Sidedoor

It started as a rumor in the cafeteria of the Smithsonian Tropical Research Institute in Panama: monkeys on an island in the Pacific were doing something no one had ever seen them do before. But when researchers went searching for these elusive capuchin monkeys, they discovered more questions than answers. Guests: Claudio Monteza, Smithsonian Tropical Research Institute fellow and researcher at the Max Planck Institute of Animal Behavior Brendan Barrett, researcher at the University of Konstanz and the Max Planck Institute of Animal Behavior Meg Crofoot, director of the Department for the Ecology of Animal Societies at the Max Planck Institute of Animal Behavior. Former Smithsonian Tropical Research Institute fellow

Money is power. But who's on our money - or isn’t - can be just as powerful. While Lady Liberty has graced American coins and dollars for most of our history, it wasn’t until the 1970s that a real woman appeared on a circulating American coin. But that's about to change. Congress recently authorized the creation of twenty new quarters featuring American women from history. But how do we decide whose likeness gets engraved in our national story? And who makes these decisions? We’ll follow the money to find out. Guests: Jennifer Schneider, former program manager at Smithsonian American Women’s History Museum, current assistant registrar of outgoing and government loans at the Smithsonian American Art Museum Tey Marianna Nunn, former director of the American Women’s History Initiative at the Smithsonian American Women’s History Museum, current associate director for content and interpretation at the Smithsonian’s National Museum of the American Latino Ellen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History Joseph Menna, chief engraver at the United States Mint Tim Grant, public affairs manager at the United States Mint Dave Clark, supervisor of blanking annealing and upsetting at the United States Mint

Did you know a person born on February 29 is called a "leapling"? This special episode is hopping with Leap Day trivia! Like, why do we need an extra day every four years anyway? And will I get paid for working an extra day in February? It's the lowdown on Leap Day in an episode that's as off-kilter as the earth's axis. Guest: Bob Craddock, Geologist at the Smithsonian's National Air and Space Museum's Center for Earth and Planetary Studies

They say love is eternal. What about heartbreak? This Valentine’s Day, we bring you some of Japanese theater’s most popular tales of scorned lovers seeking vengeance from beyond the grave — with a burning passion. Guests:  Frank Feltens, Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art Kit Brooks, Japan Foundation Assistant Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art

From brontosauruses with bronchitis to birds on a wire to flying space rocks and a botched heist at 20 thousand feet. In this episode, Lizzie and Sidedoor producer James run all around the Smithsonian to answer listeners' questions from the Sidedoor mailbag. Guests: Lynn Heidelbaugh, curator at the Smithsonian’s National Postal Museum Sara Hallager, curator of birds at the Smithsonian’s National Zoo and Conservation Biology Institute Jim Nollman, composer and pioneer of the “interspecies music” genre, conceptual artist, and environmental activist Cari Corrigan, research geologist at the Smithsonian’s National Museum of Natural History and curator of the Antarctic Meteorite Collection Sharon Bryant, marketing specialist at the Smithsonian’s Office of Communications and External Affairs Matthew Carrano, research geologist and curator of Dinosauria at the Smithsonian’s National Museum of Natural History

As long as there have been wars, animals have joined their human companions on the battlefield. But a few have served so bravely they’ve been memorialized at the Smithsonian. In honor of these furry and feathered war heroes, we bring you the tales of dogs, cats and birds who went above and beyond the call of duty.  Guests:  Jennifer Jones, curator of military history at the Smithsonian's National Museum of American History  Frank Blazich, curator of military history at the Smithsonian's National Museum of American History  Ann Bausum, author of Stubby the War Dog and Sergeant Stubby: How a Stray Dog and His Best Friend Helped Win WWI and Stole the Heart of a Nation  Scot Christenson, author of Cats in the Navy  Chris Willingham, president of the United States War Dogs Association

Virginia Hall dreamed of being America’s first female ambassador. Instead, she became a spy. Joining the ranks of the U.S.’s first civilian spy network, she operated alone in occupied France, where she built French Resistance networks, delivered critical intelligence, and sold cheese to the enemy. All on one leg. Guests: Sonia Purnell, author of “A Woman of No Importance: the Untold Story of the American Spy who Helped Win World War II.”  Randy Burkett, CIA Staff Historian Christina Gebhard, museum specialist at the Smithsonian’s National Museum of Natural History

It’s a song we often hear at the start of the new year. But what does “auld lang syne” even mean? And how did it come to be associated with New Year's Eve? With a little musical sleuthing, we find Charlie Chaplin might have something to do with it… Guests: James Deutsch, curator of folklife and popular culture at the Smithsonian Center for Folklife and Cultural Heritage

North American River Otters are popping up in places they haven't been seen in decades and nobody really knows why. As we search for answers we discover a trail of fish heads, poop splats and cuddle parties. Guests: Katrina Lohan, head of the Coastal Disease Ecology Laboratory at the Smithsonian Environmental Research Center Alejandra Morales Picard, psychologist at Montgomery College Rebecca Sturniolo, assistant curator of the America Trail at the Smithsonian National Zoo Patty Storms & Morty Bachar, otter neighbors

When Maggie Kuhn was forced to retire from the job she loved at age 65, her colleagues gave her a sewing machine as a parting gift. Outraged, she shut the sewing machine in a closet and, instead, stitched together the first-ever movement against ageism in the U.S. The Gray Panthers would galvanize gray haired citizenry and youth alike to challenge the way Americans think about aging.  Guests: Katherine Ott, curator and historian in the Division of Medicine and Science at the Smithsonian's National Museum of American History Emily Krichbaum, founding director for the Center for Girls' and Young Women's Leadership at Columbus School for Girls and scholar of women’s history Paul Nathanson, founder and former executive director of Justice in Aging (formerly the National Senior Citizens Law Center), a national advocacy group for the elderly poor Jack Kupferman, president of Gray Panthers NYC

All three Giant Pandas are leaving the Smithsonian's National Zoo for China by the end of the year. What's up with that?! We sat down with the director of the Zoo, Brandie Smith, to find out why the pandas are leaving, and whether China plans to send more. This might truly be the end of a beara ... we mean era! Guests: Brandie Smith, John and Adrienne Mars Director of the Smithsonian’s National Zoo and Conservation Biology Institute Stephen Powers, panda fan

