenized by her own peers and played by the industry.

You’re about to hear the story from the people who lived it: Interviews with Sha-Rock, along with rappers who she inspired like DMC and historical experts like author Clover Hope. This episode is a meditation on legacy: Who gets afforded a legacy in hip-hop? Who gets left out? And how can you reclaim a legacy stolen from you?

We hope you enjoy this episode as much as we did. You can listen to more episodes of Louder Than A Riot from NPR Music, wherever you listen to podcasts.

See omnystudio.com/listener for privacy information.

George Clinton revolutionized funk music with Parliament Funkadelic, whose theatrical, sci-fi, performance art has captivated audiences worldwide for over five decades. P-Funk’s blend of psychedelic rock and deep, repetitive funk grooves helped bridge the R&B and rock worlds in the ‘70s along with acts like Sly and The Family Stone.

Known as Dr. Funkenstein, George Clinton orchestrated multiple solo acts under the P-Funk umbrella. By the ‘80s, Clinton was also charting as a solo artist with hits like “Atomic Dog,” all of which would later lay the groundwork for hip-hop’s classic G-Funk era.

On today’s episode Rick Rubin talks to George Clinton on Zoom about the origins of his original vocal group, The Parliaments. George also reminisces  about the time he dared James Brown to do the splits 18 times in a row while on a music industry panel with Madonna and the Red Hot Chili Peppers.

You can hear a playlist of some of our favorite George Clinton and Parliament Funkadelic songs HERE.

See omnystudio.com/listener for privacy information.

Today we have the second part of Rick Rubin’s conversation with legendary singer/songwriter Graham Nash. We dropped part one a couple of weeks ago, so definitely go check that out if you haven’t already.

On today’s episode Graham tells Rick about the time the Grateful Dead were recording next to CSNY and how Jerry Garcia improvised a near-perfect pedal steel solo on “Teach Your Children.” Graham also describes a bizarre encounter with the judge who sentenced his father to prison, and he shares the inspiration behind his new solo album, Now.

You can hear a playlist of some of our favorite Graham Nash songs HERE.

See omnystudio.com/listener for privacy information.

U2’s The Edge is one of only a handful of guitarists who's as recognizable as his band’s wildly successful frontman. U2 has been playing together since 1976, when they were all teenagers in Dublin. Nearing their 50-year anniversary as a band, U2 just released their latest album, Songs of Surrender—a 40-track collection of reimagined and stripped down songs that span the entirety of their catalog.

On today’s episode Rick Rubin talks to The Edge about his theory behind the band’s longevity. The Edge also shares stories about writing U2 classics like “New Year’s Day” and “Where The Streets Have No Name.” And he explains why Bono singing at the top of his range can be a bit much.

You can hear a playlist of some of our favorite U2 songs HERE.

See omnystudio.com/listener for privacy information.

At 81 years-old, Graham Nash describes his life as, “a magic story from beginning to end.” Graham’s career began in 1962 as a singer/songwriter in the British pop band The Hollies. After a string of hits in the UK, Graham left the Hollies, and moved to L.A. to start a band with the former Byrds vocalist, David Crosby, and Stephen Stills, whose band Buffalo Springfield had just broken up. From the start, Crosby Stills & Nash were dubbed a folk-rock supergroup, and they went on to become one of the era's most revered bands, thanks to their gorgeous three-part harmony and exquisite songwriting.

Following the death of David Crosby in January, Rick Rubin sat down with Graham Nash to talk about Graham’s deep love and admiration for Croz. On today’s episode we’ll hear the first part of Rick’s conversation with Graham, who reminisces about the day he met Crosby, who immediately rolled Graham the most perfect joint he’d ever seen. Graham also explains how it was actually Cass Elliot from the Mamas and the Papas who was responsible for bringing CSN together, and he recalls classic stories about Neil Young’s unpredictable early days in CSNY.

You can hear a playlist of some of our favorite Graham Nash songs HERE.

See omnystudio.com/listener for privacy information.

Today we're excited to share a preview of Justin Richmond's new Pushkin Industries podcast, Started From The Bottom. Every week on Started from the Bottom, Justin interviews successful people who grew up on the outside—women, people of color, anyone not part of the old boy's network—to find out how they were able to beat the odds.

