Podcasts by Category
- 1829 - SOPP708: I’ve started to approach my organ pieces like my scales, ‘from memory’ and I’m definitely making progress
Let’s start episode 708 of Secrets of Organ Playing Podcast. This question was sent by Dawn, and she writes:
“Hi Vidas,
I’m finding your advice very helpful. I’ve started to approach my pieces like my scales, ‘from memory’ and I’m definitely making progress. I’m recognising finger patterns are better too, which I normally don’t. So thank you for your advice on memorisation.
In answer to your questions:
My dream is to play competently and confidently. Perhaps in the future to reach Grade 8 standard if I’m ever good enough.
The 3 things holding me back:
1. Poor fingering.
2. Poor rhythm.
3. Slow speed.
Thanks again for your advice and support. It’s much appreciated.
Dawn”Wed, 13 Mar 2024 - 15min - 1828 - SOPP706: About our summer organ trips to Poland, Denmark, Ukraine and LatviaWed, 30 Aug 2023 - 46min
- 1827 - SOPP705: I'd like to be able to accompany any song without losing the mood of the song
This question was sent by Matthew, and he writes:
“Hello Vidas & Ausra,
Thank you for all that you are doing to encourage and coach organists!
1. What is your dream for organ playing?
Be able to accompany any song without losing the mood of the song. Rich bass and appropriate chords.
2. What are 3 most important things that are holding you back from realizing your dream?
a. Fingering
b. Unable to play soprano and alto in the right hand simultaneously (bass and tenor in the left hand simultaneously)
c. Knowledge of chords
Best regards,
Mathew”Wed, 10 May 2023 - 16min - 1826 - SOPP704: Which of your studies do you recommend for learning repertoire within a short period of time?Wed, 03 May 2023 - 14min
- 1825 - SOPP703: I want to become the best organist that I can be. Things holding me back are playing anxiety, physical stamina, and lack of concentration.Wed, 08 Mar 2023 - 12min
- 1824 - SOPP702: Are there any secrets or nuggets of wisdom as it pertains to learning difficult pieces quickly?
This question was sent by Leo, and he writes
Good evening,
Thanks so much for the fine work that you and your staff render.
I am currently moving into a new position as organist for the Second Presbyterian Church here in Memphis. I am ecstatic about this amazing opportunity.
Are there any secrets or nuggets of wisdom as it pertains to learning difficult pieces quickly. Please advise or share what to purchase on your website.
Thank you
LeoWed, 01 Mar 2023 - 08min - 1823 - SOPP701: How do two tablets with the music score know when to switch as they do when you turn pages?
This question was sent by Richard, and he writes:
“Hey Vidas,
I just watched your video of 4 movements your Nun Danket Suite - VERY nice.
Question: how do the tablets with the music score know when to switch as they do?
Thanks!
Richard”Wed, 22 Feb 2023 - 14min - 1822 - SOPP700: My dream is to improve my improvisation techniques
This question was sent by Pedro, and he writes:
1. My dream is to improve my improvisation techniques. I think this goes through more music analysis, and trying to write down small pieces. I would also like to be more confident when choosing the appropriate registration. And finally I would like to change my finger touch, that is still one of a trained pianist.
2. Things that hold me to reach that goal is : Time to play more often and access to an organ.
Thank you, PedroThu, 02 Feb 2023 - 17min - 1821 - SOPP699: How Rorate caeli, ornamented chorale prelude by Jeanne Demessieux is constructed?
This question was sent by Rien Schalkwijk, our friend from YouTube, and he wants to know how Rorate caeli, ornamented chorale prelude by Jeanne Demessieux is constructed.
Wed, 25 Jan 2023 - 11min - 1820 - SOPP698: My dream is to be able to sight-read hymns well enough that a last minute change to a hymn in a church service doesn’t worry me
This question was sent by Rebekah, and she writes:
1) My dream is to be able to sight-read hymns well enough that a last minute change to a hymn in a church service doesn’t worry me.
2) What’s holding me back is time - I just started playing the organ a little less than 3 months ago, and I can only get to the church to practice 3 days a week. I do practice on my piano at home on the other days.
Rebekah”Wed, 18 Jan 2023 - 10min - 1819 - SOPP697: How to Teach in an Organ Studio Where One Student is Playing With One Finger Only and Another - Rather WellWed, 16 Nov 2022 - 13min
- 1818 - SOPP696: What to do when you come to practice and there is a funeral in the church?
Today, I would like to talk about what to do when you come to practice and there is a funeral in the church. It has happened to us many times before. We had our Unda Maris Studio rehearsal planned, but before that, we were going to record some organ music on our church organ. But before entering the church, we noticed widely opened doors which means something is going on. And sure enough, in one of the chapels, there was a funeral being prepared.
Wed, 02 Nov 2022 - 12min - 1817 - SOPP695: Total Organist Community Migrated from Basecamp to Discord
Today, we’d like to talk a little bit about how and why Total Organist Community has migrated from Basecamp to Discord.
Wed, 05 Oct 2022 - 14min - 1816 - SOPP694: My technique has really slipped a good bit, most of my repertoire is rusty, and if I’m not careful I can get pretty discouraged
This question was sent by Ed, he is one of our Total Organist students and he writes:
You asked me to get back to you about what I’m practicing, and I had to wait a few days to figure out how to explain this. As I mentioned in my prior email I have a masters degree in organ performance from many years ago, and then let it lapse for several decades. Now that I’m retired I’m trying to make the magic happen again, and it’s been challenging to figure out how to put the pieces back together. My technique has really slipped a good bit, most of my repertoire is rusty, and if I’m not careful I can get pretty discouraged.
One thing that has helped me is that I put together the attached spreadsheet. I took several days to go through all the music in the boxes to try to remember what I had learned already. I even found pieces that clearly I had played because my handwriting is all over the paper, yet I could not remember anything about the piece. I put all this information into a spreadsheet to help me understand my priorities and the current state of each of the pieces I was working on. It’s been very helpful to keep my focus to resurrect all of the things I’ve learned already well while still branching into some new material.
I’m in a good daily routine now. I spend about 30 minutes split between Hanon and the Davis textbook pedal exercises to get my dexterity back, and then I look through this repertoire list and pick some things that I’m interested in moving up on the current status list. I get pretty tired by mid afternoon, so I save the evening for watching YouTube videos from your site. I also got a copy of the New Oxford Organ Method which I find delightful. One chapter a day seems to be good to remind me of what I used to know.
Keep up the great work. Every hour you put into organization is going to have tremendous benefits and increase the availability and respect for what you’ve done. Thanks so much.
Take care,
Ed
Fri, 23 Sep 2022 - 17min - 1815 - SOPP693: Alina Rotaru on Early Music, Playing Harpsichord and Sigismundus Lauxmin International Harpsichord Contest
Welcome to Secrets of Organ Playing Podcast #693!
Today's guest is harpsichordist Alina Rotaru. Alina studied piano and choral conducting at the music academy in her hometown of Bucharest. After moving to Germany, she studied harpsichord with Siegbert Rampe and Wolfgang Kostujak at the Folkwang University of the Arts Essen, with Bob van Asperen at the Conservatorium van Amsterdam, and with Carsten Lohff and Detlef Bratschke at the University of the Arts Bremen. She is an active soloist and ensemble player, and also in charge of various orchestral, opera, and sacred music projects of the German Early and Late Baroque as an artistic director. As a soloist, she has performed across most of Europe, as well as in Japan, South America and USA. She teaches at the University of the Arts in Bremen. Her solo recordings of harpsichord works by JP Sweelinck, JJ Froberger, and English virginalists have earned excellent reviews in the music press and among their peers. Together with viol player Darius Stabinskas, Alina is the co-founder of the ensemble MORGAINE, which focuses on the music of the Polish-Lithuanian Commonwealth.
In this conversation, we talk about her love for early music, playing harpsichord and Sigismundus Lauxmin International Harpsichord Contest which she organised the 2nd time this year.
Relevant links:
https://alinarotarumusic.wordpress.com
http://www.bmfestival.lt
http://www.bmfestival.lt/bmf2022/en/contest.html
http://fontesmusicae.pl/notes-editions-c-series/
http://fontesmusicae.pl/szelest-en/Wed, 21 Sep 2022 - 58min - 1814 - SOPP689: I want to improve my organ pedal techniqueWed, 07 Sep 2022 - 09min
- 1813 - SOPP687: My dream is to improve my playing with the most effective way to practice and get the most out of my practice time
This question was sent by Steven, and he writes:
“Vidas,
Here are my responses to your questions.
1. What is your dream for organ playing?
My dream is to improve my playing with the most effective way to practice and get the most out of my practice time.
2. What are 3 most important things that are holding you back from realising your dream?
A. Effective practice and getting the most out of practice time.
B. Better registrations for the music
C. Being more confident in my playing
Currently practicingWidor’s Toccatafrom his 5th organ symphony andVierne’s Finale from 1st symphonyandCarillon de Westminster. And these works of J.S. Bach:
Toccata and Fugue in d minor BWV 565
Fugue in D BWV 532a
Praeludium and Fugue in d minor BWV 549a
The Gigue Fugue, BWV 577.
Thank you for all you two do in assisting others to improve their playing skills at the organ.
Steven”Wed, 24 Aug 2022 - 12min - 1812 - SOPP690: My dream is to be able to play the organ confidently in the liturgy and perhaps in recitals occasionally
This question was sent by Andrew, and he writes
Dear Vidas,
My answers to your recent questions:
1. My dream is to be able to play the organ confidently in the liturgy and perhaps in recitals occasionally.
2. The 3 most important things holding me back from this are:
- Poor sense of timing and rhythm
- Lack of focus and concentration in practicing
- My legs are both slightly twisted outwards, which makes some pedaling uncomfortable (especially around the middle of the pedalboard; I cannot place my knees close together without great effort)
Nonetheless, I am finding Total Organist a very useful resource and community. I find your daily emails especially helpful.
My best wishes to you and Ausra from England, AndrewWed, 17 Aug 2022 - 14min - 1811 - SOPP688: The main problem with being an organist is that you usually can't practice at home because most people don't own organs and even so...probably not a pipe organ!