The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the Smithsonian home to countless tales of unexplained phenomena and—dare we say—ghost sightings? Inspired by an apparition at the National Museum of American History, we creak across museum attic floorboards, sneak into an old house in the woods, and even travel back in time to bring you a collection of spooky stories that can only be found at the Smithsonian. Guests: Molly Horrocks, Collections Manager, Division of Political and Military History at the Smithsonian’s National Museum of American History Pamela Henson, Institutional Historian at the Smithsonian Libraries and Archives Cpl. Ronald Howlin, Security Officer at the Smithsonian Environmental Research Center Deborah Hull-Walski, Collections Manager, Education Collections at the Smithsonian’s National Museum of Natural History Melissa Johnson, daughter of Deb Hull-Walski and former skeptical teenager Kim Dixon, former volunteer at the Smithsonian’s National Zoo

Looks like these criminals used correct postage, 'cause justice is about to be delivered. Okay, there are no snappy one-liners in this crime scene investigation, but there are explosions, collisions, manhunts and even a cow who was in the wrong place at the wrong time. On the centennial of "The Last Great Train Robbery," we re-examine the evidence to find out how U.S. Postal Inspectors tracked down a band of old school outlaws using cutting edge criminal forensics...and postmarked them for prison. Guests: Lynn Heidelbaugh, curator at the Smithsonian National Postal Museum Chelsea Rose, Director of the Southern Oregon University Laboratory of Anthropology Kate Winkler Dawson, author of American Sherlock: Murder, Forensics and the Birth of American CSI

Cellphones put the power of the world at our fingertips. With the touch of a finger, you can instantly connect with your doctor, have food delivered to your office or simply obliterate your niece at Words with Friends. And it's all made possible by rocks formed millions of years ago, deep underground. Join us as we bust open our devices to figure out how these stones power our phones. Guests: Joshua A. Bell, curator of globalization at the Smithsonian’s National Museum of Natural History Michael Wise, geologist in the department of mineral sciences at the Smithsonian's National Museum of Natural History Josh Lepawsky, professor of geography at Memorial University of Newfoundland

Icky Gunk. Moldy Hay. Kermit. You might recognize one of these names. Before Kermit joined Miss Piggy and Big Bird, he was kicking it with Sam and Friends — a local tv show in Washington, D.C. that launched Jim Henson's career. We journey back to 1955 to figure out how this eccentric cast of puppets built the foundation for everything Jim Henson would do afterwards, from Sesame Street, to The Muppet Show and even Labyrinth (we see you, David Bowie fans). And we venture into the conservation labs to learn what it took to revive these crumbling hunks of foam and fabric when they landed at the Smithsonian. Guests: Ryan Lintelman, curator at the Smithsonian National Museum of American History  Sunae Park Evans, senior costume conservator at the Smithsonian National Museum of American History  Bonnie Erickson, a director of The Jim Henson Legacy; creator of Miss Piggy  Craig Shemin, author of Sam and Friends: The Story of Jim Henson's First Television Show

Sidedoor returns for its tenth season on Wednesday, September 13th!

In 1860 the fastest way to get a message to a family member, partner, or colleague wasn’t by text but by hoof…specifically, a pony’s. In just ten short days the Pony Express delivered mail between St. Louis and Sacramento. To find out what it was like to travel this legendary trail, there’s only one way: get on a horse and follow all 2,000 miles of it. That’s what writer Will Grant did, retracing the route from Missouri to California over four and half months. This guest episode of the Outside podcast brings you an epic camping tale in the name of history.   We’ll be back with new episodes of Sidedoor in September! If you enjoyed this episode, find more stories from Outside at https://www.outsideonline.com/podcast

When a 200-year-old legal document anonymously arrived at his office, Smithsonian Libraries and Archives conservator William Bennett assumed it would be full of boring legal jargon. Instead, he found a juicy tale of family betrayal that would forever change what we thought we knew about the founding of the Smithsonian. In honor of the Smithsonian’s 177th birthday, we’re sharing one of our favorite stories from the Sidedoor collection. Guests: William Bennett, conservator at the Smithsonian Institution Libraries and Archives Social: @rwilliab (Instagram), @SirWilliamB (Twitter) Heather Ewing, author of The Lost World of James Smithson, and Associate Dean at New York Studio School Social: @HPealeEwing Richard Kurin, Smithsonian Distinguished Scholar and Ambassador-at-Large

When you imagine the sound of a dinosaur, you probably think of a scene from the Jurassic Park movies. How do sound designers make these extinct creatures sound so believably alive? And what does modern paleontology tell us about what dinosaurs REALLY sounded like? This guest episode of Twenty Thousand Hertz features Jurassic World sound designer Al Nelson and paleontologist Julia Clarke.   We’ll be back with new episodes of Sidedoor soon! If you enjoyed this episode, you can find more episodes of Twenty Thousand Hertz at 20k.org.

A Smithsonian researcher has made a discovery we couldn't wait to sink our teeth into — what might be the earliest evidence of our human ancestors eating each other. This conversation is a special update from our past episode 'Did Meat Make Us Human?' Bon appétit!

Before the invention of photography, only the rich could afford to have portraits of themselves. But in the early 1800s, a device called the physiognotrace democratized portraiture, making it possible or everyday people to have their images captured in silhouettes. A man named William Bache traveled the United States creating hundreds of silhouette portraits with the aid of the physiognotrace, leaving behind a ledger book that gives us a rare glimpse of early America. A ledger book…laced with poison. Guests Robyn Asleson, curator of prints and drawings at the Smithsonian’s National Portrait Gallery Nora Lockshin, senior conservator for archives at the Smithsonian Libraries and Archives Wendy Bellion, Sewell C. Biggs Chair in American Art History, and associate dean for the humanities at the University of Delaware Carolyn Hauk, doctoral student in the art history department of the University of Delaware, former intern at the Smithsonian’s National Portrait Gallery

America has a long history of clustering heavy industry and toxic facilities in communities where people of color live. But in the 1980s, a series of events sparked a movement to fight back against these environmental injustices. We trace the history of the environmental justice movement from the farmlands of North Carolina to a watershed moment in the nation's capital.    Guests:    Vernice Miller Travis, environmental justice pioneer; Executive Vice President, Metro Group  Rachel Seidman, curator at the Smithsonian's Anacostia Community Museum  Charles Lee, a founder of the environmental justice movement; senior policy advisor, U.S. Environmental Protection Agency Office of Environmental Justice and External Civil Rights

In 1948, Moses Asch set out with an ambitious project: to document the world’s sounds! 75 years later, that project has grown into one of the world’s most eclectic, iconic and LARGEST repositories of recorded sound… from American folk music, to sounds of everyday life, and even a serenade for turkeys. Folkways Recordings —as it's now known— lives on within the Smithsonian, connecting the past, present and future… through sounds. Guests: Michael Asch, anthropologist and son of Moses Asch  Jake Blount, musician and scholar of Black American music  Maureen Loughran, director and curator of Smithsonian Folkways Recordings Jeff Place, curator and senior archivist at Smithsonian Folkways Recordings  Anthony Seeger, curator and director emeritus of Smithsonian Folkways Recordings