Today's episode features an interview with Charlamagne Tha God. Over his 25 year career, Charlamagne clawed his way to the top of the radio industry. On today's episode, the long-time host of The Breakfast Club tells Justin Richmond what it took for him — a young man suffering from anxiety, constantly in and out of jail — to become an icon of modern media.

Listen, follow, and subscribe to Started From the Bottom wherever you get your podcasts.

See omnystudio.com/listener for privacy information.

Today we have part two of Rick Rubin’s conversation with producer and composer, Giles Martin. In part one, Giles talked about his delicate work remastering classic Beatles albums. Today we’ll hear Giles talk about his dad, Sir George Martin, who never second guessed his own genius. Giles also shares hilarious stories from his time as a teenager living at his father’s storied studio that was destroyed by a volcano in the Caribbean. Plus, he talks about the time he was fired and then rehired by Martin Scorsese.

You can follow Rick Rubin's new podcast, Tetragrammaton, at https://podcasts.apple.com/us/podcast/tetragrammaton-with-rick-rubin/id1671669052

You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE.

See omnystudio.com/listener for privacy information.

Tyler, the Creator spent three days this summer in Italy with Rick Rubin. At the end of the three days they sat down to record a conversation about Tyler's new album, "Igor". They play through some tracks off the album and Tyler even plays some piano.

See omnystudio.com/listener for privacy information.

Usher is one of few R&B acts from the ‘90s who has gone on to become a global superstar. Since the start of his 30-year career, Usher has sold over 65 million records worldwide. He’s also starred in the Broadway musical Chicago, been a coach on The Voice, and recently added a Las Vegas residency to his long list of artistic achievements.

On today's episode Justin Richmond talks to Usher about why conflict has always been a big motivator in his songwriting—especially when working with producer Jermaine Dupri on his 2004 classic album, Confessions. Usher also explains how elder statesmen like Quincy Jones have helped him maintain a level of sophistication throughout his career. And he reveals why he thinks his first ever single was too raunchy.

You can hear a playlist of some of our favorite Usher songs HERE.

See omnystudio.com/listener for privacy information.

Vampire Weekend returned this month with their first record in six years, "Father of the Bride". And long before it sat on top of the Billboard album chart, the band's leader, Ezra Koenig and producer Ariel Rechtshaid stopped by Shangri La Studios in Malibu to talk with Malcolm and Rick. Ezra explained how he and Ariel have been laboring over the new album, re-working some songs hundreds of times before finally feeling like they got it right.

To listen to the full album, go to https://brokenrecordpodcast.com/

See omnystudio.com/listener for privacy information.

The legendary composer and songwriter Burt Bacharach passed away last week at 94. Today we are re-running an interview Bruce Headlam did with Burt and Daniel Tashian, who released an EP together in 2020 called Blue Umbrella.

Justin Richmond also checks in with Daniel Tashian to talk about Burt Bacharach's tremendous skill as a composer. Danial shares the tips he took away from working with Burt, and he talks about how they were collaborating on new music right up until the end.

You can hear a playlist of some of our favorite Burt Bacharach and Daniel Tashian songs HERE.

See omnystudio.com/listener for privacy information.

Bruce Springsteen is a national treasure. Since his debut album nearly 50 years ago, Springsteen has helped define the American working-class psyche through a collection of world-renowned hit songs. In this interview with Malcolm Gladwell and Rick Rubin, Bruce talks about how listening to Born To Run 45 years after it was released made him realize just how good he really is. He also talks about how his Irish and Italian sides physically manifest into songs, and how he recorded his stellar new album, Letter To You, live with the E Street Band in just four days.

Subscribe to Broken Record's YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast

You can also check out past episodes here: https://brokenrecordpodcast.com/

See omnystudio.com/listener for privacy information.

Giles Martin may be the son of famed Beatles record producer Sir George Martin, but he’s also an acclaimed producer and composer in his own right. He’s worked on projects with The Rolling Stones, Elton John and Metallica, and is celebrated for his work remastering albums from The Beatles, including Sgt. Pepper’s, Abbey Road, and The White Album.