This question was sent by Rita, and she writes:
I am learning a lot from your episodes. I am a trained pianist but also play organ. The main problem with being an organist is that you usually can't practice at home because most people don't own organs and even so...probably not a pipe organ! There are many true organists that utilize all the stops and use both feet seamlessly. Because I now play on 4 different organs… I want to give the listeners/participants the best experience. My suggestion is to focus on the easiest registrations… easiest way of just knowing how to prepare for playing the quickest and easiest way. Practice makes perfect so my goal is to gain access to my 4 churches and devote practice time to each organ. Thank you again for your helpful lessons!Find out more atorganduo.lt!
Wed, 10 Aug 2022 - 11min - 1810 - SOPP685: I'm spending too much time without getting much progress
This question was sent by Odubiyi, and he writes:
“My dreams for the Organ is to be a master on the Organ. Things holding me back: light, faulty pedal notes, spending too much time without getting much progress. Art of performance”Find out more at https://organduo.lt
Wed, 03 Aug 2022 - 12min - 1809 - SOP Podcast #60 - Slawomir Zubrzicki On The Art Of Viola Organista
Welcome to Secrets of Organ Playing Podcast #60!
https://www.organduo.lt
Today's guest is Sławomir Zubrzycki – outstanding Polish pianist, soloist and chamber musician specializing in performing contemporary music, composer, and constructor of musical instruments. He's a graduate of the Academy of Music in Cracow (1988, piano – prof. T. Żmudziński’s class, modern music – prof. A. Kaczyński’s class) and The Boston Conservatory of Music (1990-91). Fulbright Scholar. Prize winner at the prestigious Polish Piano Art Festival in Słupsk (1987). Sławomir Zubrzycki has been giving concerts in USA, Germany, Austria, Spain, Great Britain and Ukraine. He has made several recordings for Polskie Nagrania (Polish recording company), Polish Radio and Television. He was a lecturer at Summer Academy of Contemporary Music – Avantgarde Tirol in Austria (2005, 2007).
In 2009, Zubrzycki came across the traces of a real rarity – Viola Organista – the instrument designed by Leonardo da Vinci, but which had almost been unknown and forgotten. Fascinated by the facts from the past, in the years 2009-2012 Zubrzycki created his own version of Leonardo da Vinci’s design. The premiere recitals of viola organista (October 2013) were a spectacular artistic success that attracted record attendances, gained attention of the international media and over two million viewers on YouTube.
His European tours in 2014-2015 included recitals at Stockholm Early Music Festival, Wratislavia Cantans, Ghent Festival of Flanders, Kotor Art Festival, Polish Music Days in Turkey, Ohrid Summer Festival, Milano Classica. In 2015 the first solo album, "Viola organista - The da Vinci sound", was released thanks to support of music lovers from all over the world (from Kickstarter campaign). In 2015, Zubrzycki was also invited by Icelandic singer Björk to record together an acoustic version of her album "Vulnicura".
In this conversation, Sławomir shares his insights about how he constructed viola organista and how he learned to play it. It's completely different and unexplored area of music and I hope a lot of organists from all over the world will find much inspiration from it.
Enjoy and share your comments below.
And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends.
Thanks for caring.
Related link:
http://www.violaorganista.com
Sun, 18 Sep 2016 - 56min - 1808 - SOPP324: I have heard it is possible to create the illusion of a 32' in the pedals
Let’s start episode 324 of Secrets of Organ Playing Podcast. This question was sent by Dieter and he writes: Good evening Ausra and Vidas. Just recently something electrical malfunctioned on our Churches organ. As a result we lost the 32' and 16' ranks in the pedals. Only 8' and 4' left. I have heard it is possible to create the illusion of say a 32' by playing two notes on a 16' in the pedals. I am not averse to playing a two note chord in the pedals, as long as it is not too complicated for hymn accompaniment, a bit like a drone. Question is which two notes? Dieter
Mon, 05 Nov 2018 - 15min - 1807 - SOPP322: On accompanying the congregation and improvising
Let’s start episode number 322, of Secrets of Organ Playing Podcast. This question was sent by Rob. He writes: Hello Ausra and Vidas, Today, I have a few things to share with you that relate to subjects that both of you discussed in recent SOPPs. Please feel free to use it as “ammo” to elaborate on as you see fit. 1) Accompanying the congregation in singing This is something that I’ve been doing for almost 45 years now. When I accompany a choir, I’ll have to “obey” the SATB setting of the songs. When I accompany the people, I can basically make up my own harmonies. What I do is this: one of my ears listens to the organ, the other ear listens to the singing of the congregation. Now, in the middle of my head, I bring the two together: I always make sure, that I am just a fraction of a beat “ahead” so I can give them the next note, the next tone that they need to sing. This way, you can also control the pace of the song, because congregations are inclined to slow down in singing and it is best not to allow this. So, “split-listening” and being just ahead of the people is key in accompanying. And, of course, make sure that the melody of the song can be heard clearly. 2) On improvisation I discovered, that there is a part in my brain that always creates music. All I need to do, is tune into it and listen to what’s “playing” in my head at that moment. Can be a melody, can be a harmonized piece of music. When I listen to it, I can get my right hand to immediately produce the melody that I hear. I am not yet good enough to immediately produce the harmonics that I hear with both hands. So, I must take it “slow”. That is, play the melody (and often harmonizing it as well) bringing it out in the right hand and find supporting harmony (chords etc.) in the left hand and pedal. I change between playing on 2 manuals and playing on 1 manual where I get to bring the two hands together while developing on the keyboard what I hear in my head. This works wonderfully well. And I do make it a habit of improvising 10-15 minutes every time I play the organ. Also before service, I make time to improvise for about 5 minutes. Makes sense to you guys? Enjoy the weekend. Kind regards, Rob
Sun, 04 Nov 2018 - 24min - 1806 - SOPP320: I am only 5'1" and can't block the church organ up
Let’s start episode 320 of Secrets of Organ Playing Podcast. This question was sent by Hanna, and she writes: Hi Vidas, This is what I studied and practiced last month, just recently adding the 2 Minuets and this new one. I don't speak German so can't pronounce it. 10-Day Pedal Exercise Ich Ruf zu Dir Praise to the Lord Doxology If you Could Hie to Kolob- piano/organ duet I am working on to play in sacrament meeting at Church. Our Prayer to Thee - Hymn out of the hymnal for the Church of Jesus Christ of Latter-day Saints Minuet in G Major #132 God is in His Holy Temple Organ Technique- listen (I have listed to one 30-min presentation). I am only 5'1" and can't block the church organ up. So it is difficult to skim the pedals like I want to. But I'm trying for better range of motion in my ankles so my heel can reach as I stretch the achilles tendon more. It is a thrill to sense even minor improvement, so your teaching must be working. Thank you. -Hanna
Sun, 04 Nov 2018 - 17min - 1805 - SOPP321: The music you’ve created and performed here is deeply profound and moving to me
Let’s start episode 321 of Secrets of Organ Playing Podcast. This question was sent by Heidi and she writes: “Wow! Vidas Pinkevicius, what an Artist you are! Runs in the family, except your media is painting with music, rather than oils. The music you’ve created and performed here is deeply profound and moving to me. At times, I also noticed that it is so far 'above my comprehension' that I feel a bit confused. In no time, however, the music is telling its story again. The birds singing brought so much joy! I actually wondered for a moment if they were live birds. And then there is the Giant. How I loved hearing the giant come tumbling down. Very deliberately, filled with tension and suspense, slow, getting slower as he descended!! Wow, it was so much fun listening to this. Everything about this piece is wonderful, including the Artist - thank you. Oh, and by the way, the fact that the organ is mechanical totally added to the music’s drama. Beautiful performance by the artist, Vidas. Articulation beyond compare. You deserved a vacation after that.. Whew! I love it. Heidi”
Sat, 03 Nov 2018 - 17min - 1804 - SOPP319: Have you ever partaken in an event where 2 keyboards were used?
Let's start episode 319, of Secrets of Organ Playing Podcast. This question was sent by Irineo. He writes: Have you ever partaken in an event where 2 organs (or organ + harpsichord/2 harpsichords) were played simultaneously? Very truly yours, Irineo.
Wed, 31 Oct 2018 - 14min - 1803 - SOPP318: The nervousness really I need help with
Let’s start episode 318 of Secrets of Organ Playing Podcast. This question was sent by Sjouke and he writes: “Hi Vidas and Ausra, Today I have finished a morning practice session for about 2 and a half hrs, and than after that I was done for, meaning very tired. I get that way, my back is hurting and between my shoulder blades etc. Although I am not very good at it, playing the organ that is, still I try to get to the church at least once a week, because others also want time behind the organ, which is understandable and I do not begrudge them that, and I am working at trying to get a key for the church so I do get more time behind the organ. I do have a organ at home and I enjoy playing of it but of course the sound is different, so that is why I go to church to practice. But it seems that I am a slow learner, being 72 years of age does not help, but that is frustrating me. I usually pick pieces that I know that I can learn, a couple of months ago I heard a friend of mine play, "Wachet auf, ruft uns die Stimme" by J.S. Bach and I asked this friend of mine if he thought I could learn this piece, his reply was to try, but to take it slow. I have done that, now this piece has four pages, but it is going very slowly, and I do not mind telling you that I get impatient and frustrating for a piece of music of this kind, I can work on it for a year before I can say I do know it now and I can play it at home with not problem, but in public is another story. I played for a congregation for fifteen years, and it took me another eight years before I felt comfortable enough that I did not get overly out of control nervousness. One and half years ago that church closed its doors, to bad for I really enjoyed my time there. My question to both of you is how do I get over this out of control nervousness. I done a performance last March I believe and it was not very good, I did know the piece I was playing, which was an improvisation by Dianne Bish " Great God We praise Your Name" I do not know if you know it, but it did take a while for me to learn it. Anyway the nervousness really I need help with, please do not suggest a psychologist, for I did see one for three years and not help. Thank you for answering this question. Sjouke”
Wed, 31 Oct 2018 - 17min - 1802 - SOPP317: My challenge continues to be aware of posture + unrelaxed hands
Let’s start episode 317 of Secrets of Organ Playing Podcast. This question was sent by Barbara, and she writes: My challenge continues to be aware of posture + unrelaxed hands, arms, and shoulders to prevent numbness in my hands (especially my right hand). This came to a crisis 2.5 yrs ago. I've been to doctors, occupational therapist, and Alexander Technique teacher and am determined to control it without surgery. Mild arthritis is also an issue (age 67). I hold chords too tightly, press the keys harder than I need to, and frequently find my shoulders hunched. Releasing all of this helps. I'm thinking of focusing on 17th-18th c. French organ music this fall (interesting, need to learn ornaments + performance practice better, and not so many chords). Will give my feet exercises and tricky Bach pedal passages (and learn the hands later).