Women have long fueled America's greatest scientific achievements. But when you go searching for information about these women scientists, you'll likely come up short. Only 19% of articles on Wikipedia are about women. In the field of science, this difference is even more pronounced. But now, a team at the Smithsonian is using artificial intelligence and good old fashioned research skills to scour the archives for lost women of science and publish their stories … before it’s too late. Guests: Liz Harmon, digital curator, Smithsonian Libraries and Archives Kelly Doyle, open knowledge coordinator, Smithsonian American Women's History Museum Rebecca Dikow, research data scientist, Smithsonian Data Science Lab Tiana Curry, former intern, Smithsonian Data Science Lab

Nowhere in the world are lawns as revered as they are in the United States. The picture-perfect patch of grass is so deeply rooted in the American psyche it feels more like a default setting than a choice. Americans spend countless hours every year seeding, watering, mowing, and fertilizing patches of grass that don't make much sense, economically or ecologically. But why? In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed. Guests: Cindy Brown, manager of collections, education, and access at Smithsonian Gardens Joyce Connolly, museum specialist at the Smithsonian’s Archives of American Gardens Abeer Saha, curator of agriculture and engineering at the Smithsonian’s National Museum of American History Sylvia Schmeichel, lead horticulturist at the Smithsonian’s National Museum of Natural History Jeff Schneider, deputy director of Smithsonian Gardens

As a kid, Bill Nye spent whole days wandering the halls of Smithsonian museums. Now the Science Guy is back… to find his own blue lab coat and periodic table bowtie on display at the National Museum of American History. We sit down with Bill Nye to get schooled on science education, comedy, and the 1990s hit TV show that turned him into an entire generation’s favorite science teacher. Guests: Bill Nye, Science Guy This episode was produced in collaboration with the Smithsonian’s National Museum of American History. Their exhibition, Entertainment Nation, shows the power of American entertainment to captivate, inspire, and transform. Through the objects and their stories, the ongoing exhibition will explore how, for over 150 years, entertainment has provided a forum for important national conversations about who we are, and who we want to be.

Until the 1970s, women were barred from competing in U.S. marathons because of the belief that the "violent movements" would wreak havoc on their reproductive system, "thus defeating a woman’s true purpose in life, i.e., the bringing forth of strong children." Through a series of steps, stumbles —and one epic tackle— running pioneers like Roberta "Bobbi" Gibb and Kathrine Switzer blazed the trail for women marathoners who followed, including Sunita Williams — the first person to run the Boston Marathon IN SPACE! Guests: Sunita Williams, astronaut Jennifer Levasseur, curator, Smithsonian's National Air and Space Museum Peter Sagal, marathoner; host of NPR's Wait Wait ... Don't Tell Me! Bobbi Gibb, first woman to run the Boston Marathon Kathrine Switzer, first women to officially run the Boston Marathon

We think of paintings as art, but can they also be a source of data? 300 years ago, a young prince inherited the throne in Udaipur, India, and brought with him some newfangled ideas about art. His court artists created massive paintings that flew in the face of convention, documenting real life events, times, places and even emotions —especially during the annual monsoon season. These paintings are so detailed that - centuries later - they can serve as archival records to help understand our own changing climate. Guests: Debra Diamond, Elizabeth Moynihan Curator for South Asian and Southeast Asian Art at the Smithsonian’s National Museum of Asian Art Dipti Khera, associate professor, Department of Art History and Institute of Fine Arts, New York University Mark Giordano, professor of geography and vice dean for undergraduate affairs at Georgetown University’s Walsh School of Foreign Service This episode was produced in collaboration with the Smithsonian’s National Museum of Asian Art’s exhibition: A Splendid Land: Paintings from Royal Udaipur, in celebration of the 100th anniversary of the museum’s founding and the 75th anniversary of Indian independence. The exhibition is on view through May 14, 2023.

Most people in North America can't see the Milky Way. The reason? We're ensconced in a luminous fog of artificial lighting 24/7. The evolution of lighting technology over the last century has made it possible to live, work, and play at any hour - day or night. But light pollution affects all life on earth, from humans to plants and insects. So, how did we find ourselves surrounded by a glowing shroud of electricity... and can we have the dark, without giving up the light? Guests:  Hal Wallace, curator of electricity collections at the Smithsonian’s National Museum of American History  Lisbeth Fuisz, coordinating director, Lights Out D.C.  Brian Schmidt, museum specialist, Smithsonian National Museum of Natural History  Diane Turnshek, Astronomer; Dark Skies Advocate This episode was produced in collaboration with the Smithsonian National Museum of Natural History's exhibition: Lights Out: Recovering Our Night Sky. Through over 100 photographs, nearly 250 objects, interactive experiences, tactile models, and a theater program, discover why dark nights matter, rekindle your connection with the night sky, and consider how much light at night is enough—for whom, for what purpose, and who gets to decide? Lights Out: Recovering Our Night Sky is open March 23, 2023 - TBA.

When Sidedoor listener Cliff Hall bought a used violin, he found a tattered note tucked alongside the century-old instrument. Obsessed with this cryptic piece of paper, Cliff’s quest to find the owner of the violin unlocked a tale of subterfuge, scandal, and the Smithsonian’s first donation of rare instruments.   Guests: Deborah Shapiro, reference archivist at the Smithsonian Institution Archives, Smithsonian Libraries and Archives Cliff Hall, violin teacher and freelance journalist Kenneth Slowik, curator of the musical instrument collection at the Smithsonian’s National Museum of American History; artistic director of the Smithsonian Chamber Music Society

They bring out the voyeur in us. And the Smithsonian’s Archives of American Art is full of them. In three short letters, we offer a glimpse of tender moments in the complex lives of others. Guests: Josh T. Franco, Head of Collecting at the Archives of American Art. Liza Kirwin, Interim Director of the Archives of American Art. Jenny Williams, Associate Director for Advancement at the Archives of American Art.

In 1983, the Cabbage Patch Kids were released, causing widespread pandemonium in toy stores and in the media. How did a children's toy inspire such bad adult behavior? Slate’s Decoder Ring podcast explores the strange world of the Cabbage Patch Kids to figure out why they hit it so big. The answer involves butt tattoos, slightly grotesque faces, industrial innovations, an origin story in a cabbage patch, and serious accusations of copyright theft. We’ll be back with new episodes of Sidedoor soon! If you enjoyed this episode, you can find more episodes of Decoder Ring at Slate.com

This MLK Day we're digging into the story behind Dr. King's famous "I Have a Dream" speech —from its first draft to a rhyming poem and, finally, to the speech we all know today. This episode was previously released in February of 2022.