Last October Giles’ remaster for Revolver was released along with never-before-heard home demos and outtakes from The Beatles. Giles was able to separate the original 1966 mono recording tracks with the help of director Peter Jackson’s audio team, who used AI technology. Giles' resulting mix allows listeners to hear the original recordings with clarity and precision like never before.

On today’s episode Rick Rubin talks to Giles Martin about his approach to remastering the Beatles and the responsibility that comes along with it. Giles also talks about growing up in the music industry, why he didn’t have a stereo in his house as a young boy, and how he became his dad’s ears in studio sessions after his father lost his hearing.

You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE.

See omnystudio.com/listener for privacy information.

Today we have part two of Rick Rubin’s conversation with proto-punk icon, Iggy Pop. If you didn’t catch part one last week where Iggy talked about his early days with the Stooges and the inspiration behind some of their most seminal songs, make sure you check that out.

On today’s episode you’ll hear Iggy talk in-depth about the years he spent working and touring with David Bowie. He also explains how James Brown inspired his legendary performance style, and then Iggy recalls the ridiculous antics that led to him bleeding on stage for the first time.

You can hear a playlist of some of our favorite Stooges and Iggy Pop solo songs HERE.

See omnystudio.com/listener for privacy information.

Iggy Pop is one of the most outrageous rock ‘n roll frontmen to ever step foot on stage. As the lead singer of The Stooges, Iggy was known for bending and contorting his sometimes-bloodied body while feverishly pacing the stage like a wild animal. Iggy’s 50-year career has been as tumultuous as his performance style. When The Stooges first broke up in the mid-70s, Iggy went solo and recorded a series of albums, some instant classics, others more experimental.

At 75 years-old he’s just released his newest album, Every Loser. On today’s episode Iggy shares incredible stories with Rick Rubin about his career. Their conversation was so great that we decided to split it into two consecutive episodes.

Today we’ll hear Iggy reminisce about recording Fun House in Los Angeles, and the first time he saw the ocean. Iggy also talks about the tight-knit rock scene in Detroit and how it was in some ways led by a local writer, activist and music manager named John Sinclair. Also, stay put at the end of this episode to hear a song off of Iggy’s new album.

You can hear a playlist of some of our favorite Stooges and Iggy Pop solo songs HERE.

See omnystudio.com/listener for privacy information.

Today the interviewer becomes the interviewee. In his nearly 40-year career as a producer, Rick Rubin has helped unlock creativity and inspire musical genius time and time again. The artists he’s worked with often say that one of Rick’s superpowers is his expert ability to listen deeply, and to help guide whoever he’s working with to find their deepest expression of truth.

This month Rick released his first book, called The Creative Act: A Way Of Being. In it he shares practical principles on how anyone can generate creative authenticity and ultimately find their voice.

On today’s episode Malcolm Gladwell talks to Rick about The Creative Act, and they explore the principles in the book that are applicable to feelings of stagnation beyond artistic life. Rick talks about why he believes creativity comes from external forces rather than internal ones, and he explains why he believes that self expression isn’t actually about you.

See omnystudio.com/listener for privacy information.

Here’s a preview of a new podcast from Pushkin, Story of the Week. Each week, journalist Joel Stein chooses an article that fascinates him, convinces the writer to tell him about it, and then interrupts a good conversation by talking about himself. Sometimes the story will be the one everyone is talking about, like the New Yorker article on smoking hallucinogenic toads. Other times we’ll find a story you might have missed, like the one in the Verge about the rock groupie turned hacker who had huge corporations at her mercy. These are stories you’ll tell your friends about. Stories that stick with you long after you forget whatever headline you just doom-scrolled through. Hear the full episode, and more from Story of the Week, at https://podcasts.pushkin.fm/sotw?sid=record. 

See omnystudio.com/listener for privacy information.