Tue, 30 Oct 2018 - 17min - 1801 - SOPP316: If I made mistakes, it was usually in my left hand!
Let’s start episode 316, of Secrets of Organ Playing Podcast. This question was sent by Regina. And she writes: I enjoy reading your blog and find your responses to be absolutely spot on. I am a retired music teacher and choral director. Piano was my primary instrument (began lessons at 4). Upon retirement, I decided to pursue a life-long dream (the number one item on my “ bucket list” lol) to learn to play the organ. I have been studying for almost eight years and have tackled some of JS Bach’s most challenging masterworks. As a pianist, I found that the most difficult aspect of learning to play the organ was not the pedals but, rather, the left hand. If I made mistakes, it was usually in my left hand! I’ve recently gotten the St Anne’s into performance- level shape. I will probably use the Prelude as exit music for my next wedding gig (I work as a substitute organist for two Lutheran Churches here on Long Island, NY) . Again, I enjoy your blog tremendously and always find some piece of advice I can utilize in my studies. Sincerely, Regina
Mon, 29 Oct 2018 - 17min - 1800 - SOPP315: I’m struggling with the pedal exercises
Let’s start episode 315 of Secrets of Organ Playing Podcast. This question was sent by Dianne and she writes: “I’m struggling with the pedal exercises that call for playing a fourth with heel and toe of one foot... And doing so legato without playing pedals in between. Some of the 3rds, depending on octave and foot called for, are difficult as well. My feet don't bend and stretch that way!”
Sat, 27 Oct 2018 - 15min - 1799 - SOPP314: I am struggling with keeping the practice slow
Let’s start episode 314 of Secrets of Organ Playing Podcast. This question was sent by Dianne, and she writes: I am struggling with keeping the practice slow. I am too goal oriented for my own good. And then of course I am more easily frustrated when I make mistakes. Working on patience and enjoying the process!
Sat, 27 Oct 2018 - 17min - 1798 - SOPP313: I'm feeling a bit frustrated with seemingly little progress
Let’s start episode number 313, of Secrets of Organ Playing Podcast. We had a discussion in our communication channel on Basecamp recently. And Jay wrote that ‘he’s feeling a bit frustrated with seemingly little progress’. And then he wrote some details: “For one thing, I have a similar problem that Dianne posted about slow practice. I'm trying slow down things that are more difficult and go through many repetitions. Maybe I'm not going through enough repetitions. And, I know we shouldn't compare ourselves with others–it's easy to do though. I see others posting about getting perfect on things that I can't even play. I am enjoying practice though. I just would really like to improve faster. And like someone else who is 71 recently said, that at this age, it just takes longer to get things. Perhaps that's where part of the frustration is”. V: Diane answered: “I agree with everything you said. I tend to compare myself now to when I was younger, and I get frustrated that I can't play things perfectly the first time through the way I used to! It's bad enough to compare myself with others without also comparing myself with a younger version of me”.
Thu, 25 Oct 2018 - 14min - 1797 - SOPP311: I'm dreaming to play organs for fundraising concerts and worship accompaniment
Let’s start episode 311 of Secrets of Organ Playing Podcast. This question was sent by David, and he writes that he is dreaming to play organs for fundraising concerts and for worship accompaniment, but obstacles in the way of his dream is a busy life, and that means that he cannot practice as often as he’d like.
Wed, 24 Oct 2018 - 19min - 1796 - SOPP312: I'm playing for a wedding and have some issues with performance anxiety
Let’s start episode 312 of Secrets of Organ Playing Podcast. Today I’d like to share with you the discussion that was going on our communication channel on BaseCamp between Total Organist students. Annabelle wrote the answer to the question “What is she currently working on?” and “What is she struggling with?” So she is playing Wedding March by Wagner and she writes: Annabel: I'm playing for a wedding in October and have some issues with performance anxiety. So I thought it would help to learn it by heart. David: Great idea I have the anxiety issues, too. 2 bananas 30 minutes before performance has been helping me keep my hands and ankles from shaking so badly and slows down my racing heart. Recently my doctor suggested trying a medication called Propranolol, so this Sunday will be the first run with it. I don't always need that kind of help, but when my performance anxiety gets out of control, I need just a little help. Annabel: I’ll try bananas, that's very interesting. Is it the potassium? I'm fine accompanying hymns, I just don't like being a soloist! David: Potassium for the heart rate, but allegedly they have a natural beta blocker in them to help with shaking hands and ankles. It's folk lore, but there seem to be a while lot of even professional musicians who swear by it. I opted for Propranolol because I can't have too much potassium. Annabel: Fascinating, thanks David. I've started reading quite an old book called "Tensions in the Performance of Music" edited by Carola Grindea. It was recommended to me by a professional harpist. David: Thank you! I will look for that Vidas: I once ate bananas and drank mineral water entire concert day. When my turn came up to play, I felt as light as an angel.
Tue, 23 Oct 2018 - 17min - 1795 - SOPP309: When was the organ introduced into the Christian liturgy?
Let’s start episode 309 of Secrets of Organ Playing Podcast. This question was sent by Michael and he writes: "Hi Vidas, You're very welcome! I very much enjoy your music scores, and I intend to purchase more in the future. Thank you for making them available for purchase! They are all excellent works. I was hoping you and Ausra might consider discussing the following organ history subjects in future podcasts: 1. When was the organ introduced into the Christian liturgy? Where were the first church organs installed (e.g. in which regions of Europe or Western Asia, etc)? How did the earliest organists serve in the context of the liturgy? Were the service-playing responsibilities quite different from that of a parish organist today? What was the medieval (pre-Tridentine) mass like? 2. Historical tunings/temperaments: Pythagorean tuning, Mean-tone temperament, the "well-temperaments," etc. When and were where these tunings were used? 3. Compositional practices/features of organ music prior to 18th century? Who were the key composers in the development of organ music composition from the medieval period to the 17th century? Thank you for your very helpful and informative podcast and blog posts! Most sincerely, Michael"
Fri, 19 Oct 2018 - 20min - 1794 - SOPP310: My dream is to become a competent, versatile and creative church organist
Let’s start episode number 310, of Secrets of Organ Playing Podcast. This question was sent by C.K. And C.K. writes: C.K. Hi Vidas, 1. My dream is to become a competent, versatile and creative church organist. V: And the obstacles toward this dream are, C.K. 2. Modulation skill; improvisation technique; setting registration. Regards, C K
Thu, 18 Oct 2018 - 17min - 1793 - SOPP308: Performing a long trill in Bach's Dorian Toccata
Let’s start episode 308 of Secrets of Organ Playing Podcast. This question was sent by Jaco, and he writes: Dear Vidas Thank you for your daily posts - it is really an inspiration! I really like Bach's Toccata in d (Dorian). It is a piece that feels like it has perpetual motion - something always keeps moving in it. It is quite a difficult piece to master, but I decided to learn it. The edition I am playing from is the new 2012 urtext Breitkopf & Hartel edition. It indicates a trill in measure 29 on the top e in the RH (please see below). However, it does not indicate when this trill should stop. The note is held on for another 2 measures. When should that trill stop? I don't know how to play the RH in measure 30 if trill has to continue, since a lower voice starts with that hand halfway through measure 30. Another question - I know the piece has to be played articulate legato. However, it does sound quite nice if the first 2 semiquavers on the motive on beat 1 and 3 are slurred (played legato). I have heard it on some recordings as well. Would this be considered acceptable to do? Looking forward to your reply! Kind regards Jaco
Wed, 17 Oct 2018 - 14min - 1792 - SOPP306: I'm making a slow progress on Bach Level 1 course
Let’s start episode 306 of Secrets of Organ Playing Podcast. This question was sent by Jack and he writes: “Hello Vidas, I practice every day for 1 or 2 hours, sometimes even more. But I make slow progress on e.g. Bach level 1 course. Probably due to my age (71) and the fact that I didn't play for almost 30 years. But the good point is that I ENJOY the practicing now, thanks to your inspiring learning materials. Rgds, Jack”
Tue, 16 Oct 2018 - 15min - 1791 - SOPP307: Do you recommend total legato for hymn playing in any situation?
Let’s start episode number 307, of Secrets of Organ Playing Podcast. This question was sent by Tamara. And she writes: Hello Vidas– I have been following your Secrets of Organ Playing emails—very helpful, thank you! Do you recommend total legato for hymn playing in any situation? I did learn and follow the 4 ways to render a hymn in the Ritchie book (Chapter 7). It seems that the best, most efficient hymn playing is balance of legato and articulation, distributed among the SATB parts. Thank you. Tamara
Mon, 15 Oct 2018 - 15min - 1790 - SOPP305: I enjoyed the Bach organ tour but the big surprise was how sharp most of the organs were
Let’s start episode 305 of Secrets of Organ Playing Podcast. This question was sent by Alan, and he writes: Vidas, we are back from our travels. I enjoyed the Bach organ tour but the big surprise was how sharp most of the organs were. It wreaked havoc with my absolute pitch and made it very difficult to play. It didn't get easier, but I didn't push it too much as there were others waiting for a chance to play the organs. For something else to do I took measurements of the temperament octaves of many of the organs in order to make some comparisons. A podcast on coping with different pitches would be good.