Public monuments to honor Black Americans in the 1930s: that was the vision of Augusta Savage, a Harlem Renaissance sculptor who has been called one of the most influential artists of the 21st century. But the monuments she left behind might not be what you'd expect. Guests: Karen Lemmey, Lucy S. Rhame Curator of Sculpture at the Smithsonian American Art Museum  Grace Yasumura, assistant curator at the Smithsonian American Art Museum  Tess Korobkin, Professor of American Art at University of Maryland, College Park

What is it about a mistletoe that says “smooch?” And what the heck is figgy pudding anyway? The holidays are here again, and with them come songs, foods, and rituals so familiar we may not think to ask where they come from...until now! In this holiday special, we track down the origins of some puzzling Christmastime traditions, jingling all the way from Norse mythology to Victorian home cooking, the Emancipation Proclamation, and even out of this world. Guests: Margaret Weitekamp, chair of the Space History Department of the Smithsonian’s National Air and Space Museum; curator of cultural and social history of spaceflight Ashley Rose Young, food historian at the Smithsonian’s National Museum of American History Teddy Reeves, curator of religion at the Smithsonian’s National Museum of African American History and Culture Jim Deutsch, curator at the Smithsonian Center for Folklife and Cultural Heritage

Known for her smashing parties, lighter-than-air souffles and comedic wit, Lucy Hicks Anderson never let anyone tell her how to live her life – not even the courts. When her gender was put on trial in the 1940s, the publicity around her case made her one the first documented Black transgender figures in American history.  Guests:  Ashleigh Coren, Acting Head of Education for the Smithsonian American Women's History Initiative C. Riley Snorton, author of Black on Both Sides: A Racial History of Trans Identity

If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it. Through the photography of Tailyr Irvine, displayed at the National Museum of the American Indian, we take a look at the colonial origin story of blood quantum: where it came from, why it endures, and how it continues to impact the most personal decisions many Native Americans make about love and family today. Guests: Tailyr Irvine, photojournalist; member of the Confederated Salish and Kootenai Tribes; additional interviewer for this episode Michael Irvine, member of the Confederated Salish and Kootenai Tribes and Nizhóní Ajéí's father Cecile Ganteaume, curator at the National Museum of the American Indian and author of Officially Indian: Symbols That Define the United States Ruth Swaney, Tribal Budget Director for and member of the Confederated Salish and Kootenai Tribes Leah Nelson, member of the Navajo Nation and Nizhóní Ajéí's mother Desi Rodriguez-Lonebear, social demographer and assistant professor of Sociology and American Indian Studies at the University of California, Los Angeles; citizen of the Northern Cheyenne Nation and Chicana David Wilkins, political scientist and professor of Leadership Studies at the University of Richmond; member of the Lumbee Nation

It took pride, deceit, and a giant catapult to set off the feud between the Wright brothers and the Smithsonian. On December 17, 1903, the Wrights made history when they flew across a blustery beach in Kitty Hawk, North Carolina. The airplane they flew that day is now a centerpiece of the National Air and Space Museum’s collection. This is the story of how it nearly wasn’t. Guests: Peter Jakab, senior curator at the Smithsonian's National Air and Space Museum Tom Crouch, senior curator emeritus at the Smithsonian's National Air and Space Museum

"I wake up every morning in a house built by slaves." After Michelle Obama said those words at the 2016 Democratic National Convention, thousands of Americans flooded the White House Historical Association with calls. Who were the enslaved African Americans who built the White House? This led historians from the Smithsonian's National Museum of African American History and Culture and the White House Historical Association on a years-long journey that turned up some interesting answers and even bigger questions.  Guests:  Lina Mann, historian, the White House Historical Association Mary Elliott, curator of American slavery, Smithsonian's National Museum of African American History and Culture

The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the museum home to countless tales of unexplained phenomena and —dare we say — ghost sightings? Inspired by an apparition at the National Museum of American History, we creak across the floorboards of the museum's attics, sneak into an old house in the woods, and even travel back in time to bring you a collection of spooky stories that can only be found at the Smithsonian. Guests: Molly Horrocks, Collections Manager, Division of Political and Military History at the Smithsonian’s National Museum of American History Pamela Henson, Institutional Historian at the Smithsonian Libraries and Archives Cpl. Ronald Howlin, Security Officer at the Smithsonian Environmental Research Center Deborah Hull-Walski, Collections Manager, Education Collections at the Smithsonian’s National Museum of Natural History Melissa Johnson, daughter of Deb Hull-Walski and former skeptical teenager Kim Dixon, former volunteer at the Smithsonian’s National Zoo

Eating meat is what made us human. At least, that's one of the leading theories to explain how our brains got so big. The theory says that our human ancestors evolved bigger brains as a result of switching from a plant-based to a nutrient-rich meat diet. But earlier this year a Smithsonian researcher discovered that this theory may not have as much meat on its bones as previously believed. Guests: Briana Pobiner, paleoanthropologist; research scientist and museum educator with the Human Origins Program at the Smithsonian's National Museum of Natural History Becky Malinsky, curator of primates, Smithsonian's National Zoo and Conservation Biology Institute Andrew Barr, paleoanthropologist; assistant professor of anthropology, The George Washington University

When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji. It's not as easy an undertaking as you might think, but every now and then one of these new emoji is so innovative it breaks the digital mold and finds itself in the Cooper Hewitt, Smithsonian Design Museum. In this episode of Sidedoor, we explore how one groundbreaking emoji is changing digital representation and the future of museum collections. Guests: Jennifer 8 Lee, Founder of EmojiNation Andrea Lipps, Contemporary Design Curator at Cooper Hewitt Smithsonian Design Museum Evan Bonnstetter, Director of Product Policy for Tinder Keith Broni, Deputy Emoji Officer for Emojipedia

Dorothy Liebes was a whirlwind in the weaving world. Throughout the 1930s, she spun luxury fabrics so bold and colorful that their style could only be described as the "Liebes Look." But when the United States entered World War II, she wondered how an artist like herself could be helpful at a time when “there would be no need for luxuries.” What she didn’t know was that wartime would bring an opportunity to put her weaving skills to work in an entirely new way. Joining forces with the American Red Cross, she brought professional artists to the bedsides of wounded soldiers - with results that surpassed Dynamo Dot's wildest expectations.   Guests: Alexa Griffith, manager of content and curriculum at the Cooper Hewitt Smithsonian Design Museum Susan Brown, acting head of textiles at the Cooper Hewitt Smithsonian Design Museum

