Classic Ghost Stories

The House of Sounds by M. P. Shiel | Classic Ghost Stories Podcast On a nameless rock in the far northern sea stands a brass house chained against storm and tide. An old friend answers a summons, finding a family on the brink of extinction and an ocean roar so loud that spoken words become useless. Join us for M. P. Shiel’s masterwork of Edwardian dread, The House of Sounds. First published in 1911, this story remains an essential highlight of classic horror literature and Edwardian weird fiction. If you prefer deep atmospheric dread over cosy ghost stories, this tale offers the relentless tension loved by fans of Bram Stoker and early 20th-century macabre tales. In this episode: - Unabridged audio narration of The House of Sounds by M. P. Shiel. - Literary background on M. P. Shiel (1865–1947) and his contribution to classic horror literature. Whether you are looking for bedtime ghost stories or classic horror audiobooks, please subscribe, leave a rating, and share the show! Listen to even more! Sign up for the newsletter for direct access to our full archive, member-only ad-free stories, and literary discussions at https://www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Mr Bessel is a conscientious man, and the experiment he agrees to try with his friend Vincey is undertaken in the spirit of honest enquiry. It takes place on a quiet evening, and it concerns nothing more alarming than how far one mind might reach toward another. Yet something has noticed what they are doing, and before long Mr Bessel will have found that the self he has always taken for granted is far less secure than he supposed, and that some questions, once asked, are answered. First published in The Strand Magazine, November 1898. Collected in Twelve Stories and a Dream (Macmillan, 1903) and reprinted in Weird Tales, November 1925. H. G. Wells (1866-1946) was an English novelist and journalist, a founder of science fiction best known for The Time Machine and The War of the Worlds. A student of T. H. Huxley, he brought a biologist's habit of mind to his scientific romances and to his short stories, a number of which edge toward the supernatural. Listen to even more! Sign up for the newsletter for direct access to our full archive, member-only ad-free stories, and literary discussions at https://www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

A middle‑aged businessman sits in a psychiatrist’s office with a problem he can barely put into words. Something in the world has shifted, or else something in his own perception has, and the solid faces around him no longer look quite as human as they once did. In his account there are no apparitions, no rattling chains, only the slow, unnerving sense that certain very ordinary people are quietly working to empty life of colour, choice, and meaning. As he talks, the calm, professional office itself begins to feel strangely less reassuring. The Grey Ones was first published in 1952 and later collected in J. B. Priestley’s The Other Place and Other Stories of the Same Sort (1953). It stands among Priestley’s late uncanny pieces, where post‑war England is haunted less by ghosts than by structures of power. J. B. Priestley (1894–1984) was an English novelist, playwright, essayist, and broadcaster, widely read and heard from the 1920s to the 1970s. Best known for works like The Good Companions and An Inspector Calls, he combined sharp social criticism with an abiding fascination with time, conscience, and the hidden pressures of modern life. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Edith Wharton's “All Souls” begins with an empty house on a winter night and a woman waiting as the snow piles up. Written six months before Wharton's death, this final completed work of fiction is something quieter than a cozy ghost story—and hard to shake. Hear Edith Wharton's “All Souls,” her last completed work of fiction, written six months before her death. Listen to even more! Sign up for the newsletter for direct access to our full archive, member-only ad-free stories, and literary discussions at https://www.classicghost.com Edith Wharton All Souls All Souls ghost story classic ghost stories literary ghost stories classic horror literary horror ghost story narration classic ghost story audio All Souls Eve story Edith Wharton stories American ghost stories haunted house story winter ghost story classic short stories supernatural literature Ghosts Edith Wharton 1937 Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to Hayley Smith for sponsoring this episode! The prebendal residence at Whitminster stands in the shadow of its great collegiate church, solid, respectable, and comfortable. A young Irish lord came to lodge there once, in the 1730s, and his guardian noted his odd habits with mild concern. He grew more concerned as time went on. By the time he understood what the boy had been doing in the garden at night, it was already too late. M. R. James tells this story the way a scholar reconstructs a cold case: from letters, diaries, servant's gossip, and family memory preserved at two removes. The witnesses contradict each other. The documents are partial. The truth, such as it is, arrives a century late. There is a glass that has absorbed what it once witnessed and will show it again, to the right viewer. There is a room that was sealed for reasons only partially explained. There is a press that has not been opened, and a note from a long-dead man advising that it should stay that way. "The Residence at Whitminster" was first published in 1919 as the lead story of A Thin Ghost and Others, James's third collection, published by Edward Arnold. The collection takes its title from a line within this story. Montague Rhodes James (1862–1936) was a medieval scholar, palaeographer, and Provost first of King's College Cambridge and then of Eton College. He is widely regarded as the finest writer of ghost stories in the English language. By the way the print edition of my Sherlock Holmes puzzle story: The Cumberland Kidnapping is available now on Payhip The Case of the Cumberland Kidnapping Learn more about your ad choices. Visit megaphone.fm/adchoices

An unmarried schoolteacher crosses a river by ferry to collect her dead sister's daughter from the girl's stepmother, a woman with china-blue eyes and a smile that is hiding something. Nobody in Ford Village will say anything. And then there's the rose-bush that flutters when there is no wind. Mary E. Wilkins Freeman, better known for her hard-eyed portraits of small-town New England households, turns that same unsparing eye on a relationship that prizes respectability over truth. What starts as an ordinary of family obligation becomes something closer to a tragedy, and we never see it coming. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

In a quiet curiosity shop in Paris, a shelf holds a collection of objects from another time. Our protagonist notices a small object that at first appears to be the broken foot of a Greek statue. The antiques dealer, however, explains that it is the mummified foot of a pharaoh’s daughter. The absurdity of a once royal foot now serving as a paperweight strikes them both. The dealer warns that the old pharaoh will not be pleased. First published in 1840 as "Le Pied de momie" in Le Chroniqueur de Paris, The Mummy’s Foot is one of the earliest examples of French fantastic fiction. Théophile Gautier (1811–1872), a poet, novelist, and critic, was a leading figure of French Romanticism. Known for his belief in “art for art’s sake,” he helped define the fantastic and Gothic tale as a lasting literary form. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

A young woman sits for a portrait, turning over a small gold box while her fiancé paints. Inside: three scarlet seeds, brought back from a place he'd rather forget. He warns her the story behind them will haunt her. She only laughs — she likes weird tales, and they never trouble her. But something was disturbed in that pyramid, something bound by an old promise to whoever broke her rest. The seeds are waiting. So is the curse. Lost in a Pyramid; or, The Mummy's Curse first appeared in Frank Leslie's *The New World* on 16 January 1869, published under initials rather than a name. It vanished for over a century before being rediscovered in the 1990s as one of the earliest true "mummy's curse" stories. Its author was Louisa May Alcott, best known to the world as the creator of *Little Women*. Behind that respectable reputation, she spent years writing anonymous, blood-soaked thrillers — and this was one of the last. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

This was a request, but fitted in with my current interest in mummies. Read my full notes on the history of the Egyptian Mummy in Horror here: https://www.classicghost.com/blog/the-egyptian-mummy-in-horror/ Old College, Oxford, in the last years of the nineteenth century. A young medical student named Abercrombie Smith shares a stair with a fellow he barely knows — a brilliant scholar of Eastern languages, whose rooms are crowded with the relics of a dead civilisation, and whose company he has been quietly warned against. Something is wrong with the sound that comes through the wall at night: a low, monotonous muttering, the same words over and over, in no language Smith can place. Enemies begin to suffer, one by one, in ways that leave no mark and no explanation. And in the corner of that cluttered room stands a thing purchased at auction, numbered like an item in a catalogue, upright, ancient, and — Smith is almost certain — not quite as still as it should be. "Lot No. 249" was written by Arthur Conan Doyle and first published in Harper's Magazine in September 1892. Doyle is best remembered as the creator of Sherlock Holmes, but he wrote extensively in the supernatural and horror genres throughout his career. He died in 1930, having remained a committed spiritualist to the end of his life. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Lot 249 Learn more about your ad choices. Visit megaphone.fm/adchoices

Kindly commissioned and sponsored by Gavin Critchley for his friend Victoria, a lover of dolls' houses... A collector buys a Gothic dolls' house for sixty guineas — a museum piece, the dealer calls it, and means it more than he says. Six feet of Strawberry Hill in miniature: a chapel, a stable block, a drawer of tiny embroidered clothes. He spends a happy evening setting its rooms in order, delighted with his find. There's no clock within earshot — none on the stair, none in the stable, none in the distant church tower. And yet, at one in the morning, a bell tolls once. "The Haunted Dolls' House" was first published in the Empire Review in February 1923, and later collected in M. R. James's A Warning to the Curious. M. R. James (1862–1936) was Provost of Eton and King's College, Cambridge, and a distinguished medieval scholar — antiquarian interests that shaped his ghost stories as much as his day job. Go to get the full notes here: Learn more about your ad choices. Visit megaphone.fm/adchoices

London, in the full weight of a June heatwave. The kind of golden, breathless afternoon that makes a fortunate woman feel especially fortunate. And Hester Ward is fortunate. She knows it. A husband she adores, two children, a house that runs exactly as it should — she has never had cause to wish for anything else, and she is grateful for it, in the quiet, unshowy way of someone who has never really been tested. Until something from very long ago reaches forward and taps her on the shoulder. Something she had put away so completely she'd almost convinced herself it was never real. A half-remembered thing from childhood, stirring now in the middle of the night. She stops sleeping. She starts watching the dark corners of rooms. Her doctor is kind, practical, entirely unworried. Nerves, he tells her — the heat, nothing more. What she needs is rest, and quiet, and a change of scene. A little village on the East Anglian coast, away from London, away for a while even from her husband. Somewhere she can put it all behind her. She goes because she means to get well. E.F. Benson's The Face. *Publication: "The Face" first appeared in Hutchinson's Magazine in February 1924, and was collected four years later in E.F. Benson's Spook Stories* (Hutchinson & Co., 1928). *About the author: Edward Frederic Benson (1867–1940) was an English novelist best known for his comic Mapp and Lucia series, but across four decades he also wrote dozens of ghost stories — his own term for them was "spook stories" — placed regularly in magazines like Pearson's and The Illustrated London News*. I now have an archive where you can find stories more easily. https://www.classicghost.com/the-archive/ Find Stories More Easily Learn more about your ad choices. Visit megaphone.fm/adchoices