Mon, 15 Oct 2018 - 17min - 1789 - SOPP304: During the postlude at this mornings service in BWV 555 bad things just started happening
Let’s start episode number 304, of Secrets of Organ Playing Podcast. This question was sent by Jeremy. In response to my weekly questions in our Total Organist Basecamp communication channel. When I ask ‘What’s the most frustrating thing for you this week, that you’ve been struggling with’? And Jeremy wrote: Focusing. During the postlude at this mornings service, about half way through the fugue of BWV 555 bad things just started happening. I tried to bring myself back into the moment, but it took about ten measures to get back into the zone. I am trying some of the techniques you mention in your "focusing at the organ" lessons, so the fugue didn't completely fall apart. Just a few hairy moments on a piece I felt completely fine with yesterday. I will say, ten years ago I would have stopped the piece and tried to restart it somewhere, so that's a win.
Sat, 13 Oct 2018 - 15min - 1788 - SOPP303: I would like to apply for, and be admitted into, a doctoral program in Organ Performance
Let’s start episode 303 of Secrets of Organ Playing Podcast. This question was sent by Michael and he writes: “Hi Vidas and Ausra, Thank you for your recent email, to which I am now responding late (I apologize). My dream for my organ playing is that I would like to apply for, and be admitted into, a doctoral program in Organ Performance. I am currently pursuing a master’s degree in Organ Performance. At this time, I cannot think of three hindrances to my dream, but I can think of one in particular that is proving to be, and has always proved to be, a great problem for me: I am very shy about people hearing my practicing the organ - the repetitions, making mistakes, etc., that attend the process of learning a piece of music. I am a very introverted person (which I have found is not a very common personality trait amongst organists; at least, not amongst the organists I know personally). I believe that my fear of people hearing my practicing may (at least partially) stem from the shyness and introversion, and perhaps lack of confidence in myself: worrying that people may think I am not a skilled organist if they hear how painstaking practicing can be, and sometimes how tedious the process of learning a piece of music can be (for me, at least). Even at the university, though, where I am surrounded by other graduate music students who understand exactly what I am experiencing with practicing – even there I cannot bring myself to practice on the practice organ, which makes things very difficult for me sometimes, since the practice organ is the organ on which I perform when I receive my weekly lessons, and I really need to play it regularly to continue to be accustomed to its feel and action. What I normally do is practice at the church in the late afternoon or evenings, when I know no one will be present to hear my practicing. All of this causes me to waste time, and causes me to worry needlessly. I am aware of these things, yet the fear of people hearing me practice has been one with which I have struggled since childhood. Despite the fact that I have been successful enough to work as a church organist, pursue graduate-level Organ Performance studies, and compose, I worry that the shyness and introversion, which, I believe, is the basis, or part the of the basis, of my fear of others hearing my mistakes when I practice – I worry that this will directly harm my efforts to receive an admissions offer in the competitive world of doctoral studies because perhaps my skills will not be as good as they could be if I practiced more regularly. I also worry that my shy personality may indirectly harm my efforts to be admitted into a doctoral program since my non-extroverted, non-showmanship personality (and the music I prefer to play and compose as a result of this personality) may make me seem as though I would be less successful as a graduate of the program than would another more gregarious, “outgoing” applicant, and maybe the conservatory would prefer investing in a person like that rather than me, since my appearance alone may work against me. Sadly, I have found that a very skilled but introverted organist is often (and maybe even usually) unfavorably compared to an organist who is not as skilled, but who has a very extroverted and confident personality. Thank you so much for your SoundCloud podcast and emails. I have found each podcast and email extremely helpful, informative, and enjoyable, and I am grateful for your work. Most sincerely, Michael”
Thu, 11 Oct 2018 - 19min - 1787 - SOPP302: When and how do i start learning congregational opening hymns?
This question was sent by Henry, and he writes: I would like to start accompanying the congregation using an electronic keyboard. My question is, when and how do i start learning congregational opening hymns? Please i need your piece of advise on this issue.
Tue, 09 Oct 2018 - 16min - 1786 - Music for Pope Francis
On September 23, 2018 when Pope Francis visited Lithuania, I had an opportunity to make music on the organ, together with choral polyphony and Gregorian chant while he was visiting Museum of Genocide Victims in Vilnius. The performers were chamber choir "Aidija" and Schola Cantorum Vilnensis", led by Romualdas Grazinis and myself at 3 manual digital Johannus organ which stood inside a special tent in front of a huge crowd in Lukiskiu Square. My role was to improvise versets and accompany Gregorian chant. Towards the end we were not sure when the Pope would appear so we kept performing a mix of Tu es Petrus and Ubi Caritas... If you want to find out what happened, here's the audio recording.
Tue, 09 Oct 2018 - 47min - 1785 - SOPP301: Do organ builders have online database with specs on every instrument they’ve built?
This question was sent by Dan, and he writes: Hi Vidas, back in June, i’d tried out a small casavant organ, in a place which is used for people to stay at, they do corporate events there, and other stuff, and the owner of the place, doesn’t really play the organ. She wants me to play it on a couple dates in november. It’s a 1929 Casavant organ, and it’s their opus 1375. When I’d tried the instrument, I was mainly using the crescendo pedal to control it. Those can give you sometimes less than desirable results. I’d asked her if she could provide me with a stop list for the organ, so I could know what it has on it, so I can have finer control over the instrument. Her response was that she doesn’t play the organ, and that we’d have to get somebody in to help. Does Casavant, or any other organ builder for that matter, have an online database with specs on every instrument they’ve built that I could access? OR would it be worth contacting Casavant about this? Secondly, the instrument hasn’t been looked at as far as tuning and maintenance for at least a year or two, and they don’t seem to have a regular contract with an organ technician. I suggested that they at least get one in, to tune the instrument, as when I’d tried it, it really needed it in my opinion. Any advice in this situation would be appreciated. Thanks. Dan
Mon, 08 Oct 2018 - 16min - 1784 - SOPP300: Additional Advice for Adding Improvisation Hymn Harmonizations
This question was sent by John. And it doesn't start like a question, but rather like feedback or response to another question that we discussed earlier about improvising alternate hymn harmonizations. So John writes: There are a number of books of varied accompaniment [published by companies such as Kevin Mayhew and Novello], but these are for hymns sung by English-speaking congregations. Eric Thiman composed two books of excellent accompaniments [published by Novello and OUP, still available]. A very effective way of beginning a final verse is by playing a flattened seventh on the pedals. Other devices include: introduce a dominant pedal towards the end of the hymn, changing major chords into minor [if possible], playing the alto line above the treble, placing the treble line in the tenor [fauxbourdon - this is quite difficult and needs to be written out in full]. My advice would be (i) get hold of Thiman's books to see the techniques he uses and (ii) if you require a varied accompaniment for a choral, write in out if you are a beginner. Do not try improvising harmonisations until you are proficient. There is no fast-track route I'm afraid. I have just seen a single copy of C H Lloyd's "Free Accompaniment of Unison Hymn Singing" available on Amazon—this is a very rare book—brilliant accompaniments written by a master. Good luck! John
Mon, 08 Oct 2018 - 15min - 1783 - SOPP299: How to improve finger accuracy, especially with fast passages?
This question was sent by John and he writes: “Hi Vidas and Ausra, Thank you for your amazing blogs lately, there's been some great discussions and I value the different perspectives you both bring. I'm wondering if you could please talk about how to improve finger accuracy, especially with fast passages. Specifically I'm trying to play In Dulci Jubilo BWV 729 by Bach, your training videos were great and I surprised myself how fast I was able to learn it (for me), it still took 2 months. Now my problem is trying to speed up to concert tempo. Most professional organists on YouTube seem to play this piece in 2:40-2:50 minutes, your Christmas Concert video shows you play it in about this time. I seem to be able to play it in about 3:10 mins quite ok without mistakes, but when I go faster, I seem to slur lots of notes by brushing against the key alongside, for example playing the note A I might bump the G sharp alongside. It feels like my fingers fumble, and I make mistakes in random places and even lose my place completely. This makes me feel quite uneasy and I don't have any confidence that I can get through the piece without messing it up. So I need to go about 10-20% faster and it seems a big jump in difficulty. I have noticed I struggle with fast pieces in general. Is it normal to take a long time to increase the tempo after having learnt a new piece? What exercises should I do to be able to play fast tempo pieces accurately? I want to play this piece as the postlude for the Nine Lessons and Carols service on Dec 16th, so I still have time, but this will be a big occasion with lots of people and the former retired organist will be there so I don't want to stuff it up! I hope your day goes well, Take care, God bless, John...”
Fri, 05 Oct 2018 - 13min - 1782 - SOPP298: Registration of Bach's Trio sonata in Eb Major, BWV 525
This question was sent by Anne, and she writes: Dear Vidas, Could you help me out a little with registration? I am quite confused about how one should register for many compositions by Bach, in particular his Trio Sonata in E flat (BWV 525). I understand that it was not common practice in his time to list out particular stops one should pull for each piece, and that it depended rather on the organist himself and the place he was in. But I don’t know where to start. If it doesn’t trouble you too much, I’d definitely appreciate your help. Regards, Anne
Wed, 03 Oct 2018 - 17min - 1781 - Trying out the Bruno Goebel organ at the Cathedral of Panevezys
I hope you'll enjoy this improvisation on the Bruno Goebel organ at the Cathedral in Panevezys which I played before my organ demonstration there on September 21, 2018. The organ was built in 1931 and has 3 manuals, 25 stops and pneumatic action. It came to Panevezys from the chapel in Konigsberg. There is room for 13 more stops which could be added in the future. Goebel made a new organ console with 38 stops which would fill the Cathedral space.