In 19th century Japan, two sumo wrestlers faced down dozens of firefighters in a brawl so epic it inspired a Kabuki play. But the story of what really happened —and who the heroes are— is all a matter of perspective. Underdogs, antiheroes and villains. How do we decide who plays what role? Guests: Kit Brooks, Japan Foundation Assistant Curator of Japanese Art at the Smithsonian's National Museum of Asian Art Frank Feltens, Japan Foundation Associate Curator of Japanese Art at the Smithsonian's National Museum of Asian Art

"This is a war not only for the territory. This is war against our culture," says Ihor Poshyvailo, director of the Maidan Museum in Kiev, Ukraine. Ukraine has scores of museums, cemeteries, archeological sites, and places of worship where Ukrainian history and national identity are memorialized. But when bombs are exploding, who’s pulling a sculpture from the rubble? Enter the Smithsonian Cultural Rescue Initiative: a team flung together by a deadly earthquake in Haiti that grew through trial and discovery into an international network of professionals devoted to protecting the world’s treasures from threats by humankind and mother nature alike. Guests: Hayden Bassett, director of the Cultural Heritage Monitoring Lab at Smithsonian affiliate Virginia Museum of Natural History Olsen Jean Julien, project director of the Cultural Conservation Center at Quisqueya University in Haiti Cori Wegener, director of the Smithsonian Cultural Rescue Initiative Richard Kurin, Smithsonian Distinguished Scholar and Ambassador-at-Large, co-founder of the Smithsonian Cultural Rescue Initiative Ihor Poshyvailo, director of the National Museum of the Revolution of Dignity (Maidan Museum) in Kyiv, Ukraine Acknowledgments: The work of the Smithsonian Cultural Rescue Initiative would not be possible without the collaboration of countless partner organizations and collaborators, among them: the US government, including the Cultural Heritage Coordinating Committee, the Departments of State, Defense, Homeland Security and Justice, the FBI, Institute of Peace, FEMA, and the Heritage Emergency National Task Force; agencies of other governments like the Ministry of Culture in Haiti, the State Board of Antiquities and Heritage in Iraq, and the Ministry of Culture in Ukraine; other organizations like UNESCO, the International Centre for the Study of the Preservation and Restoration of Cultural Property, International Council of Museums, the American Association for the Advancement of Science, American Institute of Conservation, the US Committee of the Blue Shield, the Penn Cultural Heritage Center and the University of Pennsylvania Museum, the Virginia Museum of Natural History, the University of Maryland, Prince Claus Fund for Cultural Emergency Response, FOKAL in Haiti, the Mosul Museum, the Heritage Emergency Rescue Initiative, the National Center for Research Restoration, and the Kosciuszko Foundation for Ukraine. SCRI’s work is made possible with the support of funders like the United State Congress, Department of State, Bank of America, ​Mellon Foundation, ALIPH Foundation, Rockefeller Foundation, Brad Freeman, the Broadway League, the Stiller Foundation, and the Roberts family.

As NASA releases the James Webb Space Telescope's first images, we focus our lens on its predecessor: the Hubble Space Telescope. Prepare for liftoff, as we explore how America's first large space telescope went from a "billion-dollar blunder" to one of history's most important scientific instruments.  Guests: Samantha Thompson, curator of science and technology at the Smithsonian's National Air and Space Museum  Robert Smith, former space historian at the Smithsonian's National Air and Space Museum; author, Hubble: Imaging Space and Time  Jeffrey Hoffman, NASA astronaut who repaired Hubble in 1993  Sandra Faber, professor of astronomy & astrophysics at University of California Observatories/Lick Observatory

Which came first, the flag or the song? Sidedoor is celebrating this Independence Day with a special bonus episode: the story behind our Star-Spangled Banner. Smithsonian’s National Museum of American History military curator Jennifer Jones explains the origin and meaning behind the national anthem through the tattered piece of wool that lies at the heart of the museum. What are ramparts anyways? You'll find out! Guest: Jennifer Jones, military curator at National Museum of American History

Nowhere in the world are lawns as revered as they are in the United States. The picture-perfect patch of grass is so deeply rooted in the American psyche it feels more like a default setting than a choice. Americans spend countless hours every year seeding, watering, mowing, and fertilizing patches of grass that don't make much sense, economically or ecologically. But why? In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed.   Guests: Cindy Brown, manager of collections, education, and access at Smithsonian Gardens Joyce Connolly, museum specialist at the Smithsonian’s Archives of American Gardens Abeer Saha, curator of agriculture and engineering at the Smithsonian’s National Museum of American History Sylvia Schmeichel, lead horticulturist at the Smithsonian’s National Museum of Natural History Jeff Schneider, deputy director of Smithsonian Gardens

Whether it's live on the Smithsonian’s National Zoo's panda cam or in front of a crowd, possibly no other animal's sex life is as closely watched as the giant pandas' is. And there's a reason. These cuddly-looking black and white bears just can't figure out how to mate. But, with a little help from science, the once-endangered giant panda is making a comeback. In honor of the 50th anniversary of giant pandas at Smithsonian's National Zoo, we peep into the (not so secret) sex lives of pandas. Guests: Pierre Comizzoli, panda sex expert and staff scientist at the Smithsonian Conservation Biology Institute Lisa Stevens, AKA “Panda Lady”; former senior curator of mammals at the Smithsonian’s National Zoo Stephen Powers, panda fan

Sidedoor returns for its eighth season on Wednesday, June 15th!

We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts we’re sharing a special guest episode of Portraits, from the Smithsonian’s National Portrait Gallery. In this episode, grassroots organizer Dolores Huerta talks about how she took on the status quo (in a wrinkled sweater) during the landmark Delano Grape Strike. All the time, she fought on two fronts: resisting exploitation and also resisting sexism, sometimes from within the very labor movement she helped to launch. You can subscribe to Portraits wherever you get your podcasts.

We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts, we’re sharing a special guest episode of Collected, from the Smithsonian’s National Museum of American History. In this first episode of the series, co-hosts Dr. Crystal Moten and Dr. Krystal Klingenberg discuss the multiple definitions of Black Feminism, joined by guests Dr. Brittney Cooper, Paris Hatcher, Dr. Alexis Pauline Gumbs, and Feminista Jones. You can subscribe to Collected wherever you get your podcasts.

We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts, we’re sharing a special guest episode of AirSpace, from the Smithsonian’s National Air and Space Museum. This story is about a truly intoxicating period of American history – Prohibition! In this episode of AirSpace, you’ll learn how banning alcohol in the U.S. gave the fledgling air travel industry the shot it needed to get off the ground. You can subscribe to AirSpace wherever you get your podcasts.