Cairo, in the winter season, when the wealthy of Europe come for the warmth and the ruins. A young woman falls under the spell of a scholar unlike any other — a man treated with strange deference by those who know him best, a man whose knowledge of the dead seems to run deeper than any book could teach. She will walk beside him through moonlit halls where the pharaohs sleep in glass cases, "A Professor of Egyptology" first appeared in The Graphic on 10 December 1904, and was collected that same year in Guy Boothby's volume The Lady of the Island. Boothby was an Australian-born novelist best known for his Dr Nikola thrillers, a writer of ferocious productivity who dictated up to six thousand words a day. He died suddenly in 1905, only months after this story appeared, at the age of thirty-seven. Search the archive here www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

A young officer receives a Christmas invitation to an old country house in Westernshire. His friend, hearing the name, begs him not to go. He goes anyway. There are things in that house that have been seen before, by people who did not speak easily of what they saw. Something on the stairs. Something in the gallery, after dark, when the fire burns low and the talk runs out. Those who see it together are marked by it, in ways that take a year to come due. This is the story of what a house remembers, and what it does to those who are told to stay away, and don't. Published anonymously in 1878, later reprinted with the tag "by the author of Freda." Modern editors tentatively attribute it to novelist Elizabeth Anna Hart, though the evidence remains circumstantial. Elizabeth Anna Hart (1822–1890) was a London-born novelist and poet, cousin to Lewis Carroll, best remembered for her children's classic The Runaway and the novel Mrs Jerningham's Journal. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out. You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month. Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

A bright, modern house in the south of England. No history of violence. No death on the premises. And yet something lives in it — not a ghost, not a presence you could name, but a weight that settles over everyone who stays there. A grief that belongs to no one in the house. A judgement passed somewhere else, by someone else, for reasons the walls should know nothing about. The question is not what haunts the house. The question is what was done to the dead. "The House Surgeon" was first published in Harper's Magazine in September 1909 and collected in Actions and Reactions later that year. Rudyard Kipling was born in Bombay in 1865, awarded the Nobel Prize for Literature in 1907, and remains one of the most widely read English writers of the late nineteenth and early twentieth centuries. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out. You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month. Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

In the vineyards of the Château Doré, something has been moving at night. The workers whisper of a wolf — enormous, grey, and wantonly destructive — and Monsieur Etienne Delacroix, master of the estate, has heard enough. He is a rational man. He does not believe in werewolves. He has moulded the silver bullets himself, in the cellar, as a concession to superstition — nothing more. Tonight his sons will go out into the moonlight and put an end to it. But there is something in the way he says goodbye to Pierre. Something in the way he asks after the crucifix. Something in the reason he will not be going with them. The Werewolf Howls was first published in Weird Tales, November 1941. It is the final story Clifford Ball published before enlisting in the United States Army Air Corps. Ball was born in New York City in 1908 and wrote just six stories, all for Weird Tales, between 1937 and 1941. He drowned accidentally in Baltimore in January 1947, aged thirty-eight. Learn more about your ad choices. Visit megaphone.fm/adchoices

Something is wrong in the woods. The artist notices him first — and says almost nothing. One remark, on the way to the station, barely above a murmur. Then the train comes, and he is gone. It falls to Van Cheele to find out what his friend meant. What he discovers, by the pool in the oak coppice, is a boy with light brown eyes that hold something tigerish in them, lying in the sun with an ease that belongs to no child he has ever met. The aunt will find him charming. The dog will not stay in the house. Saki understood that the old country — the country before the parishes and the property lines — was never entirely tamed. The animals there talk. "Gabriel-Ernest" was first published in 1909 in the Westminster Gazette, and later collected in Reginald in Russia and Other Sketches (1910). Saki was the pen name of Hector Hugh Munro (1870–1916), a writer of savage wit and supernatural unease. He was killed on the Western Front in the closing months of the Somme campaign. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To. buy my paperback books: https://books.by/tony-walker-books To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcast Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback *Intro Movie by The Playground* https://www.instagram.com/theplayground.powder Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a house in Auburn, California, with a tragic history and a new tenant. Jean Averaud has come from New Orleans with money, with books, with a beautiful mute woman who watches him with eyes full of something between devotion and dread. He has come with a theory about evil — not the Devil, not sin, not the ordinary darkness of human nature, but evil as a cosmic force, a radiation from a black sun somewhere in the depths of space. And he has come with a purpose. In the old Larcom house, with its history of sorrow and disaster, he has found exactly the conditions he needs. His neighbour, a novelist, finds himself drawn into Averaud's orbit. Clark Ashton Smith's *The Devotee of Evil* is a quiet story. It does not rush. It thinks. And what it thinks about has been troubling philosophers and theologians for two thousand years. *The Devotee of Evil* was first published in Smith's self-produced chapbook *The Double Shadow and Other Fantasies* in 1933, after failing to find a commercial publisher. It reappeared in *Stirring Science Stories* in February 1941. Clark Ashton Smith (1893–1961) was a California poet, painter, sculptor and writer of weird fiction, one of the central figures of the *Weird Tales* circle alongside H.P. Lovecraft and Robert E. Howard, with whom he maintained a long correspondence. The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To. buy my paperback books: https://books.by/tony-walker-books To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcast Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback *Intro Movie by The Playground* https://www.instagram.com/theplayground.powder Learn more about your ad choices. Visit megaphone.fm/adchoices

On the Cornish coast, a man is dying by the sea. He has chosen to be there, and he knows why, and he is willing — with one exception — to let the world draw its own conclusions. The exception is a story he has told no one: a woman he met in Cairo, a wrong he did her, and something that has followed him across the water ever since. Not threatening. Not reproachful. Simply there, at the edge of the known world, in a light that has no name in any spectrum the living can account for. Prevost's 1893 story asks, without sentimentality and without resolution, what we leave behind us when we refuse an honest encounter — and whether what we leave behind stays left. A Ghost of the Sea was first published in 1893 in Prevost's collection Rust of Gold, issued by Ward and Lock, London. Francis Prevost was the pen name of Harry Francis Prevost Battersby (1862–1949), soldier, war correspondent, novelist, and lifelong investigator of psychical phenomena. Get the London Fae for $5! https://payhip.com/b/ryqKP The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To. buy my paperback books: https://books.by/tony-walker-books To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcast Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback *Intro Movie by The Playground* https://www.instagram.com/theplayground.powder Learn more about your ad choices. Visit megaphone.fm/adchoices

Gerard Street, Soho. A winter's night. A surgeon sits alone by his fire, a practical man — a man who has cut through flesh and bone without flinching, who has long since made his peace with whatever comes after death. And then something comes through the darkness. Not a dream. Not imagination. Something older than London, older than reason, that has followed him across the water. Charlotte Riddell's "Hertford O'Donnell's Warning" is a ghost story rooted not in haunted houses or rattling chains, but in the things a man carries with him — across years, across a sea, across a life lived deliberately in the wrong direction. *"Hertford O'Donnell's Warning"* was first published in Charlotte Riddell's 1873 collection *Weird Stories*, alongside five other tales of the uncanny and supernatural. Charlotte Riddell (1832–1906) was an Irish-born novelist who supported herself entirely by her writing for most of her adult life — producing over forty novels as well as some of the finest ghost stories of the Victorian era. The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To. buy my paperback books: https://books.by/tony-walker-books To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcast Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback *Intro Movie by The Playground* https://www.instagram.com/theplayground.powder Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a house in Mayfair. Charming, freshly decorated, inexplicably cheap. The landlord asks no questions. The neighbours say nothing. But the grocer at the corner of the street has noticed something — he has noticed it for four years, and he does not like to say it aloud. What happens inside that house comes to us through letters. Two women writing to each other in the warm, confiding way of close friends — about curtains, about dinner guests, about the peculiar mercy of a low rent in a good street. Something is in that house. It has been seen. And the ones who have seen it cannot say what it was. They cannot say anything at all, after. Rhoda Broughton published this story in 1873. It has barely aged a day. Publication details: "The Truth, the Whole Truth, and Nothing but the Truth" was first published in Belgravia: A London Magazine, Volume 21, 1873, and later collected in Broughton's Tales for Christmas Eve (1873), subsequently reissued as Twilight Stories (1879). Author biography: Rhoda Broughton (1840–1920) was a Welsh-born novelist whose frank, witty fiction made her one of the most widely read and controversial writers of the Victorian era. She outlived her own scandalous reputation, remarking late in life that she had begun as Zola and ended as Miss Yonge. The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To. buy my paperback books: https://books.by/tony-walker-books To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcast Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback *Intro Movie by The Playground* https://www.instagram.com/theplayground.powder Learn more about your ad choices. Visit megaphone.fm/adchoices

A young man waits in a suburban lane for his sweetheart. She doesn't come. Walking home past her house, he finds the front door standing open, the windows dark. He goes in. He goes upstairs. He strikes a match. The next morning she is perfectly well, and the room he entered was locked all night, the key in her pocket. But the almanack on the mantelpiece read the 21st of October. And it was May. --- *"The Mystery of the Semi-Detached"* was first published in Edith Nesbit's collection *Grim Tales* in 1893. Edith Nesbit (1858–1924) is best remembered today as the author of *The Railway Children* and *Five Children and It*, but she was also a prolific and accomplished writer of supernatural fiction, whose ghost stories combine suburban ordinariness with genuine dread to unsettling effect. The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To. buy my paperback books: https://books.by/tony-walker-books To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcast Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback *Intro Movie by The Playground* https://www.instagram.com/theplayground.powder Learn more about your ad choices. Visit megaphone.fm/adchoices