Wed, 03 Oct 2018 - 08min - 1780 - SOPP297: It's much pleasure to practice the pedal course
This question was sent by Dineke. She writes: Much pleasure with my pedal course. The first week I was some ill and the printer was new....I am studying with pleasure and it s just have been good I had basic knowledge of Theory..... we continue....beside my usual lessons. Nice you had a good Saturday with books meeting. Many greetings from Dineke. Secrets of Organ Playing: https://www.organduo.lt
Wed, 03 Oct 2018 - 15min - 1779 - Organ Improvisation Recital "David and Goliath" at the Cathedral of Liepaja, Latvia
I couple of days ago I shared with you my rehearsal on the largest mechanical organ in the world before improvising for an hour "David and Goliath". I hope that today you will enjoy the actual recital recording. NOTE: When there were about 5 minutes before the end of the recital, the power of the blower disappeared. Make sure you listen the very end of the recording to see what happened... Luckily it wasn't the middle or the beginning, isn't it? Organizer later explained to me that the organ builder checked and it turned out that the electricity company forgot to make the connection for one of the phases. It was not enough power. Secrets of Organ Playing: https://www.organduo.lt
Fri, 28 Sep 2018 - 50min - 1778 - SOPP296: One day I hope to be able to play hymns for a small church
This question was sent by Victoria and she writes: “Hi Vidas. I try my best on the church electric Organ as much as I can, but 30 hrs a week no way... Most I work on are hymns since we are a small church. It seems a long way to go for me, even the two part. But your advice is helpful! But I enjoy playing hymns on the Organ at church for practice, can’t do service yet. Hope one day I will be ready...Thanks again for your great work! You and Ausra are blessings! Victoria” Secrets of Organ Playing: https://www.organduo.lt
Fri, 28 Sep 2018 - 16min - 1777 - Liepaja Organ Improvisation Recital David And Goliath (Rehearsal) (2018)
Would you enjoy listening to my rehearsal of improvisation recital "David and Goliath" which I played a couple of weeks ago during organ music festival at the Cathedral in Liepaja, Latvia. This is the largest mechanical organ in the world from 1885 with 4 manuals and 131 stops. Let me know what you think.
Fri, 28 Sep 2018 - 56min - 1776 - SOPP295: Played the opening pedal passage for a short person in BWV 532
This question was sent by Anne, and she writes: I started working on Bach Prelude and Fugue in D Major, BWV 532. The opening pedal run is not hard except that I am a short person. The benches I sit and practice on are not adjustable so I have to sit close to the edge of the seat to be able to use the pedal board. In order to do this pedal run using only toes - I have to adjust myself as I go up the scale because my legs are not long enough. Somehow I will have to figure out how to do the adjusting and also have my hands ready to play the opening chords at the end of the run. Should be an interesting few weeks until i get this figured out! Secrets of Organ Playing: https://www.organduo.lt
Fri, 28 Sep 2018 - 14min - 1775 - SOPP294: I create my own organ accompaniment for the mass setting
This question was sent by Andrew and he writes: “Mass for Fathers Day this morning went well. Parts of the Mass were sung to the Glendalough Mass by Liam Lawton. The school's REC (Religious Education Co-Ordinator) is a guitarist. I've rigged up a mixer to feed through the organ's amplifier and speakers. He puts his amplified acoustic guitar through it, plus a couple of microphones for the singers. He leads with rhythmic strumming, and he has a small choir consisting of students from his class who lead the singing quite well. I add judicious, unobtrusive organ support beneath. I create my own organ accompaniment for the mass setting, reading from the choral/keyboard score and blending the parts so that the soprano line of what I'm playing doubles the congregation's melody but I add other bits from the keyboard accompaniment to make it interesting. Playing only the SATB part or only the organ part doesn't work - it has to be an amalgam of the two. Some of the songs come with melody and guitar chords only, but fortunately I learned many, many years ago how to improvise my own accompaniments based only upon this material. In the end it was all OK. I don't choose the songs as that's not my job, but stylistically I can play just about anything that gets thrown at me. One of the songs was handed to me shortly before the Mass - I'd not seen it before, but it was dead easy - mostly based around the chords of C and G, with a D major chord thrown in here and there for good measure. The opening song was a bit of problem - at one point I was playing a G minor chord (as marked on the score) but my colleague was strumming G major!!! Also, he suddenly decided to cut the third verse of the final song and wrap it all up after just 2 verses, but I try to keep my wits about me at all times - I caught this just in time and was able to round it all off smoothly! Just as well I love theatre organ music as those keyboard stylings come in handy for some songs. Now I hope to get back to some of my own work.” Secrets of Organ Playing - When You Practicem Miracles Happen: https://www.organduo.lt
Thu, 27 Sep 2018 - 15min - 1774 - Organ Duet Recital At St Paul's Cathedral In London
Organ Duet Recital At St Paul's Cathedral In London Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene, organ Concert Program: 1. Sonata in D Major for organ duet, K. 381/123a by Wolfgang Amadeus Mozart (12') Allegro-Andante-Allegro molto This is a sonata, originally intended be played on the piano for 4 hands but as many pieces from this period, sounds wonderfully on other keyboard instruments, such as the organ. As is the case with most classical sonatas, the middle gentle and slow movement is surrounded by the energetic and fast-paced outer parts. 2. Adagio für die Flötenuhr, WoO 33/1 by Ludwig van Beethoven (5') Beethoven composed this piece as part of the suite for the organ in the mechanical clock. Here enchanting melodies and lush harmonies alternate to create a dream-like delightful atmosphere. 3. Fantasia on the Themes by M.K. Ciurlionis, Op. 11a (2013) by Vidas Pinkevicius, arranged for organ duet by V. Pinkevicius (4') This Fantasia originally was created for flute and organ and is based on the themes taken from 2 piano preludes by the greatest Lithuanian painter/composer of all time, Mikalojus Konstantinas Ciurlionis (1875-1911). The themes alternate in different keys, played by various voices, sometimes in original and sometimes in inverted version. 4. Brandenburg Concerto No. 1 in F Major, III Part, Allegro, BWV 1046/3 by Johann Sebastian Bach, arranged for organ duet by V. Pinkevicius (6') This is the 3rd movement of the beloved Brandenburg Concerto No. 1 in which you will hear Bach's orchestral writing in new colors. It fits the organ texture so well that the listeners might wonder if this is a long forgotten organ composition by the great master. More information at: http://www.organduo.lt/bio.html
Tue, 25 Sep 2018 - 30min - 1773 - SOPP293: I'm struggling with finding practice timeFri, 21 Sep 2018 - 18min
- 1772 - SOPP292: My organ has completely broken down and cannot be repaired
This question was sent by Ruth. She’s our Total Organist student. And she writes: Ruth: My organ has completely broken down and cannot be repaired. So, I have spent quite a bit of time in looking for another. Through my teacher, I found another which is several hundred miles from here. The owner of it is willing to give it to me, but I need to pay for its transportation here. She had several persons come to examine hers. They have confirmed that it is in excellent condition. So, I feel fortunate. Meanwhile, I have been practicing on the piano. Has this happened to any of you?
Fri, 21 Sep 2018 - 16min - 1771 - SOPP291: Lately I've been having trouble with osteoarthritis in my right hand
This question was sent by John and he writes: “Lately I've been having trouble with osteoarthritis in my right hand (and to a lesser extent in my left) so my practice has been restricted to work on the pedals. Simple finger-work is basically fine for me, but holding a note(s) while the other fingers move can be quite painful. Being a pianist my pedal playing has always needed attention but it's distressing to have the hands so sore after playing.” V: How long can you play without the pain? “It varies, Vidas, but if the pain gets bad I just give up for the day and let my hands recover. If I start a session with no particular pain I can play for maybe fifteen minutes or so without too much trouble. If the texture is complicated and I'm trying (for example) to hold an inner part while another melody weaves around it that can be troublesome. I think I need to choose repertoire with more care and try to avoid anything that gives me grief. My home practice instrument has a modern keyboard action, so I don't have to deal with tracker action.”
Wed, 19 Sep 2018 - 15min - 1770 - SOPP290: My dreams are to be able to improvise postludes
This question was sent by Danielle. She writes: Dear Vidas and Ausra, I was an organ major as an undergraduate but had no background in harmony or scales. So even though I could learn organ literature, play for church services, and accompany choirs on organ, I could never improvise. Because I had no mental shortcuts (ie knowing what key the piece had modulated to, etc) the learning process was extremely arduous, and I stopped playing as soon as I could and switched to choral conducting. The stress of preparing for weekly church services was just too great. Fast forward 25 years, and now I am subbing on organ for Catholic masses, and sometimes cantoring simultaneously! Thanks to some Dalcroze training, I can now entertain the possibility of improvising. But I’m finding it to be more challenging to improvise on organ vs improvising on piano for children’s music classes. So my dreams are to be able to improvise postludes and to be able to re-harmonize the final verse of congregational hymns to add a few juicy twists. I see these goals as interrelated. The three things most holding me back are a lack of understanding of harmony, a lack of handy chord progressions to lean upon, and a lack of an organized approach to tackle these tasks. Thank you so much for your daily emails! They are very encouraging. Danielle in New York
Wed, 19 Sep 2018 - 15min - 1769 - SOPP289: I want to become a great organist and composer
This question was sent by Osei. And he wants to become a great organist and a composer, but he struggles with fingering. https://organduo.lt
Mon, 17 Sep 2018 - 20min - 1768 - SOPP288: My biggest challenges are pedal playing and registration
This question was sent by Neil. He writes: Wow—it is so kind of you and Ausra to reply! I'm honored. My biggest challenges over the last six months have been pedal playing (which I basically have not done, except for harmonic pedal-point use) and registration. My wife and I keep looking for suitable organ shoes, but my feet are wide and I don't know what to buy. So far I play in my left sock for pedal-points. Or I'll play Bach's "Jesu, Joy..." with a G pedal point, and then reach down for a low C and D for the cadence back to G (may J.S. not strike me down with a lightning bolt!). But my church only seats about 200, so the pedals don't seem to be necessary. As far as registration, I have a 2 manual Allen electronic organ, and I'm getting pretty good at finding the colors that I want, but I am not able to change colors between verses of hymns, which I would like very much to do. I think you can use the piston-buttons for that, perhaps, but I haven't figured them out yet. You see, I don't have much time at all to practice on the church's organ. I work many different jobs to support my wife and children, mainly as a librarian, and I wish I had a small practice pedal with organ to play at home. I love your phrase "the miracle of practicing"—it's so true! By the way, my grandfather, who's mother was Lithuanian, lived to 103 years old. He loved America, but he used to say "America is a business country, but Poland and Lithuania were religious countries". He was a very devout and forgiving man, and when a Polish priest told him, after the war, that his brother Peter, back in Poland, was shot on the firing squad by the Nazis for being a spy, he just said "You have to forgive them". Makes me weep just to tell that story. Grandpa's name was Hendryk Kapowicz. Great guy. Thanks Vidas! Neil
Wed, 12 Sep 2018 - 18min - 1767 - SOPP287: My biggest struggle has always been, just do it
This question was sent by Laurie and also Dianne and they both are our Total Organist students and I’ve asked the question at the end of the week “What are they struggling with recently?” And Laurie answered by writing: My biggest struggle has always been, just do it. If I can get myself to the organ bench - oh, and by the way I have a practice instrument in my home, I can have a good time practicing. But for some reason, it is very difficult to get myself to the bench. And then Dianne added: I often have the same issue. I have a practice organ at home as well, but I am not actively playing organ in any church right now... Our church only has a keyboard (and unfortunately they are happy with that). So I always feel like there are more pressing things for me to do than practice, but there are few things I enjoy more. https://www.organduo.lt https://www.organduo.lt/total-organist
Wed, 12 Sep 2018 - 19min - 1766 - SOPP286: When I'm playing Sine Nomine the 4th or 5th time through, I start to make mistakes
This question was sent by David, and he writes: When I'm playing Sine Nomine once through or twice through, I do well... but the 4th or 5th time through, I start to make mistakes; particularly at the very beginning and very end of the piece. Also, I picked a prelude that is too long, and at the end of the piece, the organ just does not want to play all the notes that are written in the music... the top notes drop out--not enough polyphony with a large registration, so I lose the melody and part of the harmony of the final cadence of the piece. Ugh.. so here I am the day before the service, and I am cutting the piece in half (there is a fair stopping point half way through the arrangement) and re-writing the end of the first half so it sounds more like it's finished at that point in the music. Unfortunately, the church is reluctant to purchase a newer organ (more capable electronic or even small pipe organ) because they are convinced that it is impossible to find new organists to play them, and there are other priorities for the money. So I am stuck with the instrument that is there and often have to modify pieces. Also on this organ, the pedals are quite noisy.... not when I press them, but when they are RELEASED. So in a piece that moves at a fair pace, like Sine Nomine, or when I'm doing a moderately fast arpeggio, like in Lyons, as the pedal is released, it hits the top of its travel and make a considerable thump, which is annoying. I don't seem to have this same issue on other organs that I play. I try to be so gentle when I play these pedals, that even if I don't want to play legato, they end up legato just so I don't hear that thump.
