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Race/Remix

Race/Remix

Racial Justice Studio

What is racial justice in the arts? How can artists, performers, and producers inspire new possibilities? Through deep conversations with guests, Race/Remix shapes the creative landscape of racial justice. Spanning topics in media, culture, healthcare, justice systems, immigration, and education, Season 1 offers critical insights by pairing creators and thinkers across disciplines and ideas. Share in the provocations. We invite you to join the conversation. Our first season launches this December 2023. Race/Remix is produced by Racial Justice Studio on the traditional lands and territories of the O’odham and the Yaqui people at the University of Arizona. Committed to diversity and inclusion, the University strives to build sustainable relationships with sovereign Native Nations and Indigenous communities through education offerings, partnerships, and community service. Find out more on the Race/Remix website, building knowledge one conversation at a time. Cover art and logo design by Deborah Ruiz.

7 - Episode 6 Making the Story Speak: Reid Gómez
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  • 7 - Episode 6 Making the Story Speak: Reid Gómez

    Can language practices break down the separation between “us” and “them”? Reid Gómez, a native speaker of Black vernacular English and Navlish (Navajo-English), shares her multi-lingual writing practice. To “make the story speak,” she criss-crosses the boundaries between languages, embracing various linguistic structures and vocabularies simultaneously. Her writing moves away from oppositional colonial frameworks and toward a more fluid poetics of relation. This allows each of us to perceive one another as related rather than separated. In this final episode of Season 1, she explores the idea of “quantum entanglements” and shows how the relationship between writing, translation, and the nature of being are not fundamentally different.  Dr. Gómez is a writer and scholar from San Francisco, CA. She currently is an assistant professor at the University of Arizona. Her latest writing project, The Web of Differing Versions: Where Africa Ends and America Begins, engages with Silko studies, Indigenous studies and Critical Black studies.

    Mon, 26 Feb 2024 - 37min
  • 6 - Episode 5 Everything Goes Back to an Immigrant: Anike Tourse

    What is it like to navigate a world where “no papers” means no identity and no public recognition? For immigrants traversing such a world, are human connections even possible when faced with forced family separation and deportation? Anike Tourse's filmmaking brings audiences into the human dimension of navigating the complexities of US immigration. Through collaboration with the Coalition for Humane Immigrant Rights and other organizations, she makes work that raises awareness about immigrant contributions to society. Anike Tourse is a writer, director, actor, and producer based in Los Angeles. She has written for One Life To Live and Girlfriends, which are among the first television series to primarily feature a multiracial and socioeconomically diverse cast of characters. She wrote, directed, and starred in the 2023 film America’s Family that sheds light on the tumultuous experience of a family whose teenage child is arrested following a raid by U.S. Immigration and Customs Enforcement agency.

    Wed, 31 Jan 2024 - 37min
  • 5 - Episode 4 Artists Reworking the Ruins of Racism: Aaron Coleman & Lizz Denneau

    Visual artists are skilled at taking ordinary materials and transforming them into something new and thought-provoking. Their work goes beyond aesthetics; it unearths histories, challenges perceptions, and sparks crucial conversations. In the US where racism is endemic—structured into the everyday existence of individuals and institutions so as to appear ordinary—how do artists rework the remains of racism and resist its traumas in the present? In this episode, Aaron Coleman and Lizz Denneau exhume their multiracial pasts using DNA tests, ancestral research, personal experiences, and artistic expression. With a potent mixture of pride and pain, the two artists reveal the rewards and responsibility in making art that challenges and corrects historical fictions. Lizz Denneau is a Tucson-based multi-media artist and K-12 art educator. Her artwork draws from personal and global histories to express diverse themes of identity, memory, and race. Her teaching incorporates contemporary art methods, visual literacy, and social justice.  Aaron S. Coleman is the Kenneth E. Tyler Chair and associate professor of art at Indiana University. He makes prints, paintings, collages, sculptures, and installations that connect historical events to the current sociopolitical climate.

    Fri, 12 Jan 2024 - 34min
  • 4 - Episode 3 Restaging Classical Music for Social Relevance: Monica Ellis and Toyin Spellman-Diaz of Imani Winds

    How are classical musicians speaking to the times in which they live? Band kids turned classical virtuosas, Monica Ellis and Toyin Spellman-Diaz have performed with Imani Winds since its founding more than 25 years ago. True to its beginnings, this predominantly people of color woodwind ensemble continues to break new ground with their socially relevant programming and physically demanding musical repertory. In this episode, they share personal and poignant stories filled with justice-minded strategies that will inspire instrumentalists to compose, collaborate, and commission works of consequence.  The twice GRAMMY nominated Imani Winds has premiered numerous works by contemporary composers of color, contributing to expanding the wind quintet repertoire. The group’s role in transforming classical music is recognized with a permanent presence in the Smithsonian National Museum of African American History and Culture in Washington, DC. The music featured in this episode is from the album "Bruits" produced by Bright Shiny Things: Bassoon Example: Sometimes: I. Prolog Oboe Example: Bruits: V. masse Frederic Rzewski Example: Sometimes: II. Sometimes Vijay Iyer Example: Bruits: I. gulf

    Fri, 15 Dec 2023 - 36min
  • 3 - Episode 2 A Typeface For Change: Silas Munro

    What do iconic movements like women’s suffrage, Civil Rights, queer liberation, and the Vietnam war resistance have in common? They tapped into the power of words and images to convey messages of protest that changed the collective imagination and direction of history. For LA-based designer and educator Silas Munro, there is “no shortage of opportunities for design to be part of the conversation of social justice.” In this conversation with Munro, we learn to use the subtle yet powerful techniques of lettering and type to tell new stories that inspire justice. Silas Munro is currently faculty co-chair in graphic design at Vermont College of Fine Arts and author of Strikethrough: Typographic Messages of Protest.

    Fri, 01 Dec 2023 - 30min
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