When a 200-year-old legal document anonymously arrived at his office, Smithsonian Libraries and Archives conservator William Bennett assumed it would be full of boring legal jargon. Instead, he found a juicy tale of family betrayal that would forever change what we thought we knew about the founding of the Smithsonian. Speakers: William Bennett, conservator at the Smithsonian Institution Libraries and Archives Social: @rwilliab (Instagram), @SirWilliamB (Twitter) Heather Ewing, author of The Lost World of James Smithson, and Associate Dean at New York Studio School Social: @HPealeEwing Richard Kurin, Smithsonian Distinguished Scholar and Ambassador-at-Large

An accident that nearly killed Beatrice Kenner when she was five years old scarred her face for life, but it also gave her a determination to create solutions wherever she saw obstacles. This drive and ingenuity made her one of the most prolific African American inventors of the mid 20th century. This time on Sidedoor, we explore what might be Beatrice Kenner's greatest invention of all: an innovation for periods in a period of innovation.

Betsy Ross sewed the first American flag. At least, that's what we were taught in school. But when historians go searching… there’s no proof to be found. In this episode of Sidedoor, we unravel this vexillological tale tall to find out how this myth got started, and who Betsy Ross really was. Guests: Jennifer Locke Jones, political and military history curator at the Smithsonian's National Museum of American History Twitter: @jonesjl_si Marc Leepson, journalist, historian and author of the book Flag: An American Biography @MarcLeepson https://www.marcleepson.com/ Book link: https://www.amazon.com/Flag-American-Biography-Marc-Leepson/dp/0312323093 Marla R. Miller, historian and author of Betsy Ross and the Making of America Twitter: @MarlaAtLarge Book link: https://www.amazon.com/Betsy-Making-America-Marla-Miller/dp/0805082972

Baseball fan or not, you know this song…or at least, you think you do. “Take Me Out to the Ball Game” is one of the top three most recognizable songs in the country, next to “The Star Spangled Banner” and “Happy Birthday.” But long-forgotten lyrics reveal a feminist message buried amid the peanuts and cracker jack. Speakers: Dan Piazza, curator at the Smithsonian’s National Postal Museum  Andy Strasberg, co-author of “Take Me Out to the Ball Game: Baseball’s Greatest Hit”  George Boziwick, retired Chief of the Music Division of The New York Public Library for the Performing Arts, and co-founder of the Red Skies Music Ensemble Nancy Faust, retired organist for the Chicago White Sox

Before here was here Raven was a white bird, and the world was in darkness. So begins the story passed down among the Tlingit people of the Pacific Northwest since time immemorial. This origin story has survived by passing from the lips of one person to the ear of another – from generation to generation. In this episode of Sidedoor, Tlingit glass artist Preston Singletary shares it in a new way: leading us on a journey from darkness to light through dozens of luminous glass sculptures. Speakers Miranda Belarde-Lewis, independent curator and assistant professor of Information Science at the University of Washington IG: miranda505 Preston Singletary, internationally acclaimed Tlingit glass artist IG: @prestonsingletaryglass YouTube Channel: https://www.youtube.com/c/PrestonSingletaryGlass Emil Her Many Horses, curator at the Smithsonian’s National Museum of the American Indian IG: @SmithsonianNMAI | Twitter: @SmithsonianNMAI

Dr. Martin Luther King Jr.'s I Have a Dream Speech is one of the most famous speeches in the world. But it almost didn’t happen. If you look at King's typed manuscript of his speech —which is currently on display at the Smithsonian National Museum of African American History and Culture— you won't find the phrase "I Have a Dream." But even though Dr. King's speech was improvised, that doesn't mean it wasn't years in the making. In this episode of Sidedoor, we trace the evolution of King's dream, from a secret friendship, to an experimental poem, to the speech we all know today.   Guests:  Kevin Young, Director of Smithsonian's National Museum of African American History and Culture   W. Jason Miller, Author of Origins of the Dream: Hughes's Poetry and King's Rhetoric

It’s easy to think artificial intelligence is objective. It doesn’t have emotions. It operates based on cold hard calculations. But artificial intelligence is built on human intelligence, and it may be carrying our old prejudices into the future with us. In this episode of Sidedoor, we step into the Smithsonian’s FUTURES exhibition to meet a very special robot who asks us to consider: whose image will be reflected in our AI future? Speakers: Stephanie Dinkins, transdisciplinary artist and professor at Stony Brook University Twitter: @dinkinsstudio @stephdink Instagram: Dinkins.studio, stephanie.dinkins Email: hello@dinkins.studio Website: www.stephaniedinkins.com Ashley Molese, a curator of the Smithsonian’s FUTURES exhibition Social media: @smithsonianAIB, #TheFUTURES

A skill for brewing beer and $100 reward for her capture. Those were the clues in an old newspaper ad that got Smithsonian brewing historian Theresa McCulla hooked on the story of Patsy Young, an enslaved African American woman who fled to freedom in 1808 and made a life for herself brewing beer. In this episode of Sidedoor, we follow McCulla as she scours historical documents to retrace Young's life and find out who she was...and what happened after her escape. Guests: Theresa McCulla, Curator with the Smithsonian’s American Brewing History Initiative at the National Museum of American History Mary Elliott, Curator of American Slavery at the Smithsonian National Museum of African American History and Culture Frank Clark, Master of Historic Foodways at Colonial Williamsburg

In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight soon turned to horror. In this episode of Sidedoor, we’ll hear a short story that imagines what happens when two little girls receive one of Edison’s talking dolls as a holiday gift. And we’ll speak with an expert from the National Museum of American history to learn what went wrong with Edison’s invention.

When Chiura Obata painted “Moonlight Over Topaz, Utah,” he was a prisoner at the camp: one of 120,000 Japanese Americans to be incarcerated during World War II. The painting shows a dreamy moonlit desert, with just a few dark lines to hint at the barbed wire fences and guard towers that held him and his family captive. As a painter, Obata turned again and again to nature as his greatest teacher, and his greatest subject. Today, his work can be found in art collections and museums around the world, including the Smithsonian's American Art Museum. This time on Sidedoor, we learn from Chiura Obata about the power of art in tumultuous times. Speakers: Rihoko Ueno: Processing archivist at the Smithsonian’s Archives of American Art Noriko Sanefuji: Museum specialist in the Division of Cultural and Community Life at the Smithsonian’s National Museum of American History @apacurator @amhistorymuseum ShiPu Wang: Coats Endowed Chair in the Arts and Professor of Art History at The University of California Merced. Curator of the traveling exhibition, “Chiura Obata: An American Modern.” @curatingobata Kimi Hill: Chiura Obata’s granddaughter and author of the book, “Topaz Moon.”