Mon, 10 Sep 2018 - 20min - 1765 - SOPP285: How should I play Bach on smaller church organs in buildings that have flat acoustics?
This question was sent by John, and he writes: I’ve almost learnt In dulci jubilo by Bach, your training videos have been so helpful thank you! It seemed a really daunting piece to learn, but its coming together quicker than I expected, all the sight reading has helped me and your teaching has really helped me improve. My question is how should I play this piece on smaller church organs in buildings that have flat acoustics. When I played my recital on St Johns organ in Vilnius, it was an incredible eye opening experience to play on a large mechanical organ in a huge acoustic. I came to realize how articulate legato suddenly made sense playing on an instrument closer to Bach’s time in a resonant acoustic. When I listen to other professionals play this piece in large churches or cathedrals, I can hear some parts get lost in the blend of legato. But when I play it in our church, I’m worried it sounds a bit too staccato and the gaps between the longer notes sounds a little disjointed. Can you give some advice about playing Bach in flat acoustics? Should I try to play more legato? Did Bach ever use finger substitutions? Would I have to play it faster in flat acoustics?
Mon, 10 Sep 2018 - 11min - 1764 - SOPP284: How can you detect the German, French, English spirit or accent in Bach’s suites?
This question was sent by Irineo. He writes: “How can you detect the German, French, English spirit or accent in Bach’s suites? There weren’t so many different answers back then, so how can you tell?”
Sat, 08 Sep 2018 - 16min - 1763 - SOPP283: Do you articulate all of the parts in early music?
This question was sent by William. He wrote: Hello again! Question. I am working on some choral preludes from the Orgelbuchlen. When there is a melody separated from left hand and pedal, do you articulate all of the parts? Thank you. William
Wed, 05 Sep 2018 - 17min - 1762 - SOPP282: My dream is to be able to play some of my favorite music on a good pipe organ
This question was sent by Anders and he wrote: Hi Vidas and Ausra! I´m following the information you give with great interest. I have been playing the piano for a while but I´m not very good at it, though I really love it and listening to great music, Classic as well as Jazz and Ragtime. In the last period I have started to think much about playing the organ and I've asked the local organist to give me lessons (lessons are free in the Swedish Church) and I hope lessons will start this autumn. I bought an old Electronic organ but am extremely disappointed since the sound is outright awful. It´s not what is called a Church organ, they´re much more expensive. I will throw my Electronic organ and buy some good instrument with a really good sound. The short answer to the questions are: 1.) My Dream is to be able to play "well enough" on the organ some of my favorite music on a good pipe organ. This I wish to do in a Church where I can enjoy the fantastic and mysterious sound of the different voices of the pipes. 2.) What is stopping me is really nothing except: A.) The feeling that I have no time (I do have long working days and other commitments) B.) The feeling that my wife really doesn't enjoy listening to me repeating the difficult parts over and over again. Though she doesn't complain. C.) The lack of a good instrument. And these three things shouldn't stop me. I know and I´m working on it... Now I´ll explain what I mean by playing "well enough": It´s not at all necessary for me to dream of reaching a level of high professionalism, though I fully understand and wish to play with correctness and musicality. For me it´s better to listen to an amateur playing a simple piece very well instead of some half-professional doing a sloppy job on too complicated pieces. I think that for me it will be much more realistic to find, or even better, to be able to arrange the music so it will be simple but still beautiful and retaining the real spirit and essence of the pieces. For that I obviously will have to learn about music theory and learn to play chords and their inversions etc. Maybe not so impossible. For instance i have maybe 5-6 different versions of some piece of music ranging from the very simple to the very difficult. And it´s far from always the fastest version with most notes and difficult fingering that catches the essentials! Thank god for that. I have some rather simple pieces that are really beautiful if you perform them correct and with real spirit. My taste includes classical pieces such as "Poem" by Fibich, pieces by Grieg and Delius and some very nice pieces by Eric Satie. Some jazz pieces I wish to play are maybe not very well known but some are jazz standards. I especially point out some outstanding jazz recordings made by Fats Waller in 1927 on a Church pipe organ (Estey). There has not been any recordings of jazz organ to compare with before or after these few musical pearls, so rich in harmony and feeling. Of course I will never be able to play like Waller did, far from. But maybe be able to play some simplified and still beautiful version in a not too fast tempo. In my opinion speed is not often very important, many pieces win on being played slower but correctly giving time to listen to the music. As a rounding off I wish to say that I fully appreciate and try to apply the principles of slow playing in practice, repeating until I play without faults and learning a piece step by step. Actually I was smiling with remembrance when I read through your "Organ practice is a privilege". The reason is that I already knew about the principles since my last wife was a really good piano teacher (from St Petersburg). And she applied these rules. Before she died 6 years ago I was lucky to learn the importance of these rules, though I was never a very good pupil. And it was maybe not so easy to have the wife as a teacher (she was really serious). Best of Wishes, Anders from Sweden
Tue, 04 Sep 2018 - 21min - 1761 - SOPP281: Please I need tutorials on playing varied hymn harmoniesTue, 04 Sep 2018 - 15min
- 1760 - SOPP280: I have a hard time finding pieces for violin and short octave organ
This question was sent by Ana Marija and she writes: Hello! I am going to play a recital with my violinist friend on historical short octave organ (with no pedals, 8 stops). But we have some trouble finding repertoire, that is suitable for this organ. For the solo organ part, I will be playing some music by Byrd, Tomkins, Sweelinck, Frescobaldi and Froberger...do you have any other idea? But mainly, we have a hard time finding pieces for violin and short octave organ...we would really appreciate if you could help us with any suggestion!:) Thank you for your wonderful work and help:) Ana Marija
Sat, 01 Sep 2018 - 14min - 1759 - SOPP278: Pedal Virtuoso Master Course materials arrived fast
This question was sent by Dineke and she writes: Dear Vidas, Glad with the quickly received materials, and the bonus, for the pedal virtuoso course start. Although most things went automatically, I wish you to say my thanks. Admiring your lots of work and your knowledge in digital ways. Kind regards, Dineke
Fri, 31 Aug 2018 - 17min - 1758 - SOPP279: How to accompany a singing audience during a church service
This question was sent by Rob. He writes: "Perhaps it is a good idea to help (beginning) organists by instructing them how to accompany a singing audience during a church service. Not everybody know how to accompany singing hymns etc. during church services."