Today, we are featuring “The Voice of Christmas,” Mr. Johnny Mathis. Over the years, Mr. Mathis has released six Christmas albums. His iconic first holiday record, Merry Christmas, is a tribute to his mother and father and still stands as one of the most beloved collections of Christmas music ever. Now 87 years-old, Johnny is celebrating his 66th year as a recording artist. And he’s still performing. In fact, we only had a brief 30 minutes to speak with him because he needs to save his voice for his rigorous performing schedule.

On today's episode, Justin Richmond talks to Johnny about his illustrious career, and performing with greats like Duke Ellington and Nat King Cole. And Johnny shares the story about how he turned down the opportunity to qualify for the 1956 Olympics to launch his music career.

You can hear a playlist of some of our favorite Johnny Mathis songs HERE.

See omnystudio.com/listener for privacy information.

Today we have part four of our John Frusciante Returns series. This is the latest installment of Rick Rubin’s on-going series of in-depth interviews with the Red Hot Chili Peppers guitarist. And if this is the first interview you’re hearing, make sure to go back and check out the first three parts.

On this episode we'll hear John Frusciante play through more of his guitar parts, and he’ll explain how he came up with some of the best guitar melodies in modern rock history. John also talks about how playing along to classic heavy metal albums from Black Sabbath and Van Halen, as well as dancing all night at drum and bass clubs helped shape his style on the 2002 album, By The Way. He also explains how listening to Brandy, Destiny’s Child and Wu-Tang Clan helped influence his playing on Stadium Arcadium.

You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE.

See omnystudio.com/listener for privacy information.

We’re back with the third episode in our John Frusciante Returns series. Over the past couple of months Rick Rubin and John Frusciante of the Red Hot Chili Peppers have come together to tape an on-going series of conversations that dives deep into John’s philosophical and practical approach to writing music and playing guitar. If you haven’t heard the previous episodes, make sure to check them out.

Today, we’ll hear John talk about his love of electronic music and how he struggled to fall back in love with guitar-based rock before recording the Chili Peppers latest set of albums. He also talks about the process of making Californication, and near the end of the interview, John picks up a guitar to play through some of his most well known guitar parts from that album.

You can listen to a playlist of some of our favorite Red Hot Chili Peppers songs HERE.

See omnystudio.com/listener for privacy information.

The British hip-hop subgenre grime first started to bubble up in London in the early aughts. Artists like Wiley and Dizzee Rascal developed an entirely new style by rapping over lightning-fast beats inspired by UK garage, techno and jungle.

Today’s guest, Stormzy is at the forefront of grime’s newest generation. He rose to prominence in 2015 after uploading a video to YouTube where he freestyled over classic grime tracks. Since then Stormzy has released three number one albums in the UK, won three Brit Awards, and become the first British rapper to headline the Glastonbury festival.

Just before releasing his third album, This Is What I Mean, Stormzy met up with Rick Rubin in London for a cover story from i-d Magazine’s Royalty issue. This is the recording of that conversation. On today’s episode we’ll hear Stormzy play Rick songs from his new album, and explain why he decided to consider his audience last when recording it. And Stormzy talks about how a painful break-up and trusting God helped lead him to a new melodic, soulful sound.

You can listen to a playlist of some of our favorite Stormzy songs HERE.

See omnystudio.com/listener for privacy information.

If Broken Record had an all-star list, Neil Young would be at the top. He’s been on the show three times now, and his legendary body of work has been brought up by more musicians interviewed on our show than any other artist—except maybe Joni Mitchell. That’s because Neil is a true artist’s artist. His dedication to his craft is resolute. He’s been writing and singing songs since the early '60s and his creative output has been near constant for the last six decades.

Neil stopped by Shangri-La following the release of Crazy Horse’s latest album, World Record. The album was produced by Rick Rubin, and on today’s episode, Neil talks to Rick about the remarkable way the new songs were conceived. Neil also reminisces about recording After The Gold Rush and Harvest. And he explains how THC changes his relationship to music.

You can listen to a playlist of some of our favorite Neil Young songs HERE.

See omnystudio.com/listener for privacy information.

Today we're sharing a fun conversation with the musicians who scored another Pushkin Industries podcast—Bad Women. The first season of Bad Women focused on reconstructing the lives of the five women that Jack the Ripper murdered. Now, the second season centers around a murderer every bit terrifying as Jack the Ripper, the so-called Blackout Ripper.