A man reads about a murder in his morning paper over breakfast in his Piccadilly rooms. That should be the end of it. But something follows him from that reading — something that refuses to stay on the page. And when fate places him in the jury box at the murder trial itself, he begins to count his fellow jurymen, there there should be twelve, he counts thirteen... Dickens wrote this story with a title that is itself a warning. Whether you take that warning as a comment on the narrator, on the law, or on the nature of what follows, is a question the story leaves carefully unanswered. *"To Be Taken with a Grain of Salt"* was first published in the Christmas 1865 edition of *All the Year Round*, Dickens's own literary journal, as part of a collection entitled *Doctor Marigold's Prescriptions*. It was later republished under the titles *The Trial for Murder* and *The Thirteenth Man*. Charles Dickens (1812–1870) was born in Portsmouth and is widely regarded as the greatest English novelist of the Victorian era. He was also one of the finest writers of ghost stories in the language, and this story was considered the definitive English ghost story for decades, before M.R. James arrived to claim that title. The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To. buy my paperback books: https://books.by/tony-walker-books To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcast Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback *Intro Movie by The Playground* https://www.instagram.com/theplayground.powder Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a park at the edge of a sleeping city. A man walks through it at night — tall, cloaked, unhurried — as if he has walked this way before, many times, across many years. A boy watches from a window. Dreams come. And something waits outside in the moonlight, patient as stone, returning with every full moon whether it is wanted or not. William Bundy's *A Walk in the Park* is a story about inheritance — the kind you don't choose. *A Walk in the Park* is published on William Bundy's Substack at redsaidwrites.substack.com, where you'll find more of his writing in the same vein. William Bundy is a UK-based writer of dark and supernatural fiction whose work spans short stories, essays, and film. Find his writing at www.williambundy.com, Substack at redsaidwrites.substack.com, his film work on Instagram at www.instagram.com/redsaidfilms, and all his links gathered in one place at www.linktr.ee/williambundy. The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To. buy my paperback books: https://books.by/tony-walker-books To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcast Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback *Intro Movie by The Playground* https://www.instagram.com/theplayground.powder Learn more about your ad choices. Visit megaphone.fm/adchoices

A man drives out to the Norfolk Broads one February night to look at a holiday bungalow. Snow is falling. The marshes are silent. Not even the waterfowl are stirring. Then, close to midnight, headlamps appear on the road — a car has broken down, and a young woman is alone with an engine that won't start. He does what anyone would do. He helps. He offers whisky. He thinks nothing of it. But there is something not quite right about her. Something in the way she watches the road behind her. Something in the way she keeps to the shadows. "My Adventure in Norfolk" by A.J. Alan, first collected in Good Evening, Everyone!, published by Hutchinson in 1928. The story was originally broadcast live on the BBC in the mid-1920s. A.J. Alan was the pseudonym of Leslie Harrison Lambert, a senior intelligence officer who worked at Bletchley Park and served as Vice-President of the Magic Circle. He broadcast only a handful of stories each year and never revealed his true identity to the public during his lifetime. The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal *To buy my paperback books:* https://books.by/tony-walker-books The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcast Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback *Intro Movie by The Playground* https://www.instagram.com/theplayground.powder Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a bog in County Meath that the old people will not speak of after dark. They know, as old people in such places always know, that certain ground is not waste ground simply because nothing grows on it, that still water is not empty water, and that when a man of money and modern confidence arrives to improve what does not wish to be improved, the wisest thing to do is quietly leave. H. P. Lovecraft wrote "The Moon-Bog" in 1921, and it was first published in Weird Tales magazine in 1926. It was written to be told aloud, after dinner, when the fire was low. Lovecraft was born in Providence, Rhode Island in 1890 and died there in 1937, in poverty and near obscurity. He is now regarded as one of the most influential writers of supernatural fiction in the twentieth century. Get my new book: The London Fae: here; https://books.by/tony-walker-books/the-london-fae Learn more about your ad choices. Visit megaphone.fm/adchoices

Subscriber-only episode Ramsey Campbell is a British author known for his contributions to the horror genre. Born on January 4, 1946, in Liverpool, England, Campbell began writing at an early age and developed a strong interest in horror fiction. Inspired by authors such as H.P. Lovecraft, Arthur Machen, and Algernon Blackwood, he started crafting his own tales of terror. Campbell's writing career took off in the late 1960s and early 1970s when he gained recognition as one of the leading voices in modern horror literature. His early works, heavily influenced by Lovecraftian themes, demonstrated his talent for building atmosphere and exploring psychological horrors. In the 1980s, Campbell's writing underwent a significant shift, moving away from direct supernatural elements and focusing more on psychological suspense and the intricacies of the human mind. He developed a unique style that blended psychological depth with elements of supernatural and cosmic horror. One of Campbell's most notable contributions to horror literature is his trilogy of novels known as the "Three Births of Daoloth" series. Comprising the novels "The Searching Dead" (2016), "Born to the Dark" (2017), and "The Way of the Worm" (2018), this trilogy explores the occult, cosmic horror, and the impact of the supernatural on the lives of ordinary individuals. Throughout his career, Campbell has received numerous accolades for his work. He has been awarded the British Fantasy Award several times, including the Lifetime Achievement Award in 2015. He has also received the World Fantasy Award, the Bram Stoker Award, and the International Horror Guild Award, among others. Beyond his novels, Campbell has also been a prolific writer of short stories. His collections, such as "Demons by Daylight" (1973), "Alone with the Horrors" (1993), and "Ghosts and Grisly Things" (1998), showcase his mastery of the short form and his ability to create unsettling and atmospheric narratives. In addition to his writing, Campbell has been an influential figure within the horror community. He served as the president of the British Fantasy Society and has been an advocate for the genre, both as a writer and as an editor. He has edited several anthologies, including "New Terrors" (1980) and "Meddling with Ghosts" (2011), which showcase his talent for discovering and promoting emerging horror writers. Ramsey Campbell's contributions to horror literature have made him a highly respected and influential figure in the genre. His ability to combine psychological depth, atmospheric prose, and supernatural elements has captivated readers for decades. With a career spanning over 50 years, Campbell continues to write and inspire new generations of horror authors, solidifying his place as one of the most significant voices in contemporary horror fiction. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Visit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Subscriber-only episode I have a backlog of members' only episodes. Buzzsprout has only just made this available to me, so in the meantime, for the members only library, go here:https://drive.google.com/drive/folders/1MWxXVkUJ4NqHBiVo_YAQrQbBV8ryy8PR?usp=share_link New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Visit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

This is for Terry Illikainen. No commentar.y As an experiment, I will do the commentary as a separate post. In a sombre Elizabethan pile above Lake Windermere, the air is thick with more than just decay. Miss Prunella Pendleham, the last of a long line, watches her companion, Amelia, wither into a gaunt and listless shadow. Amelia is the sixth companion; three before her never left these walls alive. Amidst the rattle of mountain rain, thin, high screams echo through the stone-vaulted halls. Is it the onset of madness, or is the house reclaiming a brutal, hidden history? As the light fades, the only certainty is the tightening grip of a terror that will have its say. The Triumph of Death first appeared in The Arkham Sampler, Autumn 1949. It was later collected in Strayers from Sheol (1961) and The Best Ghost Stories of H. Russell Wakefield (1978). H. Russell Wakefield (1888--1964) was an English writer best known for his unsettling ghost stories. Drawing on clerical, military, and publishing-world experience, he brought a sharp psychological edge to the classic British supernatural tale. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom Enderby is a widower who would like to remarry. There is nothing unusual in that. He has found a woman he is fond of, a gentle and pretty woman who is fond of him in return. There is nothing unusual in that either. What is unusual is what keeps happening to the white linen. His first wife Gloriana has been dead for four years. She asked only one thing of him before she died — a small, strange, domestic request — and he honoured it. He made no promises. He is bound by nothing. And yet. H. D. Everett's "The Death Mask" is a ghost story about what we owe the dead, and about the debts that accumulate, unnoticed, in the ordinary fabric of a marriage. The fabric, in this case, is quite literal. --- "The Death Mask" was first published in 1920 as the title story of *The Death-Mask and Other Ghosts* (London: Philip Allan, Quality Court, Chancery Lane), issued under the name Mrs. H. D. Everett. Henrietta Dorothy Everett (1851–1923) was an English writer of supernatural fiction and historical novels who published her first book at the age of forty-four under the male pseudonym Theo Douglas, and whose ghost stories drew admiring notice from both M. R. James and H. P. Lovecraft. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Lost Hearts by M R James (1862-1936) Join my patreon: https://patreon.com/barcud There is a house in Lincolnshire where a scholar lives alone with his books and his learning and his carefully recorded dates. He is a kind man, by all appearances — generous to orphaned children, interested in the old religions, methodical in his habits. The kind of man that academics find reliable. M. R. James wrote this story in 1895. His erudition encompassed the respectable and the less so, and he knew the darker currents of the archive as well as any man alive. Something — or someone — has been waiting in that house. Waiting, with considerable patience, for the third. "Lost Hearts" was first published in the Pall Mall Magazine in 1895, and collected in Ghost Stories of an Antiquary, published by Edward Arnold in 1904. Montague Rhodes James (1862–1936) was a medieval manuscript scholar, Provost of King's College Cambridge and later of Eton, and the most influential writer of English ghost stories of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

On a forgotten platform at a junction no map records, a man waits for a train he half-remembers from childhood nightmares. In his hands, a battered red book falls open, again and again, to the same impossible picture: a tunnel mouth, a lamp, a solitary figure who will not quite turn his face to the light. As the night thickens and the pages repeat themselves, memory and prediction begin to trade places, and the question of who is watching whom will not stay safely inside the story. First published in The London Mercury in November 1935; later collected in the volume The Sun Cure (1936). Now widely reprinted in anthologies of supernatural and psychological horror, where it has earned a reputation as a minor classic. Alfred Noyes (1880–1958) was a British poet and prose writer, best known for poems such as “The Highwayman”. Alongside his popular verse, he wrote a small but influential body of uncanny fiction, of which “Midnight Express” is the most celebrated. Join the mailing list for an occasional newsletter https://www.classicghost.com/#/portal Learn more about your ad choices. Visit megaphone.fm/adchoices

Join the mailing list for an occasional newsletter https://www.classicghost.com/#/portal A man arrives at a desert fortress to visit an old friend. The friend is not there. The English servant says he will return shortly. The heat presses down. The water tastes wrong. And the waiting stretches on in ways that are difficult to explain. Edith Wharton set this story not in her usual territory of New York drawing rooms, but somewhere in North Africa, in a crumbling pile of Crusader stonework and Arab plasterwork, where the palms rattle like rain above an ancient well, and the desert stretches out in every direction, golden and merciless. She wrote it without a single ghost. She didn't need one. First published in the Saturday Evening Post in March 1926 under the title "A Bottle of Evian," the story was collected in Certain People (1930) and later reprinted in Wharton's posthumous ghost story anthology Ghosts (1937). Edith Wharton (1862-1937) was an American novelist and short story writer, the first woman to win the Pulitzer Prize for Fiction, awarded for The Age of Innocence in 1921. She published more than forty books across four decades. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