Thu, 30 Aug 2018 - 18min - 1757 - SOPP277: My dream is to sit down at the organ console and play and improvise whatever I want
This question was sent by Rob. He writes: Dear Vidas, In this mail I’ll provide the answers to you questions: (that is the least I can do for the wonderful work that you and your wife do) 1. What is your dream for your organ playing? My dream of organ playing is to completely free, sit down at the organ console and play and improvise whatever I want. (my inspiration comes from people like Pierre Cochereau, Jean Langlais, Marcel Dupre, Ben van Oosten, Sophie-Veronique Cauchefer-Choplin and others). 2. What are 3 most important things that are holding you back from realizing your dream? 1) (Lack of) technique i.e. the idea that I am not “advanced enough” to take on any organ piece 2) the false notion that certain pieces are “too difficult” 3) finding enough time to develop my skills In a separate email I’d like to share some feedback with you and tell you a little bit about myself if that is ok. Kind regards, Rob
Tue, 28 Aug 2018 - 17min - 1756 - SOPP276: Feedback about Carsten's improvisations
This question was sent by Carsten and he wrote: "f I may be so keen to ask for an amount of your valuable time, I would be very interested in your professional listener's perspective feedback and honest criticism on these five specific pieces, which I consider to be some sort of personal milestones in my improvisation": * https://www.youtube.com/watch?v=XHGg5MNR_pU&index=10&list=PLYdkxyPei724Y0j84venfoRvc5gwsm8Xu * https://www.youtube.com/watch?v=mrXpVSn7Rck&index=6&list=PLYdkxyPei727ElPM5TWHznueOrcgfRl8a * https://www.youtube.com/watch?v=IRmukobxviM&list=PLYdkxyPei727ElPM5TWHznueOrcgfRl8a&index=7 * https://www.youtube.com/watch?v=Df1tLEjszZU&list=PLYdkxyPei7275-UNgjQs3RHe0zx4g3BbB&index=5 * https://www.youtube.com/watch?v=gKUoHi8QtuA&index=14&list=PLYdkxyPei7275-UNgjQs3RHe0zx4g3BbB Vidas and/or Ausra, THANK YOU SO MUCH for your patient reading... I guess I could go on for hours of writing, but I think I should leave the rest for further emails... ;-) Have a great time and God Bless, Carsten
Tue, 28 Aug 2018 - 17min - 1755 - SOPP275: My hobby of organ playing suffered a lot
This question was sent by Carsten. Dear Vidas and Ausra, I'm glad to hear from you and I'm happy as well that my donation is so highly appreciated. Please take it as my personal way to say "Thank you!" to both of you for all of your great inspiring and continuous advice, newsletters and videos, which always helped me out when I got stuck on my way to further dive into playing the organ. Apropos getting stuck: My current job of being a software developer was very demanding over the past months -- and still is, with still no time to relax within visible reach. This had a big impact on my schedule, so my hobby of organ playing suffered a lot since I did not feel like sitting down on the bench every day. Of course, I had a bad conscience about this because I remembered all of your articles about time management, being consistent in practice, taking the daily 15 minutes and so on... But in the end, to my very surprise, I was even able to improvise on some symphonic pieces for about 2.5 hours on a big IV+P cathedral organ during public opening hours -- without having played a single note for about four or five weeks before. Sometimes it seems like energy cells have to recharge for a while and it also seems that a bit of distance isn't a always a bad idea. Of course, I do not feel to have reached "concert level" yet -- but to be honest, this is nothing that I personally NEED to achieve (yeah, I take the relaxed way and do that for my personal fun and the joy of others). Also, "concert level" could mean a wide variety of things and may not mean anything to the listeners who do or even do not enjoy the music at a certain moment. What mattered in my opinion was that (a) I was present there on that wonderful organ, (b) had no fear or performance anxiety, as you called it, even with numerous visitors walking through the huge building, (c) seized the moment despite of people talking, making their phone calls (what the ?!?!?) and children screaming, (d) let a number of friends, relatives and random visitors have a good time with my music and finally (d) was able to conduct the first surround recording of my impros. If I made you curious about the result, I'd happily invite you to watch my "Dom Momente Live" playlist, which you can find on my YouTube channel at https://www.youtube.com/user/WoodyofmC . In case you'd like to keep an eye on my progress: During the past years, I recorded a number of pieces and performances for my family and friends (CDs are a great gift for any occasion...) and I'm currently in the process of creating a discography page in case one of them would like to order additional copies as a gift for his or her own friends. At http://en.wpoa.de , you may keep track of how my hobby is evolving -- last but not least, thanks to your highly appreciated mentoring! :-)
Sat, 25 Aug 2018 - 17min - 1754 - SOPP273: Would you please rate the top 10 most popular organ toccatas in difficulty?
This question was sent by Paul. He writes: Would you please rate the top 10 most popular organ toccatas in difficulty? Which is easiest? I'm sure everyone would love to know! Thank you for your blog. My top 8 organ toccatas that I like are: 1. By Pachelbel D Major (from Toccata and Fugue) 2. BWV 912 3. By Thedore Dubois G Major 4. By Boellmann Suite Gothique 5. BWV 538 D minor Dorian 6. By Gigout in B Minor 7. By Widor 6th symphony 8. Bach's D minor BWV 565. Nine and ten I will leave to you as I'm sure there are many organ toccatas I don't know exist. Would you please put these in order of difficulty? Thank you for all you and your wife do. Sincerely, Paul
Sat, 25 Aug 2018 - 16min - 1753 - SOPP274: What are the techniques for playing scales perfectly?
This question was sent by Henry, and he writes: Thank you so much for the first video you have just sent me Sir... My question is, what are the techniques for playing scales perfectly , how to play without looking the hands , how to look ahead and lastly how to prepare an organ practice schedule?
Thu, 23 Aug 2018 - 16min - 1752 - SOPP272: My biggest challenge is still to be patient
This question was sent by Jur. And he writes: My biggest challenge is still to be patient and not rush ahead in a piece before I have mastered it bit by bit. I know this is a very bad habit and this is the reason why I never can play without making mistakes. I am trying to find the discipline! Practising just one piece does get a bit boring so in addition to BWV 639 I have now also started working on BWV 731. I have practised this in the past but with different fingering, I am now relearning it with yours. Best regards, Jur
Thu, 23 Aug 2018 - 16min - 1751 - SOPP271: My dream is to become proficient at playing hymns on the organ, after years of not playing
This question was sent by Becca and Becca writes: My dream is to become a proficient at playing hymns on the organ, after years of not playing. Piano was my concentration of study. Besides serious practice, the following three things are holding me back: 1. Finding the best approach to reacquainting myself with playing the organ, in general. 2. Need to refresh the technique of playing the foot pedals. 3. A better understanding of the use of registration in hymn playing.
Wed, 22 Aug 2018 - 15min - 1750 - SOPP270: My dream is to continue improving my organ playing musically and technically
This question was sent by Juan. He writes: Hello Mr. Pinkevicius: Thanks a lot for your enormous work propagating the practice of organ. I followed your daily e-mails with special attention dissecting every sentence you wrote in the process of improving organ techniques. My case is a little different because I am man who plays piano for personal entertainment and now when I am retired from public work as software engineer I decided to explore the intricacies of organ playing and state of the art of this wonderful instrument. My knowledge of software, electronics and music had let me to begin the process of "midifying" my Rodgers electric organ aside of the adventure of playing it. And now, to answer your questions, (1) my dream is to continue improving my organ playing in musically and technically manner, and (2) really the only thing that is holding me to get my dream is simply TIME but I think with patience and good tips I can get my proposal. Going back, the reason I got your web link was because I was looking for a student score of Toccata & fugue in D minor (BWV 565) with fingering, pedaling and tips for practical study of it. So I think with the guides you sketched in your e-mails and having the work done for fingering and pedaling I can embark in such work. Again, thanks for your help and additional idea I can assimilate. Juan
Wed, 22 Aug 2018 - 18min - 1749 - SOPP269: A program suggestion for the organ with general and divisional pistons and toe stops
This question was sent by Howard and he writes: One suggestion I have for your program is to diversify the focus to other kinds of instruments especially large British and American instruments that have pistons and toe studs. A program on the recommended piston settings for a ~30 min recital on an organ with say 6 General and 6 each of Divisional pistons would be great. Thanks.
Tue, 14 Aug 2018 - 16min - 1748 - SOPP268: Solutions for back and neck pain when playing the organ
This question was sent by Lorelei. She writes: Dear Vidas, I think it might not be a bad idea considering my case, to do a podcast or an article on how to keep the back and neck pain free and hopefully injury free while practicing piano and organ etc. I must say I have in the last 5 weeks a very keen interest in the subject. Thank you for your well wishes and again, thank you for your wonderful contribution to the music world. Lorelei, our Total Organist student.
Tue, 14 Aug 2018 - 16min - 1747 - SOPP267: What software do I use to create my musical compositions?
This question was sent by Heidi and she writes: May I ask you if you use a software program to create your musical compositions? If so, I would be interested in knowing what you use, and if it is somewhat intuitive or what I’d call, “user friendly". I own Sibelius but haven’t used it since taking Theory in 2009. Hope all is well with you both, Heidi
Tue, 14 Aug 2018 - 16min - 1746 - SOPP266: It’s important, for organists to show people the instrument
This question was sent by Dan. He writes, in response to my question about how he became fascinated with the organ. So he continues: For me, I’d say even back then when I was really young, I had an interest, and fascination in the organ. And as I still do to this day, whenever I’d hear the organ played at the church i’d attended at the time, which had really nice, excellent acoustics, i’d listen to every little detail of the organist’s playing. Some friends of ours had one of those little spin it organs, made by a company who I don’t think was really known for making stuff like that - Electrohome. Whenever we’d go over there, I’d never want to get off of that instrument. It was one of those that had slightly shorter manuals than a conventional 61 key manual. They only went down to an f, so they were shorter on the bottom end, and only 13 little short, tiny pedals, which you could only play one note at a time on. But back to that organ in the church i’d attended, I one time, had attempted to talk to the organist, we’d went up to the console after a service, and I’d asked if I could take a look at the instrument, it was a two manual Allen organ, from the late 1980’s I think. She’d pretty much said no, that I couldn’t, but i managed to get a finger onto the bottom notes of one of the manuals. She’d either totally turned off the organ, or just didn’t have any stops on, I’m not sure which it was, as when I’d pressed the keys which I did manage to touch, I didn’t hear any sound at all. I was disappointed, after we’d left there. I think it’s important, for organists to show people, no matter how young, or old they are, the instrument, if they’re interested. I later did get to try that organ, but that was a couple of years later, after that first experience. Dan
Tue, 14 Aug 2018 - 14min - 1745 - SOPP265: The tempo of Alla breve section of BWV 532
This question was sent by Andrea. And Andrea writes: Hello Ausra and Vidas, Thanks for your hints and the talks you share with us! I would like to know your opinion about the prelude in D, BWV 532, from JSB, a piece I run into a few days ago, after years of oblivion past the days I studied it... As we know, the piece is divided into three parts, the second of which is marked Alla breve. What do you think about the tempo to be kept in this section? Shall we keep "Alla breve" as an indication of style, i.e. the Stylus Phantasticus, so to be played fast and virtuoso, or shall we think of it as a tempo indication, so to played crotchets in the region of 60-66? I would like to know your ideas about this... Right now I'll go playing, because "when we practice, miracles happen"!!! Have a nice summer! Andrea
Mon, 13 Aug 2018 - 16min - 1744 - SOPP264: Types of liturgical pieces for organ
This question was sent by David. And he writes: Dear Vidas and Ausra. It seems to me that there are basically 5 types of music that the organist has to be ready to play in church other than accompanying hymns and choir anthems. They are: Preludes, Postludes, offertories, introits, and interludes. Perhaps interludes aren't so common in most churches now. What are the important aspects to know about each of those in order for the organist to select or improvise an appropriate piece of music for each? Are Preludes usually longer, more meditative? Of course we know that Postludes must be played as loud as possible to prevent idle and rude chatter while the organ is playing (I'm joking, of course). But what makes a piece more suited for a Prelude, and another piece more suited for postlude. Do offertories have special characteristics? When a church uses them, what is appropriate for an introit? Are there any special guidelines that generally can be applied? Obviously every church and denomination is different, and differing themes and seasons will affect this, but I'm looking for general principals for the average service or Mass. Thank you, David
Sat, 11 Aug 2018 - 17min - 1743 - SOPP262: I'm slowly regaining my skills
This question was sent by T. P. Johnston, Jr. He writes: I'm age 66. Was a professional organist during my high school years. Had been away from the organ for about 40+ years until our church purchased a new Hauptwerk Virtual Pipe Organ, 4 manuals. Very nice instrument. So I've been working to rebuild my skills. They are coming back, but very slowly. Am only able to practice for 1 - 1/2 hours, 3 days per week, so probably won't ever get all my skill level back. But I'm making progress. Your materials are helping a great deal.