On today's episode, Justin Richmond speaks with sound designer Pascal Wyse and jazz guitarist Ed Gaughan about their music-rich score. They talk about how they evoked the atmosphere of war-time bars and jazz clubs in 1940's London, and we'll hear them play examples of arrangements they created for the series.

Listen and subscribe to season two of Bad Women HERE.

See omnystudio.com/listener for privacy information.

Today we have part two of Bruce Headlam’s conversation with YouTube sensation turned five-time Grammy winner Jacob Collier. We left off our last episode with Jacob talking about what it’s like to perform to an audience of thousands of people after spending years growing his fan base online. In this episode, we’ll hear Jacob play the piano and go even deeper into music theory.

Jacob also talks more about his new album, Piano Ballads, and about how the song “Moon River” taught him the power of centering his avant-garde arrangements on emotions.

You can listen to a playlist of some of our favorite Jacob Collier songs HERE.

See omnystudio.com/listener for privacy information.

Musical genius and multi-instrumentalist Jacob Collier joins us today for part one of a two-part conversation. In 2011, when Jacob was only 17, he began posting videos to YouTube of himself singing and playing music. His break-out video, a rendition of Stevie Wonder’s “Don’t You Worry ‘Bout a Thing” received millions of views and praise from musical legends like Herbie Hancock, David Crosby, and Quincy Jones.

Since then, he’s gone on to release five albums, including his 2016 self-produced debut In My Room, and this year's Piano Ballads, an 11-track album of  improvised piano pieces he played at various shows during a recent tour.

On today’s episode, Bruce Headlam speaks to Jacob Collier about making his latest live album, his creative process, and his musical admiration for Stevie Wonder. Jacob also plays piano throughout the two episodes, and breaks down advanced musical concepts.

You can listen to a playlist of some of our favorite Jacob Collier songs HERE.

See omnystudio.com/listener for privacy information.

Maggie Rogers has never been one to mince words. Aside from her powerhouse voice, one of Maggie’s superpowers is her ability to write pop songs fueled by radical emotional transparency. And while it’s thrilling when an artist bares their soul, that level of constant vulnerability can be unsustainable.
In 2019, after releasing her Grammy-nominated debut, Heard It In A Past Life, and then touring the album relentlessly, Maggie was desperately in need of time away from the spotlight. Just before the pandemic she retreated to her parent’s home in coastal Maine. There, she began writing and recording for her follow-up album, Surrender.

Maggie also started to think deeply about her role as a pop star, and the relationship between herself and the audience. In 2021 she enrolled in a masters program of religion and public life at Harvard Divinity School. There, her studies focused on the spirituality of public gatherings and the ethics of power in pop culture.

On today’s episode, producer Leah Rose talks to Maggie Rogers about how comforting it was for her to become a student again. Maggie also recalls the time she took motorcycle lessons to re-channel the massive amounts of adrenaline she experienced on her first tour. And, we’ll hear the song from Maggie’s new album that she says is the perfect distillation of where she is at now as an artist.

You can hear a playlist of our favorite Maggie Rogers songs HERE.

See omnystudio.com/listener for privacy information.

In her new Pushkin audiobook Inside Voice: My Obsession with How We Sound, actress/writer/director/producer Lake Bell goes down some fascinating rabbit holes, exploring the psychology and social science of our voices.  But you gotta start with the mechanics.  In this excerpt you’ll hear Lake's conversation with ENT doc to the stars Dr. Randolph Schnitman. He's treated the who’s who of music, strengthening and even saving their voices. If you’re interested at all in how our voices make beautiful music, you’ll like Inside Voice. Available at insidevoiceaudiobook.com, Audible, Apple Books, Spotify, and wherever audiobooks are sold.

See omnystudio.com/listener for privacy information.

Today we’re excited to bring you the next installment of our John Frusciante interview series. John first came on the podcast back in April to help celebrate the release of the Red Hot Chili Peppers album, Unlimited Love. Then he returned in mid-October to discuss Chili Pepper history, one album at a time.