The moon lifts off the water and climbs the sky over Calabria. Two men sit on the stones of an old tower above the coast, sipping the local wine, basking in the warm dark. Below them, where the rock runs down toward the sea, there is a mound in the earth. One of them notices something in the gorge far below. He descends to look. The other sits, and watches, and says nothing. When the first man climbs back up, his companion turns to him quietly and asks: do you want to hear the story of what you saw there, and also what you didn't? First published in Collier's Weekly, 16 December 1905. Collected in Wandering Ghosts, 1911. F. Marion Crawford (1854–1909) lived most of his adult life in Italy. In his own time he was one of the most widely read novelists in the English language. He is less remembered now than he deserves. New type of image because I was recently told that my Audiobook style images were the reason that my channel's growth has stagnated. Hope you like it!!!!! 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

In an old private chapel attached to a country house, a trusted servant keeps night watch beside the ancient altar, alone behind a locked door. By morning he is found dead, a dagger from the chapel’s peculiar mechanism driven clean through his heart—though no human hand should have been able to strike the blow. No tracks, no witnesses, only the oppressive sense that something in that dim, little sanctuary has moved unseen. As Thomas Carnacki retraces the dead man’s final hours and tests the chapel’s sinister contrivance for himself, the silence around the altar begins to sound like an answer of its own. First published in the 1909 collection The Ghost Pirates, A Chaunty, and Another Story, “The Thing Invisible” later appeared in The New Magazine (January 1912) before being collected in Carnacki, the Ghost-Finder (1913). The story is in the public domain. William Hope Hodgson (1877–1918) was an English writer of sea stories, supernatural fiction, and weird horror. He is best known for his visionary novels The House on the Borderland and The Night Land, as well as his stories featuring the occult detective Carnacki. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a house at the end of a lane. You have seen it before — or something like it. Palladian, still, its pale stone holding the last of the May light as if reluctant to let the evening come. The chestnut trees stand tall around it. The air is warm and gold and very quiet. Charles Dash stops his car. He is trespassing, he knows, but the house is empty, surely? And it is such a beautiful house. Worth seeing, if only for a few minutes. And then the car key goes missing. He cannot find it anywhere. And the owner appears — such a welcoming man, such a pressing, generous, will-not-take-no-for-an-answer kind of man. Do come in. Stay for dinner. The night is drawing in. Why not stay? Why not? A Recluse was first published in 1926 and collected in On the Edge, Faber and Gwyer, 1930. Walter de la Mare (1873–1956) was an English poet, novelist and short story writer, regarded as one of the supreme masters of the uncanny in the English language. His ghost stories occupy a singular place in the tradition — atmospheric, oblique, and finally inexplicable. Learn more about your ad choices. Visit megaphone.fm/adchoices

Link to Audio version “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work.  After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula. His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi’s portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed. While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre. The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein’s monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi. The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939). Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies." In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously). Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

A young doctor, recovering from illness, is sent to the Derbyshire hills for his health. He takes lodgings at a remote farm, where he notices the family's reluctance to discuss the valley below. There's a Roman mine nearby that no one acknowledges, and a particular opening in the earth that unsettles him. His diary records what starts as mild interest in local folklore. But as he explores the mine workings beneath the Blue John caverns, his entries shift. The question becomes less about what might exist in the old tunnels, and more about what happens to a man who goes looking for it. First published in The Strand Magazine in August 1910, “The Terror of Blue John Gap” was later collected in The Last Galley: Impressions and Tales in 1911. It draws on the real Blue John Cavern near Castleton, with its distinctive banded fluorite. Sir Arthur Conan Doyle (1859–1930) was a Scottish physician and author, best known as the creator of Sherlock Holmes. Beyond detective fiction, he wrote historical novels, science‑fiction romances, and a rich vein of ghostly and weird tales. Get the last copies of the first edition of Once in a Haunted House, our print magazine. Not many left! Here: https://payhip.com/b/fE1Gz Learn more about your ad choices. Visit megaphone.fm/adchoices

A man takes a sunlit shortcut through an English wood and finds that something is missing. There is no thrush, and no blackbird, and no rustle of wings – only a strange dimming of the light, and a silence that feels willed, and watchful, and almost hungry. At his friend's house the dogs will not cross the tree-line, and they bare their teeth at empty air. In the evenings, that grey band of trees seems to lie under a shadow that falls from nowhere anyone can see. There is something in the wood, something that makes the dogs keep away and the birds fall silent. His friend suspects it, and his friend's wife avoids talking about it, and neither will say what they believe it might be. First published in Woman magazine in December 1926, and later collected in Spook Stories (Hutchinson, 1928). Public domain text sourced from Project Gutenberg Canada. Edward Frederic Benson (1867–1940) was an English novelist, and biographer, and master of the uncanny short story. Best known for his Mapp and Lucia comedies and his eerie tales of the supernatural, he wrote across nearly every genre of early twentieth-century popular fiction. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Two noble houses. Centuries of hatred. A prophecy that may mean nothing—or everything. In medieval Hungary, the young Baron Metzengerstein encounters a horse—gigantic, fiery-colored, unlike any creature in his stables. He rides it obsessively. Dawn and midnight. Sickness and health. Riveted to the saddle as if becoming one with the creature. It performs impossible feats. The servants whisper of things they cannot explain. Some souls dwell only once in flesh. After that—only the scarcely tangible resemblance. Publication Details: "Metzengerstein" first appeared anonymously in the Philadelphia Saturday Courier on January 14, 1832, making it Edgar Allan Poe's first published tale. It was later revised and included in Tales of the Grotesque and Arabesque in 1840. Author Biography: Edgar Allan Poe (1809-1849) was an American writer, poet, and literary critic who pioneered the modern short story and detective fiction. His works of Gothic horror and psychological complexity remain among the most influential in world literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

A solitary man, lost in the Welsh hills, stumbles through thick mist—his only companion a mounting sense of unease. The landscape is indifferent; the path vanishes; every familiar landmark dissolves into obscurity. Rescue appears in the form of an enigmatic stranger, whose kindness feels both matter-of-fact and unsettling. A map changes hands, but the mist has a memory longer than any traveller’s, and the hills have their own way of keeping secrets. What follows is not a tale of terror, but a quiet reckoning with the uncanny—a story in which benevolence and danger are not so easily separated. “An Encounter in the Mist” by A. N. L. Munby, first published in The Alabaster Hand (1949). A. N. L. Munby (1913–1974) was a British librarian, bibliographer, and author, best known for his ghost stories and scholarly work on rare books. Join Our Podia Community for 100s of Ad Free Ghost Stories https://www.classicghost.com/ghost-stories-episodes/buy Learn more about your ad choices. Visit megaphone.fm/adchoices

A mediaeval abbot leaves behind a cipher—not in his will, but scratched into the glass of his own church. The treasure it guards has lain undisturbed for centuries. Mr. Somerton, a scholar with a taste for puzzles, believes he can solve what others have missed. The Latin is difficult, the clues are scattered, but gold is gold, and curiosity has its own momentum. What waits beneath the stone was put there deliberately. It has been patient. Some things, once disturbed, do not easily return to silence. "The Treasure of Abbot Thomas" was first published in 1904 in M.R. James's second collection, More Ghost Stories of an Antiquary. The story has been widely anthologized and was adapted for television by the BBC in 1974. Montague Rhodes James was a distinguished mediaeval scholar and Provost of King's College, Cambridge, later of Eton College. He is regarded as one of the finest writers of supernatural fiction in the English language, and his ghost stories continue to define the antiquarian tradition of literary horror. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