When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji. It's not as easy an undertaking as you might think, but every now and then one of these new emoji is so innovative it breaks the digital mold and finds itself in the Cooper Hewitt, Smithsonian Design Museum. In this episode of Sidedoor, we explore how one groundbreaking emoji is changing digital representation and the future of museum collections.

There’s a new sculpture at the Smithsonian’s Hirshhorn Museum and Sculpture Garden: a giant torch that’s strikingly familiar – and entirely unique. Artist Abigail DeVille has reimagined the Statue of Liberty’s torch to shine a light on historical contradictions of American freedom. Through her work, DeVille asks us to re-examine the stories we’ve inherited as a nation, including the story of Lady Liberty herself. As it turns out, the statue holding her torch alight in New York Harbor today has come to stand for something very different from its original intention. Born out of the Black Lives Matter protests of 2020, Light of Freedom reflects the historical origins of the Statue of Liberty and challenges us to confront the idea that liberty itself is a work in progress.

It’s a wild herb that countless cultures have used for centuries as a wonder drug to cure any ailment. It's so rare and valuable that it’s been dug to extinction nearly everywhere, except a small area of the United States. This time on Sidedoor, we go searching for the elusive wild American ginseng — and find that scientists, conservationists, and criminals are also on the hunt.

Leeches don’t get a lot of love. They’re slimy, wriggly, and, well, they suck — blood that is. But there’s a lot to learn about the lowly leech. Led by a troupe of Smithsonian experts, we’ll discover how these toothy hangers-on wormed their way into medical practices, performance art, and EVERY human cavity. Yes, even that one. It's a journey of discovery from the swamp to the stage and deep into the vaults of the Smithsonian. And it just may leave you with a little more appreciation (dare we say, love?) for the bloodsuckers.

The endangered Asian Elephant may be a conservation success story as its rapid decline appears to be stabilizing. But this has created a new set of problems. With little remaining habitat, these elephants have nowhere left to go but into roads, farms, and cities. This time on Sidedoor, we look at what happens when wild elephants go urban.

A new season of Sidedoor is just two weeks away! In the meantime, we’re sharing a special guest episode from Wonder Media Network’s podcast, “Encyclopedia Womannica.” In this episode, you’ll hear about the life of Patsy Mink, the first Asian-American woman to serve in Congress and run for U.S. President. She was also the first woman of color elected to the U.S. House of Representatives. She made a brief appearance in the Sidedoor episode, “Votes for Hawaiians,” and here you’ll hear more about how she paved the way for Asian-Americans across the nation.   Encyclopedia Womannica is a daily podcast that explores the trials, tragedies and triumphs of groundbreaking women from antiquity through modernity, in just five minutes a day. You can find more episodes HERE. (https://wondermedianetwork.com/encyclopedia-womannica)

The “Men of Progress” painting, from 1862, shows the first Secretary of the Smithsonian surrounded by a group of scientists and inventors credited with “altering the course of contemporary civilization.” But what may be most remarkable about this tableau is who’s not there. To mark the 175th anniversary of the Smithsonian’s founding, the National Portrait Gallery’s Portraits podcast takes us back in time – to trace how the concept of progress has evolved, and who current Smithsonian Secretary Lonnie G. Bunch III would put in his “portrait of progress.”

This summer – for the first time ever - skateboarding will be an Olympic sport. In honor of its Olympic debut, we’re revisiting one of our favorite episodes: the story of how the best women skateboarders stood toe-to-toe with the most powerful people in the industry to demand equal pay. One of those women is none other than Mimi Knoop, who is coaching the USA women’s skateboarding team. In this bonus episode, we also talk about how skateboarding's entry onto the Olympic stage is a major achievement for the sport, but one not everybody is happy about.

100 years ago, in the hills of West Virginia, Black, white and European immigrant coal miners banded together to demand better pay and safer working conditions and were met with machine guns. While the story made headlines in 1921, it didn't make it into the history books. In our final episode of the season, we unearth this buried history to help mark the centennial of the largest labor uprising in American history.

Every 17 years, the notorious Brood X cicadas crawl out of the earth by the billions to deafen Washington D.C. After nearly two decades underground, they spend their few short weeks in the sun singing, mating, and dying so the next generation can start anew. The cicadas' distinctive sound and strange life cycle have captivated our human ancestors for millennia, inspiring songs, art, royal attire and even some unique burial rituals.

When Diosa Costello took the stage in the 1939 production of “Too Many Girls,” she became the first Puerto Rican performer to tread the boards on Broadway. She was fearless, funny, and brimming with talent. She never considered herself a trailblazer, but her legacy – and the gowns she left at the Smithsonian – tell a different story

LeRoy Neiman was a colorful man, both figuratively and literally. His handlebar mustache, long cigar, and sketchpad were fixtures at the sidelines of American pop culture: from boxing matches to jazz clubs and political conventions. His paintings, sketches, and prints papered the second half of the 20th century, highlighting American icons in his colorful expressionist style. He was rich, famous, and adored by many Americans… but not the art critics.

One hundred years ago this week, from May 31 and June 1, 1921, a mob targeted and destroyed nearly 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows how many people died, no one was ever convicted, and no one really talked about it nearly a century later. This is the story of the Tulsa Race Massacre and why it's important that you know it. At least 1,256 homes, along with churches, schools, businesses and even a hospital were deliberately burned or destroyed. Recently found documents are helping historians and researchers better understand the events that took place. And lots of this work is happening by staff at the National Museum of African American History and Culture. In fact, part of the Power of Place exhibition at the museum is dedicated to the events of the massacre.

Groucho and Freddy. Oryx and ostriches. Cats and dinosaurs. These things go together like… well, they really don’t go together at all. These are fun-sized stories in one goodie bag of an episode. It’s Sidedoor’s third “Best of the Rest!”

We carry portraits around all the time: pocket-sized history lessons in the form of dollars and cents. The recent decision to put Harriet Tubman on the $20 bill has us thinking about who’s on our money, and how they got there. This episode of the “Portraits” podcast, from the Smithsonian’s National Portrait Gallery, takes a whirlwind tour of money of yore, featuring everything from piles of bunnies to George Washington’s nipples. This episode will have you taking a closer look at the portraits you might be sitting on right now.

In 1918, a flu pandemic killed more than 50 million people worldwide. Forty years later, it nearly happened again. This week on Sidedoor we go back to a time when the viruses were winning, and we remember one man, Dr. Maurice Hilleman, whose vaccine virtuosity helped turn the tide in the war against infectious diseases. We’ve updated this episode with a bonus interview to reflect on what we’ve learned from our current pandemic. If you want to learn more, please see vaccinesandus.org.