On today's episode we'll hear John talk about the Chili Peppers brand new release—their second number one album in six months—Return Of The Dream Canteen. John also picks up a guitar and walks Rick through his pre-show warmup and demonstrates how he came up with the now-classic major to minor chord changes on “Under The Bridge.” And, he talks about how he was able to overcome his desire to impress others while recording Stadium Arcadium.

Stay tuned to the end of this episode for details about part three of what is shaping up to be an intimate series of interviews between Rick Rubin and John Frusciante.

You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE.

See omnystudio.com/listener for privacy information.

Today we are featuring one of the most thrilling new groups in contemporary soul music—Gabriels. And lucky for us, they performed three songs, one of which is still unreleased, live for Broken Record.

Gabriels consists of three very distinct pillars of talent: lead singer Jacob Lusk, who was raised in Compton singing gospel. Keyboardist and producer Ryan Hope, who grew up a lover of dance music in his native UK. And Los Angeles native, Ari Balouzian, who serves as Gabriels' in-house composer and violinist.

Gabriels’ origin story is as unconventional as their diverse musical backgrounds. In 2016 Ryan Hope and Ari Balouzian were hired to direct and score a commercial with a gospel choir. After hearing the choir director Jacob Lusk sing, a light went off for Ari and Ryan. Over the course of the next couple of years, the trio started to record and release songs independently. In 2021, those songs caught fire online. Sir Elton John said their debut EP was one of the most seminal records he’d heard in the last 10 years.

On today’s episode Rick Rubin sits down with Gabriels to hear how they were able to create a working environment that allowed space for vulnerability and musical exploration. And lead singer Jacob Lusk tells a harrowing story about getting lost in the LA county jail system in an effort to clear his name so he could appear in the finale of American Idol.

You can hear a playlist of some of our favorite songs by Gabriels HERE.

See omnystudio.com/listener for privacy information.

Today we will hear from singer-songwriter and playwright Anaïs Mitchell who spent the past 16 years building the world of Hadestown, a career-defining stage musical that has grown from a low-budget community production in Mitchell's native Vermont, to a Broadway phenomenon and the winner of eight Tony Awards, including Best Musical and Best Original Score. But in March 2020, when the COVID-19 pandemic shuttered theaters, Anaïs, like so many others, moved back home to Vermont. The move and change of pace inspired her to start writing indie folk songs.

Her self-titled album, released at the beginning of 2022, is made up of those songs. It’s produced by Josh Kaufman, and was made with collaborators like Bon Iver, The National, and her own band Bonny Light Horseman. On today’s episode, Bruce Headlam speaks with Anaïs Mitchell about her new album and how Hadestown came to be. She also plays some songs off her album live, just for us.

You can hear a playlist of some of our favorite songs written and performed by Anaïs Mitchell HERE.

See omnystudio.com/listener for privacy information.

Today we’re sharing one of the most intimate conversations Rick Rubin has ever had on Broken Record. It’s with the famed guitarist of the Red Hot Chili Peppers, John Frusciante.

Rick Rubin last spoke to John back in April when the Chili Peppers were getting ready to release their album, Unlimited Love, their first record with Frusciante in 16 years. Unlimited Love debuted at number one in the U.S. and 15 other countries. Today, just a little more than six months later, the Chili Peppers released a second Rick Rubin-produced album, Return Of The Dream Canteen.

On today’s episode we’ll hear John Frusciante talk about the band’s early music, including the making of Blood Sugar Sex Magik. They talk about how his contributions on slower, more melodic songs like “Under The Bridge” and “Breaking The Girl” helped expand the Chili Peppers funk punk sound. John also talks candidly about the dark, drug-addicted years that followed the intense success of Blood Sugar. And he explains how he was able to finally get sober and rejoin the Chili Peppers to record their classic, commercial comeback album, Californication.

You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE.

See omnystudio.com/listener for privacy information.

Bartees Strange is an amalgamation of musical styles. Listen to any given song on his newest release, Farm To Table, and you can hear hints of early aughts emo, auto-tuned hip-hop vocals, and country blues—all housed in an indie rock veneer. Bartees wide-reaching sound makes perfect sense given his Midwest upbringing and early influences. He was raised in Mustang, Oklahoma as one of the few Black kids in an area rife with racial violence. As a  teenager he discovered Christian hardcore punk and for the first time he felt at home in a scene that embraced outsiders of all kinds.