A schoolmaster arrives late at night in a remote Alpine village. The inn has no rooms. Then suddenly—there is one. A room that's occupied, yet empty. A room whose previous tenant, an Englishwoman, left two days before and hasn't returned. As he unpacks his few belongings, the atmosphere begins to press in. Something lingers here—in the faded flowers by the washstand, in the air itself. And when darkness falls, he feels it: a crushing weight of despair that doesn't belong to him. Thoughts that aren't his own. A blackness so complete it whispers of only one escape. The search party is still out on the mountains. But what if they're looking in the wrong place? Publication Details: "The Occupant of the Room" was first published in 1909 in Blackwood's collection John Silence: Physician Extraordinary, featuring the psychic detective Dr. John Silence. The story showcases Blackwood's mastery of psychological horror and the contagion of extreme emotional states. Author Biography: Algernon Blackwood (1869-1951) was a British author, occultist, and member of the Hermetic Order of the Golden Dawn. His work explored the boundaries between psychological experience and supernatural phenomena, establishing him as one of the most influential writers of weird fiction in the early twentieth century. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Sponsored by the generosity of Gavin Critchley. Thanks, Gavin! The valley of Cwm Garon is a place of ancient ruins and emerald meadows, tucked deep within the Welsh Borderland. When John Carfax first arrives, it seems a sanctuary, far from the grime of the city. But the stillness here is deceptive; it is a silence that watches. As the mountain shadows lengthen, the beauty of the landscape begins to distort into something more sinister4 Among the brooding crags and shifting mists, a feeling of unwelcome intrusion takes hold In Cwm Garon, the land itself remembers, and the shadows have never truly been empty. Publication Details "Cwm Garon" was first published in 1948 as part of L.T.C. Rolt’s landmark supernatural collection, Sleep No More. It is frequently anthologized as a masterclass in the "antiquarian" ghost story tradition. Author Biography L.T.C. Rolt (1910–1974) was a prolific English writer and engineer who co-founded the Inland Waterways Association to preserve Britain's canal heritage. While famous for his biographies of industrial icons, he is equally celebrated for his atmospheric weird fiction, often set in the isolated landscapes he encountered during his travels. Don't forget: 24/7 Ad free stream of the Classic Ghost Stories Podcast on Internet radio. It goes on and on and on and on. For all you not-so sleepy heads, and better still: it's free! www.gravenheim.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Lichen Hall is the perfect English country mansion, a veritable rural paradise—a Tudor house of mellow beauty that has been carefully restored after the fire that claimed a child's life twelve years ago. For Claude Halyard, it is an earthly paradise reclaimed. For his wife Laura, it is a home that seems to cast a spell—lovely, peaceful, and somehow waiting. Their daughter Hyacinth finds the old day nursery and makes it her own. She plays alone there for hours, running invisible races, laughing at jokes only she can hear. She is never lonely, she insists. She has a friend. Laura begins to notice small impossibilities: a rocking horse galloping in an empty room, its stirrups held forward. Candles lit on a Christmas tree when no one has been near. The faint sound of a child's gramophone playing "Boys and Girls Come Out to Play." Claude grows tense, strained, building walls of silence his wife cannot penetrate. He speaks of leaving. He cannot say why. But Hyacinth has made a promise to her playmate. And some promises, once given, cannot be broken—even when the one who waits to claim them has been dead for twelve years. "The Playfellow" by Lady Cynthia Asquith was first published in This Mortal Coil (Arkham House, 1947), later reissued in the UK as What Dreams May Come (Rich & Cowan, 1951). Lady Cynthia Asquith (1887–1960) was J. M. Barrie's secretary, a distinguished memoirist and biographer, and editor of the influential Ghost Book series. Her own supernatural fiction is characterized by restraint, psychological insight, and civilized unease. 24/7 Ad free stream of the Classic Ghost Stories Podcast on Internet radio. It goes on and on and on and on. For all you not-so sleepy heads, and better still: it's free! www.gravenheim.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's go Gothick. Get your pitchfork. Get your burning brand. We're off to the castle to see the count. The Skeleton Count; or, The Vampire Mistress In the shadowed corridors of a remote castle, Count Rodolph has made a bargain that no mortal should contemplate. The price of eternal life is high, and the methods by which it is secured are terrible beyond imagining. When the corpse of the beautiful Bertha is carried from her grave to his study, something moves beneath the burial shroud. Eyes that had closed in death open once more, fixed upon the Count with a gaze both empty and aware. She will be his companion through the centuries—but what hungers might stir in one recalled from the tomb? What thoughts take root in a mind that has crossed the threshold between this world and the next? The villagers whisper of strange lights in the tower. A child is found pale and trembling in the night. And in the castle, two beings who should not exist learn what it means to be neither living nor dead. First published in 1828 in the English periodical The Casket, this early vampire tale predates both Carmilla and Dracula, exploring the dark territory between necromancy and vampirism. The story has been attributed to Elizabeth Caroline Grey, though both the authorship and original publication remain subjects of scholarly dispute. If the attribution holds, it represents the first vampire story written and published by a woman. Don't forget the radio station https://www.gravenheim.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Jean-Pierre Ducharme and Ms. Esmeralda Spinoza are experts in the delicate architecture of the séance. Inside the stillness of Julia Silverman’s game room, they prepare to reach across the divide for a daughter lost four months prior. It is a space of flickering candles, soft whispers, and the heavy weight of a mother’s grief. But as the circle joins hands, the atmosphere begins to curdle. The familiar rituals start to feel unpredictable, and a coldness settles that no draft can explain. They have spent years navigating the boundaries of the unknown, but tonight, those boundaries are no longer holding. "A Message for Julia" was first broadcast on The Classic Ghost Stories Podcast in January 2025. Roy Sunter is a New Hampshire-based author. Roy Sunter’s primary body of work can be found at Studio 8, with earlier archives located at ArcanumCafe. He writes under the handle "sasha"—the Russian diminutive of his middle name, Alexander. His ongoing "chapbook" at Studio 8 features a collection of spontaneous prose, much of it in the zuihitsu style, alongside his photography. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of my own stories. The River Thames freezes and a Frost Fair is held for the first time since 1814. Two friends meet for a pint of Dark Ale in the ancient London riverside pub, the Water Witch. What could go wrong? If you've never listened to one of my stories, give this one a try. Many people find them splendid. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Boxing Night in Bruddersford and the pantomime's a disaster waiting to happen. The company's second-rate, the theatre's half empty, and the actor playing the Demon King hasn't turned up. Then he does—and suddenly everything changes. The performance takes on an authority it never had in rehearsal. The comedy gets sharper, the villain more convincing, and by the end something has happened that nobody can quite explain. Priestley wrote this in 1931, drawing on his Bradford theatre days and the tradition of the pantomime devil who enters from stage left. The BBC adapted it for radio in 1962 with Ian Wallace, adding Radiophonic Workshop effects to a story that's as much about provincial theatre life as it is about the supernatural. First published 1931. BBC Home Service radio adaptation December 1962. Author: J. B. Priestley (1894–1984), Bradford-born novelist and playwright. Best known for The Good Companions, Angel Pavement, and An Inspector Calls. During the war his BBC radio talks reached audiences of 16 million. Listen to a 24/7 Stream of Classic Ghost Stories Ad Free here: www.gravenheim.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On Christmas Day, two sisters in a remote farmhouse in the middle of the Romney Marshes, have a dream. The snow begins to fall heavily and they are isolated miles away from any help. But a dream is just a dream, isn't it? Written by E F Benson Why not try my cost free, ad free new Ghost Stories Radio? Listen to it here: www.gravenheim.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Teaser Script Christmas at Abingdale Hall. The great house decked in festive greenery, servants bustling, family gathering from across the country. And in the entrance hall, a magnificent Scots Pine—ten feet of perfect symmetry, branches heavy with the promise of celebration. But the tree came from Lucky's Grove. The estate manager is new. He doesn't know the local warnings. He doesn't know that some groves have been sacred since before Christianity reached these shores. He doesn't know that when you take a tree from such a place, something comes with it. The guests arrive. The children play in the snow. The fires are lit, the table laid. Everything proceeds as it should. Almost. There are accidents. Small things at first. A workman injured. Strange dreams that leave everyone unsettled at breakfast. A boy builds a snowman with a wolf's head and cannot explain why. The gods of Lucky's Grove are patient. They have waited centuries. They can wait until Christmas Day. Publication Details "Lucky's Grove" by H. Russell Wakefield was first published in The Clock Strikes Twelve (Herbert Jenkins, 1940), later expanded by Arkham House in 1946. Author Biography Herbert Russell Wakefield (1888–1964) was an English writer whose atmospheric ghost stories earned him comparison to M. R. James. His fiction insisted on the reality of the supernatural, presenting hauntings with clinical precision and iron control over dread. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Christmas at Colonel and Lady Garrison’s house is all warmth, laughter, and parlour games, until the evening’s “entertainment” arrives: a small, shabby medium with disconcertingly sharp eyes. The guests settle round the table for an amusing bit of spiritualism. As the lights dim and the control takes over, the party games curdle into something closer to an inquest, and the most unwelcome of visitors finds its way back. First published in The Sphere on 20 November 1935, “The Man Who Came Back” was collected in The Floating Café and Other Stories (Jarrolds, 1936). It has since reappeared in several modern anthologies of seasonal supernatural tales, including the British Library’s Sunless Solstice: Strange Christmas Tales for the Longest Nights (2021). Margery Harriet Lawrence (1889–1969) was an English writer who moved with ease between ghost stories, occult fiction, romance, and crime, and whose work was widely read in the inter-war decades. She is now best remembered for her Club of the Round Table tales and for Dr Miles Pennoyer, her “psychic doctor” occult detective, whose cases draw heavily on the spiritualist beliefs she embraced in later life. Buy My Christmas Ghost Stories Paperback as a Gift for Someone!? https://shop.ingramspark.com/b/084?params=MxXXCglWV2Uu4L9ArK8eIz8rexI8huhrBketkRcyMfh Learn more about your ad choices. Visit megaphone.fm/adchoices

The Four-Fifteen Express, a Christmas Ghost Story by Amelia B. Edwards A fantastic story by the very competent Victorian writer, Amelia B. Edwards. This story was published in the 1866 Christmas number of Charles Dickens's magazine All The Year Round. It's set against the railway investment bubble of the 1860s and has a ghost, a mystery, a crime and a cigar case. What more could you want? I need you to support me. Join my Patreon.com/barcud even as a free member and it will help Learn more about your ad choices. Visit megaphone.fm/adchoices

A dollmaker works late into the evening to repair a broken doll. Outside, London's fog presses against the windows. Inside, in the dim workshop light, something moves among the shelves—something that shouldn't move at all. "The Doll's Ghost" first appeared in The Undesired Princess collection (1897), later included in Wandering Ghosts (1911). F. Marion Crawford (1854-1909): American novelist resident in Italy, author of historical romances and supernatural tales praised by M.R. James for their atmospheric restraint. Christmas Presents! Buy my Christmas Ghost Stories as a paperback as a present for some who likes Christmas ghost stories, or who might be persuaded. https://shop.ingramspark.com/b/084?params=MxXXCglWV2Uu4L9ArK8eIz8rexI8huhrBketkRcyMfh Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ireland, a newly purchased castle unsettles its American owner. He is wealthy, engaged to a local woman, and certain that jealous countrymen mean him harm. What truly threatens the household is a particular room that fills at night with a dangerous, sustained whistling that rises and falls like breath. Doors quiver; servants keep away. Carnacki is summoned with his lamps, his electric scepticism and his knowledge of spirit manifestations. He investigates, seals the room, warns no one to enter and admits himself stumped. At least at first! “The Whistling Room” was first published in 1910 and later collected in Carnacki, the Ghost-Finder (1913).UK publisher: Eveleigh Nash. William Hope Hodgson (1877–1918) was an English writer of sea horrors and visionary weird fiction.A former merchant sailor, he served in the First World War and was killed near Ypres. Here is my ebook and audiobook store payhip.com/TheClassicGhostStoriesPodcast For 33% discount - use coupon 33OFFGHOSTPOD Learn more about your ad choices. Visit megaphone.fm/adchoices