Henrietta the river herring is not a particularly glamorous fish. But she’s got grit. Every summer, she swims out to the Atlantic ocean, and every spring, she makes the 500 mile journey back to Maryland’s Patapsco River, where she was born—a habitat that’s been only partially accessible to herring like her for more than a century. But this year will be different. Join the Smithsonian Environmental Research Center’s herring tagging team as they study what happens to herring like Henrietta when someone gives a dam.

Every spring, for as long as records have been kept, a crowd of hundreds of black crowned night herons descend on the Smithsonian’s National Zoo, mating, eating and generally causing a ruckus. Many of the keepers at the zoo enjoy them, but they can be a tough bird to love. Every fall, peace is restored when the herons decamp and fly off to… where? For more than a century, nobody knew. Until now.

When Lena Richard cooked her first chicken on television, she beat Julia Child to the screen by over a decade. At a time when most African American women cooks worked behind swinging kitchen doors, Richard claimed her place as a culinary authority, broadcasting in the living rooms of New Orleans’s elite white families. She was an entrepreneur, educator, author, and an icon—and her legacy lives on in her recipes.

American newspaper publisher and all-around eccentric, Charles Francis Hall, was an unlikely candidate to become an Arctic explorer. Nevertheless, he made three trips to the frozen north, until he died there under suspicious circumstances. Sharpen your powers of deduction and join us on Sidedoor for an epic frozen whodunit, featuring shipwreck, romance, and a social media darling with a dark secret.

As Americans approach a full year of pandemic life, there’s an overwhelming sense of anticipation: when can we get vaccinated? What will life look like in six months? When will life return to normal? Maybe because looking outward feels so daunting, a lot of people are looking inward, through mindfulness and meditation. In this episode of Sidedoor, we learn about mindfulness and meditation through the lens of religion – a Buddhist priest shares the story of her religious journey; and we hear about the secular spirituality that young Americans are increasingly following away from religion.

If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it. Through the photography of Tailyr Irvine, displayed at the National Museum of the American Indian, we take a look at the colonial origin story of blood quantum: where it came from, why it endures, and how it continues to impact the most personal decisions many Native Americans make about love and family today. Tailyr Irvine’s Reservation Mathematics: Navigating Love in Native America exhibition link: https://americanindian.si.edu/developingstories/irvine.html

As an up-and-coming young blues singer in the 1950s, Barbara Dane faced a choice: fame and fortune, or her principles. She left the mainstream music industry and became a revolutionary music producer – literally. Spurred by Fidel Castro’s international gathering of protest singers, Dane created a record label that published the sounds of social change around the world, and inspired generations of protest music to come.  For more information, check out: https://folkways.si.edu/paredon

Wonder Woman is the best known female superhero of all time, but she’s been through a lot. The brainchild of a psychologist, Wonder Woman hit the comic pages in the 1940s as an antidote to the “bloodcurdling masculinity” of male superheroes. But by the early ‘70s, Wonder Woman was having a midlife crisis. She’d given up her bullet-blocking bracelets and lasso of truth…and opened a clothing boutique. It took a feminist magazine cover to make-over Wonder Woman from comic book character to the icon she remains today.

In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight turned to horror when they got their hands on his dolls. In this episode of Sidedoor, we’ll hear a short story that imagines what happens when two little girls receive one of Edison’s talking dolls as a holiday gift, as well as meet one of these dolls with an expert from the National Museum of American history. To see one of these dolls, check it out on our website.

This week, we have an episode from the NHPR podcast “Outside/In” about passenger pigeons. The passenger pigeon is one of the world’s most symbolic extinction stories. It’s a cautionary tale of how in just a few short generations, one of the wonders of the world could be completely eradicated. But when that narrative was questioned in a popular book, 1491 by Charles Mann, what does the response tell us about the conservation movement as a whole?

This week, we’re sharing an episode of ‘Detours,’ a new podcast from our friends at GBH and PRX. The podcast shares surprising stories that unfold behind the scenes at the PBS classic TV show “Antiques Roadshow.” In this episode: a rare daguerreotype, Edgar Alan Poe, and…the FBI.     You can find ‘Detours’ wherever you listen to podcasts.

When a highly-contagious mystery illness spread through the world’s mountain gorilla population, biologists feared the entire species could be lost. Gorillas don’t wear masks or social distance, so there wasn’t much time for the scientists to identify the illness and find a cure for humanity’s hirsute cousins. What they found in 1988 reminds us in 2020 that humans and wildlife share more than a planet: we share disease.

Dress codes have been around a long time—from the old days of long skirts and bloomers to today’s regulation-length shorts. But while the specifics of what girls can wear to school have changed, the purpose of the codes has not.

When Abigail Washburn and Wu Fei first jammed together, “it was magic.” Fei was shocked to meet an American banjo player so curious about China’s culture; and Abigail Washburn met a classically trained composer whose talents on the guzheng, a 2500 year old 21-string Chinese harp, perfectly complimented her banjo pickin’. Today, they collaborate to make a new brand of folk music: one that combines the tones of Appalachia with the melodies of China.

To look at them, you might think, “Monarch butterflies aren’t going anywhere fast.” But each year, these beauties complete one of the most remarkable migrations in the animal kingdom, soaring more than a mile high to gather on a few mountaintops in Mexico they’ve never seen before, yet somehow they all know where to find. We unlock the secret lives of monarchs, and learn how to support them on their journey.

Bonus Episode | This week, we wanted to share “And Nothing Less,” the new short series from our colleagues at the National Park Service and PRX. It gives a much-needed closer look at the twisty history of the 19th Amendment - and its lesser-known heroes. It’s hosted by two fabulous women: Rosario Dawson and Retta. We’ll play the first episode right here, and you can find the rest of the series by searching (enunciate) “And Nothing Less” wherever you get your podcasts!

Fred Tutman is the voice of the river. Specifically, Maryland’s Patuxent River.  As the Riverkeeper, his job is to protect and preserve all 110 miles of that waterway – a role that takes him both to the courtroom and to the riverbank. But Fred is also the only African American Riverkeeper in the United States, a fact he sees as an indicator of an environmental movement that is incomplete. And it’s the planet that will pay the price.

100 years ago this month, the 19th Amendment was ratified into the American Constitution. It’s widely remembered as the moment American women gained the right to vote, but history tells a more complex story. For millions of Indigenous Americans living in far-flung territories, the 19th Amendment afforded some rights – but fell well short of what was promised. So this time: how women’s suffrage came to Hawaiʻi – and what was taken from Hawaiians to get there.