After graduating college and a stint working in D.C., Bartees  moved to Brooklyn where he found a bunch of musical collaborators. In 2020 he released his debut album, Live Forever, and this year he dropped his follow-up album, Farm To Table, to critical acclaim.

On today’s episode Justin Richmond talks to Bartees Strange about his ascent into the upper echelon of indie rock, now that he considers artists like Phoebe Bridgers and Lucy Dacus friends. Bartees also performs an acoustic version of his song “Heavy Heart," and he plays stems from two songs off his new album, revealing how he is able to expertly build what he calls, “sections on sections.”

You can listen to a playlist of some of our favorite Bartees Strange songs HERE.

See omnystudio.com/listener for privacy information.

Sylvan Esso’s Nick Sanborn and Amelia Meath have been making music together since 2013, when Amelia asked Nick, a music producer and bassist, to remix her band Mountain Man’s hit single “Play It Right.” He did, and the rest is history. Sylvan Esso has always had a very sleek, electro-pop feel to their production. Amelia’s powerful voice is front and center, surrounded by harmonies and samples of her own voice. Nick’s genre-destroying bass creates intricate, pulsing grooves for Amelia’s voice to inhabit.

Now, the married couple and electronic duo have released their fourth studio album, No Rules Sandy. It’s a follow-up to the band’s Grammy-nominated 2020 album, Free Love. The new album is a mix of improvisation and experimentation. On today’s episode, Bruce Headlam speaks with Amelia and Nick about their creative process and how No Rules Sandy came to be. They also play two songs off their new album live.

You can hear a playlist of some of our favorite Sylvan Esso songs HERE.

See omnystudio.com/listener for privacy information.

Today we have Susan Tedeschi and Derek Trucks of the Tedeschi Trucks Band on the show. Derek Trucks made his name as a slide guitar prodigy with a Hall of Fame pedigree. He’s the nephew of Butch Trucks, drummer of the Allman Brothers Band, who Derek toured with extensively throughout the 2000s before forming the Derek Trucks Band.

Somewhere along the road, Derek met another great guitarist with a Berklee-pedigree, Susan Tedeschi, who is one of the best singers working today. Eventually the two married and merged their bands in 2010. Their latest album, I Am The Moon, is a collection of 24 songs across four different albums.

On today’s episode, Justin Richmond speaks with Susan and Derek about the beginnings of their band, and how their new album came to be. They also play some of their new songs live from backstage at the Greek Theater in Los Angeles.

You can listen to a playlist of some of our favorite Tedeschi Trucks Band favorite songs HERE.

See omnystudio.com/listener for privacy information.

We have friend of the show Jack White back on the show today along with a legendary special guest. This conversation with Rick Rubin is full of fascinating ideas, asides and musical history that let you know just how deep Jack White is. Jack's work and a business ethic is unparalleled. His label Third Man Records has a rich roster of artists and three retail stores. They also own one of the few fully operational vinyl pressing plants in the U.S. which has been working overtime to keep up with the surging demand for vinyl. Jack also released two full length albums this year, and he’s currently on a worldwide tour.

After a recent two-night stand in Los Angeles, Jack stopped by Shangri-La to talk to Rick Rubin about the early Garage Rock scene in Detroit that helped shape him and The White Stripes. He also shared potential theories about why the “Seven Nation Army” riff is so catchy. And then he treats Rick and a surprise guest to an acoustic performance of his new song “A Tip From You To Me.”

And to cap it all off, we will hear exclusive details about an exciting new project Rick’s been working on, that will be out soon.

You can listen to a playlist that includes Jack White's latest album, along with all of our favorite songs from him, The White Stripes, and a sampling of his many side projects HERE.

See omnystudio.com/listener for privacy information.

Today we are re-visiting one of our favorite episodes from 2019 featuring Rick Rubin in conversation with Justin Vernon and his engineer Chris Messina. In 2006 Justin Vernon started Bon Iver as a solo project after the end of a romantic relationship and the break up of his college band.