A neglected Georgian house, shutters still, poplars trees surround it, whispering. Downstairs is a row of servant bells to call servants. One has a mysterious name and is reputed to ring when no one is there. Rumour speaks of a hooded figure and an owl; the corridors mutter with sounds of pipes, disconnected wires, and something harder to dismiss. By night, faces seem to change in the mirror; but by day, the rooms are ordinary. Servants won't stay there and then the owner organises an investigation, a ghost hunt, if you like. A society of guest who are to keep their counsel until Twelfth Night, listening for what remains and for the presence that speaks when the house is empty. First published as the Christmas number of All the Year Round (December 1859), a collaborative sequence framed and partly written by Charles Dickens. This reading includes Dickens’s chapters: “The Mortals in the House” and “The Ghost in Master B.’s Room.” Charles Dickens (1812–1870) was a British novelist and social critic, author of Oliver Twist, Bleak House, and Great Expectations. He edited Household Words and All the Year Round, helping to make the Victorian Christmas ghost story a tradition. Join Our Podia Community for 100s of Ad Free Ghost Stories www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Beneath the soot and iron of England’s industrial heart, a foundry lies silent. Its furnaces once roared for empire, but the men are gone, the machinery rusted, the sand floor undisturbed. When war comes and the living return to wake it, something else stirs too—something that remembers.In the stillness of metal and dust, the past is waiting to be poured once more. “Hawley Bank Foundry” was first published in L. T. C. Rolt’s collection Sleep No More (1948), a landmark of twentieth-century British ghost fiction. L. T. C. Rolt (1910–1974) was an engineer, historian, and writer whose love of canals and craftsmanship gave his supernatural tales their distinctive sense of industrial melancholy and moral gravity. P S I've just had my Classic Detective Podcast demonetised by YouTube for some spurious reason, probably decided by a bot. So, if you're reading this and enjoying it please consider becoming a patreon https://patreon.com/barcud Learn more about your ad choices. Visit megaphone.fm/adchoices

A remote New England village. Dark rumours swirl among its lonely hills. Whispers of strange rites, of a family line touched by shadows, haunt the woods and starlit nights. Something stirs where the old stones lie, and the boundary between the known and the unseen begins to thin. In my Halloween tradition, the tale chosen is “The Dunwich Horror”—a story rich in mystery, and alive with Lovecraft’s trademark unease. First published in Weird Tales, April 1929. Collected in "The Outsider and Others" by Arkham House, 1939. H.P. Lovecraft (1890–1937) was an American writer whose cosmic horror stories explored the limits of knowledge and the fragility of sanity. His influenced echoes through horror, science fiction, and popular culture to this day. Join Our Podia Community for 100s of Ad Free Ghost Stories www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Twilight opens in a garden where beauty wears a mask to protect it from the years, and twilight brings regrets and confessions. A young courtier stumbles upon a Duchess at dusk—painted, jewelled, and demanding. She wants him to be her father confessor, but what does Lucrezia Borgia want to confess and why does he run away? My first video podcast on Spotify... Publication: First published in God’s Playthings (E. P. Dutton, New York, 1913), under Marjorie Bowen’s principal pseudonym. Setting and subject: Ferrara; Lucrezia Borgia in her final twilight. Author: Marjorie Bowen (Margaret Gabrielle Vere Long, 1885–1952), prolific British writer of historical and supernatural fiction. Noted for: Lush atmosphere, moral chiaroscuro, and “twilight tales” that fuse history with the uncanny ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

A northern lad takes a cheap room above a Wapping pub in ’87, where the Thames presses at the windows like weather. He wants to be a journalist not a barman, but he needs the money... He learns. that the cellar has secrets and that the beer is popular. Especially the Thames Halloween Dark Ale. I've made this members only story for November available to everbody as it's the Halloween one. Hope members don't mind! Here is my ebook and audiobook store payhip.com/TheClassicGhostStoriesPodcast For 33% discount - use coupon 33OFFGHOSTPOD Learn more about your ad choices. Visit megaphone.fm/adchoices

A man stands on a railway bridge. Orders pass along the line; the river says nothing. A watch ticks, a breath stalls, and time begins to misbehave. Memory intrudes, desire bargains, and the world narrows to rope, water, distance. No fanfare; only procedure—and a mind trying to outrun it. Follow the story to its far edge. First published in 1890; collected in *Tales of Soldiers and Civilians* (1891). Text: “An Occurrence at Owl Creek Bridge.” Ambrose Gwinnett Bierce (1842–c. 1914), American author, journalist, and Civil War veteran. Best known for unsentimental war tales and the sardonic *Devil’s Dictionary*. Here is my ebook and audiobook store payhip.com/TheClassicGhostStoriesPodcast For 33% discount - use coupon 33OFFGHOSTPOD Learn more about your ad choices. Visit megaphone.fm/adchoices

A lonely farmhouse stands in a hollow of the hills—its windows dark, its doors long locked, and a story clinging to it that no one in the valley will tell aloud. When a sceptical visitor decides to spend the night within, he discovers that silence itself can harbour memory, and that the past, once woken, does not easily return to sleep. Phantom Silhouette is a tale of curiosity meeting what endures when reason has gone. First published in The Ghosts and Scholars Book of Shadows, edited by Rosemary Pardoe (Souvenir Press, London, 1971). Reprinted in later anthologies of twentieth-century supernatural fiction. Joy Burnett was an Australian-born actress who worked in theatre, film, and television after moving to England. In her spare time she wrote short stories, several of which appeared in British and American magazines; Phantom Silhouette was her first venture into the ghost-story tradition. Join Our Podia Community for 100s of Ad Free Ghost Stories www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In a dim Underground carriage, a weary traveller meets a stranger whose silent presence unsettles more deeply than words can tell. Walter de la Mare’s Bad Company is a tale where dread arises not from what happens, but from what might. Bad Company was first published in Walter de la Mare’s final collection, A Beginning and Other Stories (1955). Walter de la Mare (1873–1956) was an English poet, novelist, and short story writer, best known for his uncanny tales and dreamlike verse. His supernatural fiction remains admired for its atmosphere, suggestion, and refusal to explain away the mysterious. Join Our Podia Community for 100s of Ad Free Ghost Stories www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

# Cushi - Teaser Script In the chalk hills of Hertfordshire lies Rooksgate Green, where tradition runs deeper than any rector's authority. Here, the sexton Cushi Holloway has his own peculiar ways—with hymn numbers, with cats, with the rituals of the churchyard. When the Reverend David Evans arrives from Cardiff, he sees only quaint village customs that need reforming. But some traditions have roots that go deeper than doctrine. And some authorities cannot be challenged. The villagers watch in silence as their world changes. Cushi says nothing, yet something shifts in the parish—something the new rector cannot quite understand. In the churchyard where the sexton tends his domain, an older power stirs. When the outside world intrudes upon Rooksgate Green, it will uncover more than anyone expected. Some things, once disturbed, refuse to rest quietly. Christopher Woodforde was an Anglican clergyman, Dean of Wells, and scholar of medieval stained glass who told supernatural tales to choirboys at New College, Oxford. He died in 1962, his stories published posthumously. Join Our Podia Community for 100s of Ad Free Ghost Stories www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In a fading Irish house, two sisters live with their reclusive aunt. Outwardly clever, even charming, they are burdened by secrecy, shabby finery, and a restless need to keep appearances intact. What follows is a tale of genteel decay, of objects that carry more weight than they should, and of a past that refuses to stay silent. “Hand in Glove” first appeared in 1952 and has since been recognised as one of Elizabeth Bowen’s most disturbing short stories. It is reprinted in her collection A Day in the Dark and in numerous anthologies of twentieth-century ghost stories. Elizabeth Bowen (1899–1973) was an Anglo-Irish novelist, short story writer, and critic, celebrated for her precise psychological portraits and her haunting depictions of Anglo-Irish decline. Her work includes ten novels, more than a hundred short stories, and some of the most accomplished supernatural fiction of the twentieth century. Get ad free stories by signing up to my site: www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Et in Sempiternum Pereant by Charles Williams Lord Arglay, retired Chief Justice and seeker of forgotten knowledge, sets out for a quiet scholarly errand in the English countryside—only to find the landscape subtly warped, time grown strangely dense, and a chimney smoking where no fire burns. Drawn by a narrow path to a door that seems to wait for him alone, he enters a place where memory thickens, boundaries blur, and the air presses with the weight of something ancient and unyielding. Each step leads him deeper into a mystery that threatens not just understanding, but escape itself. First published in The London Mercury, December 1935. Charles Williams (1886–1945) was a British novelist, poet, and critic associated with the Inklings. He wrote metaphysical thrillers—War in Heaven, Descent into Hell, All Hallows’ Eve—exploring theology, myth, and the supernatural. Join Our Podia Community for 100s of Ad Free Ghost Stories https://www.classicghost.com/ghost-stories-episodes/buy Learn more about your ad choices. Visit megaphone.fm/adchoices

A man walks the London streets, thin as a shadow, his eyes open but unseeing. He has no destination, yet something leads him — as if by an unseen hand — to a quiet room where the ordinary will no longer hold. What follows is not terror in the usual sense, but a slow unravelling, as if the familiar fabric of life has been touched by something that should have remained at rest. The Hollow Man by Thomas Burke first appeared in Collier’s on 14 October 1933, and was later collected in Night-Pieces: Eighteen Tales (Constable, 1935). Thomas Burke (1886–1945) was a British author best known for his tales of London’s hidden quarters, especially Limehouse. He wrote across fiction, essays, and poetry, blending realism with the uncanny. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

On a wet and foggy evening in post-war London, a man arrives at a modest hotel carrying the calm assurance of wealth and distance. But something else arrives that night too—quietly, without fuss, with a newspaper clipping and a request for a room. In the lounge, the sounds of unseen children drift through the walls. In his sleep, the man dreams of trees and dead branches. And outside, the fog thickens. *“A Visitor from Down Under” first appeared in *The London Magazine* and was later collected in *The Travelling Grave and Other Stories* (1948). It was included in *The Collected Macabre Stories of L. P. Hartley* (Tartarus Press, 2001).* L. P. Hartley (1895–1972) was an English novelist and short story writer, best known for *The Go-Between*. Though celebrated for his novels, his ghost stories reveal a quieter, colder kind of terror. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

At Brinton-on-Sea, the summer passed in gentle rhythms. Mariella and her young fiancé read side by side on the beach, swam together in the quiet sea, while her parents looked on from their chairs. Nothing seemed amiss. But something was. She said nothing, yet her smiles grew thinner, her sleep unsettled. Her eyes lingered too long on nothing at all. And in the evenings, the air inside the house felt changed—thickened, as if it held its breath. Whatever troubled her was unseen, but it was growing. Publication details: “Old Man’s Beard” was first published in Old Man’s Beard: Fifteen Disturbing Tales by Geoffrey Bles in 1929. Author biography: H. R. Wakefield (1888–1964) was a British writer and publisher, known for ghost stories that marry restrained supernatural suggestion with psychological unease. He brought the Edwardian tale into the modern world with quiet menace. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