Tue, 07 Aug 2018 - 16min - 1742 - SOPP263: About pedal points
This question was sent by Ron. Hi Vidas, Do I have this right? Pedal point, as the vertical column of numbers below the chords, which can be 3s, 5s, 4s, 6s, 9s., flat whatevers to the root? Also, more than one, even two, three, four pedals held down at a time, sustained over the chords or measures? So, a 4 below a 6 in CM would be the F and A pedals, held down? A 5 and a flat 9 (flat 2nd an octave lower) would be G and D flat, maybe held down under some other dissonant chord like fourth degree (F) chord? Is my terminology correct? Thanks!
Mon, 06 Aug 2018 - 16min - 1741 - SOPP261: I wonder if you have had the experience of playing music from a tablet?
This question was sent by Neil. He writes: Hello Vidas. Thank you for all the wonderful fingered compositions you publish on your store for which I have purchased a number of. I’ve decided to purchase an iPad with a hope to play a number of the pdf files via Forscore. I wonder if you have had the experience of playing music from a tablet?
Sat, 04 Aug 2018 - 13min - 1740 - SOPP260: Our Experience Of Playing At St. Paul's Cathedral In London
Today, Ausra and I are going to talk a little bit about our recent trip to London, to play at St. Pauls Cathedral.
Sat, 04 Aug 2018 - 26min - 1739 - SOPP259: I now want to take my piano playing to a concert pianist level
This question was sent by Krampah and he writes: Thanks so much Vidas, for your advice piano playing, I can accompany hymns and quite a number of anthems for my church, I now want to take my piano playing to a concert pianist level, I have played through a couple pianoforte tutors, will I be in a rush if I am to take Handel Messiah's pieces and play through them, or I should work more with the beginner pianoforte tutors to sharpen my sight reading before?.... Thanks in advance for any considerations.... Best Regards Krampah
Wed, 01 Aug 2018 - 15min - 1738 - SOPP258: You inspired me to "go public" with my journey learning organ improvisations
This question was sent by Ben, and he writes: Hi Vidas, I just wanted to send you a quick thank-you note. Not only did I learn many a piece with your fingerings, and carefully read your newsletters and listen to your podcasts, but you inspired me to "go public" with my journey learning organ improvisations. Last week I posted my "organ/music diary" (http://my-music-diary.com) to some online organ groups. I've already gotten plenty of hits and great feedback. But just wanted to let you know that we organists are indebted to you for creating a great online forum for all organ lovers. Kind regards, Ben
Wed, 01 Aug 2018 - 19min - 1737 - SOPP257: please teach me to do full pedaling in organ
This question was sent by Glaiza. And Glaiza writes, “Hi, please teach me to do full pedaling in organ.”
Tue, 31 Jul 2018 - 17min - 1736 - SOPP256: My Boellmann’s Suite Gothique performance at church went alright
This question was sent by Jeremy. And he writes: "My Boellmann’s Suite Gothique performance at church went alright. Everything felt comfortable before the service, but some wrong notes crept in during the service, particularly in the Minuet. The Priere went really well. One small mistake that is bothering me occurred at the transition into the g minor section. A parishioner did approach me afterwards and thanked me, which was really nice."
Tue, 31 Jul 2018 - 15min - 1735 - SOPP255: Most difficult are the physical challenges and the lack of motivation to practice
This question was sent by Heidi and she writes: Since I have imposed upon you again with a lengthy answer to what I’m sure you thought was a question that would have a succinct reply, I will reduce my desires into a few bullet points: (although I’m glad you know a little bit more about who I am) * I wish to expand my grasp of Theory to enable me to learn Improvisation * Most difficult are the physical challenges and the lack of motivation to practice because I get discouraged when I remember how I used to play. I still play well, just not as well as I was able to, and I remember that whenever I play. It is a blessing, and a curse! * My wishlist: Training materials and perhaps video? 😃 for the Bach’s Passacaglia and Fugue in C-Minor.
Tue, 24 Jul 2018 - 15min - 1734 - SOPP254: How to find people who are interested in your music?
This question was sent by Gene, from http://generoberson.com and Steve from http://organbench.com. They want to know, “how to find people who are interested in your music.”
Tue, 24 Jul 2018 - 16min - 1733 - SOPP253: I am enjoying very much browsing your Course Materials and making downloads
This question was sent by Heidi, and she writes: Dear Vidas and Ausra, I am enjoying very much browsing your Course Materials and making downloads. My situation involves the fact that my children are grown, and my grandchildren are grown, the youngest is 14 years. For so many years having children and grandchildren blessed me with much to look forward to on a daily basis and kept me very busy. I am less busy with them now, and so I think God put Vidas in my life to give me the courage to embrace what I love so much, having the confidence again that someone with a special gift for teaching, and one who is qualified on every level is there to guide me. Thank you doesn’t even come close to expressing my gratitude! When downloading the materials, there is one aspect that I am having trouble with. How can I save/download your YouTube videos? Much of your training materials are presented on video, which is great, but I can’t figure out how to get the video onto my computer. Is there a special way I need to login to YouTube to download your training videos?? Will I learn as quickly as your other students??…perhaps not. But for me that is not the point. I will be doing what I feel I was called to do. Here is my all-time favorite quote. I have it printed and sitting on my Johannus Organ at home. I think of it every Sunday as I sit on the organ bench at church. Here it is: “If you are called upon to play a church service, it is a greater honor than if you were to play a concert on the finest organ in the world — thank God each time when you are privileged to sit before the organ console and assist in the worship of the Almighty.” Albert Schweitzer I humbly thank you for helping me become all I can be in service. Hope you both are having a great weekend! Your friend, Heidi PS In one of the videos with both of you, I think you are sitting in the living area of your home? Anyway, the room looks so cozy! I too have many treasured pieces from my parents born in Germany. Vidas, it touched me to see what I believe were a few of the wonderful paintings by your Father which are hanging on the wall? We keep those we love alive through these treasures, right? A very warm and love-filled home environment!
Tue, 24 Jul 2018 - 20min - 1732 - SOPP252: Speed is a wonderful gift to have, but speed is an illusion
This question was sent by Steve and he writes: Good morning Vidas, Another very fine podcast topic, very helpful, and thank you for posting. A couple of additional thoughts came to my mind as I listened to the podcast ... When I pedal this piece, I keep in mind the type of organ for which it was written. On French organs there's a stiffness in the pedals, because of linkage, that makes it a little more difficult to use the heels in rapid passages. Using the toes allows you to lean into the pedal more. So, with the opening theme, I keep the pedal legato with the right toe on D, stepping over it with the left toe taking C and Eb. Same with the F and Gb, I use the toes only ... right toe on F and left toe on Gb. The left heel could be used on the first note C, but if we use the right heel on D and F it's more difficult to get those 16th notes short enough, especially when the tempo is faster. I don't play this Toccata extremely fast ... for many reasons, but one reason is so I can get those 16th notes in the theme just right. It's hard to take in the countryside at 500 mph. It's the same with music. I've heard many organists using the heel on D with phrasing that isn't written into the score, who detach the C's and Eb's and hold those 16th notes on D too long. This changes the character of the theme completely. I also nuance the music at important places by inserting pull-outs (stretch-outs), with a slight slowing of the tempo when something else starts, like with the return of the theme in the pedal toward the end. Those big pedal octaves have to come out clear and even, and can't be taken too fast to give those big pipes time to get on speech. The ankles have to move very quickly here with both heels on D and be synchronized with each other, which automatically sets certain technical bounds to speed. A slight slowing of the tempo also helps to get those arpeggios in the hands to come out clean and clear. Speed is a wonderful gift to have, but speed is an illusion. The instrument in its own acoustical setting will suggest its own tempo by the way it breathes and responds to the organist's touch. Racing through this Toccata at tornado speed is something I avoid like the plague. That's virtuosity, but not serving the music. I'm a clarity guy, and it's just what sounds best to me. Steve This blog and podcast is supported by Total Organist - the most comprehensive organ training program online where you will find courses for every area of organ playing, including technique, practice, sight-reading, repertoire playing, hymn playing, improvisation, composition, music theory and harmony with hundreds of scores and thousands of exercises. To become a member of Total Organist, get your 1st month free and start supporting this blog, go to http://www.organduo.lt/total-organist. Also, if you haven't yet subscribed to receive free updates of this blog, make sure you do that at http://www.organduo.lt. By subscribing you will also receive free video "How To Master Any Organ Composition" and 10 Day Organ Playing Mini Course.
Wed, 18 Jul 2018 - 15min - 1731 - Practicing very slowly Two-Part Invention in C Minor, BWV 779 by J.S. BachWed, 18 Jul 2018 - 05min
- 1730 - Improvising on Genevan Psalm 32Wed, 18 Jul 2018 - 03min
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