Justin recorded Bon Iver's first album, For Emma, Forever Ago, alone over three months in his dad’s hunting cabin deep in the woods of Western Wisconsin. His setup consisted of a small recording rig and a couple guitars. In the years since, Justin Vernon’s music has evolved dramatically. For one, Bon Iver is no longer a solo project—it’s still centered around Justin, but it now includes a bunch of musicians and collaborators including his engineer, Chris Messina.

On today's episode, Justin talks about how allowing himself to be bored without any guilt, led to him creating his now classic debut. He also talks about how the harshness of the Wisconsin winters along with the absence of any big city thrills first influenced his sound. And, Justin explains his unwavering love for his favorite song of all time “Fugitive,” by The Indigo Girls.

Listen to a playlist of some of our favorite Bon Iver songs HERE.

See omnystudio.com/listener for privacy information.

Today we are revisiting one of our favorite early episodes of Broken Record with the legendary producer, Nile Rodgers. Over the course of his five decade-long career, Nile Rodgers has performed on, written, and produced some of the greatest dance songs of all time, including Diana Ross’s “I’m Coming Out,” Daft Punk’s “Get Lucky,” and Madonna’s “Like A Virgin.”

Back in Fall of 2018, Nile met up with Bruce Headlam at the same New York City recording studio where 35 years earlier, Nile recorded the Let’s Dance album with David Bowie. This time around, Nile brought his famed disco funk band Chic to the interview to perform live renditions of their classic hits including, “Le Freak,” “Good Times,” and “Everybody Dance.” So all the music you will hear in today’s episode was recorded live, just for us.

In between performances, Nile shares exhilarating stories from his life, including how he found salvation as a young jazz guitarist whose teenage mom struggled with heroin addiction. Nile also talks about the night he played old James Brown tunes with Prince and Rolling Stones guitarist Ron Wood at a small club in London. And he explains what it was like going clubbing with Madonna as her star was starting to explode in the mid-’80s.

You can listen to a playlist of some of our favorite songs produced by Nile Rodgers HERE.

See omnystudio.com/listener for privacy information.

Kaytranada’s futuristic, soulful disco sound is suddenly everywhere—including on his new hit song “Twin Flame” with Anderson .Paak. The Haitian-Canadian DJ/producer got his start as a teenager by uploading J. Dilla and Flying Lotus-inspired beats to SoundCloud. In 2012 his edit of Janet Jackson’s “If” exploded and became a massive viral hit. In the 10 years since, Kaytranada has remixed dozens of records and released two studio albums, including the Grammy award-winning Bubba.

On today’s episode Rick Rubin and Kaytranada sit down to talk about how using technology unconventionally can lead to creating an entirely new sound. Kaytra also explains the anxiety he felt as an up-and-coming hip-hop producer who could never quite connect with an MPC drum machine. And he talks about what it’s like rocking stadiums as the opening DJ on the Weeknd’s worldwide tour.

You can listen a playlist of our favorite Kaytranada songs here.

See omnystudio.com/listener for privacy information.

Today we are featuring a chat with two members of the Nashville-based string band, Old Crow Medicine Show—lead singer Ketch Secor and drummer Jerry Pentecost. Since forming in 1998, Old Crow has helped preserve folk and blues songs that often pre-date World War II. Old Crow has also released a number of their own songs, and in the folk tradition, put their own spin on their favorite artists’ tunes. Their most successful song to date, the platinum-certified “Wagon Wheel,” was written around a Bob Dylan chorus Ketch heard on an old Dylan bootleg.

On today’s episode Bruce Headlam talks to Ketch Secor and Jerry Pentecost about Old Crow’s latest album, Paint This Town. They share  how they’re raising awareness around the major contributions black musicians like Ray Charles and DeFord Bailey have made to country music. And then Ketch recalls Old Crow’s early days when they went through what he calls “hillbilly bootcamp” learning how to make whiskey, farm tobacco, and shoot groundhogs.

Listen to a playlist of some of our favorite Old Crow Medicine Show songs HERE.

See omnystudio.com/listener for privacy information.