In an old house by the Glebeshire coast, silence lingers more heavily than the sound of the sea. Its walls hold an atmosphere of watchfulness, as though the house itself remembers lives once lived within it. To a grieving visitor, it offers not terror but something stranger, something that cannot easily be explained. “The Little Ghost” by Hugh Walpole was first published in When Churchyards Yawn (1931), edited by Cynthia Asquith, and later collected in Walpole’s own volume All Souls’ Night (1931). Hugh Walpole (1884–1941) was a bestselling English novelist and short story writer. He is remembered for his Lake District saga The Herries Chronicle and for a handful of haunting tales that combine psychological insight with Gothic atmosphere. Here is my ebook and audiobook store payhip.com/TheClassicGhostStoriesPodcast For 33% discount - use coupon 33OFFGHOSTPOD Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Acroyd is a jealous man—jealous, and prone to sudden, violent anger. He works in a remote country house under the quiet rule of an elderly master, brooding, watching, waiting. One night, he listens at a window and hears something about his fiancée that pushes him too far. He does something terrible, then tries to get away with it. Some ghosts come bearing messages, but this one brings a stranger message than most. Publication Details The Victim was first published in Uncanny Stories by May Sinclair in 1923. The collection reflects Sinclair’s deep interest in spiritualism and the metaphysics of consciousness. Author Biography May Sinclair (1863–1946) was a British novelist, philosopher and suffragist, best known today for pioneering stream-of-consciousness technique and for her fusion of idealist metaphysics with modernist fiction. She was one of the first critics to praise T. S. Eliot and to write seriously about Freud and mystical experience in English literature. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

A narrowboat moors in Eastwick, a village cut off by time and road. Among its postcards and memories stands an ancient stone — and in every image, a shadow that should not be there. When George Middleton takes his own photograph, the shadow moves closer. This is one of my own stories — and this time, I’m out to scare you. Let’s see if I manage to. Here is my ebook and audiobook store payhip.com/TheClassicGhostStoriesPodcast For 33% discount - use coupon 33OFFGHOSTPOD Learn more about your ad choices. Visit megaphone.fm/adchoices

A scholar remains behind as pestilence silences the college. The gates are locked, the chapel dim, and a single window glows with the light of something unfinished. In the stillness of old stone, a man pursues his solitary work—methodical, precise, and unknowable. What follows is not a tale of horror in the usual sense, but something quieter, older, and threaded with the weight of ritual. Memory lingers in the cloisters. The dead are not always absent. *The True History of Anthony Ffryar* was first published in *Tedious Brief Tales of Granta and Gramarye* (W. Heffer & Sons, 1919), under the pen name “Ingulphus.” The story was reissued in the Ghost Story Press edition of 1993 with an additional tale. Arthur Gray (1852–1940) was Master of Jesus College, Cambridge, and a scholar of Shakespeare and local history. He wrote ghost stories rooted in the architecture, liturgy, and institutional memory of the university he called home. Learn more about your ad choices. Visit megaphone.fm/adchoices

One summer Sunday in a quiet English village, something is missing—though no one can quite say what. The air hangs thick with heat, the hedgerows whisper, and down by the river, a tune drifts faintly on the breeze. As the hours pass, unease gathers like storm-clouds, though the sky remains clear. By evening, everything will be just as it was. Almost. “How Pan Came to Little Ingleton” was first published in The London Mercury in 1933, and later reprinted in Fireside Ghost Stories (ed. Barbara Ireson, 1976). Margery Lawrence (1889–1969) was an English author and spiritualist best known for her supernatural fiction. Her stories blend mysticism, folklore, and an enduring fascination with the unseen. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

She was flawless. A model of grace and stillness, prized by every artist who worked with her. But beneath the surface of the painter’s studio—amid the heat, the charcoal dust, and the careful posing—something else lingered. “Rose Rose” by Barry Pain was first published in Stories in Grey (T. Werner Laurie, 1911). It is now in the public domain. Barry Eric Odell Pain (1864–1928) was a British humorist and writer of uncanny fiction. H.P. Lovecraft cited him as an influence, and Robert Louis Stevenson compared him to Maupassant. 📚 You can now buy my books where you are! 😊 https://tonywalkerbooks.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

A letter arrives—calm in tone, almost conversational. But beneath its surface, something unsettles. A favour once done, a house long locked, a memory that won’t quite settle. There are impressions that can’t be explained, and a sense—quiet, persistent—that something was not as it should have been. The Clock first appeared in W. F. Harvey’s 1928 collection The Beast with Five Fingers, published by J. M. Dent & Sons. It has since been reprinted in several major ghost story anthologies. William Fryer Harvey (1885–1937) was a Yorkshire-born writer and Quaker, best known for his concise and unsettling tales of the supernatural. A former naval surgeon, he was awarded the Albert Medal for Lifesaving during the First World War. 📚 You can now buy my books where you are! 😊 https://tonywalkerbooks.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

A quiet conversation between two women over tea. A rented house. A memory long buried. In *The Lost Ghost*, Mary E. Wilkins Freeman offers no gothic castles or howling winds—only the hush of a parlour, the rustle of a child’s dress, and a voice repeating the same, simple question. It is not horror that lingers here, but something colder, something closer. A presence that never left. *The Lost Ghost* was first published in *The Wind in the Rose-bush and Other Stories of the Supernatural* in 1903. Mary E. Wilkins Freeman (1852–1930) was an American writer known for her psychologically rich stories of New England life. Though acclaimed for her realist fiction, she also wrote some of the most quietly devastating supernatural tales of her age. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seen from a passing stagecoach, you might think that Gylingden Hall is not the sort of place where the dead rest easily. The chimneys are cold, the gallery echoes with no human tread, and the great trees that line the avenue whisper of old wrongs and buried fury. In the shadow of the ruined chapel and beneath the rot-black timbers of the house, something lingers—a grief curdled into malice, a legacy neither signed nor forgotten. Squire Toby’s Will is not a tale of ghosts who startle, but of the slow, relentless suffocation of guilt, and of the strange things a man will refuse to see, even when they’re clawing at the door. Published anonymously in Temple Bar magazine, Volume XXII, in 1868. Later attributed to Joseph Sheridan Le Fanu and often compared to his novel The Wyvern Mystery, written around the same time. Joseph Sheridan Le Fanu (1814–1873) was an Irish writer of Gothic fiction and supernatural tales, widely praised for his subtle and psychologically charged ghost stories. A master of atmosphere and ambiguity, he was admired by M. R. James and influenced the shape of modern horror fiction. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

A man waits in silence. The law has spoken, the doctors have done their work. But something does not rest. In the quiet rooms and corridors of the prison, a sound is heard—faint, deliberate, and not easily explained. What follows is noted calmly, professionally. Still, it leaves a mark. *The Confession of Charles Linkworth* was first published in 1912 in *The Room in the Tower and Other Stories* by Mills & Boon, London. E. F. Benson was a British author best known for his *Mapp and Lucia* novels and his ghost stories. He came from a clerical family deeply involved in both religion and early psychical research. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Members Only podcast episode of the Classic Ghost Stories podcast for July 2025, I spent a lot of time apologising for being late in delivering the Members Only episode to you this month. I then talk about my Uncanny Mirror project, which I'm sure many of you will find very interesting. I then talk a bit about our holiday in Scotland. I read from a book called Hungry Ghosts by Joe Fisher. I then get bored with that and move on to Adventures in the Supernormal by Aileen J. Garrett, who is a psychic, and I get really interested in the description of her childhood in County Meath in Ireland. But then I sort of run out of time; the scrap man's scrapping in the background, and altogether it's a very scrappy episode, but I hope it makes you laugh. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do we see in others that we cannot admit in ourselves? In Henry James's haunting tale, a woman recounts her fascination with two people who have each witnessed a ghost. She delays their meeting for years, caught between longing and fear, until it is too late. Names are withheld, but emotions are not. Beneath the surface of polite society, something older stirs—jealousy, desire, and the quiet undoing of the self. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk First published as "The Way It Came" in 1896, the story was later retitled "The Friends of the Friends." Henry James (1843–1916) was an American-born author whose subtle, psychologically complex stories often explore the limits of perception and the tensions of social life. His ghost stories are never merely spectral; they are studies of the mind in shadow. Learn more about your ad choices. Visit megaphone.fm/adchoices

General Browne, a soldier hardened by war and governed by reason, accepts an invitation to the castle of his old school-friend, Lord Woodville. The place has only lately been inherited and is undergoing tasteful restoration, its mediaeval past slowly yielding to Georgian elegance. But not all traces of the past have been swept away. One chamber remains veiled in its former splendour—its faded tapestry concealing more than just stone walls. It is this room that is given to the General to stay in overnight. The Tapestried Chamber was written by Sir Walter Scott and published in The Keepsake for 1829, during the final years of his life, when he was writing under intense pressure in an effort to repay heavy debts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the year 1795, in the secluded Derbyshire town of Barford, a stranger settles into the old White House. He renovates it handsomely, pays every bill on time, and quickly wins the friendship of the local squire and his daughter. Among the hunting gentry, he seems to fit right in. But this is a story of the hunting gentry—and the secrets they don’t know, and the things people do when no one is looking. The Squire’s Story is a Gothic tale by Elizabeth Gaskell, first published in Household Words in 1853. Known for Cranford and North and South, Gaskell here turns her subtle realism to darker terrain. 📚 You can now buy my books where you are! 😊 https://tonywalkerbooks.com/ Hello In the year 1795, in the secluded Derbyshire town of Barford, a stranger settles into the old White House. He renovates it handsomely, pays every bill on time, and quickly wins the friendship of the local squire and his daughter. Among the hunting gentry, he seems to fit right in. But this is a story of the hunting gentry—and the secrets they don’t know, and the things people do when no one is looking. The Squire’s Story is a Gothic tale by Elizabeth Gaskell, first published in Household Words in 1853. Known for Cranford and North and South, Gaskell here turns her subtle realism to darker terrain. 📚 You can now buy my books where you are! 😊 https://tonywalkerbooks.com/ and thank you! Welcome and take a look around. If you have any questions let me know . In the meantime, here's a link to my Google drive of stories  I may be running late with uploading the latest ones so give me a nudge if one you want is missing. https://drive.google.com/drive/folders/1TlPMQHk6A3WZfhQqHunBaimaBCjz4b0l?usp=drive_link And here's the link to the Members Only Library https://drive.google.com/drive/folders/1MEHmW8OxcDm68ONBIBnj2SQURsfoz3HN?usp=drive_link Learn more about your ad choices. Visit megaphone.fm/adchoices

A gale howls in from the sea as a traveller takes shelter with a smallholder on the Cornish coast. Above the hearth hang two relics: an old cavalry trumpet and a weathered drum, bound together with a brass-lettered lock. No one knows the word that opens it. As the fire burns low, the smallholder begins to tell a tale—half history, half haunting—of shipwrecks, silence, and the names that must still be answered. The Roll-Call of the Reef was first published in 1911 in Noughts and Crosses, a collection of stories by Sir Arthur Quiller-Couch. It remains one of his most enduring supernatural tales and has been reprinted in The Oxford Book of English Ghost Stories. Sir Arthur Quiller-Couch (1863–1944), who published as “Q”, was a Cornish writer, critic, and anthologist. He is best known for his editorship of The Oxford Book of English Verse and his lifelong dedication to the literary life of Cornwall. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Clark Ashton Smith's "Symposium of the Gorgon," a masterful blend of satire and fantasy, made its debut in _Fantastic Universe Science Fiction_ in October 1958. Published relatively late in Smith's career, the story showcases his enduring talent for crafting bizarre and imaginative narratives, even as his output had begun to wane. The appearance in _Fantastic Universe_ introduced this darkly humorous tale to a new generation of pulp readers. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

In H.G. Wells's "The Red Room," a young man, confident in his rationality, seeks to debunk the supernatural in a reputedly haunted chamber. He is certain that his experience will be defined by logic and reason. But the air within the castle walls is heavy with unspoken dread, and as the candles dwindle, something shifts. Is it the room itself, or something within him, that begins to unravel? "The Red Room" was first published in The Idler magazine in March of 1896. H.G. Wells (1866-1946), a visionary of science fiction and social commentary, explored the depths of human experience with unparalleled skill. Learn more about your ad choices. Visit megaphone.fm/adchoices

Late one fog-bound night, a man goes in search of a book to help him sleep. He finds a book he doesn’t remember. Did he inherit it? It has no title. No author. It’s written in Latin, in an unknown but legible hand. And once he begins to read it, he can’t stop returning to it each night. He was a happy family man. A little bored, but happy. But what is he now? Margaret Irwin’s *The Book* first appeared in *The London Mercury* in 1930—a quietly chilling study of possession, hidden knowledge, and the horrors that live on our own shelves. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Beneath the brooding skies of Braun Fell, the Dewle family grapples with a dark inheritance, and John, a boyhood friend, is urgently summoned to help them navigate their dilemma. A lust for wealth consumes beautiful Jonquil, driving her to urge the use of questionable methods, while her husband, who would do anything to please her, is wary about such a path. So what will John advise? Join me as we unravel this tale of greed, forbidden knowledge, and the shadows that linger in the human heart. Learn more about your ad choices. Visit megaphone.fm/adchoices

What lives after love dies? A man once full of charm and wit writes from a forgotten island—Delos, sacred to Apollo, now silent and desolate. He is bound by invisible chains, haunted by the soul of a wife who once tried to revive a long-dead mystery cult, drawing down ancient gods and transfiguring herself through ritual, art, and something far older than reason. In a mansion of endless chambers lit by perfumed oil, something stirs. Something born of beauty, death, and myth. As memory decays and sanity loosens its grip, only a scarlet thread guides the living through a maze of visions, shadows, and flesh. Learn more about your ad choices. Visit megaphone.fm/adchoices

What lives inside beautiful, silent things? In a quiet English manor, a collector of rare objects welcomes guests, family, and a child with an unusual gift. The air is calm. The room is bright. But some objects carry more than history. D.K. Broster’s Clairvoyance is not a tale of shadows and creaking floors. It is something more delicate—and more unsettling. A story where knowing too much may draw you close to something you never meant to meet. D.K. Broster’s short story Clairvoyance was first published in 1932 as part of her collection A Fire of Driftwood, issued by William Heinemann Ltd. The collection showcases Broster’s range beyond historical fiction, featuring several supernatural tales that highlight her psychological insight and narrative control. Clairvoyance stands out for its restrained atmosphere and eerie ambiguity, earning it enduring praise among readers of uncanny fiction. The collection is now in the public domain and is freely available through digital archives such as Faded Page and Project Gutenberg Canada. 📚 You can now buy my books where you are! 😊 https://tonywalkerbooks.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

What watches us from the trees? A solitary girl begins to wander, again and again, into the woods above her home. At first, they offer calm—shade, silence, the companionship of trees. But as the summer deepens, so does her enchantment. She begins to hear music. She starts to see movement—half-glimpsed figures, never quite there. The woods begin to notice her. And something waits at their heart, beautiful and terrible. This is In the Woods, a haunting story by Amyas Northcote. Quiet. Slow. Uneasy. You can hear it now, on the Classic Ghost Stories Podcast. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

What price, a parent's love? A Scottish family, seeking a quiet life, rents Brentwood House – a grand, Georgian mansion standing in wooded grounds beside a ruined keep and a deep glen – only to find themselves in a terrifying ordeal. As their son plunges further into despair, can they, as a family, keep a hold of reality? Is there a happy solution? "The Open Door" by Margaret Oliphant was originally published in 1881 as part of the collection Stories of the Seen and Unseen. Join me, Tony Walker, narrator of The Classic Ghost Stories Podcast, for this week's story. 📚 You can now buy my books where you are! 😊 https://tonywalkerbooks.com/ ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

What happened down in the cellar? In Andrea Smith's disquieting tale, Peg grapples with her brother Milo's delicate state after a shocking incident. Whispers, unease, and a chilling presence haunt their isolated cottage. Can Peg protect Milo from whatever threatens them, or will a haunting past cast a shadow over them both? 📚 You can now buy my books where you are! 😊https://tonywalkerbooks.com/ ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Who digs in dead ground? A chance encounter on a desolate beach leads Maddox to a discovery that chills the very air. A parchment, a prayer, or perhaps a curse. The local priest knows better than to pry, but Maddox cannot resist the lure of the unknown. On the windswept Breton coast, something awakens. Experience the unsettling tale of "Celui-Là." Helen Madeline Leys, born on 11 July 1892 in Hampton Hill, Middlesex, and passing away in Devon in 1965, was a British educator and writer whose work, though initially overlooked, is now gaining renewed appreciation for its subtly unsettling atmosphere and exploration of folk horror themes. Whilst her given name was Helen Madeline Leys, she wrote under a number of pseudonyms, most notably Eleanor Scott. 📚 You can now buy my books where you are! 😊 https://tonywalkerbooks.com/ ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Elliott O'Donnell, a prolific author who often blurred the lines between ghost story and alleged fact, invites us into "The Haunted Spinney." First published in 1904, the tale unfolds in a foreboding woodland, following a man's discovery and its haunting aftermath. What ghosts lie hidden beneath the twisted trees? This is a story where truth and imagination, madness and hauntings are not easily disentangled. Prepare to journey into "The Haunted Spinney." Learn more about your ad choices. Visit megaphone.fm/adchoices

An English traveller, delayed in an unfamiliar village, hears a troubling local legend—one the villagers are reluctant to discuss. Drawn by curiosity into a nearby wood no one dares enter, he finds the past is not so easily buried. What he encounters there resists explanation, hovering uneasily between tragedy and nightmare. L.A. Lewis’s tale unfolds slowly, in quiet conversation and half-glimpsed memory, before leading the listener into something far darker, and far stranger, than expected. Not everything seen can be forgotten—even when forgetting is all we want. 📚 You can now buy my books where you are! 😊 https://tonywalkerbooks.com/ ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

E.F. Benson's "The Wishing-Well" was first published in the United Kingdom in the collection Visible and Invisible by Hutchinson & Co. in 1923. This collection, featuring a range of supernatural and uncanny tales, showcases Benson's skill in blending traditional ghost story elements with psychological depth and social commentary. "The Wishing-Well," a particularly potent example of his Cornish-set fiction, has since been reprinted in numerous anthologies of ghost and horror stories, cementing its place as a classic of the genre. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a dim parlour by the sea, where the waves sigh like old regrets, Madame Lily Floss lays her tarot cards on green silk and dreams of escape. She longs for a life beyond the shore, beyond her mother’s house, beyond her fate. Then, one evening, a stranger arrives — a man who claims they’ve not yet met… but already remembers everything. One of my own. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is time an endless ocean? Randolph Carter, armed with a silver key, sets sail across its fathomless depths. His quest: the ultimate truth. But the waters are treacherous, and the shores lead to alien worlds and entities beyond human reckoning. And what if once you go, you can't get back? Through the Gates of the Silver Key" is a short story co-written by American writers H. P. Lovecraft and E. Hoffmann Price between October 1932 and April 1933. A sequel to Lovecraft's "The Silver Key", and part of a sequence of stories focusing on Randolph Carter, it was first published in the July 1934 issue of Weird Tales. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

"The House of Horror," despite its pulp sensibilities, clearly resonates with the Poe-esque tradition of detective fiction intertwined with the macabre and the sensation novel. Like Poe's tales, Quinn's story utilises a combination of rational investigation and visceral horror to create a sense of dread and suspense. De Grandin, though more flamboyant than Poe's Dupin, embodies the detective figure who seeks to unravel a dark mystery through observation and deduction. The story shares Poe's fascination with the grotesque and the psychologically disturbed, as exemplified by the character of Dr. Marston and his horrifying experiments. While Quinn's style is less atmospheric and more reliant on plot-driven thrills than Poe's, "The House of Horror" nonetheless shares a common lineage in its blend of mystery, horror, and a fascination with the darker aspects of human nature. Learn more about your ad choices. Visit megaphone.fm/adchoices